Saturday's Child

Black Friday for me has the sense of mourning-- of a Bloody Sunday or post-apocalyptic temporal hangover day.  I'm certain some psychologist invented the retail version just to pry us all out of our post-prandial malaise, and gear us up for the next profit-generating holiday adventure.  God forbid we should lie around regretting things we might have said to our table-mates, or feeling sorry we ate so much or not enough. As a child I couldn't wait for the holiday to be over.  I sampled other families' traditions as an invitee in my college years and discovered they all seem to leak similar petty rivalries and bitternesses once the alcohol seeped in.  

Now that I've passed the long wonderful years of rock and roll Thursdays, Hendrix tributes, celebratory post-gig turkey sandwiches on-the-go at 3 AM, then the maternal/extravagant hostess/chef fantasy, I've whittled it down to a one-handed count.  Deleting the dysfunctionals of my immediate family, barring random overseas guests or surprises, the bare essentials are my son and Mice Elf, as Sly called it. As my son becomes more and more of an admirably ambitious man, intimate occasions are few and farther between. With my life continuing to shed its former frenzied activity layers, these evenings have become more emotionally saturated.  

While I think back on the myriads of holiday meal hits and misses... one or two fights with a boyfriend who manipulated me into foregoing family visits... a few crises... I try to minimize the nostalgia.  And while my son lives just across the river in Greenpoint, it doesn't diminish the fact that I feel terrible saying goodbye.  Maybe people shop like mad to block the sense that time like a rushing city pedestrian has passed another block and we are on our way to the Christmas finale and the interment of another year.  

This morning I tried to walk into a department store-- was greeted with some slowed-down version of Silver Bells and left with tears streaming. Pathetic, I scolded myself.  Yes, it's been a year marked by grief and loss, but these things accelerate as we age... we are supposed to expect this. My son uncharacteristically took the day off for a short trip with his current girlfriend.  Today I am thinking they are already on the way back, and she, like me, will be sad and missing him.  Life is filled with events... and they all too quickly become our past.  For those of us who are genetically dark, any comings and goings are sad. I recalled today a trip to the shore with an ex-- we were so deeply connected and yet so mismatched. Everything hung on this weekend excursion... the tension was unbearable, and the premonitory sense of an ending undeniable. Afterward he wrote a song that said 'I am in our room waiting here for you to come and change my mind'.  I could not do that, nor was I inclined to.  I could only think of the seventies song Motel Blues where Loudon Wainwright begs some young girl 'Come up to my motel room and change my life.'  It somehow seemed more passionately convincing. 

It doesn't help that I'm currently reading Niels Lyhne-- one of Rilke's very favorite books.  The language, even in translation, is rich and soulfully descriptive and the overwhelming sentiment of deep-seated nostalgic grief is palpable.  The author, Jens Jacobsen, died at 38, and struggled with the looming diagnosis of tuberculosis for twelve years.  Last week I finished Lucky Per-- another dark Danish novel of both enlightenment and despair.  In Scandinavia grief seemed a kind of status quo... the darkness is an assumption; I feel embraced in a way-- less alone.

A week ago Saturday we were all so saddened by Tatiana Schlossberg's piece in the New Yorker.  Nothing worse than the prospect of a mother losing her child.  The Kennedy family saga is emblematic of American grief-- their personal casualties are statistically and emotionally overwhelming.  And there seems no end in sight.  

Thursday morning I walked across 92nd Street where I once worked in a townhouse, selling art to the privileged.  I knew every building-- the neighbors-- the Mason-Smiths and the Paines... old American names-- a former Manhattan dynasty--  all passed now.  For a brief time we rented an extra office on the same block from a wonderful couple... Lester and Pauline Migdal. I was in my twenties and Pauline's daughter was a thirty-something brilliant architect who was dying of cancer in Switzerland.  There was some very early camera technology available so that from her high-tech Swiss office in the 1980's she was somehow visible as a shadow-- a silhouette-- to her mother. On 92nd Street I sat with Pauline drinking coffee and silently (no audio) watching her daughter slowly deteriorate. I had not yet become a mother but witnessing the longing and inevitability deepened my capacity both for maternal love and for sorrow. It is a small comfort today that Pauline has passed on, with her terrible grief.  

