Pity the Poor Immigrant

I walk the streets with a running monologue in my head; sometimes it's a poetic kind of voice, other times it's a soliloquy-- a kind of rant or commentary.  The barraging urban incidentals feed this, redirect and influence... sometimes it is chastising and harsh, otherwise gushing and passionate. Most of it evaporates... one cannot document or note everything, and inspirations are corrupted like a warping digital file.  It's a wrap, I think, occasionally, as I invent a short story... and then it is lost in the ever-washing tide of temporary memory. Aging brains have less capacity to compartmentalize these things.  One fails to make notes, and then there is nothing... like a dream which disintegrates as one wakes.

It occurs that as one ages, one is shaped by what one forgets, as much as what one selectively recalls. I texted a friend yesterday that my life is defined more by what I have not done than what I have-- the way I consistently avoided opportunities of success or even a kind of minor celebrity... how I felt compromised by this kind of thing, and adhered to this stringent discipline of seeking my true voice rather than an audience. It probably has not served me, I note, as frothy influencers collect more than my annual income for a shallow momentary display of 'meme-dom'.

We musicians circulate periodic youtube fragments of odd under-known geniuses-- gypsy guitarists, random Eastern European instrumentalists whose personal style has developed unaffected by trends and online platforms.  Some take one's breath away... one discovery from last week, on further research, had died several years ago; fortunately he survived into the mobile phone culture enough to have had dazzled witnesses capture a few performance moments for us. It's humbling.

Fast forward to my regular life-- the email, the constant stream of notifications and requests... it's mind boggling, the number of attachments that accumulate-- the statistical impressiveness these marketing tools provide... the spread of mediocrity like bad mayonnaise on packaged white bread which affects not just taste buds but critical faculties.  We are intellectually worn like smooth stones by the incessant traffic.  I feel like variety has suffered... for every celebrity there are easily 5-10 others who look alike.  With cosmetic procedures, each of these changes facially with every appearance.  Maybe I'm just old and losing visual acuity-- but everything seems to be leveling off. The dumbing down of America which produced the current state of affairs... the rounding of corners...the filing of edges, the general whitewashing disguised as red-white-and-bluewashing.

Since I rarely consult a cellphone, I am inclined to talk to human beings like a crazy person.  It's interesting. Many of those willing and anxious to speak are from other countries.  Their trajectory, even in a five-minute conversation-- is often adventurous, and their take on America reminds me of what I used to believe in.  The drum circle on the North end of the park is comforting somehow-- the camaraderie and the colors... the warmth.  My young Senegalese friend who took me to the hospital after my accident last year--  still struggles but his huge smile and sheer ability to find joy are contagious.  

The Philippine farm workers who come weekly to my neighborhood and sell great vegetables for less than half of the pricey city Greenmarkets... I look forward to their Sunday stand, although they speak little English.  And then in East Harlem-- a new grocer-- with piles of exotic rice sacks and slightly damaged produce that is affordable.  On my block they sell Honeydew melons for $13.99.  Not even spelled right.  But here... they were $3.  I asked a very thin Middle eastern worker to help me pick a ripe one; he offered to cut it... if it is not good, he said, you don't have to buy.  So he disappeared and returned with a knife-master's slice... it was heavenly.  Then he wrapped the two halves in plastic.  Where are you from, I asked? I am Palestinian, he replied. Images of emaciated children and clamoring crowds of hungry desperate parents.. I was overcome with tears... we pray, he assured me.  I am the lucky ones... but fear for my family here.

Outside the 96th Street Mosque a man sells fruit from cartons on the sidewalk.  A blind man with a beautiful face and pale eyes sits in a portable chair for long hours.  If one has no money, one can take something.  These small human dioramas comfort me.  The diversity often disguises a kind of goodness... the hidden geniuses in quiet rooms and the generous gifts of the poor who give not for the deduction or reward but because it is inherent.  

