Neither Nor'easter

My father, after a 1960's weekend-long winter Nor'easter, checked himself into a psych facility for a considerable stay. Coming from a family who only disclosed good news, I never quite knew whether it was alcohol, classic depression or business issues with some military PTSD in the mix. I remember he was essentially glued to the sofa in our windowed porch room with the snow piling on the jalousie glass slats insulating like soft white feathers. Football on the black-and-white set, an ice bucket and a bottle of Johnny Walker on the end-table, financial newspapers spread like a blanket... 'In my White room with black curtains... goodbye windows, tired starlings...' lyrics swarm my head when I think of that long weekend.  

Two-plus days of relentless rain in late September New York revived a little cancel culture. It was enough to saturate the glue which holds together the fragile pieces of my generation's aging psyche, and cause a bit of brain-melt, a bit of panic for some.  'You up?' I saw several times in my messaging app... but I didn't dare reply lest the sound of my own voice betray my isolation-- the echo of solitude.

The social media of my peers is a little sad. It ranges from 'those who do protest too much' i.e. happy photos of family events and excursions and food...  to lengthy detailed descriptions of medical nightmares with selfies from hospital beds and requests for aid.  Then there are the chronic daily historians who post memorials to the ever-growing population of the talented deceased. Old photos and files that grow heavier each year because the anniversaries continue to cycle like an unbroken record on continuous play. We look at our newsfeed to discover which of our former bandmates and acquaintances have passed away-- some in real time but altogether too many who somehow slipped away unremarked months ago.  We failed to notice they stopped liking our posts--  stopped wishing us well on our birthday... and we learn they may have died in their apartment or home undiscovered for days, having retired from jobs, their presence not missed by anyone in particular until their voicemail is full, their email has reached a storage limit...

Some post brave photos which do not hide their wrinkles and sagging faces.  So beautiful, people comment.  I mean-- this is life and we age as biology dictates.  I remember Gloria Steinem, my idol as a teenager, telling America 'this is what 60 looks like' as she bravely flaunted her un-altered great looks for a camera.  But soon afterward, she succumbed to the temptation of plastic surgery.

I'm moderately horrified to see photos from gigs... I do not check mirrors and do not 'see'' myself as others do.  I bravely ignore cosmetic realities and play my bass with pretty much the same drive as before. But I see some women on the stage with their faces pulled and pinched and pumped jumping around like old rabbits and I feel sad.  It might be hard to look me in the eye, with my slightly melted face, but unless one has a small fortune and can afford constant attention and consistent maintenance, the altered results of procedures just project a weird sort of insecurity to me.  Like one of those arthritis drug commercials. I don't find this version of Madonna pretty... it's desperate.  But what other version is there? 

I remember when witnessing a friend turn 30 aroused deep pity.  By 40's I was womanly and in love with life.  Joys and challenges of motherhood eclipsed my personal middle-age ambitions but I managed to produce and perform on a level I found satisfying.  Now in my 70's there's another benchmark altogether.  Tonight I watched a Bergman film I'd seen in the 1970's... thinking these characters are so much older and now I could be their mother. Many actors are dead. I've taken their place in line... the ranks move up and up, and eventually we'll fall off into the sea.

What terrified me this weekend was the idea that the glue will disappear before the substance... so that we'll become as a pile of threads which formerly made a stunning dress.  My mother was this-- threads of clarity and intelligence floating in a world without gravity as though she'd lost her footing altogether. What will become of us, we who thought we were so clever and strutted our little accomplishments across a smallish stage for years? What next? 

While the expression 'moving forward' is omni-present in our social and other lives, many of my peers are not moving forward, but looking backward as though their past accomplishments reassure their current version that they had or have value. One wastes the present rediscovering the past which will fail us in the end because the more we disturb it, the less intact it becomes.  And I learned with the death of Alan Merrill that the future is tenuous as well, because the best-laid plans can disintegrate with the death of a critical bandmate... and there is no residual trace of something that never happened. My own father, while he recovered from his episodes, never seemed to really grasp the concept of 'forward' but languished with sobriety and a bit of misery into old age with God-knows-what haunted thoughts and dreams.  Old soldier that he was, he seemed ready to take his place in the front line at nearly 97 years.

So here we are with the tapering rain and the wind in a kind of extended weather denouement and somehow the assurance that a brighter day will dawn. Floodwaters will recede and evaporate leaving damage and scars, but the world will go on.  Not so much our own lives... they are becoming less and less resilient and one day one of these events will be ours and we will be no more. Who will find me? Who will remember my small sorrows and regrets, who will know these lavender-flowered patches in my bedquilt belonged once to a hand-me-down dress I wore on my first day of first grade?

I spent a good part of Saturday night browsing my library shelves-- wondering whether to go back to Dostoyevsky, could I ever read Boswell's Life of Johnson in its entirety, Gibbon's Decline and Fall... ? I finally chose the last Saramago novel I'd been saving... I remember going to hear him read some years ago... he was an old man, and spoke no English-- rarely traveled.  The astonishing thing about Saramago is that he met and recognized his soulmate at 66-- left his partner and directly married this woman and ensured a passionate and creative future.  Meanwhile, I was utterly thrilled, waited on a huge slow-snaking line to have him sign a ratty copy of The Rise According to Jesus Christ. He patted my hand, knowing it was my heart he was signing, not a crisp first edition for lucrative resale. Priceless. It occurs tonight that, God willing, I will soon be the age he was when we met. There will be no more Saramago to read... but at least I will not have left these pages unturned.  

Wo-manicure

I have my mother's hands. Purely a physical rather than a metaphorical comment, the observation followed me throughout adult life. Deny as I might, as I grow older I wonder if even the increasingly prominent roadmap of veins is identical, like a fingerprint.  Watching my hands on the piano or laptop keys, they are so like hers it is alarming.  My face in the mirror-- the undeniable genetics of bone structure, expression...  I see her. The similarities are uncanny... and yet the buck stops there.

On Friday afternoons my mother had her beauty day.  She went to a salon called Ila or Isla-- many of her friends were there-- aunts, etc. They shared a hairdresser called Eleanor-- a bleached blonde with a kind of ducky upsweep who wore pancake make-up and orthopedic shoes.  Eleanor's cutting tools moved like Edward Scissorhands' and she managed several coiffes simultaneously.  Between chairs, tools were soaked in medical troughs of turquoise liquid that smelled like sulfur.  Everyone was bound up in rollers and curlers and metal pins, and sat under enormous heavy drying hoods like aliens while another set of women did manicures. 

As a small child I had to sit through this beauty day. I hated the stench of hairspray and the women chattering, and Eleanor didn't particularly like children. But there was a gift shop next door where a basket of tiny porcelain animals sat by the cash register. At five or ten cents, I could choose one for each hair-day; my little menagerie grew. One fateful afternoon I was placed in a booster seat in Eleanor's station and my long braids were transformed to imitate a shoulder-length cut with bangs my mother tore out of a Seventeen Magazine spread. I hated it, and unbelievable as it seems, I have returned to a salon only once in my life. 

Much to her horror, I have never had a manicure.  To this day I have the excuse of musicianship as the 'basis' for this, but it is also a choice.  My generation grew into puberty casting off bras, refusing makeup, embracing our natural bodies, only to find ourselves now in a world of extreme cosmetic sophistication and a ubiquitous standard of self-care we could never have predicted.  On every block it seems there are multiple nail boutiques and salons packed with women and a number of men being pampered.  I could never imagine having my feet handled by strangers--massaged, soaked, dressed, polished. It terrifies me, like a kind of public intimacy that is on display behind a storefront. I don't get it. 