The loss of my baby girl whose place at the table only I can see left an indelible scar. It further opened my capacity to empathize with these mothers.  Every single human loss is wounding to someone... every one of us has had a mother... and for those in my generation, we miss ours terribly. But the sorrow of losing a child is something unbearable; their fragile suffering, unimaginably painful.  Back on 92nd Street, my future was an open kaleidoscope. Death was a very tiny numerator in the fraction of my life.  The Mason-Smiths had a colorful chef who suffered from a chronic throat ailment... he turned out to be one of the earliest victims of the AIDS crisis.  There was so much more mourning to come. As we go on, the dark memories compete with the light. We are the only animals cognizant of our own doom; some of us struggle with this deadline; others confront it head-on-- some by taking it into their own hands.

The future has an inevitability; the specifics are unknown.  We hoard moments-- we hoard things-- some of us hoard money.  Maybe it makes them feel safe. I hoard memories but am aware that the hub of my brain has sprung leaks and things have seeped out.  When I opened my copy of Niels Lyhne there was a receipt in there from 1992...  I remembered buying this at a used bookshop on the Jersey shore for $2.00 with my 2-year-old sitting on the floor looking at pictures.  I remember Tom Verlaine showing me a copy of maybe this very translation in the proofs section of the Strand the night we discussed Tranströmer. 

They come back with clarity, these lost weekend moments.  My daughter was still a possibility-- not yet conceived. That same year I cooked a goose supplied by my Scottish friend Lena whom I cannot find somewhere in the south of France. She writes me a postcard with no return address. There is a wisdom there... at some point all of us will have no return. For now I am without bargains or seasonal purchases but officially thankful; I will ride the downhill to the end of the year-- into the next which at some point seemed an impossibly distant future.  And that, too, will surely pass.

Peace, Love and Understranding

Along with the unseasonably hot weather in New York City, there have been a few strange sitings: the coyote treading water like a dog in the East River... the dolphins, putting on a small show for the Upper East Side... and then the usual fires, suicides, shootings... a woman brutally attacked near the Central Park Reservoir. It's enough to make me nostalgic for the 1970's when a parallel April heat wave ushered in the unforgettable Summer of Sam.  

I can remember browsing the stacks of the un-airconditioned Strand bookstore while my guitar-player boyfriend was setting up at Broadway Charly's across the street. Sometimes I'd leave my shoes at the club and sit barefoot on the old wood basement floor reading proofs and review copies which sold for less than $1.  People hung out there--- the piles of books were intimidating... one by one the dedicated staff browsed and perused and classified and logged.  If you were looking for something, you could call in... if they didn't call you back within 48 hours you'd assume the search was unsuccessful. But they were dedicated.  The place was dusty and musty, as were the books... mice ran in and out of shelves; once or twice I witnessed some unsavory behavior but for the most part it was a haven for us book-people.  We met and talked... we exchanged.  Tom Verlaine was often there Friday nights, checking the review stacks.  Ben McFall came a bit later.

So I have a new book out-- my fifth.  The Strand has been a sort of platform for me; as a student I longed to be among their indie writers and seeing my first book on the New Poetry table was like winning a Pulitzer.  Granted, the pandemic affected everyone... but this time, instead of delivering happily and being greeted or congratulated by the incomparable Ben, he has left the world... the Strand no longer takes telephone calls and their online search is punishing for small presses like mine.  In fact, they managed to mis-read the title and post it incorrectly.  Who is this author?  I don't know, but it take some effort to even locate my name.  Not so the major labels, the merchandise, the best-sellers... it feels remarkably like a slightly more dense version of Barnes and Noble.  

No barefoot hippies, no intellectual clerks anxious to discuss and learn and find... it's a pressurized department store, the brands books instead of hoodies and sneakers.  Actually, you can get your hoodies there, too.  Surely they sell better than local urban poets who publish carefully and slowly without press or publicity machines. The cream no longer rises to the surface but paddles hopelessly like the coyote in the east river.  

In the Summer of Sam I found a stray dog.  When I moved further downriver, he leaped off the boardwalk at 59th Street and half-swam north while I yelled frantically, running uptown, until at the 96th Street pier a man with a boat helped me retrieve my wet animal from the swift current.  No news media, no photos... but today's news resonated.  

