Friday, August 9, 2019

Nine (nein)

For me there has always been something about the number '9' that brings a kind of recognition.  Yes, it is my birthday 'number', but that always felt more like a synchronicity than a reason for numeral kinship.  I liked the way it looked, the way it mimicked the six, the way it embraced the perfect three threes...  To turn nine years old on the ninth was childhood-sacred (I remember when my little boy turned seven on the seventh).  I was a winter baby and my parties, in those rougher weather-years, were often cancelled because of snow, or flu or chickenpox epidemics.  My Mom made a funny tradition of celebrating my 'half-birthday' on August 9ths.  She'd give me a half-cupcake, half of a card, one bookend-- things like that.

On this day in 1962 I turned 9 1/2... it was a poignant time: the Beatles were getting ready to change pop music.... Kennedy our president.  I was away at summer camp-- a time for reflection, nostalgia, some suppressed homesickness-- and a realization that I 'needed' the city.  I was urban-anemic.   Marilyn Monroe had just suicided which touched me;  Arthur Miller was my great uncle on a side neither of us cared to own, but it made the drama 'real'.   I was already touched with pre-teen 'noir' and heard melodies in my head: Soldier Boy... Johnny Angel... She Cried.  At home, my Mom was listening to Moon River and realizing her housewife dreams were going to have to be supplemented with other things.

At camp we put on an elaborate production of the Wizard of Oz.  I had won the part of Dorothy... we spent long weeks rehearsing and my parents were allowed to visit for the performances.  They filmed everything, although the soundtrack somehow is missing.  The video footage that remains is shocking for me-- I remember being inside that person, but to look that innocent-- with the braids and the little sailor dress-- seems unlikely.  There is a shot of my sister in the front row-- weeping, as I sang Somewhere Over the Rainbow.  It is the last incident I can recall of my sister showing any heartfelt emotion.  For years I tried to process this as evidence of love, or at least a kind of soul.... but it sits there, like an old tin can in a puddle.

I thought about my half-birthday today--- the way time is telescoping and tumbling forward.   Despite the marks we make, like bent pages in a book, it doesn't much change things.  August was a sad month as a child-- it was full of moons and drifting rainclouds-- drawn-out sunsets and lonely nights at a lake or a beach where I didn't really belong.  I craved library bookshelves and museum walls and subway noise... I missed phantom and real boyfriends... my turntable, solitude.  My Mother died two Augusts ago with little understanding of the world, toward the end.  It is a loss I will never overcome.

The events of this week have tainted August forever for so many families.  On a day when even global warming seems to have taken a breath to let us fathom sorrow... I find it harder to process the relentless juggernaut of violent hatred that seems to breed from the selfish nature of this political climate.  It is as though every senseless act of cruelty and killing has numbed some of us rather than incited reaction.  As a human here-- an aging human-- I feel small and unimportant.  All around me, daily-- and certainly on our screens, in conjunction with these shootings-- there are acts of heroism-- human instincts that are pure and good-- and yet the screenshot remains...

There was yet another story this morning of an 'unknown' songwriter suing a rockstar for copyright infringement.  Three notes, it is, this time... as though the clich├ęs and dumbing down of pop music is not enough,  there is competition to own this lack of originality.  I've written songs and had several of them 'pirated'.... but what is the point, really?  There will be lawyers-- money, youtube comparisons and mash-ups.  And which one is better?  Both of them seem equally derivative and weak... just one is well produced, with all the bells and whistles, the make-up and fashion and the machine of publicity and social media.  So some poor unsuccessful singer wants a small piece.  Let him eat cake, I say-- a piece of the half-cake I used to get on this day when I was small.

During the brief moments I made it outdoors today, the Somewhere Over the Rainbow melody came to me, walking along the park after a quick storm-- my August souvenir.  Like it or not, it was a song-- written for a story which I knew well from bedtime readings... but with a silhouette-- an identity.  Things had some identity then-- a core-- a reason, a unique 'shape'.  There was no cutting and pasting-- you had to stand up and sing-- live.  You had to type letters and schoolwork and page through books and run and jump rope and learn how to save people in the water.

My son's basketball team won the championship.  Yes-- in the park in Brooklyn, on the asphalt, with hoops and balls and their brave sportsmanship... they fought and won.  Aside from the on-court soundtrack of Hip Hop, and the sneakers, it could have been anytime, USA.  What I felt was their breathtaking heart, their body and soul and drive all at once, jumping and leaping and catching and passing and dunking... the '9' of them, I call it... no tricks, no twitter-- just sweat and flesh and talent-- real talent that will ultimately dissolve into the tough universe of athletic anonymity.  I see men every day-- tall men sitting out in their collapsible chairs along Lenox Ave... with their canes and their injuries.   They, too, once ruled the courts, briefly... never reaped enough to get them out of the projects... and I sense the shadow of the power of '9' in them, too-- maybe for them a 5 or an 8... but they had it.

The half year until my next number will pass as quickly as a galactic second.  What I will manage to do with this is a mystery.  I can almost guarantee I will witness violence, will lose someone dear-- something dear.  I can only promise I will try to stand on my 'core', I will try to create my own templates and support the good of others.  I will be the 'ninest' I can be; it seems so simple-- if only it were... if only we could find some common starting line-- some core, some championship...  to take our individual pulse at the half... and make the rest count.

Wednesday, July 31, 2019


Saturdays have become classic movie nights in my household.  Either post-gig or not, it's still a work day and I try to clear my mental clipboard in the 3-5 AM time slot watching something from either my or someone else's past.  The television somehow offers plenty of quality films, without pay-for-view.  So last week I picked The Great White Hope.  I'd been fortunate enough to have seen that on Broadway, with the larger-than-life James Earl Jones, and Jane Alexander-- live-- in the lead roles, well more than 30 years ago.  It was brilliant-- resonant-- devastating.

Yes, I've been re-reading (the great) James Baldwin... Richard Wright-- but watching the theatre version of hard-edged racial tragedy was jarring and upsetting in a way I'd not expected.  In context of the current discussion of reparation and debt... everyone needs to go back and re-evaluate their African-American history course.  The juggernaut of the 'Me Too' movement stirred up some memory of that book title (acknowledged in a Lennon/Ono song) Woman as Nigger.  Even my laptop did not want to type out that phrase.

Now I'm a white woman with a prosecutable Me-Too incident of my own-- a life-warping, hideous, morally reprehensible, humiliating disgrace I have never brought much to light because, as we women well know, the procedural justice process can double-indemnify the victim.  We are sole witness... testifier, prosecutor, injured party-- and we set ourselves up, in the legal system, for the pillory.  Ask Robert Mueller.  But the ethnic and massive cultural wrongs against a group of people brought here as captives-- against their will--- enslaved, mistreated, and then left-- misplaced, without tools and respect in a foreign country-- unable to go back to their homeland, deprived of comfort and dignity-- and identifiable and stigmatized by physical characteristics that were interpreted by status quo as 'less-than-equal'-- well, it's a disgrace beyond comprehension. For most of us in the current culture where Beyonce is American 'royalty'... Hip Hop dominates the music industry-- fashion-- this is not simple.

Maybe the largest lesson of the Trump presidency-- and I see it as a huge disgusting presidential finger in my face every day-- is the survival of racism.  It's still everywhere.. in spite... despite.
I grew up a relatively privileged little white girl in New York... I had an Irish nanny some of the time, but like most middle-class households in the 50's and 60's.. we had a black housekeeper.  I've written about her many times-- more than a caretaker, she took me to church, sang to me-- loved me in a way no white mother ever did... I used to pray I'd turn black and live with her.  I envied the kids in the projects-- they had a community-- they hung out summer nights playing ball wth friends-- they barbecued and every night seemed like a party.  It seemed so 'safe'.  Little did I understand.

I married a black man.  My first husband-- yes, he was kind of a rockstar.  I'd never dated or been intimate with anyone but white men-- and it was different-- the chemistry was undeniable and the ceremony was like a dare.  I was actually surprised not one member of my family showed up at the wedding.  My parents had seemed like liberal democrats... no, they had no black friends; the soft boundary between me and our housekeeper made my mother nervous, I could see that;  I never told when I went to hang in her 'hood.  And as an aside-- no one in her hood ever made me feel unwelcome or different.  She referred to me as 'My Aimesy' and I loved it.

Was I trying to prove something?  I was not.  I loved the guy.  I was disowned by my family.  They clearly and verbally pronounced that they had one less daughter-- the Princeton/Harvard daughter.  Why was I surprised?  This was bigotry and racism in my own little clan.  It was real.  Was it difficult?  It was.  Even in Harlem people looked at us funny.  He had dreadlocks then and that was not part of Northern American black culture.  We went on a car trip and people in rural New England yelled out their windows at us-- 'Bob Marley go home'.  My girlfriends asked me inappropriate clinical questions about physical traits and ignorant narratives.  I learned things.  Among his people I felt comfortable-- but it was clear they would have preferred dark skin.  We struggled with the normal marital difficulties of rock musicians touring-- separations and misunderstandings... there was no communication technology in those days... just a rotary telephone and letters.

In the end we divorced... yes, we are still very, very  good friends; I am godmother to his 'black' children with his black wife.  I next married a British journalist-- couldn't have been much whiter-- and he was a 'dog' of a husband-- a cheating, hard drinking rogue who never paid a ha'penny of child support.  In the end-- a white non-present baby-Daddy with ghetto behavior.  Do I have the right to talk about racism, bigotry, issues?  To draw conclusions? I do not.

