Grey Flannel

As part of my adaptive reading program, I just finished Mosquitoes-- a much criticized early Faulkner novel which, while flawed, still rewards with unpolished and sometimes erratic youthful exuberance of description. Another claustrophobic August narrative for me-- dank, humid and overripe with the disappointment of human relations. But well worth the effort.

Late last night after a day or two of uncharted sleep-deprivation, I made the mistake of flipping television channels.  Besides my go-to film stations, there is quite a bizarre array of lameness across the board: flimsily-premised game-shows, re-treaded bad 'reality'... it's as though everything has been done... and redone, or the interesting actors have taken a hiatus and left us with the dregs of low-level celebrity who for the likes me are not just unremarkable but unrecognizable.  

Friends of mine are visiting New York, and ask me for suggestions. I'm not in the least tourist-ready, as I once was-- brimming with passion and lists of competing activities and shows... primed for inspiration and  ripe to be dazzled by some fantastic band or gallery exhibition.  It's not just seasonal malaise but a general thing. I mean, my books, most of whose authors are dead, do not fail me.  They also remind of my creative mediocrity and the distance between where I am and where I might have been.

And there are those among my Facebook acquaintances who still post and gush and selfie at myriads of openings and gigs and events-- dress up and do their hair and socialize.  It is a reminder of why the Stones are still touring... for those of us who have found little else to replace what used to be a common and easily-accessed quality music scene. 

Around 2 AM, there was a Nashville songwriting hour program, featuring three young artists.  One had guitar skills, but the songs were utterly cliche'd... another I recognized from the club scene here twenty years back... here he was on television, with his talent yet to sprout... and a third-- the daughter of an old and extremely good songwriter... she-- whom I'd met as a baby-- seemed exhausted by life; her songs, too, were old and not memorable.  I felt a kind of pity for her performance, especially conjuring her father whose genius was undeniable despite extreme stage-fright in his early days which he battled by facing away from the audience.  It was charming because he was brilliant and undeniable. But where am I, I was thinking?

I happened on a brief clip of a Townes Van Zandt memorial songwriter's circle-- with all the best Nashville celebrities from the 1990's... with each performance of a song more heartbreaking than the previous.  I watched and I wept.  Townes was an occasional visitor to New York and the sheer pleasure of having once spent an evening with his humble sense of humor and utter boy-charm was thrilling.  He was a consummate and sad artist.

There are of course a few lights in the August tunnel-- the Os Gemeos murals on West 14th Street, not minding the occasional soaking of a passing rainstorm... the pale moon, translucent over the twilight river sky.... the perfect pitch of a little morning dove who visits my bedroom windowsill nearly every day... just inches away behind the glass.  And what I call the 'grey flannel' days- those occasional weather-anomalies of chilly rain, reminders of the autumn to come, and of those homesick summer camp mornings when we were forced to pull these scratchy uniform components from the bottom of our steamer trunks and wait out the sun dressed like soldiers.  These days make me grateful to be an adult-- to have freedom of time and wardrobe and activity-- privileges we aging seniors take much-too-much for granted.

This morning I woke up with one of those vivid memories one occasionally pulls out of a deep subconcious hat... of a late August trip with an ex to the Jersey Shore.  Difficult to get away without children in those days, but we managed to rent a car and have a couple of unpremeditated days exploring roads I knew from college and he knew from songs.  We were surely at the end of some journey as a couple, although we had some fun... including a night in a cheap depressing motel in Neptune we booked out of desperation-- in the days when one had to drive from place to place to inquire about vacancies: it was after midnight and the desk attendant was annoyed and smelled of cheap whiskey. We swam in a small, sort of fetid pool and then slept poorly in a damp ground-floor room where the air conditioner was ineffective and one felt like a mushroom. 

Anyway, at least the ex got a decent song out of the trip.  I came home with the desolation of another failed relationship, and that deep sorrowful mix of nostalgia and regret and impending loneliness that comes when one distinctly chooses to put something precious behind a line which marks past from present.  There was some love there, or had been... and surely it was I who destroyed it-- I was very good at that.  Although now, so many years hence, I suppose the song still exists, and between us, the thing that replaces everything in the end-- what we had, what we had not, a kind of distance through which we see things both less and more clearly as we log yet another season.