The vintage scent of my mother's hands is palpable, nine years after her death. She'd clean our noses after our bath and the residue of polish and  cigarette-ghost was part of the nightly ritual. When I visualize my mother she's always on the telephone... one of those old black rotary things with the curly coiled wire. Her lovely hands with the red polish and a cigarette... as she talked and laughed with the receiver cradled under her chin so she could multi-task... sew or wash dishes or bake. She was chronically attached to another world-- a friend, maybe-- she was a girls' girl. I was so often an interruption and had to win her attention.

One traumatic night in particular comes to mind today... I'd been playing at a friend's house... one of my mother's preferred companions for me... a girl from a fancy private school-- an only-child with the name of a car who lived in an enormous house with a circular driveway.  The dining table where we lunched on Wedgewood dishes was enormous. Her Mom's hair was flipped and sprayed into a dark helmet; her father was an older man who smoked cigars.  We always played in her room.. she had pink toy horses and amazing things.  But she also taught me about sex.  She secretly read me texts about body parts and masturbation.  Dog-eared books were hidden under her mattress... where did she get these? I came home feeling guilty.

So this one night I went down to the kitchen and waited in the half-light while my mother-- her post-prandial work done, sat-- cigarette in manicured hand, on the telephone... gesturing to me to go upstairs... but I stayed... mesmerized... feeling confessional and confused.... I could not go to bed.  At last she finished speaking and gave me that look. I tried to tell her about the book. She literally did not reply.. she pointed the one perfectly painted nail toward the door and I went, feeling more sheepish and confused and guilty because not only had I committed some sort of sin, but I'd also violated my mother's privacy.

I learned not to confide things to my mother; years later I found I was a kind of self-judging pubescent prude. Not sure what she expected of me, I was eventually liberated from familial standards.  She loved to sing and was very shy but played the piano with a kind of finesse. And while she never came to a single gig or listened to anything I did, she made comments on my fashion choices or lack thereof... and continued to side-eye my bare hand.  In the end she had dementia, and all vanity and sentimentality evaporated. No one rescued my old artwork or my little beloved porcelain menagerie but I choose to think she secretly approved of our manual 'twinning'. 

Two of my boyfriends have told me they loved especially my hands. And they serve me-- they can draw a little, paint a little... they finger the bass and guitar the way I intend... I am grateful.  But my feet?  The rigors of ballet as a girl, the hazards of pointy rock and roll boots and vintage stagey footwear that didn't quite fit have taken a toll. I'm not proud. Several years ago I dated a jazz musician who obsessed over my feet.  I hide them-- I mean, the beach is one thing, but I'm not featuring them. Still... he claimed to love them.  He nagged and nagged outside of manicurists' shops for me to have them 'done'.  I refused.

One night he got me a little tipsy... we went to bed-- I passed out and woke up to find he'd painted my toe nails black.  I was horrified... angry.  He was overjoyed and couldn't stop celebrating my damn feet. Admittedly they looked edgy and cool in my platform sandals. But there was something Rosemary's Baby-like about having been foot-ravished while I slept. The polish eventually wore off, along with the relationship. 

Today I criticized my son.  We have open boundaries as far as emotional discussions but physical criticism is a little off-topic. Looking down at my ropy old hands, I immediately regretted my comment, and while  I think our bond is tough enough to weather this, the discomfort was familiar. I am not my chaste mother, although I have inherited her graceful fingers and a different brand of stubbornness.  For an instant I remembered the toe-painting-- and how it was really a kind of sexy tribute-- an unpredictable intimacy I failed to appreciate at the time. My mother may even have approved. And unpainted as they are, fretting and picking and tucked into a metal slide, I will somehow always have her hands. 

Hospitality 2

While the Thomas Wolfe title and clichéd aphorism says You Can't Go Home Again, I think you can.  It's not the going-- that's kind of a geographical distance, but the coming that's tough.  'I'm going home', one says, bored at a party, annoyed with a social event-- exhaustion, a literal boundary-- a statement.  But 'I'm coming home' is something you say after time-- to your estranged family, to your ex... to your children, after an absence.  'Come home, baby,' your boyfriend says on the telephone at 3 AM and you cry, because it means a reversal of heart-- a reconciliation, a reunion.  You are not just leaving one place for your own apartment... you are coming 'to' someone-- a safe, familiar reality.

When my mother was in the throes of dementia, she'd phone me and beg me to take her home.  Where are you, I'd ask, and she'd reply she was at 'the apartment'.  Of course she was at her lifetime home, but her altered brain no longer recognized this.  Her heart, however, longed for what she had known and lost. It was poignant and heartbreaking for me who longed only for the mother I had known and lost.

Nearly thirty years ago after renting and resettling many times, I bit the bullet and bought an apartment here.  I searched and investigated and looked at hundreds of candidates... calculated what I could manage and picked a place.  It's old-- it's funky, and for me, living in a studio/loft with my son and sundry stragglers, it seemed palatial. I bought into a coop-- with many wonderful people who wrote for the New York Times, composed music, taught art-- creatives who made this like a sort of communal old home.  There was a live-in Super who'd been born here; single-handed, he kept the building immaculate and repaired things with pride.  It was his home. It was our home.  

As time went on and the city economy evolved, this old economical investment became more of a 'find' for people with money. Lured by modest prices, they bought in, renovated, sold.  The building profile began to change-- the old tenants dying off, and the new electing to have doormen and amenities I would never have preferred.  I realize I am not a homeowner but a shareholder in a corporation whose priorities are no longer mine.  People have combined spaces which were not meant to be combined-- violated wall insulation, installed cooling and heating systems whose noisy apparatus sits outside my courtyard windows. Our monthly costs have nearly exceeded my income.

Sell, my friends and neighbors advise me.  Daily I read real-estate emails listing the various moves of celebrities and investors-- from home to home, from design-space to new design-space.  I look-- I read, I wonder how I will survive.  I have given up most luxuries; I cannot even afford summer air-conditioning bills. My plumbing needs replacement; coop laws require professional insurance certification that is more than I can bear.  So many of my friends have left the city. 

I can remember the first nights I spent here-- the strange sounds in the walls and old radiators... will I ever feel 'at home' here, I wondered?  Gradually I spread out-- I built walls of bookshelves for my library... I hung artwork from friends and acquaintances.  My things occupy niches... furniture has been handed down from various sources.  My son has long ago moved out on his own and more than ever, this place has taken on the shape of me and I have morphed into the shape of this home.  It's old and it's packed with interesting things that inspire me.  I walk the halls at night and look at these things. I have records-- cds, cassettes-- guitars, basses, tools for creating... piles of old fabrics for quilts and small stamp and rock collections. It's a sort of home museum.  People come here-- not frequently the way they used to, but occasionally-- and they marvel at what is sort of my own portrait-- or a mirror of what matters to me.  

For true New Yorkers, we are first of our city, then perhaps Americans.  We love our home town-- huge, complicated, dangerous, overcrowded... endlessly fascinating and thrilling.  It's like a dysfunctional relationship I will never give up; I am married to my city, even in its current love affair with money and the corresponding cultural decline.  I watch the World Cup with interest, but it's the Knicks that have my heart.  The home team. 

The note left by the Iranian soccer team-- thanking America with great sarcasm for 'hospitality' (the lack thereof) was upsetting.  I wonder whether they would have been treated this way in New York City; somehow I think not. It was a complicated issue but in the end this is sports, not politics.  Besides, very few national teams are limited to their own countrymen; players come from everywhere.  I read somewhere that of the many sets of brothers participating in the World Cup, only a few played for the same nation. 