My son who is white British-American might have preferred to have been born black.  He was immersed in basketball culture and Hip Hop from an early age.  He was an incredibly talented young athlete-- was recruited and acknowledged-- and once snapped at me that he had zero chance of becoming an NBA player because of his color.  Not true, but it was his teenaged truth; he was occasionally the only white boy in the better leagues.  His friends are racially diverse in a way that should be normal here in our country.  He was raised just a few blocks from Harlem, and I often walk the streets of my James Baldwin world, remembering and fathoming.  The idea of being a cultural icon in those difficult days, where incarceration and physical threat was a constant-- where inequality and injustice was so ingrained no black person could walk safely down his own street.  Where-- then as now-- white authority represented the biggest threat of all.  Life-stopping.

Last week in the rain I went to cash a check at my bank on 126th Street.  They insisted I remove my hoodie... for the cameras.  Me-- an old white lady.  I retorted I had a hole in my head that would make the customers wretch.   In the end, they let it go.  I showed my ID.    I don't know where this fits in, but it sits there on the pile of racial profiling nonsense we all walk among in this century.  If I'd been a young black man I would have kept my mouth shut-- or I might have given the security guard a reason to put me in a fatal chokehold.  I thought about this on the way out-- how I had the freedom to make a disrespectful quip at what I found a ridiculous and inappropriate request.  

Tension has lightened a bit in the 21st century, but it's still there.  It was still there Friday night when I walked uptown to buy groceries and a kid was shadowing me on the street for whatever reason.  I apologized, in my heart, but I crossed the street.  One hour later on my way back, he was handcuffed and bent against a cop car.  Was he guilty?  Was I guilty? Me and my stupid James Baldwin and my compulsive apologies and my love of blues and black men in white T-shirts...

Wednesday, July 24, 2019

Promises, Promises

When my Mom was alive, we had this annual personal New Year's Eve ritual. Wherever I was-- wild party, gig (usually), even at college or in El Salvador (once in the 1970's), I'd call her up and she would promise (yes, promise) that this was going to be the 'year of years, that brilliant things were going to happen, blessings fall like magic stars and the fairy-tale would come true.'  Something like this.  I would hang up and feel great about my future.  It was a kind of spiritual medicine.

I'm not sure if it was those childhood experiences in Holy Family Church with my Irish nanny, or the osmotic indoctrination by my Italian Catholic neighbors who warned daily of mortal sins and an eternity in hell, but I took my promises seriously.  Most of my friends, and my son, will testify that if I have promised something, I never fail them.  Not that this has not cost me a great deal of angst and often absurd attachment to things I held together with wires and nails or needles and thread-- safety pins, pie dough.  Cakes baked on a campfire, gifts sewn by hand, trips to nowhere at great expense, and some pain and tough rehabilitation.

Not so the rest of this world.  People like me, people who take words seriously, are in the minority.  The fake news is old news for us; we have been not just disappointed and duped but personally injured by liars.  'Campaign-promise' has acquired the status of crocodile-tears.  It's something you say to get what you want, like all those men in our lives who swore up and down their eternal love.

I promise I will be back, I tell the homeless man who is nagging me for a sandwich again.   All I have is foodstamps and he smashed his hands again, hitting the wall to relieve his bi-polar mania; they are bandaged and the jar of peanut butter and loaf of bread is unmanageable today.  So I walk the 21 blocks home, wrap up a few in plastic, walk back in the stifling evening heat.  No one ever comes back, baby, he says.  Not from the final walk home, I joke...  but this time-- well, I did.  I promised.

My baby boy was born amidst some turmoil in my marriage-- the devastating realization that although my English husband solemnly promised to love me 'to the exclusion of all others', this was not to be the case.  Forget the 'till death do us part'.  No one really expects that these days... but after producing his heir (yes, I'd promised to marry him and have his child) which he'd promised to care for so I could continue my career path-- my gigs and recording contracts-- he was montaging into an alcoholic mess of irresponsibility and drama.  I looked at that baby, the first night home-- me, who'd had to sit in on the 'new fathers' class at the hospital where you diaper a doll-- and I promised him-- whatever it is that is bothering you, whatever is making you cry-- I will figure this out.  I will do it.  At that moment he was on top of a vibrating clothes dryer in the laundry room (a remedy for colic) and he seemed to open his little eyes and relax.

Not that I am a saint by any means; I am a writer and a reader and I respect 'the word'.  I suppose God never promised anything; he spoke, he acted (or failed to act).  Promises are mortal things.  Oaths of office and swear-ins, vows and contracts are human inventions which are necessary in a world that assumes the eventuality of falsehood and failure.  Our president is a walking ball of tangled yarns-- the elephant-lie in every room, the cardboard cartoon character with a skin costume and an unremovable wig.  What is this country if we cannot apprehend its signature villain, trap a crazed animal and keep its prey safe?  No one promised us goodness from the government.  Some of us made these assumptions when we were small.  Our first-grade history teacher read the tale of the first George W. confessing to chopping down a tree; we grew up thinking this was not just presidential but 'precedential'.

From my college graduation, I was forced by my tough father to commit to an old-school major-medical policy.  It covered anything the standard hospitalization didn't... and built in was an annuity to begin at 65, life insurance.  I paid into it every year.  The premiums increased.  I complained.  My agent was a woman named Mildred Kornhauser.  She worked from home-- from her voice, I had an image of a Joyce Carol Oates type.  She convinced me every year-- these policies were obsolete after 1975.  They were air-tight and irrevocable.  The company was The Equitable.  It could have been on the PanAm building.

My friends know how I struggled through the single-parent years.  How we had no vacations, no movies, no dinners (occasional Happy Meal on a holiday), how we walked-- how I worked, how I picked up and dropped off every single day, managed to barter some skills for camps and sports programs... worked nights while he slept, etc.  But I paid my premiums.  For 45 years?  I called Mildred Kornhauser, we negotiated, raised deductibles... but I kept up, knew I'd have a little security as I grew older-- the comfort of extra medical assistance-- private nursing, a better network of physicians for me and my growing boy.  The annuity.

When The Equitable was bought by AXA, Mildred promised no change in anything.  After all, the policy was irrevocable.  But several years ago... I was informed that it was discontinued.  Just like that.  The AXA executives party in the Hamptons and on Donald Trump's golf courses; but me-- my annuity vanished.  Some nights I lay awake and calculate... in the 40-some-odd years I paid in something like $250,000.  Mildred Kornhauser, God rest her soul-- was dead.  She probably earned very little in her lifetime-- I always pictured her wearing an old bathrobe and eating a packaged donut dipped in Maxwell House when we spoke.   My new agent was an electronic prompt.

And oh, yes, there was a class action suit.  I received exactly $572.  Yes.  Annuity?  I will spend my senior years the way I spent single motherhood--- lying awake, thanking God for health, praying, wondering how I will manage to keep my home, wandering from supermarket to supermarket, stretching out my food stamps the way these homeless men cannot seem to do, and I don't blame them.

So when I saw the negotiated Facebook fine of $5 billion... well.. who gets that money? The $2.5 billion remaining after lawyers have taken their share, and closer to $1 billion by the time everything else is deducted... certainly not anyone who was actually hurt or compromised? And the Equifax settlement?  The company that promised security and protection but violated your privacy?  Would Mark Zuckerberg even notice a $5 billion debit in his account? maybe his accountant would.  Maybe Equifax would send him a text-alert.  It reminded me.  Equifax.... Equitable...

For those of us who pay on time, raise our children without support, carry on responsibilities, take out the trash for our handicapped neighbors and feel committed to our life projects, however much this costs in emotional and financial sacrifice... what reward is there?  The universal promise of death lies ahead for us all... And yet there is the soft blanket of the word when someone whispers it in our ear.  Yes, it changes our chemistry, that word-- however it has been beaten and distorted so that its meme might look like a question mark, however it has been infused with killing irony and a unique kind of weapon. I would still give anything to have my Mother's voice come through my phone as I did one July night when the fireworks reminded her of New Year's Eve.  I must call my daughter Amy, she must have thought.   It made sense-- through her dementia and confusion... in the heat, she left a message promising a wonderful year.

Wednesday, June 26, 2019

Post Post-Partum Post

Walking in East Harlem today, summer Fahrenheit beginning to assert in the city mix, the uptick from air conditioner exhaust... a young mother with one baby in her arms, another at her side tugs at her tank and points toward a bakery.  'Did I tell you to shut your mouth?' and she whacks him-- hard... across his ear... his little face scrunching into a silent wince, tear-tracks clearing a clean line down cheeks stained with a long-day's soot and play-dirt...

Babies are little heat-machines... any woman who's carried inside or outside well appreciates the relief a stroller allows, cumbersome as they can be on public transportation.  And children are simply overwhelming-- especially when echoes of your old carefree life creep in like passing car-music-- some 5-inch heels you crave in a store-window... your baby-daddy taking just a little more time to pick up the Happy Meals...  and all new mothers know the shock of cataclysmic hormonal changes--  swimming in estrogen as you are during pregnancy, small issues ride over you like candy... but suddenly you are sweaty and cranky and exhausted and your front door feels like a prison gate.

I noticed this week Alanis Morissette doing the talk-show rounds-- maybe some promo for a coming album... proudly pregnant and bringing her rock-star confessions about post-natal depression.  The Queen of TMI whose well-produced radio-ready emotional cries occupied a generous portion of the 90's airwaves... now the spokeswoman of depressed new mothers.  Who else--Cardi B?  Brooke Shields a few years back?  The society of botoxed, fashion-elitist, nannied, chauffeured, and all-around privileged-- now earning talk-show and book-income as conflicted mothers.   Somehow this high-profile whining doesn't move me.  Even Khloe Kardashian, publicly humiliated by the father of her new baby-- deals with billionaire motherhood.  I salute you, Khloe-- victim of the same insulting behavior so many of us have passed through.  You are a role model.   But my hot friend today with the two babies and God-knows how many at home has no glam squad.  What she does have is food stamps and a place to live in the Projects, unlike some.  What she does not have is help.  Tutelage.  Someone to listen to her. NEI (Not Enough Information).

