The Sound and the Fury

I'm up to The Sound and the Fury in my Faulkner project... maybe it's the precursive reading, but I'm not struggling with the narrative the way I recall in high school. Maybe also it's the consequence of election season... the fact that I've somehow immersed myself in southern politics and culture, trying to comprehend the swing-state psychology and the way a crass New Yorker with a crooked script could appeal to it.  Rather than being dated, the Compson family seems a little familiar-- something for everyone.  In fact, poor promiscuous Caddie reminds me of my older sister who managed to smooth over her many-layered indiscretions with a colossal and expensive wedding cake which only fooled a few. The marriage was pretty much done before the cake went stale. 

Every dysfunctional family has its parallels... there are the bad eggs, the mean alphas, the deflated father-symbols, the fallen daughters... the alcoholics, the narcissists, the mentally defective and the failures.  The unforgiven.  Many of these have a nanny-figure-- maybe a nurse or housekeeper-- a paid parental figure who heroically loves at least one member, and holds them together for at least a time. Then there are the funerals-- the disgraces, the suicides. As literature, the subject doesn't get old.  We are the Family of Man. 

The thing about being over 65 is that few really fault you for being outspoken... or else they don't bother retorting. I'm subtly motivated by the residue of resentments for the petty injustices I've swallowed during my lifetime; truth outweighs courtesy when time is limited.  I am so very willing to offer comfort to the sweet and fragile who are suffering, but less so to the others who have caused as much pain as they have absorbed. You know who you are, I want to say... but 'you' don't.  These people rarely take accountability. 

The best literature shows us ourselves... it doesn't blame or moralize, it describes and shines a light on the shadows.  It observes, where there are no witnesses.  We have all done things, unseen, that have consequences. Writers take the opportunity of talent to expose their own past sins and injustices.  And we all get to a certain age... the demons and villains of our childhood are long dead... it seems almost safe to write the stories, to point our fingers.  This, we reason, is why I am this way-- why a marriage failed, or why another never had children... why success evaded us or our ambition consumed our capacity for empathy.

There are not many clear heroes in modern literature. We have plenty of those in the classics... and the more complex life becomes, the more we seem to turn to heroics and fantasy in our cinematic entertainment.  It's a little absurd-- the apparently simple thematic formulae of these blockbuster extravaganzas. 

Friday night, late, I watched that Chantal Akerman film where 95% of the action is a bourgeois woman in her little flat performing her daily chores in a sort of domestic claustrophobia.  It's long-- it feels like the day passes in real time-- but it's hypnotic and, for me, mesmerizing.  At a certain point in the afternoon, this woman who puts on a prim housecoat to do dishes turns tricks.  You can't judge a book by its cover.  But I can't imagine my son or any of his friends having the patience to screen this movie; they prefer Marvel or Scorcese... fantasy and extreme violence and gangster culture-- some horror thrown in.  This is entertainment.  

On the political front, I am too nervous to be entertained by any of the Town Halls or celebrity endorsements.  We are immune to the pleading, sick to death of the accusatory and aggressive advertising... we are manipulated and lied to by the very same device that shows us drama-- movies, comedy, sports... it is altogether processed as a form of entertainment rather than our political future. The media describes Beyonce's simple dress and Michelle Obama's suit.  Sure, their words reach some ears, but it is what they represent that remains like an afterimage... and then they are gone.

How can this be happening, I ask myself daily... a buffoon of a man convicted of both tax fraud and multiple sexual offenses,  running neck-in-neck with a seasoned and reasonable politician who stands for American democratic values?  What universe is this that there is even an argument?  The election is not a TV show... it's a major event in our history and will shape not just the next four years but could damage and distort our national trajectory for decades, if we even survive the critical transition. 

Among my friends there are those that threaten to leave the country. I did, too, after Bush, Jr was elected. But I came back.  Then there was Obama... and here we are again, at some kind of brink which feels even more worrying to me now. 

In my own city, today, Madison Square Garden.. where I saw my first Knicks game, Bob Dylan, Paul Simon... was turned into a kind of theatre of the extreme grotesque.  Hideous soundbites were used like ammunition. Some of them went home with audience members, and stayed on their tongue.  We are reduced to two opposing teams here, like a Sunday football match; there will be one winner. 

The villains in our families either pass away, grow old and defused, vanish into cemeteries and old scrapbooks. My sister hurt a number of people by her manipulative behavior and changed my destiny, perhaps. We are forced to lie for these people whose blood we share, even while it changes and destroys people. We are punished by the Jason Compsons who dominate the softer among us. Families, even when we leave home at seventeen, have a kind of co-dependent effect.  We share shadows and genetics and we all have a different take on the central narrative.  It's complicated.  No matter how good we think we are, there is residual guilt and pain in our past.  