Now that the whole city is being sued... one wonders... where is the sanctuary? I am quick to apologize to these people that the American Dream they sought has let us all down lately.  How many amazing souls are being deported with the bathwater?  Encroaching tides from both sides-- it overwhelms.  Like the general pool, a few from desperation turn to crime as a quick fix, but we in our cracking and chipped glass houses, may we see via our hearts' vision.

7A (You-logy)

My upstairs neighbor passed away this morning. The backstory here is deep and the echo of her absence will resonate.  She was a great, strong woman who broke ground as an editor and a fashion executive. When I moved into my apartment she was about the age I am now; I was a young single mother and as the coop Board president, she took me under her political wing.  For over twenty-seven years I felt protected.  As she aged and became a widow, we were just two women sharing stories and inspiration.  I trusted her wisdom. Last week she turned 99-- a milestone for anyone, and for those who think they want to live past 100, well... it's not easy.  Trying to process this today, it is quite a life-- begun in the 1920's, conquering the city, managing a marriage, career and family, and hardest of all-- witnessing one's own decline and deterioration into old age.  I participated in the last quarter of her life; the rest was a narrative I treasured.  

This morning the courtyard pigeons were in a state.  A woman claimed there was a white dove on the roof,  as though escorting her spirit. I'm not sure of these things. For me this day was long and rough.  We dread the absence of certain people... and it comes for all of us, no matter how we resist. We interpret signs, we pray, but we are not certain.  She herself was not religious; in the end I'm not sure what remains of one's spirit aside from the memories we carry. Most of her accomplishments were achievements, not product. There are no grandchildren to take her legacy forward-- no judgment at this moment. 

For several years she handed me down various articles of clothing-- vintage Prada, iconic expired fashion symbols.  Some of them-- the black ones-- I wore onstage until they almost disintegrated.  It occurs I have a pair of her lace-up boots that barely fit; the discomfort of wearing them this week will feel like a hair shirt, like a slightly painful reminder of mourning. She was not sentimental.  

We shared a passion for literature, and of the New York School of painting which she'd witnessed first-hand.  She knew many of the artists whose work I admire and who passed on long before I got here. Recent years robbed her of her sight, and her hearing was challenging. She tried her best to keep up with news and museum developments. The current fashion world had forgotten her nearly entirely; her generation had mostly disappeared, but in her day she was on the A-list of events like the Met Gala. 

Processing the breadth of a life like this is overwhelming. Nearly thirty years behind her, I already sense that I have entered a kind of era of obsolescence. Despite the weight of what I've seen and done and read, my existence has little present impact.  We are daily fading into the past.  Some of us have our wrinkles injected and our skin renewed, and maybe delude ourselves with a kind of narcissism that we are still relevant. Not that simple.

I've had a recurring dream... set in the long corridors of a building like the Vatican... an empty museum or a kind of mausoleum. I wander these temporal hallways--  the abandoned niches in the wall stripped of monuments and medals. I can almost smell a kind of familial dust, as though the air is thick with cremated moments. Where are the people, I am wondering?  Where are the sculpted images and painted altarpieces? The emptiness is palpable; it is like an architectural enigma.

Demonstrations yesterday were comforting in Manhattan.  They were peaceful and the solidarity and diversity of the crowd was reassuring. I felt nostalgic and safe, despite the menacing presence of armed policemen everywhere.  The thousands of handmade signs and messages were creative and passionate and human. If something happened to one or many of us-- well, our lives had a momentary meaning, a mission. I felt lifted and hopeful.  

Back uptown I ran into a woman who confessed how lonely she was; she'd never found a partner, shunned online dating apps, and just felt passed over. I tried my hardest to encourage her-- to volunteer, enlist somehow, not to sit and wait for life to disappoint her.  My aging neighbor was a graphic reminder of how precious our moments can be, how difficult the latter part of one's life.  Rage, rage, I wanted to urge her. But the news of this one sole death seemed devastating today. For each of the plane crash victims-- the Iranian, Israeli and Gaza casualties-- there is a hole in a loved one's heart.  One day soon we will all become the hole in someone's heart... or at least a brief obituary, an alumni memoriam, a Facebook post. 

