Bedeviled

Ever since the pandemic began, I've confessed several times to a television habit-- difficult as it is to follow the war in Ukraine these nights; the footage is beyond upsetting, the awareness of sitting in a safe room processing the horror provokes a kind of shame.  This weekend, with the NCAA games as distraction, I nearly overdosed.  I swore I'd avoid the Academy Awards but found myself tuning in just in time to see a few choice moments-- including the Will Smith debacle. 

I'm sure every blogger, journalist, critic, and mouthpiece has had a go at this today.  For me, I knew little of the marriage back-story; I'm old enough that a 20-something year achievement seems unimpressive, although I'm aware that Hollywood years are like dog-ages to the rest of us.  Still, what I did gather is that Will Smith seemed unhinged.  Not just upset or motivated or protective-- literally unhinged.  More than met the camera-eye. 

Of course I'm sort of a Hollywood-hater.  I haven't fallen in love with a movie for some time, now.  Nothing seems inventive or world-beating.  The glam and prep for these events far exceeds the content.  Such is life these days.  And with the world situation as it is, although these superstars and celebrities sympathized and supported the Ukrainian cause, these productions just seem-- well, faithless.  

The whole weekend was kind of a wash-- a storm of bad news and dismay and death.  Taylor Hawkins-- for anyone that plays rock and roll-- is a dream drummer.  He's animated and showmanly, and he plays his ass off-- sings, too.  It's a shock. Of course 50 is nearly twice the proverbial age of tragic loss, but it seems young to me.  I watched over and over footage of their more recent concerts; you try to find something-- some reason, some 'key'... He often took the microphone and sang before an audience.  It takes rock and roll balls to do this, to an arena-crowd.  He had that extra-energy-- the kind that comes often from the drug of performance, but also the kind that comes from a glassine envelope.  Something was not right.  And then it was all wrong.

Saturday evening on the way home I stopped at the Affordable Art Fair.  Granted, I'm tired of my own art-snobbery and disappointment... but honestly there was nothing I wanted to afford. The people exhibiting were so nice and courteous and the gallery staff just enthusiastic and generous-- but I felt sorry for them.  This has nothing to do with art.  It was desperate and meaningless and tarted-up with visual quotes of celebrity images and familiar art memes.  I ran into a friend who was buying a photograph (one of an edition) that reminded him of another photographer whose work reminds me of a Warholian car crash.  I wanted to say to him... look at this-- look at this painting.. there is something obviously missing here... but he doesn't see... maybe even the maker doesn't see-- or doesn't care. When in any reality does a sculpted hamburger take the place of something cooked?  Somewhere there is a line.  Things begin with a line.

Last night at 4 AM I was awakened by a gunshot.  One single shot.  It is unmistakable, this sound, and in a culture and time where suicide has become trendy and topical, it is worrying.  Or violence.  22 shots, they counted in Young Dolph's body...  21 more than he needed.  99 problems...  I am trying hard to get my broken friends to stop nursing their weaknesses, counting pains and issues.  We step out, I tell them.  We pull ourselves up into some kind of presentable walking creature.  We do this.  We are strong; we walk out onstage, like Taylor Hawkins did night after night... we lift weights and carry things. 

King Richard.  Like so many of the Shakespearean royals unhinged by just the pressures of responsibility and the pangs of remorse-- fear of failure, craving for heroic adulation.  Hollywood actors crawl on bloody knees for the success so few of them achieve.  Many hate themselves, despite all the press and hype and good deeds.  It's an unsustainable situation... and it's short-lived.  I remember well cheering my son at games which are equally forgettable and forgotten, but many of them punctuated with a trophy or a symbol; a brief championship.  These show up in thrift shop shelves... or at those memorabilia auctions.  One doesn't know who will be collectible in the end.  Life intervenes and dilutes. 

What I do know is the message of violence is heinous and immature. It's a punch in the face we'd all like to deliver somewhere, but here we are condemning Putin for his war-tantrum and behavior like an upset child with the power to threaten the world.  Nothing worse than a boy with a loaded gun. Not all of us have an audience-- or even a global live audience.  Those NCAA basketball players-- some of them threw their balls up in the air and failed to see them land squarely.  They pushed and shoved a little too hard-- they are boys, and defeat is tough to handle--especially when it is so fleeting and decisive.  They foul out, they receive a technical slap on their hand. In the NBA they are fined.  

It wasn't just the violence with no rebuttal... it was the disturbing acceptance speech, as well... the selfish/unselfish rhetoric of a privileged human-- talented, no question.  But unhinged, the way many of us feel.  The tears were not right.  We were a captive not a captivated audience.  There he was with a stage and a forum to deliver something. We squirmed in disbelief as we watched a man self-destructing.   I wonder what my friend the psychiatrist would say-- the one who calls me out consistently for my inconsistencies and vapid confessions.