Tonight hoping for a dolphin-siting, I walked along the river... at the 111th St crossover, two boys were throwing rocks at the cars-- a dangerous pastime, but a sort of rite-of-passage for kids.  Something about these moving targets-- and it's not as though they are trying to cause injury-- it's just the act.  I remember doing the same as a girl, hitting someone in the eye and having to get scolded and shaken by the girl's father who warned me I was going to city court where they would put me in jail.  I was terrified.  I was nine.  But there was just something so timeless and 'boy-mischievous' about these two tonight- on the cusp of adolescence... here I am this old white lady brushing by, asking them to spare me-- I'm someone's Grandma, and they let me pass, unthreatened.  It was as though their life was sped up by the early summer-- their already-racing biological clocks were being pushed forward by the weather.  

Three shootings last night.  Jesus.  The heat is always an incendiary. Summer is on... all bets are off.  In my world the illnesses and deaths continue, like a relentless accelerating wheel.  I look at my Facebook page and it is filled with sad notifications and griefs. News. We look at the obituaries daily with trepidation.  In the rock and roll world so many people of my generation have disappeared-- it's as though each loss is somewhat diluted by the next... two on one day, three on the next... we have barely time to grieve.

Last night on the corner of 86th Street someone had left a few piles of books.  A youngish man and his girlfriend were looking through. Good stuff. Biographies.  Classics.  On the sidewalk.  I feel a certain simpatico with these piles of books; in some sense I am my own work-- the books which are increasingly disrespected by the corporate machine, the instagram world of branding which sends me poetry memes from people who have no sense of rhythm or lyricism... but unlike me have huge consumer audiences. 

Yesterday I browsed the kiosk on Fifth Avenue by the Park... the classics are still considered best-sellers-- but the new titles... who am I, I thought, like one of those children's books?  I felt like a misplaced coyote.  There was a time when I'd visit friends and there on the shelves would be familiar things-- great things, like old comfort.  If I had to wait for someone, I could take down a Faulkner or a Baldwin or an Anne Sexton... we all had these things-- Shakespeare, Proust. Now everyone sits everywhere consulting their phone like a God. People buy books like merchandise-- like souvenirs... many of them will end up on sidewalks, or on the Strand outdoor displays, unread, waiting to be rescued by the next owner like a stray dog, hoping, as I do, to be read.  

As though they read my mind, The Paris Review today published a piece about Larry Campbell, one of those guys who had a used-book table on Sixth Avenue for decades.  The interview had been conducted pre-pandemic across from the Strand which, over the years,  sorted through his wares and picked out the valuable things. Where did he get them?  Dead people, he used to say.  There was a quotation in the Review: "The best books I've found are from people who died.  Older people have the best shit." Larry is now 72.  Amen. 

Dreamtime

I never thought I'd care about football... but raising a sports-minded son, as a single parent, I had to indulge in his passions.  For a boy without a father, athletes are family-- role-models, personal legends. The recent near-tragedy of Damar Hamlin was world news.  As a family friend told me years ago, part of the appeal of sport is that it is among the few things in life with a clear winner and loser; games are black and white.  

Politics used to be similar, but no longer.  Election results have become arguable and not absolute.  Plus I am learning from Shadi Hamid's recent book that democracy is not the guarantee of human rights and freedoms, but just a majority vote which we all know can be manipulated, debated, miscounted.  The obscene number of voters who do not go to polls guarantees that winning candidates do not necessarily even reflect popular preference. And of course, our electoral college system allows that the winner does not necessarily have the popular majority.

Yes, there were some bad calls and replays tonight, but the Chiefs outplayed the Bengals.  The margin does not count.  There will be one winner in the end. Billions of dollars will be spent on this; Super Bowl Sunday is close to being an American holiday.  The morning after, there is a letdown... some of us watch the Grammys and others dive back into March Madness basketball. And there are statistics. Unlike other realms of entertainment, record-breakers keep their status.  We all remember Babe Ruth, Hank Aaron, Michael Jordan.  

Fame and celebrity is a tough business.  There is not always a statistic or a hierarchy.  Musicians-- even award-winning ones-- do not always stay current.  We watch documentaries, discover and rediscover, but in this instantaneous minute-culture, we have short memories.  Song-plays are often interrupted and brief; gone are the days of album-listening, lying on window seats and reading liner notes, absorbing into our being these landmark creations which linked with our personal history.