My neighbor lived in her apartment for over 60 years; she was married here... her children were born and grew here.  Inevitably the place will be stripped of the medical aids and the old books and vinyl-- the furniture, the charming improvements her husband crafted.  It will be emptied and renovated and a new family will move in. I was once a young family here; I've moved up the ranks to become one of the senior tenants. Time moves on, and as I commented in a piece long ago, New York is like a Grand Hotel-- people move in and out, and we can't hold onto our personal geographical souvenirs. 

I suppose the ultimate lesson of death is the value of life.  We get a huge grace, most of us... we waste time, we squabble and complain and pine.  Some of us are gone too soon; some of us linger too long and become the burden of others.  And some of us, like the man in 11A, are granted an epiphany-- a near-miracle. How to solve these things? To live and die more or less of 'old age' is another lucky variation of the plane-crash narrative; we all end up the same.  I know my neighbor loved life enough to hang in through the challenges of aging-- the aches and pains and indignities... I, too, love this life too much.  Just to sit in the park and watch people-- to see the sunset across the reservoir... yesterday's bagel and a home-made coffee-- a library book.  To sense the passage of time and its irreversible cruelties and kindnesses-- it's more than I deserve, I think sometimes, but I'm determined to earn the privilege of staying and not quite ready to leave, God willing.

Bookends

Like a blot on our conscience, the fires burn on in California. A kind of hell ironically consuming the City of Angels, we are reminded to one degree or another that we are vulnerable-- hurt, touched, concerned, destroyed. The emotional 'noise' of human trauma seems constant, and like a warning punishment, this one is close. There is looting... the military presence... and the blame game, too-- the politicizing and weaponizing of catastrophe.  There will be recovery narratives and those who profit from them. Like Hurricane Katrina, some of the deep human damage is unseen. 

Yesterday walking through the Harlem Meer at dusk, I nearly stepped on a small stuffed animal... a little squirrelly thing, wrapped in a tiny blanket... I picked it up and ran ahead toward some strollers leaving the park... but no one claimed it.  It's a damn toy, one woman scolded me.  

When my son was a baby, his first 'cradle toy' was a stuffed sock with a kind of stitched face... with tiny felt antlers.  It was cheap and squishy and small enough for even an infant to grasp.  As he fell asleep, he waved it back and forth and watched it. Ghee-ghee, he called it. It was his first baby-word. In those days when I dragged him to work and back... loaded with baby stuff and my own, we logged so many miles the carriage manufacturer replaced our wheels at no cost.  One night in a soaking rain I had to hail a cab and in unloading everything outside our door, we must have dropped Ghee-ghee on the taxi floor.

I called every medallion company in the city... they thought I was crazy.  Ghee-ghee, my baby boy kept repeating... nothing else.  He refused to eat, cried himself to sleep. He woke many times... inconsolable, exhausted.  Next morning I began a diligent search of stores for this toy... I'd naturally memorized the label and phoned the company in South Carolina... it had been discontinued, but they were sympathetic.  Maybe fifty phone-calls later (pre-internet days), we at long last located one... and arranged a fedex shipment to their showroom here in midtown.  Our Ghee-ghee had been washed and squished so many times, it little resembled the brand new one but I wheeled him into the showroom, three days after our loss, and he happily exclaimed 'Ghee-ghee' when they offered it, with a kind of casual grab. The whole place broke out in applause.  

Seeing footage of displaced children... much more fortunate than those in Gaza who were left completely without, and sometimes physically wounded-- is maybe easier to process than the deep, catastrophic loss of life and property.  It is the small things that touch us-- the man combing through rubble for his missing wedding ring... or someone's cat that managed to survive a fire and jumped out of steaming rubble... a cup.. a small symbol of survival in the wake of massive loss. Children, we are told, are resilient.