When I had my son I was already 36.  My career had taken a positive turn-- my record was doing well in the UK-- I had a huge deal on the table-- and then I found myself pregnant-- unplanned, unwarned... with a young husband who pleaded and begged and promised to become the Mister Mom every working woman dreams about.  Okay.  I toured-- I performed-- I wrote, I signed deals, made promises.  The baby came-- my husband, as was his custom, was drinking heavily.  The doctor threw him out of the delivery room and I met my son for the first time as I was to live most of his childhood-- alone.

Okay... many, many dramatic episodes as only the finest British actors can play them... in and out, drunk and sober, on his knees, on planes, on telephones-- with and without flowers... and I found myself back in New York with a baby-- the ultimate heaven-blessed gift of nature-- a healthy, perfect, adorable little boy-- and a heart-splitting slam of psychological claustrophobia that felt like a perpetual car-crash.  Unwilling to share with anyone this sense of abandonment-- failure-- inverted joy, whatever... I wandered the streets of my neighborhood at night with my stroller-- up and down-- in and out of 24-hour stores with my little sleeping bundle... trying to walk myself into exhaustion... but when I returned home, I couldn't lie down--- I couldn't listen to records-- it was too memory-soaked-- or even watch television-- it was like being assaulted.  Reading was impossible-- when it rained I'd talk on the telephone, or move us up to the laundry room where I'd count headlights on the wet asphalt outside and wish I was a passenger.

One night I was so exhausted I was maybe hallucinating, worrying I'd neglect some crucial baby-caring task-- and I wheeled us into a Mental Health clinic.  I need to see someone, I said.  The intake process was weeks.  I am not going to make three weeks, I announced, and while a nurse carefully lifted the baby into competent arms, they sent me upstairs to the facility director who told me he thought my thyroid was completely out of whack.  The diagnosis-- an educated stab in the dark and a kind of pretext-- gave me a little relief... and just confessing to this stereotypical Psychiatric Neurobiologist with a bowtie and a theory... was therapeutic.

What they did not diagnose then was this postpartum depression or postnatal or whatever biological or emotional havoc these things wreak on women.  Coupled with my missing husband and a disintegrating marriage, an abrupt change of lifestyle-- I was used to playing in clubs, hanging out until dawn--- wilding and feeling like an uncaged animal.  Or after breakups-- tough days--- you'd go out to a bar, listen to other people's issues, drink surrounded by good music and flirt a little with a cute bartender who reassured you the future was going to be so much better than the present.

I survived... no meds, no prescriptions--- a few sessions with a therapist while a nice intern played with the baby through a glass door... and of course I never had the urge to hurt my child... I loved him all the more, never drank, never left him even for a second-- I nursed my own wounds and failures into a scar of motherly fortitude and managed somehow, through free clinics, $1 bags of doughnuts, and Goodwill stores, to get through the challenges of babyhood.  Yes, Alanis.  No herbs or oils or mountain retreats.

So I am less sympathetic to the whining celebrities on television-- with their perfect makeup and clothing, looking like cover plates and talking about their tough life... while a gorgeous husband, a team of nannies and assistants waits at home with a clean bathroom, freshly washed crib linens and perfectly mashed organic baby food.  Walls of sympathy for Beyonce and Cardi B-- more than I earn in a year for an appearance to raise awareness of this syndrome.  Did my mother and grandmother not suffer?  Surely this is not new--- what is new are the meds and treatments which earn some people money.  The public whining-- the celebrity confessionality which fuels Instagram and social media like nothing else.  Tiny tragedies-- nothing bloody or gory... just infidelities, rehabs, breakdowns-- that kind of thing.  A little postpartum retrospective, to give some credibility to the perfect image.

Motherhood is hard; single parenthood is long and relentless.  Even when you are sick, there is no relief.  And when something wonderful happens, there is no one who claps their hands with you.  I was a mature woman.  I had no money, nor public assistance, but I had some experience.  For these young unprepared girls without role models there is little comfort.  They have traded their girlhood and their freedom for a dream of family that mostly deteriorates with time.  Every day we hear about abandoned children, hurt and abused children.  I try to understand the sorrows of the mothers-- not to condemn them.  There is help, but not really.  You are in this or you are not.  God save the society that disallows abortions and thereby fails to protect children from suffering future neglect.  I know very few women who have not made these difficult choices, in favor of a life.

It is Pride weekend.  When my baby was young, a gay couple moved in down the hall from me.  They were very handsome and very much in love but withering and sick with AIDS.  They were also so kind and loving... they loved the baby so much and came often in their pajamas just to hold him.  One died and the other threw himself off the balcony; I missed seeing this by seconds... but I will remember them especially on Sunday... two men who somehow empathically understood my mothery loneliness-- they embraced me with the baby and the future they would never have, shunned by their families, but enviably with one another in an eternal bond... they healed me like nothing else, and I cared for them as I could, in vain.  I cannot write this song... and my son is a grown man now.  Even the memory of my sadness has a kind of nostalgic sweetness that never shows in those baby photos.  And unlike the little boy who was slapped today, my son never had to worry that it was his fault... that he was wrong... in any way... because he was just so 'right'... and that is a blessing.  Amen.

Monday, June 10, 2019


It's been a cranky week for Writerless... annoying editing setbacks, difficulties transferring analogue files... the older I get, the harder it is to move on from technology to technology.  Things get technically easier, but across the board, quality suffers.  Nothing like home-made pie, reel-to-reel recordings, dark-room printed photographs... I found one someone made of my son as an adolescent-- it was like a cross between a Calvin Klein ad and a Rebel Without a Cause handbill. Shot on the old roof of my building which is now divvied up among the rich for their air conditioning outboard equipment, it was timeless-- powerful... it had a vibe.  Things today don't seem to have a vibe.  Go pick up your new KAWS Uniqlo T-shirt... be a walking cartoon ad...  I see the same tattoos on people, over and over.

Last weekend was my 45th college reunion.  Did I go?  Have I ever? I am a lifetime committed absentee.  But Thursday and Friday night I played (again) at the (44th?) Max's Kansas City Reunion Extravaganza.  It was in a different venue this time which didn't quite feel right... besides, the bar portion of the club where you enter is a late-night hang-out for the young nouveau LES high-renters who have only just discovered the eighties.  Hardly anyone over 30; as opposed to the Max's performers and audience on the 'venue' side who were pretty much 50 and up.  On the way in I pass 2 young couples engaged in a little drunken hysterical repartee and this tall blonde spontaneously throws her drink in the air-- maybe unintentionally... christens me everywhere, except fortunately my old motorcycle boots shield me from the broken glass as it shattered on the hard floor.  So she looks at me-- points... Are you gonna buy me a drink?  I let her have it, verbally.  Are you going to buy me a new shirt and jeans, I ask her? Getting into full-armed Princeton bitch mode... I stared her down accusatively...until she backed off... but it changed my 'vibe' (that word again) and that was on her.

After a week of gigs--- subways, walking-- not a single purchased drink or bag of chips--- I earned $50.  Yes.  That is the deal.  Either you play in tribute bands, club dates, do Broadway... or have a job. I remember way back as a young bassist someone in a punk band told me I played like I had a job.  I did-- have a job, that is.  If you wanna really play, he said-- quit your day job.  So I did.  He was right... there's a difference... but looking around the room at the Max's reunion, nearly everyone played like they had a job--- or a husband.. or a trust fund, or an inheritance... except the few of us who stood around without drinks (for playing for no money, you get 50% off at the bar which is still out-of-reach) waiting to play like our lives depend on it (they do).   Of course the few bands who were successful from the old days were not there (Blondie, Television, etc.)  Or passed on (Lou Reed, etc.)... or decided to have a job, become a doctor or lawyer.

Anyway,  Saturday I worked all day at my friend's gallery to help make my monthly apartment payment.  I had no sleep, no lunch... some free coffee... but at 6 PM on the way home I had $2 and besides a hot dog, there isn't much you can do with it.  Union Square market is so pricey... no samples out at that hour, stands are packed up for the day and despite the advice from the HRA that you use your foodstamps at greenmarkets, they want your credit not benefit card.  Then I see the Martin's Pretzel truck.. loading up... remember they have those $1 plastic baggies of broken pieces... get a little energy buzz... until the vendor guy says to me-- nah.. no more... all packed up... except in a barrel waiting for loading are a bunch of bags that look about to become trash... How much, I ask?  $5 he says.  $5... for a small sandwich bag of crumbs.  I look sheepish... How much you got, he asks?  I show him the contents of my poor wallet... $2... okay, he says, as though he is splitting his steak dinner with me and while I eagerly tear into the bag because I am on the verge of passing out, he points his finger in my face and says... like you would scold a misbehaving child... Remember that, next week.  I wanted to spit the pretzel at him... they are stale and hard enough to break a tooth-- another unaffordable... but he had my $2 and I'm not that stupid.  I had no choice except put him in that mental box with the drink-spiller of the previous night.

On to the 4 train which is backed up and local and messed up and everyone is cranky.  There is a pre-Puerto Rican day crowd and demonstrators from another parade and the car is packed.  I am sitting next to a fat asshole in a tank top with cheap tattoos and shorts and he has his phone angled so he seems to be photographing the strange-looking crotch of the guy crammed in over us.  He gives me a sideways look and shuts his phone down.  We are stuck at 28th St... and a girl across the car seems to be freaking out... she is cursing under her breath and scrunching her face and slapping her knees... but she is a knockout... maybe 27... black hair, pale eyes... white skin and this look of punk exoticism from another planet.  So the fat asshole is maybe trying to flirt with her... and he asks.. What's your problem? She answers-- and she is tough... I'm pregnant and I'm sick and I need to get home.  Me..I offer her a pretzel... but she is getting into it with the asshole who calls her a cunt and other things...and she stands up and starts ragging on him... until some crazy old woman (my age?) takes the stage waving her handmade flyers and shouting at us all because we are cruel meat eaters.

