Deadly Shames

When I was a teenager and my father was going through one of his PTSD post-war 'episodes', I hid in the upstairs hallway and eavesdropped on his conversations with my mother.  Some things were inaudible, but after begging my mother to unravel the root of the latest patriarchal angst, she related a story as best she could.  It seems when he was Captain of the 101st Airborne, he had a driver who happened to be a black man.  They were close; my father was anything but a bigot, although he had his rules and boundaries. Anyway, on an especially perilous assignment, the driver asked him to promise that if he were ever mortally wounded, my father would go to see his family, in the midwest US, and explain in person what had happened.  He wrote down all the particulars, and my father swore. 

As it happened, a grenade hit their jeep; my father was wounded but his driver was killed.  Certainly the family got the mandatory telegram and official condolence. My father recovered from the injuries, returned to active duty until August, 1945.  He'd meant to keep his promise but never did.  Before the end of his life, he apparently confessed this to a group of Old Guard veterans who finally, at 80-something, were facing their war-demons with the help of a professional psychiatrist, and maybe got some relief.  He would not have shared this with me.

Years before, when my mother told her version of the story, she hoped I'd show some compassion for my father who was tough and harsh and suffering from not just combat but private guilts.  It helped for minutes; but it occurred to me as well that it was not too late. 

I've struggled in relationships with difficult men and alcoholics, like my father.  The common denominator is not just the baggage of guilt, but the cult of shame.  Shame allows one to continue to avoid difficult truths, and paves a future path that carries the limp of the past.

At the gallery where I work Saturdays, there's a fantastic Robert Gober show that deals with so many historic, emotional and ethical issues.  One of the pieces he chose is an unpretentious ceramic sculpture by Mary Carlson.  It is a tiny, fragile bust of a woman with long hair, covering her face with her hands.  The artist credits Masaccio for inspiration.  The genius of Gober's curation is that among the layers on layers of interrelated narrative, individual pieces resonate personally for the viewer; it's nearly impossible not to be moved by some object or juxtaposition. There is something for everyone, and for me it is this tiny sculpture.  

I remember well in college visiting the Brancacci Chapel in Florence where I had ample time to study the Masaccio Expulsion of Adam and Eve.  Unlike this tiny ceramic, the figures are monumental and heavy. When I saw them, in the 1970's, they still had the fig leaves which were painted in by order, and removed only in the 1980's after restoration.  But the howling face of Eve, and that of Adam, covered by his hands, are the epitome of human shame.  

Certainly Freudian and other psychologists and sociologists have dissected the subject.  Gober, whose work is impressed with the tragedy and aftermath of the AIDS crisis in New York, is well aware. Studying religious art, I realized that sin is one thing, but shame is the emotional scar one carries.  In the case of my father, and so many alcoholics,  this grows-- it becomes ingrained, and often they manage to transfer it to their children-- like a sort of haunting they fail to exorcise.  Shame, like disease,  is contagious.

Forgiveness is a component of the antidote-- forgiving oneself as well as somehow atoning for whatever crime or oversight tripped us up in the first place.  Most often, perpetrators lack shame, while innocents, overwhelmed with compassion and self-criticism, process their lives as failures, burden themselves with shame they have not earned.  I have friends-- myself included, who feel they do not deserve a happy, healthy home, or some accolade that seems to have come too easily. 

My first husband was a black man.  He was a celebrated musician and a charming person, but interracial marriages were still the exception in those days.  My father was livid.  Both parents boycotted our wedding and basically excommunicated me. The marriage was tough enough; while we're still friends, my ex recently accused me of not wanting a half-black baby.  Of course this couldn't be farther from the truth; I was young and we were both irresponsible. But I began to think about my father, and whether in his sickness he had interpreted the racial issue as a personal reminder of that failure to contact his driver's family-- a thorn which had accompanied his lifelong torment, or more likely simply the scapegoat of a horrific and lengthy war experience.  Being decorated as he was, he always maintained the true heroes had passed away and it was not appropriate to celebrate oneself.  

It's apparent to me that guilt precedes shame... but shame does not necessarily follow.  Still, among the killings, the suicides, the longings and failures, the rejections and divorces, people are suffering; they are sorry, and they regret.  And the legacy of shame distorts not just the narrative but its truth. The current violence not just in Israel but wherever it exists, will ripple down through grief, through pain and bloodshed, and through the lives of all those who perpetrate these acts, who have learned nothing from the past, from art, from the silent wounds that old soldiers hand down to families. It's never too late to repent of poor judgement, to pay for acts of violence which are in the current situation shameless.  Looking at the little ceramic sculpture today, cut off as she is and nailed to a wooden table, I see not just shame but horror.  This is a human reaction not a judgment. And a reminder that these issues, these conflicts... the lineage... goes farther back than those frescoes, farther than any of us can remember.