Give Me Back My Wig

Maybe 14 years ago-- maybe more, I was in Chelsea where I often 'sit' for a friend's gallery... and lo and behold... the street was closed off, all kinds of black official vehicles lined up, complete with NYPD and massive security.. Could President Obama be looking at art? But apparently the small mob was entering our building... the Balenciaga store, pre-Hurricane Sandy, was one flight below.  Within minutes, I was being asked by a man with a walkie-talkie to allow some VIP to get dressed in the space where I sat, quietly... often alone.  Well, okay... we had a sort of relationship with the store personnel... 

So it turned out it was not the First Lady or some veiled Princess, but Beyoncé herself.  For her entourage, all street commerce had been stopped, gallery traffic disallowed.  My doors were locked and guarded, and the pop 'queen' (she did kindly nod her head at me in appreciation) herself began to disrobe in our unwindowed packing area.  No photos, they requested, as she was quite exposed in my makeshift dressing room.  I never even looked.  In less than an hour the street was returned to its normal state-- all signs of the visitation had disappeared.  Presumably Balenciaga was significantly compensated in sales.

I admit I was a fan of the Crazy-in-Love phase... how could you not admire those thighs and her dancing?  For a second there, she had the Tina Turner star power-- she could sing and dance.  But then there was the blonde thing... I mean, for young black girls-- is this the model we want to admire?  What happened to natural hair and loving one's color?  I'm old but recent years have blurred the lines between the Kardashians, the Beyoncés, the pop stars.  All the wigging and facial modifications-- the make-up and the image-creation... 

And all these celebrities crossing lines-- athletes who act-- models who sing, actors promoting everything from Bitcoin to life-insurance... Subway.  Aren't they well-paid enough?  Or does their hungry management advise them to take on these mega-contracts and endorsements?  Beyoncé... she and Jay Z have created a mega-fortune.  Do we have to see her on Super Bowl commercials literally raking in the massive additional dollars and wearing a small fortune while half the world starves?  

Art, they called her new album cover, where she is not very believably or even actually side-saddling a white horse.  White is the operative word here-- the horse, the hair, the culture.  Her explanations don't make sense; I don't particularly want to explore my personal patriotism by mingling with MAGA hat wearers.  Not that the country image hasn't evolved, and not that its traditionally all-white audience and deeply embedded racism haven't been updated... but Cowboy Carter seems more like a massive bad joke than an image.

It's  not that I am bitter or envious or hateful; I admit I haven't much listened to the last 20 years of Beyonce.  I'm already sick of the constant cameos in our culture-- inaugurations, award shows... twitter feeds; it's unavoidable.  Suffice it to say, besides Hank Williams I have never been a huge fan of country music.  Touring with rock bands, the fundamental Christian reluctance of certain audiences to embrace science, the backwater racist and sexist comments sort of reinforced this.  Many of my purist Nashville friends shun the current wave of country pop stars as inauthentic.  Still... who can resist Dolly Parton? Beyoncé could take a few lessons from her brand of authenticity, wigs, make-up and plastic surgery notwithstanding. 

I guess when I heard snippets of the new version of Jolene-- unavoidable here-- well, that put the proverbial stop on things.  And I'm sorry if I've ruined someone's Easter... but I've heard at least a dozen covers of this iconic and heart-wrenching song... and to say this new one does not do it justice is kind of an understatement.  Coupled with that cover, the inherent irony... what is cowboy about Beyoncé besides the styling?  And the photo more like a Jeff Koons version of ad-absurdum with a little Richard Prince tagline left hanging.  Dave La Chapelle Does Dallas?  Lady Godiva at least had a sort of platform. 