Today in the first real demonstration of dramatic summer heat, I walked from Soho to East Harlem. It was a little brutal... but opening my door-- I felt embraced by the sense of 'coming' home. This has become my family-- the walls, the furnishings, the lights and the old floors-- it's as though we've exchanged DNA. I've absorbed the ghosts and the invented narratives of former tenants from more than one hundred years ago.  There is no one waiting here for me, sadly... and yet there is everything else.

So I began tonight thinking about the Venezuelan earthquake victims... I have had nightmares about these kinds of catastrophes forever.  There is nothing more terrifying than a large-scale natural disaster that erases all safety-- all stability, all sense of home-- of life, family... it is unimaginable and so much worse than tragic. The collapse of buildings... the destruction and death and unspeakable horror of the lost and missing. And yet we still make wars and simulate this kind of destruction.

I guess the graphic news images reminded me of the great blessing of my home-- in the heat, in the absence of luxury, to be able to walk uptown and greet people who sit on stoops in summer evenings... the man with the curved back who sleeps on Madison now and is fed by neighbors... the dreadlocked young man who has built his cardboard castle at the entrance to the Q train-- who has amassed a little library and is writing The Great City Novel in minute ink lines in a tiny notebook.  He gets his morning coffee free from Starbucks and sleeps well these days, he tells me. He would not trade his home, he swears on a dog-eared Bible, accepting into his shopping-cart shelf an old copy of The Count of Monte Cristo which I have no doubt will be well read.

So America has a large birthday coming up.  Here in New York, people are excited about the colossal spectacle of Taylor Swift's wedding.  If one searches history sites, there are several dates for the birth of our city-- typical of its diversity and concurrent narratives.  As for me, I'll catch the fireworks, celebrate as an urban patriot, watch the ships in the harbor.  Somehow after midnight I'll manage the crowded journey back uptown after which I will be (God willing), in the words of Van Morrison, Coming Home.

What We Miss

To distract myself this week, I'm reading Annie Ernaux.  Turns out it's neither distracting nor particularly shattering.  It does remind me of this nagging voice begging for my own solution to memoir.  We're on a kind of cusp, at this age, where things surface like 8-ball messages, and one fears this will be the last appearance in the cranial integuum. The palimpsest sensation, Annie calls it, conjuring Proust-- uncontested master of the medium-- who never won a Nobel prize. 

I want to go home, my mom repeated over and over in the depths of her dementia.  I am beginning to understand this more as I adapt and re-adapt to a culture which increasingly relies on media for memory. One neither remembers nor forgets; it's all on Instagram. My older friends often post their small accomplishments, as if soliciting accolades they are no longer winning... musicians craving applause from their home studios and bedrooms. I try to be amused.  Like memoir, there is a boundary between resonance and sentimentality.  I still demand a certain level of creativity from myself and fear falling short. 

Thinking back over years with a predominant audio/visual memory, I separate personal eras by rooms-- by apartments, the series of homes we have as an urbanite.  I can still 'see' the nursery where I spent my first two years in a city apartment.  My psychiatrist friend finds this extraordinary; most of the 'frame' is attached to a moment of frustration-- wanting to climb out of my crib to join my family in the hallway. So it's primarily an emotional memory; the visual is something I reconstruct from looking around me, as though it's a photograph.

For some reason today I remembered the first weeks with my son; I'd come back from London, expecting to return, but ended up stuck here with no money, no job... shocked and unprepared for motherhood in a moment when post-natal syndromes were not discussed. On my own, I found a decent job, toured the day-care options.  On the upper east side there was a well-reviewed sort of nursery-- with kind women, clean facilities. Rows of hospital-style cribs held sleeping infants in their little happy pajamas... it was cheerful and peaceful. But suddenly I became maternal... I panicked. The idea of dropping my tiny son every morning to this strange 'home' seemed just wrong.

So I left... I cried, sat in a church pew asking Jesus what I should do-- temporarily living on a dollar bag of yesterday's doughnuts or rolls I picked up at the local Genovese store (how I miss it)-- to support my little family. Somehow I managed... wheeling a carriage up and downtown, getting up once a week at 5 AM and taking a commuter train to leave the baby with his Grandma for an 8-hour shift, returning at the end of the day... I was a little like that TV commercial with the waitress apologizing to her boss for her child, promising it would not happen again. And I was exhausted.  At night I did bass gigs to keep my sanity. Occasionally I dragged him to songwriting sessions and even studios.  Not ideal but we survived. 

I imagine not just my own childhood memories but his... where would they have been had he spent the first two years in a sterile room with twenty other infants?  Would he have become a basketball player? I doubt his little brain would have been the impressive street-smart product of extensive itineraries around the city. 

It occurs to me, watching the constant parade of young parents with their prams and strollers, how the technology has changed everything.  It is simpler to 'watch' one's infant with a caretaker, to access help in an emergency... and also to yield to the temptation to use the phone-- to chat, to respond-- to shop... order food, watch a movie... anything.  In my time I had only the baby for conversation-- I talked, sang to him-- I read Proust, incidentally, out loud.  It was the language-- the sounds... it didn't matter what I said-- it mattered that it was the two of us... a kind of dialogue. We bonded emotionally... we were stuck with one another. We went to the park and played. As he grew he followed our travels on the subway map and learned to read by navigating station signs. He was extraordinary and I loved every minute of those trying and sleep-deprived years. There was a phrase Annie used (trans.) referencing the use of 'life' in her writing: 'we drained reality dry'.

In this era of autism diagnoses, of blame games for learning disabilities, etc... we rarely look at our technology habits as a culprit. To me, there is an epidemic attention deficit; I rarely feel that conversational palpable intimacy... people are texting or receiving or making notes or looking at something. I don't see how children have not adapted to that by becoming less responsive, less investigative.  Babies too often hold tablets and phones and amuse themselves with a screen rather than a sandbox.  Maybe it's an urban thing... but I see it everywhere.  And I talk to babies; I love them. But society is chronically distracted. 

Dementia seems the complement to autism... the denouement of awareness and focus.  As a precursor, I am noticing adults failing to 'see' things... sensitive to being criticized but rarely able to access their own self-perception.  We are visually hyperconscious but socially a little myopic.  We miss things... how can one possibly sustain this statistically staggering screen time and the emotional connections daily life used to present as normalcy?  Random conversations, meetings, discoveries.  Meditations and daydreams. Unanticipated moonrises and spontaneous sunsets... that feeling one has lived a lifetime in a single spectacular unpredictable analogue day.  Where have they gone? 

I rue the time I spend texting on the phone my son makes me carry for safety... but it is mostly turned off. Some of my friends get annoyed that I do not answer calls unless I'm home on my landline and it's a genuine 'call', a conversational visit. Texts are deceptively two sides of an actually one-sided dialogue... I can't shake the feeling that increasing phone-use equates to missing life.  Thinking of giving it up altogether.  Digital memory is not the same, and forgetting is all too allowable when we feel the false security of instagram and Facebook records of moments.  The meaning and quality of memoir will surely change; I feel the urgency to transcribe what I recall; whether or not there will be audience is another quandary.

What We Sew

In the current version of my life with its inefficiencies and endless unfinished book projects, home improvements on hiatus, music in my head, itineraries and symphonic lapses... it occurred to me to attend to the small of pile of 'things for mending' I keep on a bench in the bedroom.  I am surprisingly able to thread a tiny-eyed needle and one by one I attempted to manage missing buttons, small legging holes, cloth strap repairs, unravelling sweater edges, etc.  There was something not just satisfying but 'connecting' about it.  I thought, of course, of my mother, who sewed and knit with great mastery and excellence.  She taught me-- patiently and humbly, with that sense of one woman handing down generational secrets of the sex.