I am singing for Ukraine, a girl announced onstage the other night.  I am painting for Ukraine, an artist tweeted... look at me, look at me. At your highest point, Denzel (the other King) quipped, the devil will come for you.   Not to mention your lowest point-- your final swan-song, your night of carousing, your career zenith which may haunt you forever because it is the ledge from which you fell, from which you are measured.  At 53 with a massive career of accomplishments, this was not simply an act of passion-- a bad decision.  

We are not enough, we humans. We have lost the thread of humanity; we have lost the content-- the purity-- the meaning of art.  The soul. It's not enough.  It's not good enough or tough enough or funny enough and it's not going to matter, in the long run.  Most award winners are doomed to become jeopardy questions and record-book entries.  The devil is winning, my friend said to me the other night. He is everywhere, maybe... certainly in the White House at the end of 2020... but one thing is for sure; even he is unreliable.  As David Grohl well knows... in the end, all alone is all we are (repeat ad infinitum...).

Crimea and Punishment

A friend of mine bought me a Murakami novel a couple of weeks ago. He came by to deliver it but I so rarely hear the bell downstairs or even answer the phone in my post-pandemic insulation.  It will take me a while to adjust to spontaneous door-knocking and full-frontal facial nudity.  While he didn't leave the book, in his honor I took another one from the good old NYPL.  I liked it-- until the end, that is.  Many writers have this issue with endings... like they fall in love with their characters and can't bear to leave... or they have multiple finishings... like a sort of round table discussion in their head, with the characters in triplicate, discussing.  And it hurts the book; a good story already has an ending. 

In this case, the characters sort of split off-- like they could see another version of their own reality... death and life coexisted-- the ending and the plot.    One of the women even had white hair and black hair, not that this is so unusual in our cosmetically facile culture.  After all of the credible reality and details Murakami set up, it just seemed like a cop-out.  A space ship comes down and airlifts someone... or you simply disappear, like one of those strange mysteries.  In our society, missing people haunt us; for the most part, like milk-carton children or even that Gabby Petito-- there is evil in the explanation. 

It was especially disappointing because I identified with the character. Hard to imagine Japanese girls being messy and badly groomed... on my visit there they were spectacularly put together... but it was part of her charm.  Murakami protagonists-- and narrators-- are often disarmingly direct and candid.  It seemed obvious to me that her disappearance was out of character and engineered by the author.  I prefer when the characters tell us writers what to do, lol.  Literary fate.

I am resisting the temptation to go off on one of my academically ingrained analysis-tangents.  Murakami can inspire this sort of thing... and every so often, despite the omnipresence of detail, there are these blurred adventures which step out into a sort of unlikely dream, or alternate reality.  For the realists and sleuths among us, this can be challenging and annoying.  But lately I have had these overpopulated dreams-- with plots and armies and characters and weather and animals;  they last for what seems like hours and bring me into a morning-after mental hangover.  Not unlike these novels. Waking I find some of the tragedies and losses of my imagination quite real.   

Even more than that, it forced me to think about perceived and actual realities, as manifested in the narrative of this horrid Ukranian war.  I don't pretend to understand the complexities of the disagreements and the difficult history of Crimea and its affiliation. As often in these territorial wars, the people inside the borders are not as cleanly delineated as the political boundaries.  But the main issue is the humanitarian crisis that has emerged.  And the manipulated distributed journalism in Russia is disturbing, unless we are misunderstanding entirely.  Lack of transparency, personal threats, imprisonment for opinions-- these are all qualities of a bullying and paranoid government.  While a solution seems near-impossible, it is unacceptable that innocent civilians pay the price of despotism and aggression.

Mysteries abound; people are missing, lost.  Families are divided and things have been left behind.  I have read Russian stories claiming they are rescuing Ukraine from Nazi forces.... they are liberating and protecting the people.  The POW soldiers insist a similar fiction has been their motivation.  Another story today accused the Ukrainians of inventing casualty statistics-- of  'staging' these photographs of the dead and wounded for effect.  How can these realities co-exist?  

Fake news... we are all-too well-acquainted with the term and the meaning.  The UK poet laureate used the term in his new official poem decrying the war.  'False news is news with the pity edited out,' he says, with maybe  a little intentional clumsiness... but I choose to continue to see it as news with the truth removed, and reality skewed or divided or manipulated.  Rather than 'Resistance' the poem seems to convey a sort of impotent spectator-ly dismay.  

Maybe acceptable in fiction, this lassitude of conviction and failure to convict... but with the reality of a war, the threat of annihilating a country... well, not nearly enough.  I'm not sure what is demanded of us here... perhaps if the theatre of conflict was closer to us, we'd be more active, more alarmed.  It seems discussion and talk have been dismissed;  how did we end up here, watching a hideous version of political failure become bloody and tragic history?  Why is war the chronic destroyer of peace?  Are there not enough problems without these absurd man-vs.-man killings in the name of some propagandistic principle?  

I think it's time we name a few additional sins.  The seven seem not nearly sufficient for what ails not just Eastern Europe but the global geo-political pandemic of greed.  I wonder how long it's been since Putin read Dostoevsky... a writer who understood endings.  And sin. At this moment in time repentance may seem a lot more appealing than conciliation.