Give me Roy Rogers and Dale Evans... National Velvet... I don't know... I was a cynic back when Elton John released Tumbleweed Connection.  A gay English cowboy? It seemed so inauthentic.  But now the whole banned-book narrative, the Tennessee political atmosphere-- the bigotry, the Bible-toting hypocrisy-- while the world burns.  What can we expect next-- Beyoncé on the throne, scepter and crown... but she's already been 'Queened'?  What is the damn message here?  I don't want to read or hear another commentary.  Let someone else search the internet for the white-horse symbolism and mythology.  It's Easter; Jesus rode into Jerusalem on a damn donkey. I just want my music with a little less pomp and airbrushing and a little more circumstance and soul. Aretha, we miss you so terribly.

Who's Your Daddy

On Father's Day I walked down to the East River.  Like most things I count on in life, it was testing boundaries, flexing its liquid muscle, changing its face from calm rippling smiles to smirks to choppy grimaces and swirls and whorls of angry warning.  The sun had set and there was little moonlight.  The humid air was a prelude to the long New York summer which no longer spreads but looms like a warm dare.  There will be fireworks... there will be sleepless nights in damp sheets with dogs howling  through open windows and passing sirens belting out their urban lullaby with even more urgent frequency.  On the concrete boardwalk, the roar of the current duetted with the city hum, like some symphonic grey wind-- the thick planetary breath which seems to crescendo in these mid-year months.  My son used to complain that he couldn't hear the stars sing.

Who's your Daddy, I wanted to ask the river on that night?  But we know that.  From whence it comes, to where it goes-- the oneness and duality, the calm and the storm.  Men deftly steer their way from one side to the other... on barges, on tugboats... while uptown the Hellsgate Bridge like a kind of red heaven threatens to take any challenger to the deep cold bottom from which few have returned.

My own son grew up without a father.  Or he grew up with me straddling the two endpoints of parenting with limited skill.  I was unprepared by my own dad whom now that he is gone I can witness as a complex mess of post-war PTSD and garden-variety guilt that sabotaged what could have been a happy and productive life.  I feared and hated him most of the time; the feeling was mutual.  Like my son, I adopted a series of role models from ballet-teachers and coaches to movie stars and literary heroes.  One day it was Atticus Finch; the next it was the gardener.  Even the Good Humor man seemed to look at me with something closer to love than any holiday or ordinary greeting from my father.  I'm not sure if it was more painful for him, but I took that on, too.   I never got to have payback, or closure, or any unravelling or confession.  It stayed the way it began-- an awkward pantomime of familial choreography at best, and at worst just the outright poison-gas cloud of anger.  Meanwhile, I was glad to get out of there-- to go off on my own to college... to experience relationships and daily life without the straitjacket of familial angst.  I was happy and in love with the world... maybe a little too generous with emotions, and a little naive.

Tonight I went by the Art Students League to see the work of a young painter and I suddenly flashed back forty-something years to my fresh young urban-independent days.  As much as I obsessed over music-- the boiling pot of fantastic ingredients that produced the bands of the downtown scene-- I was in love with the city arts-- especially the painters, whose spattered clothing and long days of physical dedication to craft were like the wizards and shamans of my imagination.  There was a community of them then-- some in the relative wasteland that was Soho in those days--- occupying huge unheated raw lofts with their yards of canvas and piles of stretchers and stacks of paint cans.  They were tormented.  They were sensualists and passion-seekers.  They looked and listened and agonized.  At night they'd congregate at any one of the bars where a beer and a burger could be negotiated for about $2 for regulars... Fanelli's, the Cedar Tavern, etc...  

They loved the young art students and were too willing to 'father' us into the New York scene.  I slept with them... loved to awake in a strange mattress on a hardwood floor to the thick smell of paint and coffee brewing on an old gas stove.   There were no televisions in these places-- no air-conditioning-- just the hot soundtrack of Coltrane or Miles' Jack Johnson or occasionally Exile on Main Street or even Beethoven for some.  An array of books--- Picasso or Velasquez or Giotto-- poets, Henry Miller, Anais Nin... Beckett.... I inhaled.