No sooner have we swept up the confetti of New Year's Eve, than the deaths begin to accumulate.  January always seems the cruelest month.  The litany goes on and on.  Jeff Beck was a wound... Lisa Marie Presley a shock... people like Gina Lollobrigida, hardly known by my son's generation, passes and is compared to Marilyn Monroe. We listen and listen to the Yardbirds, to every Beck performance on album and YouTube-- there are millions.  We mourn and celebrate, celebrate and mourn.  Lisa Marie-- well, I'd scarcely listened to her music, but now I have. Sadly, in a culture where things are quickly processed and discarded, death is like a second chance. It makes one relevant.

The horrific and culture-shaking death of Tyre Nichols eclipsed all others.  For us mothers of boys who have misbehaved and wandered, who have been misapprehended and misunderstood, this is the most terrible of all griefs.  Heartbreaking were his mother's words that her son assured her he would be famous. Murder makes one not just relevant but unforgettable.  The victim of a brutal inhuman event is historic.  People will wear his face and name on their shirts; they will take these into the streets and try to reckon with justice.  It's all wrong.  All we want is to wake up and have our sons beside us, spilling their food on the sofa, trekking mud on our floors... smashing up the car... giving us a birthday bear-hug.

On top of the book on democracy, and Miss MacIntosh, My Darling which will be the slow/constant literary under-accompaniment of winter-spring 2023, I have borrowed the new Cormac McCarthy, The Passenger.  I get only a week with this, so I am binge-reading. The hallucinatory passages entwine with the Marguerite Young in a unique way-- like an opium dream or an ectoplasmic swim in an alternate reality.  But the death theme is relentless.  The longing for family... the absence or presence of God, or his alternate-- Quantum Physics, the esoteric explanations of reality-- it is another McCarthy expedition through a nostalgic geography and endless descriptions. Empty people, sad people.  People with souls who are alone, people who are legendary and forgotten, people who are brilliant and suffering, tough and heroic and poignant and terse.  

The death of Tom Verlaine wove itself into my insomniac literary hallucination yesterday in a way he might have appreciated.  He was mysterious and evasive, shunning the spotlight but often haunting the same stacks of books as I.  I worshipped his playing; I have every vinyl... saw every performance I could, back in the 70's.  His personal exploration of guitar was gutting and somehow familiar.  It was tasteful and edgy, deeply musical and poetic.  For years I fantasized about his collaborative blessing to my songwriting, but never approached.  I think he did have one or two of my poetry volumes, not that he might have cared.  Once or twice I shared a cigarette with him, exploring the dirty piles of books outside the Strand.  We brushed shoulders often in the 90's, Friday nights in the Proofs section, in the Strand basement.  My son was small and liked making piles of things.  It was dusty and mice often appeared behind the shelves. We almost never spoke but occasionally Tom would make a small stack of things for me on a Friday... once or twice there was even a note.  I've kept them all.

I've brought his name up with some young guitarists-- the kind that know about Hendrix but not that much... his recent occasional personal appearances in Chelsea were unremarkable.  He had lost his relevance to the current generation.  He was probably glad of that. His death, as he might have known, brought a certain celebrity he'd never enjoyed.  The name-dropping of other more conspicuous peers and admirers piqued interest with those who had perhaps forgotten his music.  His assumed name rings a bell, of course... there are those who went back and looked at the poetry.  Once he left me a book--   

So I wept all night-- as we do, sometimes, for ourselves, at the loss of someone.  Dreamtime-- that album-- it is not yet bearable for me to listen.  But I stayed awake reading... thinking perhaps being the reader he was, that he'd taken the same recent trip through the McCarthy.  I know he knew about Marguerite Young... few people have read this one; he might have.  I'm sure it is there among the piles and piles of books in his place.  When music is unbearably emotional and difficult, books are less painful.  

There was a quotation I read this morning-- something about having read a quantity of books in common with someone creates a bond stronger than blood.  There is a certain generational commonality in the literary requisites of the old New York music scene... I was less obsessed, post-college, with the French poets and more into the New York School-- like Frank O'Hara, whose personal charisma maybe helped cement his literary legend.  These people haunt my rooms at night-- their words, the memory of the ringing guitar of Tom Verlaine, the person he created to protect the fragile musical soul he was.  His death was shattering... but it occurs that his absence was well-anticipated.  He prepared us, with his elusive presence... and as I wander still down the dark hallways of the literature we had in common, his melodies accompany my dreams like living ghosts.  