My mother's sewing box-- like a kind of doctor's bag filled with threads, needles, patches, ribbons and bands... pin cushions, and most memorable of all-- the darning egg on a stick which resembled a rattle or Caribbean percussion instrument.  With this she deftly repaired holes in socks; my father had several pairs hand-knitted by mothers and in-laws during the war-- argyles and striped... woolen for warmth and insulation inside his cold paratrooper boots as he marched or jumped into surf and swamp. Why, I would ask her, do new and few and pew not rhyme with 'sew'? I am not smart, she would tell me.  You will be smarter. 

Who repairs socks these days?  My son often disposes of them after sports; I used to buy them in huge packs of a dozen.  I don't have a 'darner'.  My mother was given an old Singer machine-- one of the ones with a kind of foot treadle.  She never got the hang of it, but preferred to hem, baste and hand-backstitch in what I can only recall as something approaching perfection.  Those nights by her side-- with my girls' painted wicker basket and the colored spools-- well, they felt so 19th century, in a good way.  And it is not coincidence that my recent sewing evening was close to Mother's Day. I felt her presence more strongly than usual, as though she was approving of my feminine task, and the metaphorical resonance of a needle and thread, like a kind of penance.

Recently the discontinuation of the penny was announced; like many things these days, more trouble than worth.  We had our little banks as children; mine was a kind of ceramic doll-head-- very 19th century, with the porcelain hair done up in a bun, the coin slot in the back, and the topknot itself a pin cushion.  So my bank had a duel use.  Sometime in the 70's I went to my mother's house and retrieved and dumped the bank; they were all wheat pennies... quite old... I have them still, in a box here... waiting to be devalued, I suppose.

Our lives in those days were filled with things-- things had the properties of people, in a way... we looked at them , we took them to bed, we spoke to them, we passed them around.  To make a telephone connection, one had to pick up a heavy handle, rotary dial a bunch of numbers, extend a curly cord a foot or two and sit, close to the wall jack, speaking in one end and listening with the other. 

In the 1960's and 70's, women in the city often had an answering service.  When you left your apartment, you dialed in and somehow magically the operators would receive your calls.  When you returned you'd phone in and they'd read out the messages.  You had a little relationship with your operator; mine was Grace-- a different woman at night, but Grace knew everything.  The cost of this service was small; you''d send a monthly check and they'd clip the hand-written message sheets together in your bill.  Besides her perfect cursive, I had no idea how tall Grace was-- old or young, black or white. 

One could easily go a day now without actually speaking to anyone... our lives are so enmeshed by social media and all of these time-consuming communication platforms.  I have only a few friends who make telephone calls; we still have landlines although these get little use. I work at a gallery Saturdays; it specializes in vintage mid-century French design.  People are most fascinated when the furniture is staged with period objects.. old radios and televisions... it seems that much of our nostalgia revolves around objects.  Our former lives were filled with things-- notebooks, pencils, rulers, book bags, stuffed animals-- scrapbooks and photographs, postcards and stamp collections-- souvenirs, dolls, shells, rocks.  

I worry about losing my memory; my mother lost hers, could not identify many of the photographs she loved to pour over in her album.  My sister cruelly destroyed mine, effectively wiping parts of my own memory by removing associated images.  I wonder when I will forget my grade school teachers, the seating order, the classroom numbers... my childhood dogs who haunt my dreams.  It will happen, one day.. or I will not recognize my own neighbors and friends.. I will forget song lyrics and confuse Beethoven and Mozart sonatas... 

As addled as she was in later life, my mother did not forget how to sew. I wish I had more of the skirts and dresses she hemmed with such skill, the knitted sweaters and the vests, for warmth.  She sat at the piano, at the end, surprised by the sound of the notes, and for seconds her fingers formed chords, but then it all disintegrated.

We had these handmade rag dolls-- one side was a sleeping face, and the other awake.  We'd change their bonnet in the morning, as kind of wake-up ritual, and put them to bed at night. I wonder how many children will save their obsolete pennies in a porcelain bank, will learn to sew with needle and thread and will be able to identify a darning egg.  For a couple of hours the other night, I created a 'mended' pile and felt accomplished in a way-- my stack of repaired patched leggings and tights felt like a kind of badge.  My mother might have nodded her approval.

So many things have been lost along the way-- left in other countries, missing or stolen.  I know as we age we do not log the things we forget; they simply disappear without ceremony or conscience. This terrifies me... who will remind me of what I no longer recall? My mother wore a thimble; I never mastered the art of using one.. kind of like playing the bass with a pick... I still have a thumbpick Johnny Winter gave me once... another of these tangibles that seem more meaningful as life goes on.  One watches celebrity possessions being auctioned for vast sums these days... even clothing.  It seems when human company becomes less available, things provide comfort... connection. And some of them, like the poor penny, while non-functional, do not die. 

I have no daughter to whom I can hand-down my dwindling skills.  My son will not pick up a needle and thread and remember moments. We do have some hand-made souvenirs and old photos-- paper ones. My old rag doll still sits on the bed in which he has not slept for decades. She has a clearly sewn heart beneath her old clothing; it serves. 

Memory, Pane

At the East Harlem grocery store where I often shop there's a boy working there... a high school boy. He was huge-- medically obese, it is-- but gradually, over the course of the year, he's been put on weight-loss drugs and he's been shrinking.  By summer he was at some 'Ideal' weight, ironically the name of the market.  His face-- from a bloated, swollen balloon-- had become so handsome it was hard not to stare... utterly chiseled and beautiful.  I commented... he always gives me a silent greeting... on how completely transformed and wonderful he looks. It's extraordinary-- like a Cinderella thing.  The manager moved him closer to the front glass doors, as though like a 'host' he brought business in.

But lately, reminiscent of one of those reverse spells, or that movie where the De Niro character becomes communicative and intelligent and then reverts to catatonic incoherence, he has begun to grow again.  Oh no, I want to say,  because I relish seeing his beautiful face while I check out.  But it's becoming more and more apparent-- as though he accomplished something and now he's going back to his old silhouette.  Not much I can do or say... he knows, I know.  He could still play football, although I suspect he doesn't.

Seeing my friends age in this culture, it shocks me to see the facility with which people transform themselves... most for the good, or for what they think is improvement.  I mean-- I remember that age-- post-adolescence, maybe... when suddenly you see yourself-- a photograph or a reflecting shop-window-- and you think.. oh my, how did this happen?  Like the ugly duckling/swan syndrome... only some of us actually fall in love with our own image, or the power it creates, and tip to the edge of vanity or even narcissism.  It makes growing old that much tougher-- saying goodbye to our preferred version, like a kind of death.

On the rare occasions I confront a mirror it's near-impossible now to find that innate beauty I once took for granted. It's also difficult, at certain 'edges' of age, to recognize friends and neighbors.  An article recently proclaimed that one doesn't age gradually-- that there are two critical points at which one 'turns'. Of course there are variables.  

At the nursing home where I visit my neighbor there's a woman who sits at the threshold of her room in a wheelchair. She's quite old but her hair is professionally maintained and enviably luxurious.  While completely demented, she has the mannerisms of someone glamorous and elegant. Her hands move like birds; she often holds a towel which she twists and waves like a scarf... it's fascinating. What is going through her head? Somewhere she is in her prime, preening for an event, or attending a dinner party.  She literally bats her eyes occasionally, and then she is 'gone'... lost in some reverie.

More than my physical attributes, I worry about my brain.  It is apparent to me that I 'lose' names or titles or search for words with much more frequency than some years back.  My mother had a form of dementia that reduced her world to a kind of slow 8-ball, in my analysis, where occasional phrases would appear in the small octagonal window of her brain.  Most of these made no sense when she repeated or responded to their cues.  