The subways were hot and gritty and covered with graffiti-tags... the colorful trains of the early 80's were still a dream... but as a nod to the New York artists, the mayor funded a program called City Walls and a few of these painters got to design and cover a huge conspicuous building-side with one of their compositions.  I remember riding downtown in an old beat-up volkswagon with the back seat removed, my eyes closed for the big reveal... there at the end of Broadway, on Houston, was a huge layering of colored mountains and horizontal strata, like a great desert cake... done by my driver named Mel Pekarsky.  Shitty Walls, he called the commission, but his creation was amazing and I'll never forget how proud I felt to know him.

My young painter at the Art Students league tonight had done a huge landscape divided into grid-squares by lengths of string-- like a fresco design... and I thought about Mel's old wall which had long been covered over but which signaled in a way a sort of go-ahead for legal and illegal appropriations of urban surface for artistic messages.  The age of Haring and Basquiat, of the spectacular trains of Dondi and Lady Pink-- was just dawning.  I looked on the internet and was happy to see Mel is still alive and creating-- teaching-- a regular job to soften his senior years and hopefully pay his studio rent.  The art world will never be the same. The Art Students League gallery tonight was a little empty and without festivity... a little clinical and derivative... no angst, no insanity, no joy.  I remember how Mel wrote me postcards back in those years-- he'd paint and draw and address the verso.  Some of them were x-rated and confiscated by the post office.  Somewhere in the boxes of things stored in my father's old house, these treasures have been turned into trash, I learned recently.  One more tragic loss in this world where Soho is a pricey mall, galleries are stores, artists have become brands and the graffiti of the 1970's is being auctioned to rich men with clean apartments and housekeepers.

Looking ahead at the long summer weeks, I can't know what is in store.  My beloved BB King's is no longer; more of my favorite local musicians have packed up and gone to Nashville or Woodstock... I can't afford much more than a good long walk to the river or an occasional subway ride.  I still have no air-conditioning, live among stacks of paintings and piles of books-- these are and were my fathers, my mentors... my instruments are still my children, waiting for me to come home and wake them up.  Tonight I will close my eyes and remember that ride down Broadway into the enormous colored mirage of that painted desert dream.  Who's your Daddy, the painter blurted out, laughing, when he heard me gasp in awe in that hot Volkswagen with the stacks of canvases where the back seat used to be.   So forty-something years later,  four days past Father's Day, I just got it.  

Sister of Mercy

Did you ever forget the moon?  So absorbed in my earthly noise I have been -- my unfinished projects and my issues-- I completely neglected to look 'up'.  And there it was-- a little tired, but brave enough to follow me all the way up the East River Promenade tonight, reminding me to breathe-- and by the end of the path, venturing to glow on the stage of my admiration -- streaking across the water as it used to, working its magic and mischief.  After all, it's been so faithful and steadfast, this moon-- through its moods and phases-- tolerant while we invent galaxies and downgrade planets-- weathering sun storms and eclipses, asteroids and even human invasion, name-calling and privacy violations-- patient while we blame it for all sorts of things from floods to madness….

Being the Jewish 'Day of Atonement', the city felt just a little subdued.  The Pope will arrive tomorrow; I am obsessed with this. No matter how I steel myself, I cry watching the news coverage;  we are all so moved by his message of mercy (except Donald Trump, so far-- one meeting I could never envision-- Pride and false power vs. Humility and true spiritual majesty).   I thought about my old father-- the one that hates me, that will not forgive me-- the one who observes this day with ritualistic austerity, who asks for forgiveness for his sins, but does not seem to be able to forgive himself, or me.  Maybe that is key: I remind him of himself? His shortcomings?  His failures?  We are so different-- he, the war hero, the emotional stoic-- and me, words and confessions freely flowing through my music and art.  I danced, I sang, I asked questions and experimented and felt things out… I was punished and silenced-- as an adult, I was shunned.