During the pandemic I often passed a mother and her severely autistic teenage son in the park.  He walked, waving his hands and making sounds... he cannot be touched, she warned, or he would tantrum.  But he had an old stuffed bear... and a matching scarf he kept tightly around his neck. It occurred to me a fire event strips these ultra-sensitive children of their only comfort. How does one fix this?

In a drawer somewhere I have my two wedding rings... these things apparently survive fires but not so relationships.  A kind of sentimental irony: one has nearly no meaning. Underneath my bed-- an old guitar with the capacity to bring to life all those songs I wrote and played... like a magic lamp.  It would not last a minute in a fire. There was a time people wanted to hear my musical stories on a stage... we nervously debuted our hearts, took turns on stages.  I am attached like an old sentimental child to things which with any luck will outlive me-- and will surely be discarded by the next generation as empty and without value. 

This time of year my student interviews engage me. Yesterday I spoke with a boy who left Afghanistan in 2021; his family was in some danger, and his sisters would have had no educational future, had they remained. They fled, with few possessions... were moved from one encampment to another.  In the process, he lost his pen.  He used this to write stories and to study and learn English.  Worried, and finally placed in a school here, he was shocked to be given a Chromebook. So he adapted... and his English was wonderful... his gratitude and love for his sisters... his father has finally found work in a large store, despite the language difficulty; his mother works in a bakery. He thinks about his pen, he said. 

Throughout history wars and catastrophes have forced people to hurriedly pack a few possessions and leave.  Home is so much more than a shelter. Old people and children are attached to things that cannot be replaced. In the end, life prevails... survival. There was a moment on camera this week of Bruce Willis thanking the firefighters. His luxurious home is safe, but he simply has lost everything... another version of what is missing. 

I am not sure what is coming for us all now... the constant visual drone footage surveying the Los Angeles damage.  The ruined homes make the destruction live for all of us who fear what we can lose-- our things, our minds.  Maybe we are all slated for a kind of devastation;  maybe a renewal of some version of faith and compassion. Had I been able to cross personal boundaries in my official interviewing role, I would have shared with the Afghan boy the Paul Simon song from Bookends.  I was 15 when I heard it, the age at which he was violently torn from his home. From the warm safety of my teenage room, with my plastic stereo... the record... it opened and closed with the lyrics that haunted me throughout my life... a kind of prophecy... 'preserve your memories... they're all that's left you.'

Thirty-five years ago I often wheeled my baby stroller into a church... I was struggling and it gave me a little strength.  One day I approached the altar to contemplate the unfathomable Crucifixion.... my son was maybe 10 months old.  He leaned forward and looked; he loved the church, too.  He pointed his little finger up at the suffering but calm Christ figure. 'Ghee-ghee,' he pronounced, with a kind of absolute certainty.

Songs from a Room

In the familiar old heat of my beloved 'back room' last night, as is my habit, between 2 and 5 AM, I was watching films. On these dense airless summer days, it's always a little warmer in here, as it is colder in winter. We're fortunate to have this 'extra' space-- old, soft sofas and chairs-- the TV-- my little closet writing nook, random guitars and basses on the furniture... and a wall of books, of course.  The ceiling fan occasionally makes a sort of ticking sound, like the proverbial clock on the wall... my only company.

I have lived in this apartment far longer than anywhere else-- far longer than I anticipated.  I can look around and remember the various configurations of this room-- when it was virtually empty, and children used it for train layouts and games-- when two sofa beds were often made up to accommodate overseas guests and stragglers-- when I struggled with a novel, staring up at an enormous fat monitor with a blue screen and white text, dreading the alarm which signaled the dissolution of my solitude into breakfast-prep and getting my son to school on time.