Christmas windows have always been the highlight of the season for me.  Across the street growing up was a building with a large paned picture-window through which I could watch the family congregate or play cards or relax. They were Italian... they had a melodious four-syllable name in contrast to our American one... and they decorated for holidays with great fervor. Their backyard was filled with devotional marble statues of saints and angels and at Christmas the nativity scene spread across the front lawn. But each child-- ditto the neighbors, like me-- was allowed one of the 'panes' to decorate-- with Glass Wax-- you could stencil or draw or put glitter and streamers... the result was both garish and fantastic.  I'd wave to them at night... and pretend the window panes were a living advent calendar.  

This year I'm wavering-- decorate or not? I'm not fooling anyone here... I entertain rarely, and although I love my tree, it's an ordeal to get it in and take it out. Still, I feel as though I've let someone down, in a way. I watch these neighbors and friends desperately alter their faces and bodies.. for what?  To live the life they want?  To be the person they were in the 1980's now at this moment?  Some of them pay therapists-- even still, at the edge of 70-- to help them. They read books and hire personal trainers and visit estheticians... and still they seem to be missing something crucial. 

At this point, I can no longer really manage to renovate my apartment; like old bodies, we replace what is broken and essential... but to imagine I am anything besides ordinary suddenly seems pretentious. It is the content-- what I have placed here, what I collected-- that matters, as the content of my aging brain seems to increase in importance as its volume no doubt diminishes.

As a girl, I'd go across the street on Christmas afternoon to sample the exotic Italian edibles-- huge cookie-like cakes in the shape of animals with eggs inside, sometimes... angels and baby-Jesuses.  But being there was not nearly as enchanting as watching through the panes. That felt magical. 

Last night I watched The Great Beauty, an absolute masterpiece from Paolo Sorrentino. While my friends talk almost exclusively about the past, the film reminded me that there is nothing inherently terrible about nostalgia... as long as it comes without dementia, which for my mother was like a boat from which she could no longer gauge the distance to any shore. 

Things have surely gone missing-- people, some memories, undoubtedly, although as an exercise I lie in bed at night and name the students in the rows of desks from my third grade class, or all of my science teachers, chronologically.  I can no longer name the fifty-three Trollope novels I read in the 1990's.  We change, we atrophy, we grow... our past has so far outweighed our future it is like an ocean surrounding the tiny rock-island we are.  Personally, I have fallen in love with this life... whatever it becomes, what it has been, the enormity of what I have not seen, will never see. I was genuinely grateful on Thanksgiving for what I received versus what I gave.  It was enough, and God willing I will continue onward into the full holiday season, tree or no tree, to embrace the new personal analytic of being more observer than observed.

Death Be Not Proud

I used to love Thanksgiving.  This year-- with the threat of war everywhere-- my own friends unable to agree, people divided by religion and politics arguing-- the migrants everywhere in the city confused about their fate... the prospect of a holiday wears on me. The older I get, the less resistant I am to infection by societal ills. My son and I went to see Oppenheimer Sunday.  I was very affected and wanted to talk about things... but like most of the theatre, we just went to have a coffee and life moved on for him.  Not so for me; I am haunted. 

And I'm no longer sure about things.  When I was younger my beliefs seemed airtight-- had conviction.  I had faith-- some kind of support system. Maybe it was watching my mother disintegrate, slowly... her generational beauty slipping from her like old skin.  She saw devils and flocks of birds.  Some days she sang it out in a midnight howl; other days she barely croaked a weak 'no'. She saw things-- she felt things.  I backed her up, swearing I, too, could smell the black snakes coiled among the mattress springs; she slept in a chair.  My architecture began to creak as her crooked future unraveled.

Every time I read in some news article that so-and-so died a peaceful death, surrounded by family, I think of my Lucia, standing in the stairwell like a skeleton, a thin sweater clinging to her ribcage like a clothes hanger.  Until the last weeks she'd been too proud to ask for help, hid her illness from daylight, slipped out of her apartment in late evening to pick up some yoghurt or tea which would barely sustain her.  

But the last weeks, for which I was conscripted, were beyond nightmarish.  To comfort myself I wrote poems-- a living, rolling eulogy so her suffering might not be in vain, and so the unwilling witness I was could have some higher purpose.  I had known birth-- the protracted minutes of agony, the endless crescendo of contractions until you were outside of your own body.  But death, in these rooms, was a hideous slow drama of one... a whole-body soliloquy with no particular point.  

I prayed; I left the room for some hours to visit various churches.  I begged for her suffering to end. But it was the longest week, the last one, and death came not on cat feet but hovered like a hideous vulture stealing breaths and yet keeping her awake.  Lyrics circled like songbirds, but anything above silence seemed more painful.  I listened to the last groans of life, heard and smelled things for which I was totally unprepared... all because I could not bear to say no to this formerly beautiful woman who had completely run out of options.

In the end, it was like a coming of age, or the worst dream I'd ever had... not to mention the EMT workers who appeared to collect the body and screamed at me for executing the last wish of a dying woman I barely knew.  I wasn't even sure if her assumed name was real. I only know we shared an intimacy few people will ever experience.  And my life was never the same.  

So I've grown to mistrust death-- to mistrust pain and diagnoses and illness... to respect the final authority of Time, with his companion Death, who will outlive us all-- each and every. And as these anniversaries present themselves, growing in number until (as my Mom warned me) the death dates far exceed the births in one's calendar, I am no less bothered by these statistics.  In fact, today, it occurred to me that the toll exacted by these absences is what really ages one... we wear loss like an old face.  

We do our best to comfort friends and family who have cruel diagnoses and accidents-- who lie in sickbeds and depend on us like children.  Those of us who have watched death, who have sat bedside in  final hours-- with or without medicines and drugs, we know.  But most of us have not seen war.  And yet, around the globe, there are wars-- there is artillery and explosives that are virtual death machines.  Not even in beds, children and soldiers are lying now-- suffering, untended... victims, the prematurely violated, tortured... for principles of life and territory which can only be determined by negotiation, in the end.   

Even Oppenheimer has died-- whatever his legacy-- both brilliant and terrible... he surely suffered the agony of death by cancer, and his words, via Hollywood, now resonate once again.  We, the audience-- the successors of his generation, have access to great knowledge and opportunity.  Yes, the science of life is such that Death will always author our final page, but we do not have to become his handmaidens. 

Losing My Scent

 In a moment of rare intimacy my mother told me what she'd liked most about my father was his smell.  As an older teenager at the time I remember thinking I'd so rarely been close enough to him to experience it, but I knew what she meant.  Of course, all curious children open and sniff the bottles and toiletries left on bathroom sink-tops.  Our default father-gift was aftershave; his clothing taste was difficult and specific-- many unworn ties hug in his closet which smelled of nothing I can recall-- the faint ghost of tennis ball cans which lined the top shelf.   So yes, there was Old Spice but that was generic/manly.  Even music and schoolteachers used it.  

We all discover on the most basic biological level the chemistry of smell and how it figures not just in nostalgia and romance, but attraction and attachment.  Like the Proustian Madeleines, the faintest aura of patchouli can send me into vivid moments of girl-crushes and beach-passion.  So the harbinger of Corona Virus-- total anosmia-- was not only disorienting but like some kind of emotional theft.  At the beginning of my illness, this was not a recorded symptom and the medics I spoke with shrugged me off.  I could stick my nose in a bottle of bleach and register nothing.  Not to mention the altered, distorted sense of taste; my beloved morning coffee was bitter and harsh.  Hmmm, they said.