In an election, we cast our ballot alone. We get a clean sheet--no one supposedly knows our individual mind and some of us still believe we can change the narrative by a vote. Let us hope that, pen in hand, we put aside the entertainment factor-- the contest, the game... and consider carefully not just our personal but our civic responsibility. 

A-women.

Hail Mary

There are days in which I have little to offer, although it is hard to keep one's mind silent when the autumn sun is clear and shines effortlessly on those of us who are not in the midst of hurricanes and typhoons.  Even in those ravaged places, we know, the mornings after are cruel and calm and show unspeakable damage with blue clarity and the watery whisper of a quiet sea. Our well-dressed reporters and journalists with furrowed brows survey and film, photograph and interview.  We check our social media and breathe a bit easier... we give a little money-- we gasp and sympathize, we go on with our day. 

Yesterday I went gallery browsing-- the theme being indigenous Australian artists.  It rewarded in a way that contemporary American has not, in recent years.  Inherent soul and story-telling-- these young artists inherit the myths and beliefs of their cultures, and even without explanations, they manifest.  In their presence, one surrenders.

Earlier in the week I visited a few of the sick and aging among my friends who are imprisoned in an existence they can't have imagined or foreseen. As time goes relentlessly on, there are many of these... no solution, and my presence gives merely a tiny atom of distraction to a cavernous lonely discomfort. There is no companion for pain and suffering; I find myself always walking home from these visits... as though I need to remain in a kind of prescriptive sentence of solitude to process what I have witnessed.  A few of these people might return to some kind of disabled living situation; deterioration is part of life... it's just that we childishly don't imagine it will really happen to us. Yes, we take care of our health, we take the recommended exercise and precautions-- some of us too late-- but we cannot avoid the reaper's overture.  

One of my friends has reached a point of collapse. She has bravely suffered the utter inexplicable indignities of a brain cancer which gradually absorbed her beauty, her grace, her keen mind and now her body.  Sitting by her bed, her head turned to one side, it was like speaking to an injured fallen horse whose life and fate displays its pride and sorrow in one eye. She breathes, occasionally sighs... I could swear I saw a tear.  Music, I said... makes one sad... and she seemed to agree.  I walked the seven miles from North Bronx to my apartment, trying hard to supplant this vision with memories of her vitality.  It will take some time; the dull and needy neighborhoods beneath the train tracks provided a kind of visual accompaniment to these souvenirs. And suddenly... there is the bridge over the Harlem River... the sunset... the glory, the antipodal irresistible reality.

For some, memorials and rituals are important.  The pandemic era made this less so, in a way.  The pomp of services was disallowed and one grew used to mourning in a kind of vacuum.  Death-- the death of others--  is the portal through which all grief expresses itself. Tragedies are often measured by its  statistics.

Australian indigenous art is permeated with narrative... and as in most cultures, these narratives often interweave with death.  It makes the art more compelling and true-- more universally articulate. There is also a kind of hope or rebirth that permeates all religions.  This is our deepest wish-- to return to some kind of life or afterlife. As though the sad material of human beings had a value... still, we believe this.

In the aura of what I witness, I return to my computer and come across a feature-- about how contemporary artists deal with concealing their under-eye circles.  While I truly hope this is some metaphorical piece about the omnipresence of tragedy in art, it is rather a cosmetic piece. Irony noted.

Maybe my epiphany of the week is how some kind of narrative (or the utter opposition of it with philosophical content) compels us-- from the Bible, classical art, indigenous painting, to modern literature... and yet we struggle with the absurd human inability to decipher our own.  While we control and change direction and envy and pity and weep and laugh, we rely on anything that is not our own. 

My son, this week, is obsessed with the baseball playoffs.  It's an American thing and, surely, the love of sports brings more people together than politics. It's a finite thing, too.  There is a clear winner and loser.  Not so even in elections, with the electoral college nuances.  It's confusing.  With baseball-- barring happenstance-- the final teams are pretty surely the best.  One believes-- one hopes. This seems to be the common denominator-- hope. Millions of people in stadiums and bars put on costumes and make the prayer sign. Even I, for the sake of son, root and cheer.  We read the stories of each player and feel connected. It is giving us a viable distraction in a difficult month. 

Walking into a church for some instant spiritual support, it occurs that for most women, no symbol will eclipse the Virgin Mary.  If we could reinvent her... but we cannot, and her meaning has been manipulated and distorted.  We have tried-- the Barbie Movie, etc... but no.  She is the suffering mother, the comfort, the grace, the vessel and the very epitome of grief.  Even the athletes call on her. In every culture-- we are born with some sense of belief... it connects us-- makes us human, and gives us the courage to hope-- despite all odds, despite my ailing friends being down 3-0 in the series, or not ever having made a single playoff... or even a team... there is this thinnest thread that in an impossible narrative just might lead to a miracle.  

A-women.