There is a fire escape outside one window, although I rarely go out there now... an occasional visiting bird reminds me, but city ordinances forced us to remove plants and other 'hazards' (an old rocking chair, etc.)... and now this has become a bit like my personal Proustian cork-lined refuge.  In the back of these old buildings which converse easily via courtyards and alleys, nights are quiet. I hear the hum of air conditioners and motors but little else besides the strange sort of symphonic white-noise of the city which always feels about to crescendo and then doesn't.  It's indescribable, this soundtrack; not many are privileged enough to hear it... but there are these films I see--- mostly the kind with little dialogue-- which use this sort of atmospheric noise like an orchestral score. 

Still in the swampy-thick of this Nersesian mega-novel, I feel a little hallucinatory and anxious about the status of my city.  On the screen now there is a 1960's shot from an airplane approaching Manhattan-- no WTC towers, but the poetic density of older New York.  It feels so vulnerable.  We watch air-strikes in Gaza, in other parts of the world... vintage footage of post-war destruction... and I cannot fathom that I have earned some right to feel so 'safe' here in my back room which from the heat-emitting effects of cable boxes and laptops is warmer than the outside temperature.

Then there is a mediocre c. 2000 movie with Ben Affleck.  He's a wonderful actor-- and his inherent intelligence shines always.  Here he is young and boyish, as I always remember him; his teeth are still his own-- he transcends the banal dialogue and we believe him; he is himself.  The version we have now of a darkened and disgruntled playboy is not right.  Forget about sexual appetites and attractions... he doesn't belong with the Beyonce'd version of Jennifer Lopez he got this year.  He's complicated and critical and, like the best of us, a little self-loathing. 

But it was so long ago-- the making of this film.  He was a boy.  I was a considerably younger woman and actors like Brad Pitt were in their 'young' prime. As we see these people age, it reminds us that we are that much older, that we are uncomfortably close to some kind of final denouement.  I inventory various configurations of my life, often; my son doesn't remember details of his childhood-- maybe it was the intrusion of technology which distracted from absorbing the minutiae of reality. Personally, I can provide an inventory of my mother's old 1950's kitchen-- the black cast-iron trim on the maple cabinets, the green formica and the deco table and vinyl-upholstered Breuer-style chairs.  I can open the pantry and see the various jars of sweet pickles and mustards and relishes-- the ketchup bottles and cans of sardines and tuna.  I can read the labels and smell the vaguely cinnamon/cardamon scent of her little collection of bottled spices.  

And still I wonder when these things will fade--- when I won't be able to mentally circle my second-grade classroom and name every child in the seats. Some of my friends don't remember their teachers' names.  In school I was often told I had a sort of not photographic but phonographic memory.  I could recall conversations in real-time.. I could hear voices as though played back in a certain core of my brain.  Not so much anymore, but a few of those moments resonate.

Last weekend I went up to see my beloved neighbor Patricia. She is still smart as a whip, but at 98 she has to admit some frailties. She can barely see now, and it's a struggle to listen to me read to her. Last week I brought up a large book of photographs which really interested her; her comments were astute and enhanced the text. She knew these people and these places, and the backstories.  But I also realized the challenge of 'reading' a photograph-- the way companions must translate reality for a blind person.  There was one in the museum several weeks ago.  He was being wheeled around and his 'minder' was doing a fair job of listing paintings, but not really the job I could only infer this man required.  

So I tried my hardest-- to describe the sense of space-- the distances, the attitudes, how a model's hair was styled, how it had been raining and the streets were reflecting... what the weather might have been from the clothing.  It was tedious.  I exhausted her, and my descriptions were so suffused with personal suppositions and editorializing.  A picture is worth 1000 words; mine were cheap and inadequate.  But for those of us who can see, we take so much for granted-- we waste so much time; we fret and bemoan ridiculous things, we sacrifice to marginally improve our appearances (some of us)... and in the end... we have merely the past, an unappreciated present and a tenuous future. Picture this and picture that, one of my early songs sang in its chorus.  'Picture this, the morning after... the camera won't lie like you.' I still remember these and most of the thousands of lyrics.  Picture that.

