Rust Never Sleeps
To distract myself tonight I turned on television... couldn't help checking in on this new Alec Baldwin reality show. It's been so over-advertised-- teased, excerpted, meme'd and photo-bombed on various platforms, and yet we New Yorkers and NYC expats love seeing our city on camera, in nearly any context. Urban selfies.
Years ago I double dated with Mr. and Mrs. Baldwin-- the first one, Kim. We were at a long table in a trendy Tribeca restaurant with a few intimate friends. They sat at opposite ends; it was obvious from their awkward interaction that either they'd not quite recovered from a pre-dinner argument or maybe they'd interrupted an intimate evening to come out. Something was off. I sat by her-- acknowledged one of the most beautiful women in cinema, at that moment. Honestly, I couldn't stop looking at her face, with little make-up and ungroomed hair; she kept wrapping herself in a sort of shawl, as though she wanted to disappear. He, on the other hand, was chatty and charming-- funny, using that voice actors learn to project confidence. Like a pointed tone.
For some reason, that night, I was on the cusp of a new relationship and the tension depressed me. They were so familiar-- it was like a movie and I was somehow part of it. I couldn't shake her emotional shadow... which turned out to be sort of an omen. I was a new mother and they were maybe not even quite married.
Seeing his aging, subdued persona tonight was surprising. His wife, obviously, was the host and star of the Baldwin show, despite the fact that her raison d'être is her famous husband. I realize he needs a PR renovation... and who wants to put the father of seven small children in prison for eighteen months? But Hilaria with her affectations and fake Spanish accent which she attempted to explain in the minutes I watched, well... I'm not a customer. Like most reality shows since the Loud Family era, it seemed scripted and planned and awkward and cringeworthy most of the time. Yes, the kids are cute... and the looming cloud of the shooting incident which was clearly devastating was compelling... but it seemed somehow inappropriate for her to speak of it. The family 'angle' is surely the most convincing plea for innocence... and as always, it is moot to keep on punishing for a tragic incident... but someone died. The boundary between film and real life was crossed, and there is no happy ending here. I felt manipulated by his terrible appearance, her perfect little stagey mother-moments. I can only wonder how the family of the deceased will view this. I've had quite enough and it didn't sway me one way or the other. At filming, the jury was still out. Now that he's been found innocent, is there any relief?
Lately I've been trying to find a way to honor my deceased father whose war record and heroism left him with lifetime psychological scars. It was often tough simply being around him; as a father he was short-tempered and preoccupied. The more I read about Normandy, the Battle of the Bulge, his difficult path through the war, the more I wonder that he functioned at all. The killings, the bloodshed, the constant danger and massive destruction. He witnessed not just mutilation and death but stepped on it, parachuted down into it... experienced wounds and undoubtedly overwhelming, unrelenting anxiety.
Yet here is a Hollywood-handsome man-- with a wonderful supportive birth family, and a brood of his own here... maybe a difficult older daughter from the first marriage... but here he is in this perfect Hamptons paradise... accused of manslaughter... from what.. playing with real guns on a fake set? Is PTSD the same diagnosis as psychiatrists assign lifetime war veterans who were ordered to shoot at maybe innocent people who were simply on the opposite side, and therefore merited death? Kill or be killed is a conundrum and the very crux of war.
What is wrong with all of us, we humans who settle international vendettas with death and violence... who make statements by destroying monuments, who negotiate with mutilated flesh and the killing of children? There are people just blocks away shooting one another, threatening... angry. It might be more compelling to have us consider these consequences. Comparatively, Alec is just a broken man. The spinning narrative is how can we punish seven innocent children by removing their father and leaving them to bear the stigma of this tragedy? It doesn't seem productive. Nor does this reality show which hopefully will not annoy the family of Halyna Hutchins with its stilted portrayal of the privileged, happy life she will never have.
A weapon of destruction is not safe in any hands... it's not the manufacturers, it's the people. It's us. There is film-- a movie-- acting.. and then there are guns. It seemed the 'Rust' set was more of a horrifying reality show than anything we will see from the Baldwins this season.
Labels: Alec Baldwin, Battle of the Bulge, gun laws, Hollywood, Israel/Hamas, justice, Kim Basinger, manslaughter, Normandy, PTSD, reality shows, The Hamptons, Ukraine, violence, war, WWII
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