Anyway, the fat asshole is now standing up in his shorts which are disturbingly short and enough to make us all sick.... and I gently grab the pregnant girl and walk her down to the end of the car.  It's not worth it, I say. You have to protect your baby...  which I can't really see, because honestly she doesn't look pregnant to me... but who cares?  Anyway, after a few minutes of the fat guy ranting about women some hefty black girl built like a linebacker walks over to him and screams in his face and makes a fist and all hell is about to break loose but the guy realizes he's like a Trump supporter in a small crowd of democrats and Gay Rights Activists and Black Lives Matter supporters and he sits down... then a young black kid with dreads goes over and rags on him, too, calls him a motherfucker and cocksucker and other things... and the car is cheering him on... but the pregnant girl and I are by the rear car door and the train is finally moving and now her eyes get red and she is worn down and starts weeping on me.   I remember how a train accident caused me to lose a baby once... and think... here.. this could be the one, the girl that has my baby's donated organs-- and she is really hanging onto me now-- letting it go--- and here we are, like a religious pastiche of Mother and Weeping unidentified Daughter...  and finally it is my stop and she says she'll be okay.

The black guy says he'll make sure she gets off safe in East Harlem... and now I am on my way home where I can strategize the $1.82 left on my benefit card until Tuesday and I'm nearly safe.  I'm weeping myself, wet with the pregnant girl's tears which could be DNA-simpatico to my own, the taste of the stale salt pretzel on my tongue like a bad communion wafer, and the stench of that spilled drink still in my nose because I have on the same old jeans.

The phone rings as I come in and it's an ex-boyfriend driving back from Nashville, lying his ass off as usual about how he misses me and about a phantom divorce except he doesn't know I know he's not so secretly married and he makes an excuse he has to fix something in the car when it's another call from his wife, because these stalking spouses have radar for when their men call ex-girlfriends...  but then I turn the ringer off... and I remember it was he that took that great shot of my son on the roof... kind of a good souvenir of a bad relationship... and I also realize someone found my missing guitar strap and the evening sunset is just so warm and the city is almost quiet up in my hood... just the car radios and the Puerto Rican flag wavers yelling as they pass...  and I can still play bass like I don't have a job, which I don't, except for playing bass... and for now I can close my front door and rule the world. Que vaya con Dios, I pray to my pregnant daughter-- another orphaned dream in the urban mix.

Friday, May 31, 2019

Coney Island Baby

Now that my father has been gone 3 years, Memorial Day is not the same.  Not that he spoke much about the war; it took him a good 50 years after his last medals were processed to begin meeting with other WWII veterans and survivors.  He never really considered his daughters as 'legacy', and one thing I respected about him most-- he considered it bad form to self-aggrandize and accept accolades of bravery when the real heroes had come back in boxes.

In my childhood, it was called 'Decoration Day' and it fell on May 30th.  No Monday euphemisms in the 50's and 60's.  Holidays were observed-- not shopped and marketed to death.  Yes, there was a cookout... even a trip to Washington DC where I experienced presidential and military Memorial monuments which were humbling and inspiring.  I was maybe 5-- the scale of these buildings was enormous... the lines of people waiting to enter were impressive; it was my first brush with 'America'.  What did I know? My father was a mystery-- a man with a hard shell who occasionally held my hand in crowds.

I've been tough on my father, as he was incredibly tough on me.  In the current culture, fathers are so hands-on... they are intimately involved in pregnancies, present at the birth, they change diapers and share parenting equally.  They are emotional and tender... this is accepted and acceptable... but maybe not so in my father's day.  After all, here was a tough military hero suddenly dropped in the big city with a young wife and domestic responsibility.  He left home a boy, lived with terror and violence and a daily task of staying alive against massive odds and challenges... then returned laden with medals and souvenir uniforms to join the city workforce-- to get an apartment, shop for groceries.  Every day on the subway and on street corners we are accosted by these displaced veterans who are struggling to adjust to regular life, and failing.  We are aware of this now.  Back then, there was little empathy built into the system-- they were expected to simply pick up the ball and continue.

The concept of a father, I suppose, was as important as the actuality.  Even though I had little communication with mine, it was assumed he paid bills, went to work, had the car fixed, etc.  Kind of the way we viewed our President as kids-- the Father of our country.  It was Eisenhower, during much of my childhood-- then Kennedy came and we all bonded.  He was the movie-star President-father-- our handsome hero  who was camera-ready and charming.  Brave and smart.  We didn't pick our heroes apart in those days;  Elvis was King.

By the same token, the concept of children was different.  No one bothered to ask me if I was happy or unhappy.  I was told where to go and what to do-- Scout wilderness camp, music, ballet... my parents placed their kids into the same slots all their neighbors kids were in.  There was no discussion, no question-and-answer.  I grew up and left home a teenager.  I had little desire to return.  As I studied and observed the world, I realized some things just look normal and pretty.  My independence, despite the ultra-dependent model of my Mom-- such a perfectly functional 50's style housewife-- was supreme.

Memorial Day now is a day of nostalgia for me.  Sure-- the sense of oncoming summer, and the absence of the excitement we felt as children about the end of school coalesces on the brink of June, but for me-- well, no parades, but memories.  As a single parent, it always brought the seasonal stress of how to amuse my son with no school and very little money.  There were camp options, sports options... but essentially we spent summers sweating it out in the city, me feeling guilty about lacking the means for a vacation... my own father judging me for my failure to do this, but never offering to help out; not his style, nor mine.  It is also the anniversary of the death of my baby daughter-- something I could not process for years.  It was a beautiful day... she held out until the post-Memorial Day Tuesday at lunchtime.

Coney Island was a frequent treat when I was very small.  Ditto for my own son.  It was something I could manage-- a subway ride, a day on the Boardwalk.. a few kiddie rides and a hotdog.  This year I kept remembering one incident... we took the D train to Brooklyn on the Friday after school.  My son had a full scholarship to a prestigious prep school which was great-- but all his friends would be whisked off to exotic weekend destinations and Fridays were kind of a finger pointing at me tattooed with 'Loser'.  So he was maybe 10--- had just reached the required height to ride the Cyclone.  I'd had my fill of that roller coaster as a child.  It was a rite of passage and I closed my eyes and made it through-- terror being the operative emotion.  Something about those old wooden rides... but my own son was determined-- it was like a test, a badge.  I'd put aside a little extra-- that was becoming tough for me-- to even afford a day at the amusement park.

So there we were, at maybe 4 PM-- we circled the park, watched a few games... finally approached the great ride, the King of the amusement park.   How he had grown in one year-- we'd measured him with his running sneakers...  even my heart was racing at the foot of the rollercoaster... we could hear screams every several second intervals and the unique rumbling noise of wheels on wooden tracks.  I'm really hungry, my son announced... there was a small stand across from the entrance that sold corncobs.  We ordered one... they were so good... he drank a coke... slowly... the cars stopped, dropped off their happy human passengers and reloaded...  watched another course.  Another.  He ordered another ear of corn... ate it with deliberation I'd never seen in a boy.  We watched.  It was loud... terrifying...  Five o'clock passed and lines were becoming longer.

8:15... the sun was going down... Four ears of corn, one pretzel for me... I finally announced I think I'd run out of cash...  there was barely enough for the Cyclone ticket-- we'd have to walk home.  So he scolded me, my son... damn you, Mom... let's go.  We rode quietly back, changed trains... he said not one word to me... I never brought it up; he never again asked to go back to Coney Island except to watch Marbury and Sebastian Telfair on the courts as a teenager... that was that.

I often thought-- if he'd had a father-- my father--  he would have been walked up to the ride, strapped in... done.  I had enough issues mothering a boy;  but I wasn't going to coerce him into anything.  I went to all his games, wildly cheered him on... God knows how I ended up with the star athlete, the girl-magnet in High School...  Maybe this was kind of a rebellion?  Anyway, it was his path.  He once commented, after some kid's Dad was coaching his basketball team-- you know, Mom... I'd rather have no father than that father.   There was a man downstairs who'd been a professional soccer star in South America.  He was rough and tough and his son was gay-at-birth.  The soccer star screamed and gave beatings and the kid often took refuge in my apartment; he'd sit and paint, wearing one of my hats; he had incredible talent.  Still, I wasn't sure.  The very word father made me emotional.

On Memorial Day Monday my son who is nearly thirty now buzzed my apartment unexpectedly.  He is rarely in my neighborhood and I am usually at home these days, holiday or not, obliviously working on music and poetry projects.  I was dressed in old clothes, unprepared for guests... and he was with a new girlfriend-- they'd been on the roof of the Metropolitan Museum-- one of my favorite places.  They came up.  She looked at his old room, the photos I have on my shelves and walls...  and I realized he was showing her the little monuments and souvenirs of his past-- no medals like in my childhood home-- but his old musician/writer mother in her cabinet of curiosities here... this boychild I had brought into the world with no skills or experience-- without a man to show him the ropes,  here he was-- no military honors, no Cyclone ticket stub, no cookouts and grilling contests or company picnics, but plenty of memories --not ashamed but proud of his roots and the  past we had somehow created in our own random uncharted family way.  Something to salute.

Wednesday, May 15, 2019

Sex in the City

Lately I've been feeling not exactly discouraged but 'slackened'-- maybe I'm coming off the cruel backlash of April, but the spirit of May has felt more like a nagging hangover than a renaissance.  The indignities of our political climate are being swallowed down like the shitty mediocre coffee we've all come to accept here... one tweet from some useless celebrity talking head, and the crowd sway seems to drown out all protest.  The spring art auctions used to cheer me up-- but now it's all a huge manipulated hedge fund... who needs the tax burdens and massive maintenance issues of real estate when they can buy and sell for millions per square inch?  Much more practical... and you get your name out there not just in the tabloids, but the mainstream media.