Death Be Not Proud

I used to love Thanksgiving.  This year-- with the threat of war everywhere-- my own friends unable to agree, people divided by religion and politics arguing-- the migrants everywhere in the city confused about their fate... the prospect of a holiday wears on me. The older I get, the less resistant I am to infection by societal ills. My son and I went to see Oppenheimer Sunday.  I was very affected and wanted to talk about things... but like most of the theatre, we just went to have a coffee and life moved on for him.  Not so for me; I am haunted. 

And I'm no longer sure about things.  When I was younger my beliefs seemed airtight-- had conviction.  I had faith-- some kind of support system. Maybe it was watching my mother disintegrate, slowly... her generational beauty slipping from her like old skin.  She saw devils and flocks of birds.  Some days she sang it out in a midnight howl; other days she barely croaked a weak 'no'. She saw things-- she felt things.  I backed her up, swearing I, too, could smell the black snakes coiled among the mattress springs; she slept in a chair.  My architecture began to creak as her crooked future unraveled.

Every time I read in some news article that so-and-so died a peaceful death, surrounded by family, I think of my Lucia, standing in the stairwell like a skeleton, a thin sweater clinging to her ribcage like a clothes hanger.  Until the last weeks she'd been too proud to ask for help, hid her illness from daylight, slipped out of her apartment in late evening to pick up some yoghurt or tea which would barely sustain her.  

But the last weeks, for which I was conscripted, were beyond nightmarish.  To comfort myself I wrote poems-- a living, rolling eulogy so her suffering might not be in vain, and so the unwilling witness I was could have some higher purpose.  I had known birth-- the protracted minutes of agony, the endless crescendo of contractions until you were outside of your own body.  But death, in these rooms, was a hideous slow drama of one... a whole-body soliloquy with no particular point.  

I prayed; I left the room for some hours to visit various churches.  I begged for her suffering to end. But it was the longest week, the last one, and death came not on cat feet but hovered like a hideous vulture stealing breaths and yet keeping her awake.  Lyrics circled like songbirds, but anything above silence seemed more painful.  I listened to the last groans of life, heard and smelled things for which I was totally unprepared... all because I could not bear to say no to this formerly beautiful woman who had completely run out of options.

In the end, it was like a coming of age, or the worst dream I'd ever had... not to mention the EMT workers who appeared to collect the body and screamed at me for executing the last wish of a dying woman I barely knew.  I wasn't even sure if her assumed name was real. I only know we shared an intimacy few people will ever experience.  And my life was never the same.  

So I've grown to mistrust death-- to mistrust pain and diagnoses and illness... to respect the final authority of Time, with his companion Death, who will outlive us all-- each and every. And as these anniversaries present themselves, growing in number until (as my Mom warned me) the death dates far exceed the births in one's calendar, I am no less bothered by these statistics.  In fact, today, it occurred to me that the toll exacted by these absences is what really ages one... we wear loss like an old face.  

We do our best to comfort friends and family who have cruel diagnoses and accidents-- who lie in sickbeds and depend on us like children.  Those of us who have watched death, who have sat bedside in  final hours-- with or without medicines and drugs, we know.  But most of us have not seen war.  And yet, around the globe, there are wars-- there is artillery and explosives that are virtual death machines.  Not even in beds, children and soldiers are lying now-- suffering, untended... victims, the prematurely violated, tortured... for principles of life and territory which can only be determined by negotiation, in the end.   

Even Oppenheimer has died-- whatever his legacy-- both brilliant and terrible... he surely suffered the agony of death by cancer, and his words, via Hollywood, now resonate once again.  We, the audience-- the successors of his generation, have access to great knowledge and opportunity.  Yes, the science of life is such that Death will always author our final page, but we do not have to become his handmaidens.