My religion is one of forgiveness and compassion-- not many rituals or ceremonies, but a commitment to honesty and to listening-- to apologizing not to a deity but to those I may have hurt.  On the run along the river, I passed the old site of my son's pre-school-- some warm memories, and one terrible one.  I was trying to resurrect my musical career- went to Nashville for an overnight-- left him, with written explicit instructions, with his father.  One night.  In the morning I received a call from the pre-school; my son had arrived alone; he'd been unable to 'wake' his visiting Dad, got himself dressed and toddled off to school.  He was 3.  Anyone with a child knows how dangerous the city can be, and getting from home to school for a toddler is fraught with obstacles.  He managed to latch our front door behind him, but had forgotten a coat.  It was a rainy November day.  He crossed streets and Avenues, walked underneath the 59th St bridge.. on his own, smart as he was, he knew every landmark on the way.  He arrived a bit early-- (who tells time at 3?), determined but soaked and freezing.  The school contacted me, informed me if I did not appear by the end of the day, they were calling Child Services.  I managed to get on the next plane, left my career somewhere behind, and found my son happily playing, wearing the unfamiliar school spare overalls and sweatshirt… his Dad had been sleeping on the floor, he explained... he couldn't wake him… he didn't  want to be late, was afraid he'd done something wrong…

How do you forgive a parent whose substance use over-rides his obligation to a child?  I couldn't stop inventing scenarios of true horror and thanking our angels for watching over my boy.  I'd left my suitcase in Tennessee-- my husband (ex) was gone when we got home.  The fridge was filled with cans of Sam Adams; the house smelled of whiskey and puke.  There was a stain on the floor.  I'm not sure my son even remembers this incident… at a certain point he was unwilling to talk about anything personal; he drew his boundaries in.  For me, I don't understand how his father, whom we have not seen for some 20 years, and my own, who is rather absent, do not apologize.  I guess they cannot.  Difficult for me to forgive my father.  Somehow I prayed my husband would make things right, would exorcise his demons and be the man I loved, the father he had once longed to be.  But I had gained clarity regarding my primary responsibility and priorities.

For years my son endured some of the hardships of single parenthood-- small deprivations and painful exclusions from things he wanted to do; in the short run it hurt and I apologized, but I knew this was not lasting.  To a teenager, these material things are everything.  I feel guilty.  I used to feel guilty for everything in my house as a girl.  If the dogs misbehaved, it was my fault-- I loved them, failed to lock a door or put away a stick of butter; when my Dad was awakened and cranky, it was my fault… my fault that he withdrew into periods of silence, my fault that he yelled at my Mom.  My fault that he drank.  My son doesn't feel guilty.  At least there is that.

Further upriver in the moonlight I passed the hospital where my father once stayed and shunned my visits, and I feel angry.  There will be no reconciliation, no prodigal daughter.  I have seen too much and I understand now about shame and guilt, and about his failure to atone for these things.  But underneath the Atonement Moon tonight, I began to forgive myself for not forgiving my father, and I began to feel lighter.

I thought tonight, as I often do, about the story of Jacob and Esau, about the birthright and how in my own family my mother is no longer able to protect me and offer my hand for the blessing to the emotionally blind father.  It is amazing that just one touch, one blessing, was airtight in those days.  Now we have lawyers and wills and greedy petty fights among children for their piece of the financial blessing.  How did people have this kind of trust in those days-- this kind of faith and belief, the power of a word, even in the face of a swindle-- although it was a fated or maybe God-ordained 'switch'?  We don't know too much about Esau's future… but the legacy of Jacob was imperative.

Friday I am going to stand in Central Park for hours to catch a glimpse of Pope Francis.  I will listen to him talk about climate change and compassion, and about mercy.  I pray that somehow he will make the specter of Donald Trump and these overblown non-apologizers a little smaller.  I feel his love-- for children, for all people.  Suffer the little children to come to me, and forbid them not.  The Hispanic child who handed him the letter today, begging for her father's immigration status-- so brave.  And her father-- so proud and so loving of this girl who climbed over the fence to greet this Holy Man in whom she believes.  I pray that we will remember his message of love and his example of humility-- of compassion and forgiveness.  Forbid them not.