So many of my beloved old venues have shut down, having given up trying to keep their heads above encroaching debt-water.  I have fewer gigs, and can ill-afford going much anywhere with a door.  Restaurants don't appreciate food stamps.  My overnight inspiration feels sorely moot and underappreciated.  I stray--- like a sad old lamb.   I readily confess to binging on familiar television noir films, but when those run out-- I admit I have recently discovered Sex in the City.  Yes-- me, who shunned Seinfeld, Friends--  every other sitcom in their time... I've found something addicting in viewing the version of 'ruined' New York I snubbed in the 90's.  Compared to what we get now-- it looks decent.  Obviously others have discovered this, too, apparently, because it seems to be on 24/7 in endless loops.

Of course, each generation had its own version of urban life--- the 'ripe' adult phase-- your girlfriends and roommates-- the inappropriate affairs... the intoxicating hurricane cultures and fads.... bars and restaurants, clubs-- infinite entertainments of menus, club music, art galleries.  Things were being invented nightly... men were plentiful and you could go uptown or downtown-- upscale or slummy/grungy... there was nothing like being on your own, with safety in numbers... and people were wide-eyed and alive-- not buried in their phones and texting.  We danced and yelled and sang and ate and ran around streets which still felt historic and important and yet new.

What I've discovered, twenty-something years later, is the 'vintage-lite' appeal of this show-- well, the girl-gang thing, a non-familial and more intelligent form of Kardashianism-- but also a certain marketing of New York to the rest of the world who peered in with fascination and voyeurism.  How many girls spent their salaries on shoe collections and longed for a West Village studio and a newspaper column?  Or the old-school Park Avenue husband?  The jogs and horseback rides in Central Park, cafes and bookstores, club openings, new restaurants... billboards on buses, New York Times reviews...these things have changed.  The internet has changed most everything.  And New York-- well, the local celebrities and eccentrics have all but disappeared in the whitewash of social media.

I sound like an old person now, and I am.  Maybe I failed to 'get' what everyone else got, immersed as I had been in my Proust and Jean Genet and David Foster Wallace... but I guess what I'm saying is I would gladly take this SITC version of New York over what we have now.  The early episodes still feature landlines and answering machines... cigarettes in bars,  couples actually looking at one another over dinner-- taxis-- labels and not brands-- video rental stores and Tower shops... it's 'new' nostalgia but it beats what we're getting today.

In the 90's I had many visitors from Scandinavia who obsessed over the 60's and the roots of American rock and roll.  They wandered around Greenwich village looking for Bob Dylan's footprints and Jimi Hendrix's old apartments.  They photographed places where Allen Ginsberg had drank and read, visited CBGB's and bought Patti Smith books. I tolerated their hero worship with my 'been there, done that' attitude... after all-- I'd been at Newport in the 60's and met John Lennon several times... I am/was a true New Yorker.

Earlier this week a young couple from Norway visited.  One of them had never been to America.  He is a renowned but not rich guitarist and she is an artist.  In order to afford the lowest fare level and a one-star hotel for 3 nights, he worked painting houses and gardening.  They arrived during the worst spring weather I've seen in years-- a stubborn nor'easter pattern which spread a 3-day pall of cold rain and cloud-cover over the city like a punishment.  It was funereal and depressing.  For a tourist budget which allows for little more than self-directed walking tours and street food, it was a wash.  There were rats in their dark room and the communal bathrooms smelled of sewage.  Visibility was low on the bridges; the Empire State building seemed to evaporate in the fog.  I can't remember a drearier Mother's Day; I wore a fleece coat and watched basketball playoffs with my son in a local bar; everyone seemed muted and cold.

The Norwegians showed up at my Monday night gig, where we old rockers were doing our best to keep up an electric tradition.  I can't even buy anyone a drink these days; at least there was no cover... but I had to resist the urge to apologize on behalf of my city.  The presidential American shame is bad enough--- but here we all were--- downtown on the Lower East Side... and I was hard pressed to muster a little rock-and-roll joy and to keep myself from talking about the good old days.  It is what it is, my guitar player says, as we headed west toward the ailing nighttime trains, past the stores and spaces of what used to be... thinking about the concept of future shock and the reality that every three months Downtown morphs and sheds another skin.  I used to guide people through architecture and galleries, down streets; even the Metropolitan Museum is now wearing a Play It Loud banner like an old seer dressed in young man's clothing.  I no longer belong anywhere except my own apartment.  I wondered how this couple processed the city-- the dream they'd had-- the streets of gold vinyl and talent-- the art and the poetry and the grit now a slick modified vision of pseudo-luxury and bling... the unwholesome smell of over-taxed sewers and wet garbage and the omnipresent homeless-- soaken and broken and swollen.

So I failed in my usual role of tour-guide and old-cultural liaison.  They looked cold and hungry and bewildered from their miserable trek in what seemed like winter rain.  They came looking for paradise-- a souvenir honeymoon to remember for all time from the Scandinavian countryside, and found a shrouded, subdued island in the midst of an urban identity crisis.  Was it the nor'easter that spoiled the dream or was this just a meteorologic excuse for something that has long evaporated except for in late-night television re-runs?   I wanted to cry and only hoped, from my cold but dry bed last night, they had enough love between them to have a little sex in the city.

Tuesday, April 30, 2019

Collections- 2

On the very first day of school I was confused when the teacher announced she was coming around to 'collect' the papers on which we had drawn our self-portraits in crayon.   It baffled me that she wanted to take home our childish work and put it in a box.  My Mom had always given me old candy tins and cigar boxes for my 'collections'.  These I piled up and secured with a rubber band.  Children are natural collectors; my passions were rocks, shells, small rubber dinosaurs and tiny glass animals.  Some children on the block collected insects or worms-- the ambitious ones caught butterflies and pressed them sadly between plastic sheets where they miraculously, unlike other things, retained their beauty although dead.

By second grade, I began to save stamps-- they looked so amazing swimming around in their box, like fragile paper mosaics...  and they were labeled with exotic words and people I'd never seen-- landscapes and fairylands.  Some of them had traveled so far to live in my little room.   On rainy days I'd take the boxes out and look at their contents... I'd line them up and study them one by one-- I'd create little plays and vignettes and move them around, hold them up to the window or shine a flashlight on one and then another.

At school, I began to understand there were other meanings to words.  After all, there was the collection plate on Sundays, the toll collector when we crossed bridges, the trash and bottle collector
who came for pick-ups, and later, the tax collector.  What I don't remember is ever exceeding the limit of my boxes.  I did glue the special shells onto a felt board so I could hang them on the wall... but mostly, my little collections remained happily within the boundaries of their containers.  My father had a stack of Roman coins in a tennis-ball can.  I was not allowed to open this myself, but I often sneaked into his closet and shook it around like a tambourine.

These days, when I visit an art fair or museum, they often ask me-- am I a visitor, a dealer or a collector--  the collector, here, being the preferred tag, because they continue to offer you categories and boxes to check so they can identify your 'area of interest'.  An adult collector is a buyer-- someone who acquires things not just because they are beautiful or interesting, but because they are assumed to have value.  You are not just an audience here, but a necessary participant.  The whole show is for your entertainment, your enticement to support the platform-- to buy, spend money, perpetrate the system.  The wares are a few dollars' worth of canvas and paint, or material-- but pulled from the tall hat of the art gallery, they are transformed into 'art'-- they are labelled not only with a signature and a title, but with a corresponding number of dollars which affects the way you perceive these, after a while.  Of course there is true talent out there, but it is less common among the unending unloading of product.  Imagine the numbers of students finishing art school every year, entering the vast pool of what already exists-- not to mention the posthumous forgotten in overpopulated storage bins.

Despite the galactic numbers of images available on anyone's internet allowing nearly anything to be viewable at any time in your home, the acquisition ambition has never been stronger.  It seems also, each successive generation has a certain nostalgia for objects of the previous generation-- vinyl, vintage leather, watches, jewelry, fashion.   Everyday things, removed from their 'era', are not just collectible but valuable.  Online auctions have grown from primitive eBay beginnings to thousands of high-end auctions which offer anything from old master paintings to cars to grand homes and purchasable islands.  For some items, the more they are traded, the higher the value.  Almost everything is searchable, and eventually find-able.

It's no wonder people become hoarders in this culture.  Things are so available and viewable in numbers-- so easy to 'have' at the click of a button, a PayPal 'confirm'... free shipping, the anticipation-- the arrival.. the joy or disappointment... the perpetual Christmas, the careless cheap collections-- for the ones who find happiness in sheer number, the ones who agonize and painfully decide, the ones who like fickle lovers detest within days the very item they have bought-- the research and storytelling, the 'marketing' of a period or a place-- celebrity provenance... There are people who pay many times the value of an item because it belonged once to Madonna, or Andy Warhol, despite the fact it had little relevance to their life...  it has gained the status of a relic, and is doubly collectible.

The amount of available 'art' on the market is overwhelming.  I grew up thinking I 'knew' every important painting and its location.  Now I can't keep track of the museums opening globally, everyday, in every city... in multiples.  As old collectors die, their holdings are acquired or donated to institutions so we find ready-made collections within collections.  Upcoming artists are promoted and marketed with a vengeance; the Warholian model has been extended-- where he put the soupcan ironically on the canvas, now the art is almost simultaneously produced as skateboards and T-shirts-- coffee mugs and umbrellas-- phone cases and sneakers, toys and souvenirs.  Art advisors and gallerists, like stockbrokers, navigate options for their clients and guarantee their full art wallets remain so.  Artists run their studios like a business, maximizing output, manipulating sales, jumping from gallery to installation to institution, merchandising their product and becoming overnight superstars.  It takes years for a tree to grow tall, but some  seven-figure art is produced in an hour.  It seems wrong.  But the art audience is massive, and buyers are impatient and greedy-- insatiable.  Facile art suits the competitive 'soft' market.  Collecting is epidemic.

