Give Me Back My Wig

Maybe 14 years ago-- maybe more, I was in Chelsea where I often 'sit' for a friend's gallery... and lo and behold... the street was closed off, all kinds of black official vehicles lined up, complete with NYPD and massive security.. Could President Obama be looking at art? But apparently the small mob was entering our building... the Balenciaga store, pre-Hurricane Sandy, was one flight below.  Within minutes, I was being asked by a man with a walkie-talkie to allow some VIP to get dressed in the space where I sat, quietly... often alone.  Well, okay... we had a sort of relationship with the store personnel... 

So it turned out it was not the First Lady or some veiled Princess, but Beyoncé herself.  For her entourage, all street commerce had been stopped, gallery traffic disallowed.  My doors were locked and guarded, and the pop 'queen' (she did kindly nod her head at me in appreciation) herself began to disrobe in our unwindowed packing area.  No photos, they requested, as she was quite exposed in my makeshift dressing room.  I never even looked.  In less than an hour the street was returned to its normal state-- all signs of the visitation had disappeared.  Presumably Balenciaga was significantly compensated in sales.

I admit I was a fan of the Crazy-in-Love phase... how could you not admire those thighs and her dancing?  For a second there, she had the Tina Turner star power-- she could sing and dance.  But then there was the blonde thing... I mean, for young black girls-- is this the model we want to admire?  What happened to natural hair and loving one's color?  I'm old but recent years have blurred the lines between the Kardashians, the Beyoncés, the pop stars.  All the wigging and facial modifications-- the make-up and the image-creation... 

And all these celebrities crossing lines-- athletes who act-- models who sing, actors promoting everything from Bitcoin to life-insurance... Subway.  Aren't they well-paid enough?  Or does their hungry management advise them to take on these mega-contracts and endorsements?  Beyoncé... she and Jay Z have created a mega-fortune.  Do we have to see her on Super Bowl commercials literally raking in the massive additional dollars and wearing a small fortune while half the world starves?  

Art, they called her new album cover, where she is not very believably or even actually side-saddling a white horse.  White is the operative word here-- the horse, the hair, the culture.  Her explanations don't make sense; I don't particularly want to explore my personal patriotism by mingling with MAGA hat wearers.  Not that the country image hasn't evolved, and not that its traditionally all-white audience and deeply embedded racism haven't been updated... but Cowboy Carter seems more like a massive bad joke than an image.

It's  not that I am bitter or envious or hateful; I admit I haven't much listened to the last 20 years of Beyonce.  I'm already sick of the constant cameos in our culture-- inaugurations, award shows... twitter feeds; it's unavoidable.  Suffice it to say, besides Hank Williams I have never been a huge fan of country music.  Touring with rock bands, the fundamental Christian reluctance of certain audiences to embrace science, the backwater racist and sexist comments sort of reinforced this.  Many of my purist Nashville friends shun the current wave of country pop stars as inauthentic.  Still... who can resist Dolly Parton? Beyoncé could take a few lessons from her brand of authenticity, wigs, make-up and plastic surgery notwithstanding. 

I guess when I heard snippets of the new version of Jolene-- unavoidable here-- well, that put the proverbial stop on things.  And I'm sorry if I've ruined someone's Easter... but I've heard at least a dozen covers of this iconic and heart-wrenching song... and to say this new one does not do it justice is kind of an understatement.  Coupled with that cover, the inherent irony... what is cowboy about Beyoncé besides the styling?  And the photo more like a Jeff Koons version of ad-absurdum with a little Richard Prince tagline left hanging.  Dave La Chapelle Does Dallas?  Lady Godiva at least had a sort of platform. 

Give me Roy Rogers and Dale Evans... National Velvet... I don't know... I was a cynic back when Elton John released Tumbleweed Connection.  A gay English cowboy? It seemed so inauthentic.  But now the whole banned-book narrative, the Tennessee political atmosphere-- the bigotry, the Bible-toting hypocrisy-- while the world burns.  What can we expect next-- Beyoncé on the throne, scepter and crown... but she's already been 'Queened'?  What is the damn message here?  I don't want to read or hear another commentary.  Let someone else search the internet for the white-horse symbolism and mythology.  It's Easter; Jesus rode into Jerusalem on a damn donkey. I just want my music with a little less pomp and airbrushing and a little more circumstance and soul. Aretha, we miss you so terribly.