Gradually I retrieved some of my skill; I practiced in the spring gardens of Central Park, identifying flowers and nature. Oddly, the 'nice' smells came quickly while foul odors went undetected.  I could change diapers without flinching.  Ten months since the illness, I still have trouble smelling burning food while colognes and perfumes are particularly vivid and singular.  Frankly it's as though I have someone else's smell-- not mine.  The Goldilocks sense of 'who's been sniffing in my nose?'  I am also my own doppelgänger-eater.  Most sophisticated food is now 'back' but still my coffee palate is off; things are boring.  And yet.. fruit... is amazing.  It's possible the components of taste required to appreciate grapes are untampered, whereas experiencing some subtle smoked meat dish is still scrambled.  I've drawn a parallel between the temporary ravage of the virus and the permanent-- as though we've been deconstructed here and put back together in a slightly different order.  The mechanism of these vaccines spooks me a little too... I read Watson and Crick way back-- the way the strands proofread and repair... they scared us into believing psychedelics could unhinge this process... how about these meds? Not to take a political stance... but to consider the biological aftermath of covid-- well, I feel rearranged.  

On top of the grievous human losses that resulted from a complete failure to understand a new illness, we are left with these altered realities... our societal loneliness and fear, lack of trust, isolation, and this persistent longing my friends describe for the life we had 'before',  Who are we, without our little life-dioramas and stages and interactions-- our flirtations with the bartender, random meetings on a train, nostalgic triggers that bring the artistic of us to creative brinks, to inspiration?  

At the end of her life, my mother rarely left her bedroom.  It had a certain smell, the way old people almost uniformly biologically secrete a documented identifiable chemical.  I loved my mother so much I missed even that smell, when she passed.  It eclipsed so many of the others-- except the Chanel perfume I used to inhale to bring her 'ghost' into the room when I was lonely and she was, as usual, 'out'.  I'd post myself in her closet, between dresses, and wrap them around my head.  There it was.  

While I was recovering, these months... I've thought often about my girlhood dogs-- the Retrievers whose heads smelled to me like freshly-baked bread.  Like my mother, the men in my life had their own scent-- this affected all relationships and was inextricably attached to each.  My favorite of all smelled of the sea; I've written about him-- he died long ago, and abused his body... but still, I could tell he'd come into the room by the mixed woody perfume of forest and the beach... it was like a poem, just to close my eyes and know.  

Like all creatures who die young, we never get to replace their legend with the older, less fragrant version.  My mother was quite demented at the end and I'm sure recalled my father's scent with all her being, even though he was old and mean and grouchy, shared her room with the 'cloud' of the aging, and passed away. Like all of her dementia-dreams, things were beautiful and young-- at least at the end.  Having this parosmia, as they call the scrambled sense of smell, it reminds me that I've been altered as a woman-- that I no longer have the attraction or desire I once had, or the capacity to inspire.  I can only use memory to paint, to compose, to write.  I rarely if ever take a selfie-- the physical reality seems, like my sense of smell, a little disconnected from who I am or might be... from my people who have passed, from my past, from my self... I suppose it's a matter of time until my memory fades, loses accuracy, identifies less... sheds  the present with the past, as we all walk a little more cautiously into this future.

Signs of Where

I had a strange phonecall this evening... a woman's name ID'd on the screen... a writer I remember meeting some years back when we were both editing on our laptops in an air-conditioned Starbucks during a sweltering August heatwave.  She'd smiled at me, we had several non-smoking cigarette breaks on the sidewalk outside where we'd briefly thaw out in afternoon heat.  We exchanged numbers... she was working on a difficult historic novel which had required years of research and period reading.. a sort of Name of the Rose mystery.  Unlike me, she had some family money-- sold a pricey Carnegie Hill coop and downscaled to the upper west side with plenty of cash support.  She was beautiful in a pale, fragile book-worthy way.  Well spoken and intelligent-- but soft and womanly.  We were both brimming with our projects and ripe with future.  Ensconced in a literary neighborhood, we'd trade rumors about at least one of our elder urban mentors as he shuffled by with rolled newspapers or muttering to himself beneath a wide-brimmed disguise.

I remembered all of this, as one does, in a flash-- this is how our brains work-- we get a cue, and we unravel the relevant 'bank' with all its stored observations and details: a profile, like our own personal Facebook page we create for each of our friends-- facts, details, family names, images of moments we have shared or imagined from conversations and communications.  I used to pride myself on something of a 'phonographic' memory; I recall sounds-- associated music, accents and voices...  and images... the setting, geographic details-- how I stared at a painting on the wall while someone unburdened themselves of a sad story... the way the old window sashes crossed while my mother read aloud the March Hare or the Lilliputians.

It felt especially pertinent-- this associative process-- because less than a minute into today's phone call, I realized this woman had dialed a number she found on a random scrap of paper... had no idea who I was, confessed to having a terrible memory... commended me on mine... did not recognize my name, insisted after a bit that she'd met me at a meeting and we'd gone to a bar (not a chance), etc.  I asked her where she lived... she mentioned the number 104 and couldn't seem to move on from there. You're on the west side, yes, I suggested...? and she replied, Not very far west, I think.  By the end of the brief interrogation-- she began repeating questions... her focus was disintegrating.  I began to inquire, hoping to steer her into some familiar space, as I used to corral my mother in her dementia into some small fenced-in area in which she could function.  Her book-- she'd tried to write and failed...  I eventually hit a wall-- had to somehow disengage; she took my number (!) and asked if we could get together... having me carefully spell my last name.  I will be very surprised to hear from her, or perhaps she will call again tomorrow, looking somehow for some mental foothold.

On the street I felt a little distraught; after all, we are about the same age and I'd recently watched my own mother take the slow fade from bright and bitchy to a milky soup of confused and unrelated word-strings.  So I took time to listen to one of the chattier housekeepers who was often out walking her pair of lazy retrievers. She'd raised 3 children whose mother had just died of a terrible cancer;  the kids were acting out and the father was already dating.  The dogs were not healthy...  one was worse than the other; the housekeeper's accent was slightly Caribbean.  Where were they going for the summer?  I memorized her braids, her part-- the way her left eye was brighter than the right-- her lovely teeth...  Stories... I needed stories.  I stopped to listen along my 10-block way.  I spoke,  I watched... I heard sirens... followed firetrucks and ambulances until they disappeared... noticed baristas and customers inside shops.  They nourish me.  I need them.

Back home after a long evening, I retrieve my 'eye-photos'... I recall things, thoughts I've had... plots I've woven around simple facts and remarks.... nothing remarkable today-- a few confessions and bad date-stories, a friend's itinerary... some phone calls... music... my Latin Hip-Hop class where thankfully I am able to reproduce the chain of steps that constitute a routine... I know whose voice the singer reminds me of, what melody has been stolen... I've written lyrics in my head, forgotten most of them... but still I am able to retrieve, to unpack a few folders.  Of course, at my age my mental knives could use sharpening--- but they function... for today, anyway.  It is like unpacking a small basket of groceries you have gathered for a modest meal.  It is there-- your substitutions, your little economies--  your process that will become something you will make.

It has been a dark year for me and for many of my beloved friends.  I have had hardships and losses-- disappointments, cancellations, betrayals.  I have been hungry and tottered on the edge of envy.  But to speak to someone-- a complex map of neurons and synapses-- of brain power and creativity-- a talented, delicate writer-- and find her stumbling in a pool of her own confusion-- was more than upsetting.  Maybe the worst nightmare of all is the one in which you can't find your way home because you can't find you.  To lose all my orts and scraps of ideas--- to see them as indecipherable, as odd word-bits, not pieces of a puzzle only you can assemble... well, for me that is terrifying.  Not poverty, not failing at love--- even the sorrow of death-- but the concept of living death, of wandering without consolation or direction.

