Hail Mary
There are days in which I have little to offer, although it is hard to keep one's mind silent when the autumn sun is clear and shines effortlessly on those of us who are not in the midst of hurricanes and typhoons. Even in those ravaged places, we know, the mornings after are cruel and calm and show unspeakable damage with blue clarity and the watery whisper of a quiet sea. Our well-dressed reporters and journalists with furrowed brows survey and film, photograph and interview. We check our social media and breathe a bit easier... we give a little money-- we gasp and sympathize, we go on with our day.
Yesterday I went gallery browsing-- the theme being indigenous Australian artists. It rewarded in a way that contemporary American has not, in recent years. Inherent soul and story-telling-- these young artists inherit the myths and beliefs of their cultures, and even without explanations, they manifest. In their presence, one surrenders.
Earlier in the week I visited a few of the sick and aging among my friends who are imprisoned in an existence they can't have imagined or foreseen. As time goes relentlessly on, there are many of these... no solution, and my presence gives merely a tiny atom of distraction to a cavernous lonely discomfort. There is no companion for pain and suffering; I find myself always walking home from these visits... as though I need to remain in a kind of prescriptive sentence of solitude to process what I have witnessed. A few of these people might return to some kind of disabled living situation; deterioration is part of life... it's just that we childishly don't imagine it will really happen to us. Yes, we take care of our health, we take the recommended exercise and precautions-- some of us too late-- but we cannot avoid the reaper's overture.
One of my friends has reached a point of collapse. She has bravely suffered the utter inexplicable indignities of a brain cancer which gradually absorbed her beauty, her grace, her keen mind and now her body. Sitting by her bed, her head turned to one side, it was like speaking to an injured fallen horse whose life and fate displays its pride and sorrow in one eye. She breathes, occasionally sighs... I could swear I saw a tear. Music, I said... makes one sad... and she seemed to agree. I walked the seven miles from North Bronx to my apartment, trying hard to supplant this vision with memories of her vitality. It will take some time; the dull and needy neighborhoods beneath the train tracks provided a kind of visual accompaniment to these souvenirs. And suddenly... there is the bridge over the Harlem River... the sunset... the glory, the antipodal irresistible reality.
For some, memorials and rituals are important. The pandemic era made this less so, in a way. The pomp of services was disallowed and one grew used to mourning in a kind of vacuum. Death-- the death of others-- is the portal through which all grief expresses itself. Tragedies are often measured by its statistics.
Australian indigenous art is permeated with narrative... and as in most cultures, these narratives often interweave with death. It makes the art more compelling and true-- more universally articulate. There is also a kind of hope or rebirth that permeates all religions. This is our deepest wish-- to return to some kind of life or afterlife. As though the sad material of human beings had a value... still, we believe this.
In the aura of what I witness, I return to my computer and come across a feature-- about how contemporary artists deal with concealing their under-eye circles. While I truly hope this is some metaphorical piece about the omnipresence of tragedy in art, it is rather a cosmetic piece. Irony noted.
Maybe my epiphany of the week is how some kind of narrative (or the utter opposition of it with philosophical content) compels us-- from the Bible, classical art, indigenous painting, to modern literature... and yet we struggle with the absurd human inability to decipher our own. While we control and change direction and envy and pity and weep and laugh, we rely on anything that is not our own.
My son, this week, is obsessed with the baseball playoffs. It's an American thing and, surely, the love of sports brings more people together than politics. It's a finite thing, too. There is a clear winner and loser. Not so even in elections, with the electoral college nuances. It's confusing. With baseball-- barring happenstance-- the final teams are pretty surely the best. One believes-- one hopes. This seems to be the common denominator-- hope. Millions of people in stadiums and bars put on costumes and make the prayer sign. Even I, for the sake of son, root and cheer. We read the stories of each player and feel connected. It is giving us a viable distraction in a difficult month.
Walking into a church for some instant spiritual support, it occurs that for most women, no symbol will eclipse the Virgin Mary. If we could reinvent her... but we cannot, and her meaning has been manipulated and distorted. We have tried-- the Barbie Movie, etc... but no. She is the suffering mother, the comfort, the grace, the vessel and the very epitome of grief. Even the athletes call on her. In every culture-- we are born with some sense of belief... it connects us-- makes us human, and gives us the courage to hope-- despite all odds, despite my ailing friends being down 3-0 in the series, or not ever having made a single playoff... or even a team... there is this thinnest thread that in an impossible narrative just might lead to a miracle.
A-women.
Labels: aging, Barbie, baseball, Bronx, cancer, Death, elections, funerals, Hail Mary, Harlem River, hospice, Indigenous art, Madison Ave bridge, the Bible, Virgin Mary, World Series
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