The 'look' of contemporary art, to me, has a certain built-in clock.  I can smell obsolescence the way I never trusted those beanie babies children begged for in the 1990's.  It's all too easy-- too facile.  Part of the beauty of being--say, a record collector in the 1960's-- was the chase.  Ask Keith Richards-- how he came to America and went to record shops.  Things were rare-- things were treasured.  They were listened to and looked at and loved, the way I loved the tiny glass animals in my Eldorado box.

I am finished collecting, now.  It is a time in my life to take stock of what I have and look at things.  Besides the art, I'm not sure anyone will appreciate my home 'museum', but I have grown to understand the soul of objects and the words they elicit.  My friends tease me because I still don't have a mobile phone... but I spend many hours outside observing and listening to the city.  I come home and am embraced by modest things I find beautiful and compelling.  It is enough.

Monday, April 8, 2019

Collections-- Part 1

Saturday afternoons for years I work at a gallery.  Generally it is quiet there- people come in one or two at a time, spend time thoughtfully in what are generally minimal displays, occasionally engage in a brief dialogue, and leave.  But for the past month, visitors have come in droves more or less, brought in by review after review of a place that is usually off the press radar.  What brings the attention is a small show of selected collections of seven artists.  Each grouping has been carefully curated from objects or small precious things from their respective homes.  In one case, the articles are gathered posthumously from the apartment of a deceased photographer who was apparently kind of a hoarder.  These are grouped on a wall in the front of the gallery-- close together and informally, as they might be in one's home-- simultaneously thoughtfully and not thoughtfully, so they seem a bit spontaneous and natural, in direct contrast to the clean minimalism of the gallery.

The number of people attracted to this random grouping has been astonishing.  I mean, it looks a bit like any vaguely middle-class bohemian parlor-wall-- things painted a bit amateurishly, things of vague value from thrift shops and flea markets...  of a certain period.  Week after week, people gaze in through the glass and sigh at this wall-- with a kind of nostalgia-- young people, well-dressed people; some even ask prices, which are irrelevant to this non-selling exhibition.  What they are seeing is a kind of diorama of this now-deceased person's home, of his aesthetic.   And they respond.

Each of the artists in the show is a collector... of things-- of art, toys, objects... souvenirs.  In a way it is a voyeuristic non-verbal biography of their personal culture-- a portrait of what they love, what comforts them or reminds them-- what inspires and excites them.  True artists are pioneers.  They discover things-- places-- in a different way.  They see a landscape and go home and paint horizontal geometry; they hear a siren and a crash and they compose a violent symphony.  They find a rock or some random object, and they transform it-- they absorb and transcend.

Over the last twenty years or so, people's homes in this city have become more and more minimal.  Technology allows them to live without paper; many have renovated apartments and removed books, records--- things.  Their lives are hard-edged and their lines are clean.  They have windows onto the city, gadgets which fit into drawers and low-tables with only a single book or object.  Clutter has become something to be shunned or hidden.  Closets are organized; there are experts who assist  with this process-- they oversee the discarding and paring-down of the unnecessary.   iPods and phones hold thousands of albums; we no longer need the packages.  Thrift shops are crammed with donations; some have recently declined to accept books; they are glutted with material.

But I have noticed-- inspiration has changed.  The things that 'drive' contemporary art have changed.  Art is about walls, or computers, or animation-- or concepts.  Art is packaged, marketed, less 'hands-on' and more mechanized, impersonalized.  It is digital-- animated, computer-generated.  It has ideas-- large ideas-- but less soul, less heart.  Some of it is created on a huge scale--  cute things-- toys, animals-- that tower over us, as though these 'soft' things are only culturally relevant when they are bloated or monumentalized.  We are jaded and spoiled and cannot 'see' the obvious.  We are adult children and are emotionally unsophisticated from the constant bombardment of phone-stimuli.  The New York Times recently revealed staggering numbers of adults who admit to sleeping with a stuffed toy.  The culture of pets and domestic animals is larger than ever; we sublimate and transfer and rely on our animals for affection.

So maybe this is a clue to the reception of the show-- that these same people who have eliminated the clutter in their lives, but maybe not the longing of their hearts-- are looking at this wall with a kind of recognition.  It represents domestic nostalgia-- a version of visual comfort and aesthetic calm-- like seeing a wall of small landscapes, or a display of rocks... a row of vases, or a garden of things that have grown, things that are interesting to see and aesthetically pleasing.  Inspiring and spiritually nourishing.  Beautiful and not inaccessible, the way museum art can be-- but small and personal and meaningful, the way life and 'collecting' used to be.   They find a connection, here-- they look and look, they ask prices, and standing in front of the wall seems to change their 'speed'.

When my son's friends came into the gallery to see this well-received show, they  remarked that the 'wall' looked just like my apartment.  Millenials come into my home these days and marvel at the number of paintings on the wall, and the rows of books-- the shelves of vinyl and the instruments.  They look around and sometimes they take down a book and absorb themselves.  Sometimes I remind myself I am not going to live forever and I must begin to sift through my possessions.  This is difficult for me; it is a life lived here--- my things, my friends, my nonhuman children-- my muses and my comfort.  Yes, there is a degree of relative clutter, but there is also a kind of soul.  The room is not about the space but what defines it-- the content.   This is my life... my collection, my object-family.

The exhibition ended on Saturday.  It gave me a little hope that gallery-visitors and cultural trendsetters are maybe beginning to thaw just slightly from the techno-cold aesthetic that has defined interior design and contemporary office decor.   These people who paint their skin and own animals and live in 'clean' spaces are beginning to let humanity in... a bit of history, nostalgia-- vinyl, materials... the thrill of a forgotten thrift-shop painting.  Take out your earphones once in a while and talk to an older person-- listen to the sound of things, and find your passion, your own unique collection.  You will be rich in ways you have yet to uncover.

 (To be continued)

Tuesday, March 19, 2019

Mad Marchness

On my first day at Princeton, I was asked to sign a copy of the university honor code.  This is an agreement, made with complete solemnity, that (a) as a student I will not cheat or violate the school's ethical educational protocol, and (b) that I will report anyone who does.  So I submitted my document, crossed out the second part, and signed it.  Of course I was called in and questioned, and I explained my thinking-- that if everyone 'oathed' to be honest, how could there be anything to report?

The point being-- there is a sort of assumption that the code will inevitably be broken, but to acknowledge this seemed a denial of the version of academic innocence that presumably qualified us for entrance in the first place.  The Deans-that-were thought I was being rebellious and argumentative; on the contrary, I was being honest and clear.  In the end they allowed me to sign off on the first clause, and delete the second-- an exception, in good faith, because they could see I was clearly committed to an education process.  In retrospect, they had to allow me my innocent belief that the academic world was built on a solid ethical contract and that we were there to learn.  Why would I think otherwise?

Granted, my first week of class I was terrified that my fellow students would realize I was under qualified.  Sure, I was a good student-- mostly because I loved to read-- but I'd come from a public school; my parents had never attended college, and my Mom's reading list consisted of Ladies' magazines and local newspaper stories.  She was certainly not stupid, but she used to read the spines of my library books as though they were in another language.  My roommates were from Boarding Schools... they'd had sophisticated specialized classes and some had had tutors.  I was naive and thought this some British system of advanced one-on-one teaching.

I survived... actually graduated with highest honors and won some awards and scholarships.  Yes, my Mom put the Ivy League stickers on her car and 'wore' my alma mater with some pride.  Both parents never forgave my foregoing the Harvard Law scholarship and depriving them of bragging rights.  But my life was my own;  the career choices that horrified them suited me.  Most of all I am uber-grateful to Princeton not for the guaranteed access to a certain society, but for the opportunity of learning.  I am intellectually rich and gained a sense of context... this is the world, this was the world... I know how to ask questions and where to go for answers.  I have an appetite for information, for art-- to understand, to look, to listen, to have an opinion.  I paid very little, other than work-study assignments.  Is this not education?

For many years, maybe as a kind of payback, I've interviewed prospective freshmen for Princeton.  It is volunteer work and my students are nearly all from the outer boroughs, so I do not overlap with neighbors and acquaintances.  I've watched the boroughs become more and more gentrified over the past decades.  My students in the 90's had rarely been to Manhattan; now some of them are world travelers-- but most are low and middle class people, and many are recent immigrants.  Their parents have not been to college, and they all need financial aid.  Some of them work-- even full time, at places like Wendy's, after school and weekends.  One of them this year cared for a blind father.   They are eager and timid but all of them seem to have this faith in themselves-- this belief.  They are satisfied with their performance-- even proud.  It touches me-- their young ambition, their dreams.

Once in a while I am assigned a privileged student-- from a city private school who has been prepped for the interview-- who is well traveled and has an iPhone.  They often come in winter without a coat--- they are driven to the meeting and have a bit of swagger.  They reel off their accomplishments and social service hours with professionalism, their global sophistication and their intentions.  Often they are legacy children; many generations have attended before them and they are nearly certain they will be accepted. They have had lessons and gone to specialty camps.  One of them last year had his own sailboat and competed in some junior version of the America's cup.

I have grappled many times with the admissions committee-- how can you compare these prepped and college-ready kids to the boy I interviewed in January from Kashmir-- who had sat in a public library in Queens day after day trying to absorb the new language, looking at Chemistry texts with familiar formulae?  Or the homeless girl who apologized for not having a shower... who slept in an abandoned basement, borrowed pens from her teachers, wrote in discarded notebooks and was reading Murakami?  They assure me these children will get every equal opportunity, and our assessments are being studied so they can properly 'read' the potential of unusual students and 'weight' achievement accordingly.  I believe them.  I believe when they tell me they can spot a professionally written essay in the first sentence.  They are good at what they do.