TV Husbandry

For a time in my life I thought I'd marry a scientist.  This of course after the phase where I longed to marry a fisherman... a woodcutter... a machinist... to simplify, become a wife in the true sense... to fulfill some biological mandate, cut out the subterfuge and intellectual noise and strip down to what really mattered.  To wake at dawn, fry herring and eggs and pack a hearty lunchpail.. To taste the oceanous salt on my husband's skin, cook his wares and share the damp sheets of his sea-worn exhaustion... inhale the ropy, woody scent of whomever.  

I think it was the Tom Verlaine thing that drew me in like campfire smoke.  The Scientist Writes a Letter, on which Andy Newmark plays the most devastatingly minimal drum-fill.  'I find I have no other lines,' he writes.  Magnetized, I was... over and over I played this track-- the vinyl.  'We men of science---' the confession... and suddenly I understood poetry-- from the mind of someone who could create a universe every time he dreams. The way he would invent-- postulate, discover, turn over brain matter... a man who sleeps with his eyes open, staring through phantom windows, who sees galaxies in a rock. I could hand him something I pick up on the street-- he would explain... he would find me.

For a while I hung around with this research doctor I'd grown up with. He was a narcissistic music fan who held court at gigs and briefly charmed my bandmates with his wide-eyed jargon and exaggerated hand-gestures. They quickly tired of his MO.  He played jazz piano and annoyed his neighbors.  Real musicians do not do this; we are quiet offstage. But he introduced me once.  Where are the scientists, I'd begged?  In their labs... sleeping... dreaming of ways.. of theorems, of methodology. I failed again... Besides, I postulated, In the Beginning was the Word.  That was everything.  I went back to my books and spoke in silent tongues.  

At your highest point, the Devil comes for you.  Fuck the damn Academy awards... and the Grammies.  I cannot get this out of my head... maybe because the Devil is everywhere. In the Procul Harum song, he came from Kansas. He elects himself, he positions and even submits when he must, to re-emerge like smoke.  He is in your bed some nights.  You come for him, try to convince him that even among the wicked, there can be kindnesses.

When a man opens to you-- truly opens-- this is a rare and terrifying thing.  In my father's day, this happened only among the weak, and on battlefields or operating theaters.  In my lifetime, I have had a man pour himself into me as though I were a glass.  These phonographic moments, as I designate them, remain in my architecture like a wedding.  If I monetized them, they might be worth something.  After all, some of these people were important-- from a time when names like Chevrolet stood out-- designations on which you could hang ornaments.  When music mattered-- when the man who turned himself inside out-- well, he was good-- good enough, the way things no longer seem to be.  He met a terrible end-- no one could predict, but his sorrow seemed prescient. 

Time does not heal; it makes things worse. We learn things before we are able to understand and by the time we begin to understand, it's too late.  First there is Church, then Belief.  By that moment, all of us have sinned, and in a secular life this counts. In versions, love becomes pain.  Some pain is unbearable. 

Last week I watched the Anthony Bourdain documentary-- the one which apparently his family did not embrace.  Yes, in between the farmers and typesetters, there were the chefs.  The gentle, doughy ones.  Not Bourdain who was much closer to the husband versions who failed me... but like all tragic figures who come for the Devil first, who beat him at his game, even love was a terrible bloody battle.  This man of knives who could butcher a giant alligator could not manage his heart and took himself down. 

It occurs to me now-- maybe rather than a wife, I have become husbandly... maybe a little tougher, a little wiser (whyser).  Or maybe, like the inevitable theoretical melding of yin and yang, I have become my own 'couple'.  Having failed at the science of husbands, I've become a sort of husband of science myself... the Verlaine version-- writing a sad letter of farewell to myself, perhaps-- confessing regretfully how attractive (in the magnetic sense) indifference can be. 