On Saturday Beyonce will take the stage in Central Park and all bets will be off.  I can't help thinking Jay-Z planned this juxtaposition, this ironic and slightly hideous synchronicity.  We have short memories, some of us.  We forget, we forbid.  We have a bad night, we recover, we clean up and go on, but some of us fail to recognize what we leave in our wake-- even the one we created without consciousness, without clear brains.  Someone will suffer for this twisted legacy,  the flip side of a blessing, which all too many of us have had to endure until we learn not just to forgive but to ask forgiveness.  To look-- up, down, back and underneath us.  To see, to shine.  

This wise Atonement Moon changed me tonight; even the light in my apartment seems different.  I am trying to let go of impossible wishes and to tend to my own dreams.  And when I 'see' that I have made a wrong turn, there is somewhere… even when our parents and lovers and friends fail us… some version of mercy-- within or without, a kind of embrace-- the brilliant broken moonlight streaking across the black river, like the heart of Pope Francis,  shining.

Say Graceland

Tonight I phoned one of my old downtown rocker friends.  He’d been having his share of small personal tragedies, and trouble finding work.  We’d spoken about putting our old band back together.  So it turns out, he’s actually in LA—renting a place in North Hollywood with a pool and a Jacuzzi for $600 a month, which for the uninitiated buys maybe an unfurnished week in an average cramped dumpy light-deprived roach and roodent-infested NYC apartment.  ‘There are people here,’ he tells me.  ‘There are Marshall stacks and a Goth scene.  You don’t have to take a 45 minute train ride to Canarsie to hear a goddamn band.  Manhattan is dead.’ 

Of course I am a born-and-bred New Yorker who has sacrificed everything to own my tiny piece of real estate.  I always maintained that anyone who disses my city is a sour-grapes loser.  But tomorrow is the annual coop meeting where I will have to sit with the outcasts and over-80 tenants  and vote in a bloc against the hedge-fund assholes and bankers who’d love to turn this classic pre-war into a resort.  Gut the whole damn thing--- out with the old.  I am getting to the age where the Starbucks baristas aren’t so cheery about pouring my free venti refill, the grocery boys don’t jump to open the door; they sit and watch while I struggle with my personal economics.

The corporatization of New York is an old story; the face-lift-- -the weed-like overgrowth of  21^st-century context-less buildings which have really altered the logic of the old plan.  It’s a little bit Hong-Kong-y--- maybe trending toward Dubai?  Whatever… maybe this city is becoming a hideousity--- like an architectural Donatella Versace.  I mean—20 years ago, I was incensed by Starbucks—now that’s the least of my worries. 

I’m not quite ready to jump my old ship—but that phone call tonight was sort of the first indication that maybe, just maybe, my dream has become my albatross… that whatever we are struggling for here in this center of the cultural universe--- maybe it has already left, or been chased away.  It’s true, there is no rock and roll in Manhattan.  There are only versions of original bands, and then the tribute shows.  Nothing is real. 

I always hated LA.  I tried to move there way back with my rockstar husband.  I had no drivers license and I couldn’t find a bookshop I liked.  I couldn’t understand why people wanted a star on Hollywood boulevard when everyone knows there are trillions more stars in the universe than people.  Everyone looked like a character in some play; I couldn’t find the Kerouac version and I couldn’t find any grit.  I spent a few nights at the Rainbow…just didn’t fit in.  I missed CBGB’s and the Mudd Club.  Now I’m in New York, ensconced—rooted—and I still miss them.  Maybe while we were all buried in our phones and facebook pages---everyone left… including the music scene. 

He also told me he was hanging out with one of my former bandmates, who left to marry some producer out there.  Apparently her happy posts on facebook said nothing about her domestic misery and failed affair.  Apparently in my little narcissistic world of  writing and desperately trying to ‘keep it real’ musically, I am missing the point of everything.  Maybe I have deceived myself.