My own son has a great brain-- the city prep schools fought over him... but as a teenager, he lost interest in school.  I tried-- and let him fail, while we watched much less gifted kids achieve comparable scores and competitive grades with many thousands of tutoring hours.  I will admit he made some decent pocket money writing papers for his classmates in middle school.  It was a kind of job and at least he was doing someone's homework, if not his own.  I never ratted-- but along these lines, I've noticed wealthy families feel they are delinquent if they do not spend large sums on outside SAT tutoring and college advising services.  None of these are indicated on the applications.  Is this fair?  Not really.  My son has complained to me recently that many of his most successful friends have start-ups funded by their affluent families.  I can only agree.  Is this fair?  Maybe.  This is life.  Really beautiful girls are more readily acknowledged...  tall men are generally better equipped for basketball teams.

We live in a world fueled by money.  Our presidents have cheated.  Our star athletes have cheated.  Art dealers and museum curators cheat and lie.  Singers lip-synch; recording artists use machines and auto-tune.  They put their names on music written by others-- they steal and adapt things written by lesser known artists.  Not so many are punished; success seems often to whitewash the spotlight.  I suppose what bothers us most about the recent college entrance scandals is the villainous parent scenario.  It scars the institution of the American family, not that it hasn't been exposed as an often dysfunctional body with a perfect face.  It shows both a level of personal sacrifice, and a complete disconnect with the 10 Commandments of parenting.

Am I surprised?  Maybe at the particular scheme, but not at the modus operandi or the intention.  In fact it goes far deeper than this, which seemed almost innocent compared to the scandalous manipulations of our political and religious leaders.   And we have known for years about NCAA schemes.  I used to be warned never to buy even a coffee for one of my interviewees in the event he or she is an athlete and this could be construed as bribery.  So this, I thought, is where they get the money they use to pay off.  On the brink of the basketball tournament, the amount of media attention paid to these two actresses is a little suspect.  Especially one who stood for a kind of American innocence.  If these were just non-celebrity wealthy people would the news give them this much time?  Another instance of inequitable receipts.

In the end, the parents seem less guilty to me than those who received the money and offered the schemes in the first place-- who prey on the insecurities and vicarious ambition of the monied.   As do the overpaid college advisors who claim to offer access to the front of the line, who enable and pad applications.  Whatever happened to the level playing field?  Failure as a learning tool?  As a reality check?  Every brilliant athlete loses games, fouls out.  In the end we can't stand in for our children or hire stuntmen to take their pain.  Surrogate parents only go so far, and surrogate students do no service whatsoever but for themselves.  We might do better addressing the students, without their family-crutches... without their tutors and coaches and advisors.  In their unadulterated innocence, as it exists today, if we can peel back the digital masks and uncover some human shine.

Friday, March 8, 2019

And Then There Were....

You'd have to pay me to watch The Bachelor, I recall vowing to one of my friends who was investing in the odds.  Well... while it's not much, a blogger-friend has actually offered me financial remuneration for a few snide comments and speculations.  She's getting stale, she complained, Season 23 taking its toll and she's pretty much used her verbal ammunition several times over-- not that anyone remembers.  Despite spin-offs and the desperate appearances of the hard-core reality-show whores,  these girls are pretty much a flash in the cultural pan.

But for me, it is a bit of novelty.  Sure, I remember the Dating Game, but these were blind interviews and resolved between commercial breaks.  The couples rode off in their sponsored limos and were never seen again, for the most part.  Here, it seems to be an obvious promotional vehicle for some of these misinformed women who are ID'd onscreen with their age and profession every time they get a little cameo.  It's like a three month video audition selfie, with the terms 'rollercoaster', 'skeptical' and 'I'm not gonna lie' recurring in nearly every scene.

America loves a contest.  We watch Top Chef, Project Runway, The Voice, Dancing with the Stars... week after week we tune in to see the paring-away of players until a winner is crowned.  The Bachelor, as I see it, is like Miss America with one judge who gets to sample the contestants.   It's every man's fantasy, in the sexist old-style world.  What woman do I know who would submit herself to this kennel show?  And the prize?  A ready-made husband.  Pre-fabricated happiness.  Essentially all the women are pretty homogeneous-- no one is short or ugly or handicapped... their hair and make-up are perfect, their teeth are straight, their wardrobes are similar... no one talks about politics, no one reads, no one does much of anything but sit around with the other boring girls gossiping and waiting for the next opportunity to see this Colton, who is very un-Americanly a virgin (!).  Is this more or less than we wanted to know?  For me it's a red flag.  How can anyone who is parading themselves in a bikini before audiences of millions be on the same page as this guy?  Oh... there is one girl (eliminated) who had never been kissed.  How she got through middle school is beyond me.  Really? Frogs have done better.

So the final episodes have filtered out all but three women, and the bachelor has gone to their hometowns to meet their families whom we see in staged home settings.  Three women-- one of whom will become his fiancee and eventually his wife in a few short weeks... and he is still kissing all of them, using the words 'falling in love'... and wary about getting his heart broken, needing to be certain his feelings will be reciprocated, and the girl is not in it for the media attention.  There seems little doubt anyone on this show has any other motive?  But still America watches... believes...
We believe in love, don't we?  Despite statistics, betrayals, perversions, secrets, duplicities, plastic surgery and the fickle nature of this internet age, we believe.

So there is one girl in the final three... she is young, naturally and wholesomely beautiful, has cascading blonde hair and looks great in her bikini-- obvious chemistry-- the guy can't keep his hands off her on their one date... and you can't blame him.  But there is something reticent and unsure about her.  She is perhaps there for ulterior motives-- not too smart-- but knows exactly how she looks when she pouts or cries... she's immature and cannot even lie that she is ready for marriage because she still needs to ask her father to make her decisions...  I suppose this is a kind of honesty, there... I mean, who can swear eternal love after three weeks of television shoots and zero intimacy? So she is the one who admits that she is 'on the fence' which is either a ploy for more on-camera dialogue or a bold-faced strategy.  And it seems to work, because despite the main premise that he must select the 'one' who is also ready to reciprocate, he not only does not eliminate her, but refuses to accept her resignation.  

Here we have it-- not the Aesopian moral of sour grapes, but the American male obsession with the one that 'got away'.   He is now sure, throwing the whole show under the bus, before the scheduled countdown, that this is what he wants, and this is what he wanted the whole entire season, while he went through motions of bonding with 20-some-odd other women.  From the get-go...he wanted the doll-- the surfer Barbie, the blonde bride on the cake in realtime.  Sound familiar?

I have a hard time imagining how he can kiss so many women-- I mean, at my most promiscuous, in my prime.. when we were all sampling and curious-- there were maybe 2-- maybe 3... at a time.  Especially this stupid pantomime when he knew from day one what he wanted... when he apparently and admittedly made a judgment based purely on the physical 'layout' of flesh and features, as nature calls... and the fact that there was a slight hesitation on her part-- either she is smarter than we know, or he is just fulfilling the old prophecy of dating lore-- that he must have the one who doesn't really want him.  And for her, clever dumb girl, she has left the game... and somehow I sense she will feel insecure and sorry... and maybe the drama is totally calculated because isn't she really the truest player, the winner?  The one who left while she was in first place?  Who broke his heart and made it impossible for anyone else?  I predict there will be a sequel-- she will return because there must be a twist now, America is bored of the game-- there has to be a coda, some drama... or else ratings will plunge.

And is he looking for love--- or a job?  His football career was over... he has obviously been groomed for TV, seems a little more on-camera comfortable than he was as a contestant... his hair is thicker, his abs are better.... he relishes his own shower-cameos.  Maybe he is in love with himself.   It's a little suspect that the guy has never had sex, although this is television-- who knows?

I can't help remembering once this very handsome guy used to come to my gigs... handsome like you rarely saw in NewYork City downtown... beautiful.  He tended bar midtown in one of those clubby cavernous side street places with a famous name.  He was in an off-Broadway play.  He begged me to come by the bar and I reluctantly looked in one night-- surrounded by great-looking women, he was... but he went crazy when I came in.  I went to his play... he was good.. more than good.  He took me on a romantic picnic in Central Park... made love to me, begged me... but something about him... lying there underneath this guy that everyone stared at... I just stalled out.  And then... as I pulled away.. the guy went nuts.  Showed up everywhere.. followed me, stalked me, delivered flowers and gifts...  It was like he had this picture... of me and him.. already on his mental 'mantel'... the New York City thing... me, the Bohemian musician girlfriend.... And he was getting famous... and still I had more interest in some rat-faced guitar player at the time.  Anyone.  It killed him.

The guy married a well-known actress who was equally beautiful... they moved to LA... I'm sure he was happy... I didn't deserve him.  I never earned him.  It was nothing but the one that didn't want him-- the challenge, the competitive conqueror thing... I don't know.  I don't know what I want half the time, and most of what I wanted didn't exist yet.  It was not in another person, but it was waiting for me to create it.

The perfect fairytale reality-show couple thing... yes, you ride off into the sunset... but then what?  You and your beautiful mate on a desert island without a camera.  I guess then you make babies and you do some other kind of dysfunctional couples-therapy reality show.  I think it's a little sad to be The Bachelor.  Like pin-up of the month.  In a few years you get old and no, you don't lose your hair because they fix that now... but there you are with your decision and the ring that the sponsors have bought for you... your fantasy televised wedding and your celebrity Instagram... and you are yesterday's model.  Without the Bachelor Culture, courtesy of this Chris Harrison who is determined to be a media mogul, you are nobody.  You are last year's Ken in the Bachelor Barbie game.