November Reign

It occurred to me Thursday, having stayed up all night after a late gig, facing the massive cooking-marathon with equal parts of anticipation and dread, that I hated Thanksgiving as a child.  I don't have those warm Kodak-memories of family and holiday cheer.  Like most children, I didn't particularly care about food, especially unfamiliar things.  Even playdates, besides beloved milk and cookies, brought strange smells and styles of cooking that made me customize schedules to exclude mealtimes.  Family structure in those days was rigid; parents forced children to eat, made few concessions to aversions and allergies.  We sat at table and absorbed dysfunction without having the skills or permission to process these dynamics.

How things have changed... mothers and fathers seem super attentive to their kids' food preferences.  They experiment and compete.  Even the cooking shows on the Food Channel have under-12 contestants who can not only prepare but know about food chemistry and cuisine.  In the 1950's we had unsophisticated palates.  My mother became a better chef as time went on, and lunch progressed from grilled velveeta-cheese to salads and wider nutritional choices, but our childhood food experiences were limited.

Thinking back, most Thanksgivings were at our aunt's.. not our 'blood-aunt' but one of those women in my parents' circle that we referred to that way.  She had her actual relatives crammed into an expanded dining dais-arrangement that was always uncomfortable and anxiety-provoking.  One of her sisters was super fat and had married a blind man; my sister would make weird faces at him and whisper to me that he can't see her anyway, but I was halfway between suppressed giggling and actual fear of his disability.  I hated the food.  Rolls were safe.  Milk.  Even the pie was awful.  Back then my mother would sometimes let me have a peanut-butter sandwich before we left.  And it wasn't the food-- I just wanted to leave, to go up to my cousin's room and look at her strange dolls and books.  To go home-- back to my little easels and looms and library.  My lair.

Once I reached teenage years, I could do volunteer work-- serve at the local shelter, cook for the poor and sick; this was a relief.  During college, these holidays were for reuniting with old mates-- for football, for some-- the meaning changes.  Newly married, I wanted my British husband to experience American tradition-- despite the fact that I had to invent mine since most of my extended family had 'fallen out' by this time from divorce or petty dramas.  And once my son was born, well.. I reinvented the day for him-- there was the Wednesday night visit to the inflating of the floats, then the parade... and I learned to cook turkey and host my musical families with joy.  I'm an adult now, I repeated over and over when my own family began to leave us out of their inner-sanctum invitations.  Me the single Mom-- perpetually hung over from lack of sleep and late-night gigs-- the annual Hendrix tribute foremost on my mind every late November; I checked the Head-of-Household box on my tax return and appreciated the one perk of being a sole parent.

For a time in the 90's and early 2000's, my annual dinners were all-night parties; I hosted people who hated their families, European transplants who simply enjoyed the food, my son's friends who escaped their own dinners, strays and band members.  My house was full and my cooking skills impressed even me.  There was music... there was joy and great conversation.

This year, for the first time in decades, there was no Hendrix tribute.  There is no more BB King's; Iridium closes down before 10 PM... even the Cutting Room seemed not welcoming.  I struggled to find the motivation to plan a dinner.  So many friends have been ill, have lost family members and parents, lost their personal mojo to the crushing daily reality of Trumped America; the holiday reminder of an increasingly distant past and pending future isolation grows a little more palpable.  My son's relationships are in flux; many of his closest friends are married and have started their own families.

My usual guests have seemed less enthusiastic than in the past.  I have dropped a couple of them along with the more challenging dishes-- the sweet-potato/green-apple casserole which requires hours of prep-- the pies.  I still do a huge turkey with my well-loved stuffing-- the cranberry, the other fixings... my building staff waits patiently for their plate-- my son eats up a storm, but my own enthusiasm has shifted.  I keep diagnosing the start of this as the 2016 post-election shock.  It's hard to believe that by next November we will have chosen again, god-willing we are able to survive one more year and have the collective sense to do something about this.

Nevertheless, this was the smallest table in a long time.  I didn't even bother changing into my traditional dress.  We sat and enjoyed one another at an intimate meal, and I finished clean-up at a reasonable hour.  Of course there are a few days' worth of leftovers and sharing, an extra reason for my son to come uptown and help me with my Christmas tree... but the shift in time is apparent.  Maybe I will have grandchildren before long and these traditions will regain their magic.  I'm not sure.  Watching this cartoon president pretend to honor the confused military ranks certainly took the air out of our Thanksgiving balloons.

I thought this year about the 1963 holiday-- how profoundly, post-assassination, our world had changed... how in 2001 I felt so conscientious about giving and appreciating, about generosity and post-9/11 understanding... the second generational loss-of-innocence for us baby-boomers: we re-set  our sense of compassion... humility, humanity.  But Thursday night the football game was blaring from the back room-- nothing on my turntable; halfway through eating I realized we hadn't lit the candles.  And just this morning, on the last day of a sad month, I can't seem to recall saying my usual Thanksgiving grace.  Amen, November.