I’m listening to Bloomberg now.. these new companies… they are all like a major convoluted explanation for someone to get paid… the concept is a variation on something else… an excuse for making money.. an excuse to get venture capital, hire people, move around like they’re doing something… sell stock, etc…  medical ideas are unaffordable… $140,000 for a pill…takeovers in the ‘medical device’ industry.  Something is wrong.  No one should be taking over.  They should be giving away.  Giving.

I’ve joked that Manhattan is now for the billionaires and those that serve them:  the sycophantic celebrity-sucking nouveau middle class.  So yes, the irony of stars being a dime a dozen---or less—but it seemed, 50 years ago, that people were distinct--  that they looked like who they were--- they were unique.  Even in fashion--- voiceless models were unique: there was Twiggy, Jean Shrimpton, Lauren Hutton—Penelope Tree.   Now all these blonde vegan froth actresses maybe started out looking like something, but they get their noses shaved down, their skin scraped, their lips plumped, their hair processed.  Black people have straight blonde hair.  At least 10 actresses look exactly like Jennifer Lopez.  Or maybe I have cultural cataracts.  Whatever.  I didn’t mix people up back then.  Now I have to look at captions. 

This couple moved into my building.  They were not very good looking:  pudgy and awkward.  The wife had brown frizzy hair and squinty eyes.  Now they have grown thinner and thinner; the husband wears Gucci loafers and combs his hair straight back and has learned that Wall Street slow-strut.  The wife looks like a Pilates instructor.  All the lumps and bumps have disappeared.  Especially the ones on her nose.  Her skin is smooth and her eyes are wide open.  Her daughter’s nose is straight, too—like they had to destroy all genetic evidence of any flaws.  They have matching Balenciaga bags.  Yesterday she was blonde.  Beyonce-blonde.

This woman I know posted on facebook that she’s now homeless.  She came to see me last year with her daughter and granddaughter. People in my building—the staff-- -they questioned me about them.  They asked who they were.  They’re PEOPLE, I said.  People.  My doormen said they looked like trailer trash.  The doorman.  ‘They’re people from the Midwest who have had lives.’  How do I know them?  The real story? I bought something on ebay.  It came broken.  I wrote to the seller and she began writing to me.  She listens to my songs and reads my poems.  She comments.  She’s interested.  So she rented a car and drove here.  ‘They have bedbugs, these kind of people,’ my super said.  Fuck you, I didn’t say.  I own this place.  They would like it if I didn’t own, but we’re stuck.  The thing is--she looks like someone, this person.  She looks unique…the way I did, the way everyone did before they realized everything could be fixed.  What if someone decided to flatten the world?  To shave down the mountains and fill in the ditches and oceans…so it would be easier to ‘mow’?  Well that’s what’s happening here…people look generic.  Hair is generic.  You can change everything--- your face, your body, your age, your hair texture…you can put on 8-nch heels and look tall even if you’re stout and pudgy with short legs… so suddenly a piglet is a gazelle.  It’s messed up.  Like those toys where you put the dog head on the gorilla body.  We can do this now.  We can get an Alec Baldwin face on a popsicle body.  You can be 4 ‘2” and have Charlize Theron’s face… or at least her make-up.  I see about 50 people a day who look exactly like Tyra Banks.  Beyonce.  Who the f- is she? Show your ID.  Shake it.  Double shake it like you do.  That’s Beyonce Knowles.  Another fake name. 

Maybe Manhattan is just the fat-Elvis version of what used to be New York.  People like the fat Elvis.  Just not this person.  

My neighborhood poet today was wearing a down coat and sunglasses.  It was overcast and 80 degrees.  She was pre-occupied and shuffling.  Please, I wanted to say--- don’t leave me.  I look down--- my shoes are so out of style they could possibly be cool in LA.  My clothes are shabby and I’m a version of myself that might be my own fat Elvis.  

Another friend who moved to Nashville just called and asked me to overnight him  a pastrami sandwich.  Since the old Second Avenue deli has gone,  I looked on the internet to find out where to get the best pastrami, just in case he was serious.  Turns out it’s in Nashville.  Nothing is real.  Say Graceland.