I used to work in a club Monday nights.  Bachelor night.  Okay... so now I am underemployed and earned enough from my catty blog-comments to buy a new guitar strap.   Am I culturally enriched?  I felt like a voyeur and cringed during kissing scenes.  Afterward I lost my appetite.  I felt sorry for the women.  I even felt sorry for the bachelor.  I never felt sorry for Miss America but I already felt Colton Underwood's pedestal crumbling.  And he cried.  That was maybe unscripted.   He cried because he maybe wasn't winning anything, especially not his 'queen' but is himself a pawn of the entertainment conspiracy and this is the end of his fifteen-minute road. Surely she'll be back, Colton... maybe even as soon as next week.  Or, as an ex once said to console me during a heartbreak-- Somebody will.

Friday, March 1, 2019

Dreaming in Orange

Walking downtown from Harlem today I saw a disabled city sanitation truck being hitched up for towing. It was kind of spectacular-- these are heavy pieces of equipment, filled with stinking tons of garbage in various states of compression and processing-- organic and inorganic.  I couldn't help thinking back to the days when my son's early boyhood obsession was observing and naming all the trucks and service vehicles on the streets.  It was like an all-day movie-- endless spontaneous entertainment-- and a scene like this would have provoked much pointing and shouting and the inevitable slew of toddler speculations and questions.

So there I was, across the street with my eyebrows raised, mouth open-- and no one was there.  I thought of my grown son downtown, with his expensive watch and his designer boots and his iPhone--- how we went to a little playgroup at the Presbyterian church two mornings a week.  There were wooden blocks there-- and little cars the children rode around on.  There were puppets and some books and puzzles.  Things seemed innocent.  My childhood toys from the 1950's were even simpler-- a tin house with a few pieces of doll furniture-- books, crayons, puzzles.  Mostly we dug with spoons in the garden and filled cups with water from the outside hose.  We chalked up the sidewalk and played hopscotch, made costumes and pretended to be pirates or gypsies or gangsters.

I used to wheel my baby back and forth to my job with his little things-- a reindeer made out of a sock, a few small cars.  Later-- a tiny garbage truck and a digger, a firetruck and an ambulance.  These days most babies I see holding their mother's phones, or with plastic replicas.   No one seems to be pointing things out-- few kids standing around construction sites all day watching these massive excavations-- steam shovels and dump trucks.  We read some simple books over and over; we sang songs and clapped hands.  Today technology seems to have replaced so many of these activities.

There were times, raising my son alone, when I lived on a bag of stale doughnuts.  One fall I collected discarded pumpkins from our garbage area and we ate these until my dreams turned orange.
A phone message one day that same season ordered me to report to an address on Fifth Avenue; it turned out to be F.A.O. Schwartz where I was informed some anonymous man had paid for a shopping spree.  We were overcome; my little boy asked for play-dough and we were sent home with a lovely set of wooden trains that made me feel ashamed.

I'm getting old now; I stop on the street and exclaim at funny dogs-- or children when they are fretting or sad.  They are eating complicated food products and drinking sophisticated drinks from
places like Starbucks with well-designed containers.  I feel like an alien from another century, and I suppose I am.  I gasp open-mouthed at the sunset when I look toward the park at the end of the day-- or up at the moon as I leave my apartment at night.  These things seem new and wonderful.   On the Saturday train there are still break-dancers who risk their limbs on the poles and straps to entertain riders.  They leave me breathless and gaping; my fellow riders simply hold their phones up.

Recently I read in the Times that an enormous percentage of adults sleep with a stuffed animal.  I found this a little shocking, although I do know many people who share a bed with their dogs and cats.  Surely these same people have their cellphones on the night-table and consult their Instagram or Facebook.  I used to sleep with a land-phone by my bed when my first husband was touring, hoping he'd call at some ungodly hour from a far-away hotel room.  When he didn't, I'd stare at the ceiling and wonder.

Somewhere between the monied rush of well-heeled pedestrians in my neighborhood and the homeless street population there should be a place for me.  I go to the library and take home books...
I feel both fortunate and passed-over.  I am no longer a player and yet I am just that-- not a brilliant but a decent musician who manages to find a place for myself between a song and a kind of spiritual vehicle.  I am both lost and found, misplaced yet contented.  Like everyone, I am stuck here between past and future, but somehow more committed to the present than ever.  There is nothing I really need, beyond the barest necessities-- and yet I live in a complex nest of cultural insulation.  I have banked many things of value, although none of them are monetary.

Riding up in the elevator with my neighbors, I am the shabby tenant.  Then again, no one suspects my groceries were purchased with foodstamps, or that there is a poem brewing in my head.  It occurred to me-- phone-less and vaguely out of synch with sidewalk traffic, watching that garbage truck through the eyes of a boy who no longer exists,  I have regained a kind of old innocence and it feels fine.

Wednesday, February 20, 2019

Dear Liza

Back in the 1970's, when I'd been living out my first chapter in the city as a self-supporting independent dreamer, my father showed up at my humble apartment which was a converted first-floor office I rented on the cheap.  'You're overdrawn,' he announced, without a trace of sympathy or paternal emotion, which was his MO.   At first I took this as a backhanded critique of my drawing techniques...I was still studying art... but then I realized he was talking dollars and sense-- the only advice-road he ever crossed where I was concerned.  SO... my checking account was $10 in the red and this, according to him, was a financial and moral sin.   Did he offer me a coffee-- an ice-cream?  A street pretzel?  I'd given up all luxuries to survive my little spartan life as a student with part-time jobs at Bloomingdale's, at an art gallery, babysitting... earning $90 maximum per week.  I gave him my word it would never happen again... and it didn't.

It occurred to me, listening to my son rattle off the numbers of his friends with wealthy parents who backed their start-ups, bought them apartments, set them up with stock portfolios... this was my strict lesson in economics-- my hard-landing, my teenage Brexit.   While I had little in common with my military Dad who disapproved of my life choices until he died, I raised my son with a parallel ethic.  But somewhere in the last 40 years, urban values have changed.

Last night I listened to Danny Fields talking via the LES Biography project about city life back in the 1960's and 70's... the music scene, especially... and I nearly salivated.  Yes, I remember when there were maybe 1000 hip people in New York who were doing things--- very few of them had money, but there was a certain fierce bohemian patriotism... we hung out and listened and exchanged... things were being discovered... things were new and hypnotically interesting... you'd miss them if you stayed home.  Even mainstream music was pretty good-- bands were inventing and becoming.  Records were important and in the clubs, no one dared get up and perform unless they had a concept.  Not much of the avant garde was on television, and punk was so much more than a recording-- it was energy. It was live.

Not watching the Grammies has become a no-brainer.  This is not music-- it's some new kind of industry that has little to do with discovery and everything to do with marketing, cultural manipulation.  Money.  I admit I turned on television for a quick minute in time to catch a quick visual meme of Jennifer Lopez thrashing it out on a piano-top... and I literally felt sorry for her.  Okay-- I'm pretty old now, way past the age of strutting onstage half-clothed... but let's face it, there's a small fortune's worth of spandex and Spanx in the Beyonce and J-Lo shows these days.

The truth is, I feel rich.  I am grateful to have lived in the Danny Fields version of New York, and lucky to have seen what I saw, usually without paying very much if anything.  But the time-- it was worth it.  Staying out all night year after year, dragging myself through classes and gallery afternoons just to make it to another night of back-to-back gigs and inhaling the charged air of downtown.   I never 'made it' in the music business... and I still feel rich.  I never asked anyone for a dime, once I settled the 10-buck debt with my father.  In fact I paid him back in spades, but that's another tale.  He went to his grave without sampling a single one of my living catalogue and it doesn't bother me.

I guess we can't help wanting things for our kids-- I'm sure he wanted me to have the best appliances and home decor-- the perfect tennis-playing husband, the country club and the vacations... For my son, I want him to have that discovery New York gave me-- the jolt, the inspiration-- the courage to be what I wanted-- the values I cling to that had me starve for years for a painting I craved, work weeks on end to collect $50 at a gig, walk miles carrying heavy equipment...   But it seems while I was mothering and forging onward, the urban garden turned into a money crop, and I'm a bit lost here.  One thing I do notice: rich people, with a few exceptions,  do not feel rich.  They are insatiable and often unhappy.  They trade in their wives, their homes, their cars, their clothes... and still they search for more.

Someone asked me the other day about my Bucket List.  I remember the first time I heard that expression and didn't recognize it.  It's a recent coinage, I think... although a bucket is a pretty Mother-Goosey kind of image.  What I thought of immediately is that old folk song-- 'There's a Hole in the bucket, dear Liza, dear Liza... '

There's a hole in my bucket, for sure.  But my list is kind of checked off.   And so many of the things I'd wish for-- well, I've done them, in a sense.  Traveling the world-- I guess I saw plenty of places playing backroom gigs and going to art auctions when I was young; and I can look at images, watch films... no hotel room hassle, stressful delays, no airport security.  My shelves are lined with the best books I'm lucky to have become acquainted with-- because plenty of young people come in here and have never read Pushkin or Celine or Borges.  I visit the past with these authors who open their minds and landscape for me.  I read on trains and kids sometimes ask about my book... they often note titles on their phone-- their version of a bucket list.

Maybe the after-effects of something like poverty have seeped through my cracks and wrinkles and changed my chemistry from a longing young girl feverish with passion and ambition, to a wiser and warped older woman who just wants some time to finish my work and study that of my heroes.

Last night that Supermoon was pretty amazing.  It outshone any of the red carpet jewels the Oscar nominees will be showing off.  As for me, I'll be doing a gig somewhere, wearing the not-on-the-bucket-list necklace my son gave me for my birthday.  It's tiny and magical and so perfect, the way these things are meant to remind us of a star-- an unattainable tiny point of light...   perspective.  Somewhere in this city of competitive bank accounts and 7-figure Valentine gifts they forgot the point of beauty.  Nothing compared with that moon that hung there for every single one of us-- homeless or penthoused... not the ring of Steph Curry or the trophies of Tom Brady and Cardi B.  So keep your eMemos and iNotes going... I've still got plenty of work to do, God willing, but fixing the bucket is not on the list.