Months ago I asked some auction house about an old drawing which touched me-- its condition... 'Light signs of wear' was their email assessment -- but they'd typo'd and exchanged the g and n.  Light sings of wear, I read.. and my heart opened-- the charred, fragile, disintegrating version I've been carrying-- with its slow uneven beating and its careful mourning hesitations...  well, I felt its light and its tiny soul shaping into some lyrical epiphany for me.  Like an Amen... one of those tight banks of imagery unfurled into something like a miniature parade, a tiny joy.  I will carry this forward for now,
in the name of the writer, Abigail, who has quite lost her place in line.  I will continue.

Camera Obscura

When my adorable son was barely three years old, he came upon his first 'little person' on line with us at the supermarket.  After thoughtfully scrutinizing her, he cried out… 'Look, Mom! It's a girl just turning into a lady!' Of course it is difficult for young children to comprehend the phases of life-- the concept that they are going to grow up, that their own parents and Grandparents were once young-- that this is a slow, gradual, continuous process.

Now that I am entering a late phase of life,  I again find it hard to grasp the lessons of time, to accept the harsh losses and assimilate the regrets of my peers who seem oddly unprepared, despite decades of identical 24-hour daily allotments, for their senior years.  Recently I saw my Dad cross over-- cross, with all its meanings, is the appropriate word, because he wore a tough and cantankerous skin over his purple hero's heart, even in death.

My mother, on the other hand, has deteriorated slowly and with a kind of demented grace.  She sits in a chair like a soft throne, with her thinning white hair pulled up in a tight knot, her famous cheekbones still defining her profile, her skin still soft but papery.  It is her eyes that tell the story-- watery, unfocused-- occasionally expressive but progressively less and less present.  Where are you, Mom-- in some honeymoon dream with your handsome decorated lover lifting you over some threshold, standing above the falls with the deafening roar of water rushing you off into another undertow of memory? It is difficult to know whether the sadness I read into her increasingly blank stare is hers or my own.

From her chairside, I facetime my son-- her favorite grandchild, the nurse-companion assures me-- and the three generations share a moment.  He is quite a man now; time has done its work here, too.  I meet his old school friends on the street and some of them have begun to lose their hair and take on that look of premature disappointment men in their 30's and 40's often wear.  The babies I held so recently are adults now-- the young couples I knew are turning grey, losing their religion.  Witnessing these passages is the way I process my own.  I am relatively unchanged, consistent.  I have different expectations.  I gave up on my vow to own a limestone townhouse on East 70th Street; I no longer want one.  I treasure my things, my books---  thank the angels I can still play bass and write songs and poetry.   I ask for little else-- can survive on the barest minimum in this city where I feel rich without money.  Yes, I was fortunate enough to have had the foresight to invest in an apartment when they were oh-so-cheap… exchanged vacations, movies, restaurants-- for a home, 'ant' that I was, having left my 'grasshopper' husband in the UK with the rest.

When I moved into my building it felt palatial.  We'd come from a studio apartment; my son endured his kindergarten friends remarking he slept in a closet; he did.  The head of our new coop was this elegant, intelligent woman who turned out to have been the fashion editor of the New York Times at a time when this was culturally important.  Her husband was a world-renowned Swedish photographer whose fashion photos were spectacularly smart and iconic.  Since I had a Swedish boyfriend, our kinship was sealed.  They took me under their wing, so to speak.  I adored them.  We shared evenings and ideas.  They were perennial attendees at my all-night musical Thanksgivings, and were treasured and wonderful guests.  Gus, the photographer-- also shared my passion for music.  He came to my gigs-- even the difficult solo ones-- critiqued my songwriting with brutal honesty and a sharp POV… gave his opinion freely of my friends, their work, etc.  He came to school events and photographed the children.  He'd knock on my door at night when I was home and sort through cds and art books.  He brought me albums and tapes and taught me so much about jazz.  When I visited Sweden, I'd bring him small things… I even photographed his boyhood home-- the apple trees and the stream running through his memory.  He was like the father I never experienced.  His love for his own children was boundless and unconditional, and somehow he realized I'd missed out, and generously shared a paternal affection.  I was proud of him.  His choice of wife-- stellar.  More than anything-- his decisive modus operandi-- as though he knew exactly what he thought and wanted and laid it out there.  This is rare.  True honesty and a point of view to go with it.  He attended coop meetings and harshly criticized injustices.  He supported me in my crusades and shared my sorrows without pity.  As a couple, they were the emotional roof over my head upstairs.

As he got older, he was a little more cantankerous-- scolded my friends at my own table, announced he disliked people to their face… knocked on my door and demanded that I cook him Swedish meatballs, bake him cookies-- insisted on eating on my sofa where he left stains and spilled wine.  Whatever was on my stereo, he would take it off and put on either Bud Powell or Art Tatum or his very favorite, Slim Gaillard.  He liked a bit of humor with his jazz.  He loved women, beauty in all forms… and knew how to convey a message with an image.  During the last year, he began to pocket small things from my apartment.  I caught him in the act once, and he responded, without remorse,  'You don't NEED this.  You don't even notice it!'  It was as though he was aware our time was a little foreshortened, and he needed some souvenirs.  He was becoming greedy of moments as the sand ran down in his hourglass.  I, too.

Last week he passed away.  My grief is disproportionate; after all, I am not even a relative.  To their children, with whom I am not nearly as intimate, I can only express sympathy and condolences.  To his wife, who somehow understands my attachment, well.. I will cherish the future hours we can hopefully spend together, sharing ideas, like two women.  She is the maternal role model I never had; the enduring, amazing wife-now-widow.  I will listen and learn what I can, while she is here and generous with her evenings.

Recently an aging fashion designer stopped me on the street and asked for them.  They were quite the 'it' couple in their day, he always assures me, and generally accompanies this with an anecdote or two.  This time, for some reason, he graphically described the palpable chemical attraction one could sense between them in their prime.  For some of us, imagining people in their 80's and 90's as the Rihanna or Brad Pitt of their era-- well, it takes imagination… but I have learned now… such is time.  These waves crashing onshore at this moment, the surfers riding this crest, the shells and animals and fossils that we find in their shallow temporary graves at the water's edge-- will be less than memory in mere minutes.  All our selfies and photos-- well, they are just digital sand.

The images Gus left behind-- both photographic and realtime-- are etched in my memory.  The photographs are fortunately ingrained in the internet and in books; he has left a hefty legacy and will not be forgotten.  It is his persona that has left a mark on me-- the in-your-face direct line to his mind-- his affection, his humor-- his laugh, not to mention his gorgeous physical presence and unique style even into his 90's-- his personal fashion and his pride, and his compassion-- his unequivocal appreciation for whatever I had made, and the example he set as a father, a husband… and a friend.  I grieve for selfish reasons, as one does.  Last night, in tribute… I reached for my Slim Gaillard… and it had vanished.  Dearest Gus.

