Scarecrow

When I lived in Mexico, I envied the people their special relationship with Santa Muerte.  I could never warm up to a holiday where there was grave-dancing and celebration.  Death was fearsome for me;  Edgar Allen Poe and Edward Gorey gave me nightmares.  I had no living grandparents (well, none we were allowed to acknowledge) and little intimacy with the elderly.  There was a white bridal gown in a box in our old attic that my sister insisted was used by the spirit of our deceased Grandma on the occasions she visited.  I shivered.  

The first actual death in my young life was my best friend's mother.  She died during the summer-- of cancer.  I could not imagine losing my own Mom-- the thought absolutely terrified me, although I often wished my father would disappear and leave her eligible to couple with some random prince or even a kind carpenter or fisherman.  My friend's Mom had these downturned eyes and permanently worried brows.  I felt safe in her home-- sleeping over, on little trips; she was the leader of our Brownie troop and she was kind and soft-spoken.  I was devastated by the news of her death; her daughter had to leave the summer program where they'd put us to distract from the fallout of her advanced illness.  I had to stay behind where I wept and tried to process the concept of 'gone-ness' in my 8-year old world.  I offered to lend my own mother-- to trade places.

Not long afterward the widowed husband remarried a woman with three children.  The new mixed family was buoyant and festive.  He seemed to blossom with a new wife... and that was that.  But I carried my friend's mother's memory like a badge-- like a missing tooth when I smiled.  No one seems to notice, and it's inappropriate to be weeping daily like a drama princess when the immediate family has made great effort to recover.  It put a wedge between me and my best friend; I missed her Mom when I slept over-- the milk and cookies, the way she braided my hair so it wouldn't pull... her soft sing-y voice calling Good night, girls! when we were up past midnight whispering and giggling.

I'm not the poster child for Life Goes On.  The losses and griefs take their toll.  Besides Jesus, there is a litany of saints and angels in my nightly recitations-- all of whom are conspicuously missing from my life.  The past year or two has had its own version of pain; the fact that the world seems to be grieving does not comfort much.  I remember my aging Mom complaining there were so few left of her acquaintance-world-- crossing out in red the date-book names that no longer required birthday cards.  Her Christmas list was down to single digits.  

October has always been a sad month for many reasons... I also dread the ambivalent celebration of Halloween.  I've never been a costume-enthusiast... and while I appreciate the parade, the souls of the departed give me no incentive to party.  Thirty-two years ago I went into false labor on October 31st and prayed I would not be giving orange and black birthday parties for years to come.  As it happened, my son waited a full week, for which I am grateful.  Peter Peter Pumpkin Eater my mother used to recite as we carved teeth on our Jack-o-Lanterns; she was a late October baby.  

A week ago I walked back from Harlem along the East River... for a while I was shadowed by a man who pulled out a knife and asked me for money.  As it was, I had none-- food stamps, which I offered... he blinked his red-rimmed eyes and decided not to hurt me.  Was there a guardian angel behind us? It occurred to me that I was not even frightened. A few blocks later,  the sun set and produced a vivid double rainbow which truly merited the 'arc-en-ciel' nomenclature... I can't recall ever seeing anything that compared in New York City.  The Hunter's Moon this week-- has had an exceptional performance-- a soloist among choruses of clouds.  

Late last night-- almost dawn... I took out my guitar, as is my habit... and the lights in my living room began to blink.  That would be Alan, I said out loud.  Spirits.  Ghosts... I am approaching a point where absent friends will soon exceed the ones who are here.  The pandemic has whittled down my circle of intimates to a very few.  It is a kind of limbo... I feel more connected to those who have passed.  We speak, we exchange.  I sing to them.  My own daughter walks among them.  

I haven't visited my mother's grave for nearly three years; she'd have turned 97 this week... this seems uncanny.  I celebrate her pumpkin-carving hands when they were still manicured and elegant-- me, in my uncostumed non-finery, like an old scarecrow with arms extended,  ghosts and spirits perching.  

Light Sings of Wear

The cost of shipping has increased.  On a personal level, the cost of mailing has become a burden.  The art of letter-writing has certainly fallen into a sort of category of eccentricities.  I have tried hand-deliveries where I can; to include a tiny memento or scrap in an envelope raises the financial bar and punishes me with a kind of fine.  Postal rules are confusing and discriminatory-- they favor neatness and conformity; I am interrogated at the counter with queries which, if you are a poet or  outside-thinker, scrape at your deeper conscience.  We are condemned to technology.

Tomorrow would have been my mother's birthday.  I know that I loved her, despite her flaws and bigotries, her failure to understand things.  She fell somehow outside technology; even to see her driving a car seemed unnatural.  I grew up loving the number 27; it was sacred and while the presence of my father on weekends could ruin my day, I only knew I could not live without my mother.  The excitement of Halloween always included plans to surprise her.  One thing I am grateful for: she appreciated my handmade gifts and actually wore some of them.  My father seemed uncomfortable even opening a box from me.

Adult Halloween is another anomaly.  Of course, when your children are young, you fuss and carve, you bake and pile, hold little hands on the sidewalk or stand guard at your front door, cooing over neighbors and schoolkids in disguise. If you are a musician, you put on a mask and witch's hat-- a cape and fangs--- then you watch other adults in fantasy-outfits winding up on a dance floor, becoming characters for a night.

Thirty years ago, I went into early labor.  I prayed I would not give birth on Halloween, knowing how children feel gypped being born on a holiday.  I lay on a hospital gurney, watching the heartbeat of my son who had clearly outgrown his womb-home; I had ghoulish bruises on my ribs from the size of that baby.  Happily, they sent me back home where I waited until Election Day... but coming back that night from the old Lenox Hill Hospital, I felt 'costumed' as a mother-- more prepared to remove than embrace it.

In the early difficult months of single motherhood, there were several deaths in my circle.  Having no budget for caretakers, my baby sat or slept through several funerals.  He even had a little outfit-- people gift you these things when they are born-- which was dark and serious.  It was sitting at the back of St. Vincent's, reciting the Lord's Prayer, that I began to feel the enormous comfort of holding an infant-- the bond, I suppose, that forms despite all of your confusion, your lack of preparation and the awkward intrusion of 'schedule' on a musician's life.  It was there-- listening to the sounds of grief, sensing the permanence of loss, that I lost my disguise and became a mother.

My son will soon turn 30; my mother would have been 95 tomorrow.  95--  one of those numbers she loved to see on my school papers; I often brought her that pleasure, as a good student, but it only created the sort of expectation that parents in those days held like a gun to our heads-- the one gun I did not fear.  I have a new book now; the last one was published just in time to place it in her long-fingered hands and see maybe a small glint of recognition at the cover photo.  Maybe not.  We hold these personal myths closer as our future grows shorter.  No one is there to 'grade' our adult work... even criticism has become something one buys into; marketing has replaced the art of reviewing and prioritizing.

Last night I read some Kafka.  The myth of the tormented genius sometimes exceeds the work.  I often think Franz in this culture might have been a gaming addict.... but surely the technology would have distracted and diluted the passion to create-- allowed people, as it does, the illusion of connection in the reality of isolation.   Here I sit at a keyboard in the dark, backlit by the strange blue light my mother (and Kafka) never knew-- the ease of publishing, of sharing, provide a certain comfort.  Still my pile of library books on the old farm-table, candlesticks and wood, lined pads and ink-- an uncarved pumpkin of possibility in my pre-Halloween solitude, with the city in my window like the massive bag of tricks it is-- the pack of dogs-- the never-ending parade.