The Poet Winks (ogonblicken)

The death of Tomas Transtromer last week felt sad for me.  My Swedish friends had gifted me all of his books, and although I could never summon the passion he seemed to elicit from his countrymen, I also recognize that poetry suffers from translation.  He seemed an underdog for the Nobel prize, though a Scandinavian frontrunner for years, and beloved by a certain cult of New York musicians like Tom Verlaine.  His interviews were charming, and while I was living in Sweden I learned a stroke had left him without speech, but still writing poetry.  Perhaps this informed his work; he was also unable to use his right hand, but continued to play piano, which he'd loved, with his left.  My image of him, from what I've read,  is that he became weightless and papery at his end, and dissolved into the mystical landscape he evoked.  We mourn not the man, but the fact that there will be no more poems.  Yet the ones we have will grow;  the Nobel prize assures this.  I dreamed of him-- of my Swedish ex-boyfriend singing a song I think I wrote for him, in my dream… but of course all of this disappeared in the morning.

I've always been obsessed with bed art.  Paintings of beds, sleeping women… people at their most vulnerable and most 'open'.  The way you must trust, in order to sleep--- trust your partner, trust your surroundings, yourself.  You must not fear being apprehended in the act of dreaming, when you are most naked, when you are maybe most beautiful.  The intimacy of sleeping with someone the first time is much more difficult than the sex.  Passion crosses over into love while you sleep and dream.  It is like fresh, wet paint that becomes a painting.

Of course people like Tracey Emin choose to throw this in our face, to blow it up, as artists do-- because the act of betrayal, of abandonment, is maybe most flagrant in the context of beds… of coverings and uncoverings, of couplings and uncouplings.    I swear to f---ng God I never slept with that woman,  one of my drummers used to assure his wife, because he'd only had sex with some woman in a bed.  But it calmed his wife.

Lately I find myself more passionate about art than about men.  I seem to have outgrown my expectations of people, and find myself drawn to art like a kind of religion.  The pursuit of paintings obsesses me in my non--working moments.  At night I scroll through auction after auction, looking for my mate,  the way maybe some people are searching match.com and OKcupid for human completion.  At an art fair this weekend, I was browsing the wares in some booth and one of the senior gallery staff kept trying to start up a conversation.  Finally, as I left, he asked to see my necklace.  I'm trying to flirt with you, he explained.  But I very seriously told him the brief story of my simple jewelry.  I didn't answer that I was trying to meet the art.

Something I learned from running an art gallery years ago-- is how to make a decision.  Because nothing in my life was ever really clear cut--- except these paintings.  There was a budget, there was a price; there were things that were possible or not quite possible, and I had to deal with the boundary of impossible.  I learned how to trust myself to make a selection.  I learned how to separate things that were superficially beautiful from things that would grow on me, that would reveal themselves to me, with time.  It is a lesson that informs my life, and one I cherish.

So Friday night I did bring home a painting, after agonizing between mine and another with which it seemed to be having a dialogue on the wall.  I felt like I was interrupting a conversation, a relationship…. but to take both seemed greedy.  And the one I brought home spoke to me.  It somehow had something to do with the Transtromer landscape which I had never quite grasped, but there in its mystical moonlight, I could sense this transition.. between evening and night-- between life and death.  All night I was sleepless-- maybe longing for its companion, even though the artist himself had been present at the sale and seemed emotionless about whichever one I selected.   I awoke many times, went into the next room and turned on the light to see my lovely painting, but felt its solitude, its strangeness.  Saturday I emailed the painter; could I pay him next week, etc. for the other… and late in the day he apologized; it had been sold.  So I felt this terrible sense of betrayal, of disappointment-- that felt disturbingly close to that teenage devastation when some boy you are longing for, who you know, you KNOW loves your soul and your essence, even though you have never spoken-- is dating the girl who sits next to you.

Of course, time is on your side when you are a teenager, and that boy eventually comes around… but the art--it is perhaps lost forever.  I briefly had a fantasy that one of my friends who craves my art had gone to the fair and stealthfully carried it off under their arm… but that was my teenage sense of betrayal, and I am adult and a professional.  I know when to stop bidding at an auction; I know about letting things go; I know that sometimes the dream is better than the possession, and my tiny landscape with the strange evening light and the one stroke of sky in the greenery will remind me of this, will suggest the longing, the unfinished question of solitude and the hidden mystery of Swedish night poetry and the left-hand-only piano melody soundtrack that will make it even more 'mine'.