Remember (the Axis-Bold-as-Love kind)
November always leaves too quickly for me. It is my favorite of the cruel months—nearing
the end, but far enough for quiet sinning reverie--- still the magic feeling of
9 and newness, and the soft ember of the word.
The annual Hendrix birthday gig brings up a sad tale I have been unable
to write or commemorate—not in a song or a poem… so I will try here, in the
lingery last hours of the month of long lunescent Rockwell Kent-ish nights….
My friend met this woman on a crosstown bus—she picked him
up, she’d boasted… he looked so eligible and kind and ‘presentable’; she, the
black-haired, black-clad, black-eyed stranger who in another time might have
had a veil. The sex was great—you could feel that… he
treated her with uptown attention, and she led him across the soft boundary of
downtown edge. They’d show up late at my
gigs—both of them tall and giggling… and they’d dance, like some old-world
ballroom couple… they’d drink, go out to get high, come back and dance until
the end. Although she was much younger,
she instantly embraced my dark sisterhood, and
confided with abandon things I felt I hadn’t deserved.
Anyway, it went on--- the relationship had its webs--- maybe
a wanted or unwanted pregnancy, a dangerous flirtation with one of his
friends…. some street drama, some interior drama…the usual. When they’d show up, I was happy. She always asked us to play ‘The Wind Cries
Mary’ and we would oblige. Jimi would
have loved her--- she was leggy and unafraid and so dangerous in that
black-Irish witchy sort of way.
I visited her once or twice at her place; it was an appalling
mess. Clothes everywhere, food
containers, ashtrays overflowing--- bottles, the scent of marijuana and sex and
perfume. She was obsessed with shoes and
had maxed out not just her own credit cards in a sort of charming way because
everything was smashing on her, and worth every cent.
But most of all, she wanted my hat-- the old black Stetson
which I could let her wear, but couldn’t give up. Until one day she called me urgently---I had
to come over that minute… and she greeted me stark naked except for the new hat—she’d
managed to find a twin—and her great hoarse infectious laugh and a joint and a
filthy martini glass. So her fall
outerwear debut—the hat and a new black Raymond-Chandler-esque raincoat, with
whichever of her spectacular shoe choices--- was well received by all.
As the year wore on, her silly insistence on my friend
making an honest woman of her began to wear on him. He was distancing himself slightly from her
indiscretions, her excursions, her junky ex-boyfriends, the debt and the
hangovers. I, of course, forgave her
everything. All I had to do was watch
her dance, listen to her stories, receive.
You are my angel sister, she used to tell me; when you find a diamond on
the street--- it will be me, giving.
One day he called me—in utter grief. She’d been standing on the platform at West 4th
Street, 11 AM, about to change trains—and the rush of tunnel wind blew off her
hat. Undoubtedly she was stoned--she
generally smoked a joint before her morning coffee-- so as she reached for the hat, with impaired leggy
grace, she leaned in and something
jutting from the oncoming train slammed into her head with mythological force. And there she was, stunned and silenced, the white skin and the black hair, with streaks of red now, bleeding
profusely into the lap of an NYU law student who spoke eloquently to the NY
Post, the hat trampled and lost somewhere by the voyeuristic crowd. She was DOA, in her black trenchcoat---
hatless.
Somehow I felt responsible.
Somehow I couldn’t grieve. It was
more than I could stand. Her family came
and probably witnessed with horror the mess of her apartment, apparently made
judgments, because they refused to disclose the circumstances of her
funeral. I craved a piece of her, I
wanted to call the law student who maybe had a bloody souvenir. But I couldn’t find her.
I have yet to find a diamond, but I am always looking down
and occasionally pick up a shining dime which I know is a wink from
somewhere. And I silently dedicate the
Hendrix always to her. Maybe they are
together somehow, and he is playing 'The Wind Cries Mary' or 'Angel' or something
new he wrote just for her. And she is
dancing—with the shoes, and the trenchcoat she never paid for, naked underneath,a cigarette in
her mouth, the mascara’d eyes closed, locks of black hair falling everywhere,
wearing Jimi’s hat. She had a hat, I
complained to some version of God, who took her for his own one rainy November
wish, eleven moons in, never to grow old.
Labels: Axis Bold as Love, Death, grief, Jimi Hendrix, love, November, Raymond Chandler, Stetson, West 4th Street, Wind Cries Mary