Mother Time

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The Snow that Never Drifts

One of my very early childhood memories is the day I nearly drowned.  It was a non-dramatic incident; I was 2 years old, standing in a pool-- at someone's beach club, maybe… my Mom was sitting on the ledge in her sexy black one-piece (she had that Jackie Kennedy vibe back then) with her sunglasses, and her long legs, and her manicure and her cigarette, holding me with the other hand...and I decided I'd lie down on the lovely blue wavy bottom, only to discover that I couldn't quite find the surface.  I could see my Mom, clearly… fanning her hand carelessly through the water--- laughing, joking with her friends in that language I couldn't quite grasp… and I was rolling awkwardly, trying to yell, breathing in water…

Anyway, I guess they fished me out and cleared my lungs, and I was fine… and no one ever spoke of this, that I remember; I was too young to blame, or even to feel sorry for myself, and I grew up with this childhood sense that my mother belonged to some slightly removed womanly 'cult' that I'd never quite infiltrate.  I never pointed a finger at her, or resented her for her failings, or even her politics, until she began to dislike me for mine, and by then I'd left the house.

There are lovely old photos of my Mom in maternity clothes, with a cigarette.  Middle class women didn't nurse babies in those days; they were given diet pills immediately after birth to lose extra weight. We drank milk-- not formula.   Babies in strollers were left in the sun outside the market while mothers shopped.  They nearly always travelled in packs or cliques, and the kids were expected to form alliances and amuse ourselves.  We didn't nag or beg for food or whine.  We wanted them to like us, to give us their attention willingly, to turn their powdered and lipsticked faces on us and smile like magazine mothers.  There was a sort of innocence in this negligence; no one was policing our parents and they were a little carefree and careless.  We walked ourselves to school, we played unsupervised in dangerous dirt piles and woods,  and we grew up.

Something about snow always takes us back to our childhoods, when snow seemed more plentiful, more omnipresent-- cleaner, quieter, less problematic.  Something about the disappointment of the much-hyped Blizzard of 2015 underscored my sense that some innocence has been lost forever.  I had this image of patients in their hospital beds overlooking the city-- feeling comforted that even healthy people would be paralyzed and unable to participate in their own lives-- that the world would stop, beneath a blanket of magical muting white fairy dust-- that every building, squalid or grand, would for a few hours look exactly the same-- -that Porsches and old battered Buicks would all be rounded white mounds on the side of the road.  That everything would be whitewashed and quieted and blessed… and for those of us who have already failed at our New Year's resolutions, well-- we could all have another slate.

Last night I went to sleep with hope and a sense of relief, in a second-chance-Christmas fog.  I'd have a 366th day-- no schedule, no counting, no obligations.  I'd be a shut-in; I could clean my house, or not-- I could turn on the last string of Christmas lights I've yet to put away, and read poems.  But it didn't happen.  It hiccuped and embarrassed and bombed.  People woke up feeling guilty they had overslept.  People felt duped.  We got sort of a tainted snow-day. By afternoon, I could pretty much navigate the streets in sneakers.

My Mom, who is perpetually covered in her own snowdrift of dementia, called to wish me a wonderful summer.  I've begun to save her messages, because they're so unpredictable they actually seem brilliant and philosophical, like that Peter Sellers character from whatever 1970's movie that was.  She leaves her telephone number incessantly, because she has no idea where she is, but worries that I won't find her.  The number has evolved.  It used to be my number, the one she'd called.  Now sometimes it rhymes; sometimes it contains letters, names.  Her television set has become a kind of God in her bedroom.  The Bloomberg commentators are her neighbors; the commercials provide the weather, her music, animal visitors, friends.. .a narrative of non-sequiturs that populate her life.  Sometimes she consults the TV for her own telephone number.  It can mirror the price of gold, the Nasdaq, or, last night, she carefully spelled out 'Celebrity Apprentice' on my voicemail, after the area code.  'Words', she said.  You know, it's 'words'.  'Call me back if you can,' she says, and then 'Call me back if you can't'.  

I can't help thinking in some way she is apologizing for all the childhood milestones she glossed over, or downplayed, or refused to process.  The school plays and concerts she attended but was careful not to applaud because everyone knows that women who become performers or artists don't have happy marriages.  Sometimes she even tells me she detests her husband.  Those are the conversations I like the best.  But I realize I am grasping at honesty straws in a bathtub of milky memories where snow both melts and falls at the same rate.  And I know for my father snow was quite a different symbol.  It was the responsibility of shoveling, and maintaining the cars, and the claustrophobia of being shut in with children and a wife who performed and cooperated but never really understood things.

I remember reading in college about the many words for snow among Eskimo people; how there was a word for fresh fallen snow and another for snow on water, and another for deep, soft snow.  It was sexy.  In college everything is sexy.  I also remember a word for 'snow cornice' which actually meant snow that was about to collapse or avalanche.  Father snow, for me.  I told my Mom about this tonight and she laughed like a child.  Lately she either laughs or cries when I tell her things.  She no longer knows how to react, but has all the inflections of normal conversation.  In a way, on the telephone, she is the same watery Jackie Kennedy silhouette I saw through the surface of the water--in 2 dimensions, as she is, as she needs to be.  She waves, she laughs--- she doesn't process sorrow or disappointment or shame, or guilt, or the weather, or the season, or the time of day.

I used to dread certain seasons-- they meant being sent away, or going back to school.  But I have never dreaded winter.  It feels safe and dark and the promise of snow is the promise of forgiveness, even if it disappoints us and doesn't arrive, because we still have the dream of snow, the sleep of snow-dreams.
Fuck the salt and the plows and the shovels and the MTA.  We New York dreamers got our snow day in spite.

Dog Day (for my mother, who no longer reads…and perhaps never did...)

Morning is static in the untuned radio of your day...

It is reunion time, the 40^th anniversary

And you cannot find the station

Months seem out of sequence

You prefer your calendar pages white

A bird outside

Could be just some form of tinnitus

A woman’s mother will not let go until

She has her own child

The blessing is a wound

You may fear that you will not love this baby

And it is with relief that you begin to worry

We seek the missing where there is none

Cut what once was whole

Juvenate before we rejuvenate

As birth is the beginning of loss...

The child is a bandage

A stranger

The first thing my mother could not claim

Memory is shorter these days

Does not contain words like dreaming

Loose and innocence

Surely you will discard mornings, collect sunsets

Thinking it must be Always Safe to Shoot

At Things with Holes

Helping the voices to a kiss

Let the wrong one in, they say

Some days you Forget how to walk up stairs...

Some days you remember this is good

With 3 m’s

Forget the last exam

Discarded postcards

Stamps look unfamiliar

And cheap denominations are

Without meaning

Your belief needs bifocals

Just to see the windshield crack

After all, it could be your eyes

Your glasses…

You must check to feel which you are wearing

After all

A whole day can go by without speaking

Perhaps no one would listen

You slip into a room where someone reads a poem

The author used to stare

Pursue you to the door

Procure your number...

If you had a dog you might forget to walk it

Some days these things worry you

Some days you worry that they do not

Next week it might be Christmas

Holidays pile up like ex-boyfriends

Faces of men you might have slept with, might have looked at

From a desk on Parent-teacher night

The dirt is now forgivable...

Dust reassures that weeks still pass

Windows are troubling, or perhaps mirrors

The softness of your breasts surprises; no one has touched you this week and you are not one to touch yourself

Bloody but you cannot say stained

When did you cease being shocked by the grinds and  spatters of last night’s fiasco

in the afternoon light

The mail tells you

een summoned to You have been summoned to testify for solitude

Opening the envelope brings

The vague ghost of someone’s spit

Adds  to the suspicion that someone has vomited

And hidden in your downstairs

Which has spread to the bedroom

Perhaps you’ll borrow a dog to sniff out the source

But you are afraid he will dislike youtude:

Or worse, obey the unpretty version you’ve become

Despising your fear

Ignore the stench...

Not just overnight

You have become a sort of weed

Poverty seeps in like damp

You cannot wash it out

It has changed me, you apologize

To the dog who has not come

No matter how many times you whistled his name

Barked his pride and prayed for rain