Sunday, January 25, 2026

What We Think About When We Think About Snow

During one of my random online reading jags which can involve tangent after tangent, winding up in some dead-end cul-de-sac in a country whose name-change has confused me, I somehow got to Joan Didion's list of favorite books. It's been widely circulated, this list, as Joan is fairly universally admired for her clarity and seriously earnest writing. A young writer with less brilliance and direction would want insight into her formula.

I was vaguely reassured that not a single title on the list had escaped me. Remembering I had a small interview published-- years ago, during which I was forced to commit to my own 'desert island' list of novels. Novels, yes... they have always entrapped me, although I wonder now, with my mental timeline diminishing, if I would devour Proust the way I did at twenty-- or Dickens (I think I would)... or why I currently find Thomas Mann's religious novels so satisfying. On and on...

I take great comfort scanning the shelves of my library at night... maintain a fairly rigorous schedule of reading, although I digress. Nor have I been led too far off-course except for the recent discovery of a few forgotten Nobelists and some brilliant contemporary Europeans (nothing in 2025 came close to 'Solenoid' by Mircea Cărtărescu). But lately I've begun to wonder who I was when I read George Eliot or, like Joan, Ford Madox Ford. So I looked further to see when the Didion list had been compiled and for whom.

Snow... today... a sort of blessing, especially weekend snow. As a winter baby, accumulations were a gift. Also the frequency of postponed birthday celebrations... or childhood illnesses... someone always had chickenpox or measles... in those days of nominal vaccinations. How life has changed. My winter reading mostly Jack London or Sigrid Undset... cold American pioneer novels... later, Thomas Mann. And nothing like the Russian winters of Tolstoy, Dostoevsky, Solzhenitsyn. As an older adult-- Laxness, Høeg, Fosse... on and on...

So much chatter today about where one was in the blizzard of 1978, or 1983, or 2006. A kind of weather-nostalgia and of course in New York City the snow transforms our landscape-- softens the verticals and rounds sonic edges. I distinctly remember reading Mark Twain as a girl while my father watched football in our jalousied porch room with the Venetian blinds drawn at dusk.

Like many Americans today I binged on football to distract from the disturbing confrontations around the globe. At a point, after hours of football, I get this sort of nausea-- like psychic claustrophobia. My father had his first major nervous breakdown during a blizzard weekend. The panic of being shut in with his young family-- the responsibility, the claustrophobia... the scent of whiskey in that room with the newspapers strewn around and the snowy visual noise on the TV screens in those days-- black and white, the muffled roar of the crowd from the rear console speaker... the tiny athletes like toys on a static screen.

Maybe I've inherited the football syndrome from my father... shut in here... although me, I pick up a bass and let my fingers wander, and scan walls thinking books do not just furnish a room, they have become my family. Unlike my father's daughters, they require no upkeep; they do not ask questions, they seem to understand how the narcissism of this media-obsessed culture has cornered me into a sort of cork-lined analogue stubbornness. They witnessed the process, they populated the years and the memories and will outlive my small-minded existence, will go on to furnish other rooms.

The snow will melt-- eventually, after it acquires the grey five-o'clock shadow of city soot. For now, we are a bit graced-- pardoned, dismissed...postponed. Plenty of city people sleeping off hangovers in the cold morning... regretting or rejoicing the upcoming Super Bowl contenders... dusting themselves off, absolved, a little blessed... a little taste of Arctic innocence. Forgiveness, like many things, will sadly melt away and we are left with what we inherit from our own mistakes. No Super Bowl of life, of country, of existence. In Kiev and Minneapolis and Iran there is no melting; the ICE of another composition and cleanup is not simple. God help us to figure this one out.

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Sunday, February 18, 2024

Crossing Delancey

Convalescence, as frustrating as it is, brings with it a few perks.  No guilt about lying around watching films on occasional nights, and there is something truly innocent about any New York movies made pre-1990's.  Especially the 70's-- the Woody Allens, the Elliot Goulds and Scorceses-- anything that gives us a glimpse of our city before it was 'glammed'.  Apartments were human-scaled, not massive and blingy.  People made phone calls from a booth, or waited home for a message.

At 3 AM the other night I watched Crossing Delancey-- something I'd probably shunned at the time, in my  post-college snobbery.  But there was Amy Irving-- Mrs. Spielberg, at the time, working in a bookshop-- navigating life as a single woman-- relatable, fallible.  It occurred to me I'm now closer to the age of her Bubby, lol.  And how I married the British writer asshole/flirt she was lucky enough to escape.  The LES-- populated by pickle stores and shops in the days before even Dean & DeLuca...  the bars, women waiting at tables... women sitting home eating Chinese take-out watching television. Does anything work out? She was Mrs. Spielberg, and then she wasn't. It must have hurt.  The last time I crossed Delancey I was on my way home from an Alan Merrill gig-- exactly four years ago-- his birthday, I think;  it seems like yesterday.

These associations have become permanent emotional fixtures... the way 2024 will be the year of the Taylor Swift Super Bowl.  She has done much for football, especially among young teenage girls who will not remember the winning touchdown but the color lipstick Taylor wore.  Tonight I remembered going to MOMA as a schoolgirl to look at the Jackson Pollocks.  In those days, museums were fairly uncrowded.  On that afternoon Joni Mitchell came in with Graham Nash.. they were dating, wearing sheepskin coats and furry boots... looking buoyant and in love and the three of us studying the paintings... it stayed with me.  A perfect cultural collision. 

The novel Septology is forever entwined with my January mishap, the way Saramago's The Gospel According to Jesus Christ helped me process the post-9/11 sorrow. How I tried hard last week to get into Lucy Ellman's Ducks,Newburyport but realized the voyeurism innate in following her personal associations, however close they are to mine-- was just excessive.  I have my own.  Time is limited and one must weigh carefully available literary projects. 

There was a night I had food poisoning and watched a Tarkovsky film.  I will forever associate the visuals with vomiting; somehow I think Tarkovsky would have approved.  And a boy named Billy who pulled me out of a bathroom at a screening of Warhol's Trash which was a little much for my teenage sensibilities.  He called me a hypocrite and it stuck... I swore I'd fight my failure to accommodate things that were difficult... 

I remember the store where I bought my first Henry James novel-- The American-- 60 cents for which there is no longer a character on my laptop.  But the smell of the place-- the paperback display, the style of the covers... and the feel of the pages as I read.  I was simply entranced.  Professor Lange reading Goethe to us... how sacred these moments... the associations and relationships, in a time now where influencers will link themselves with pretty much anything that will pay them a fortune.   The greed-- the athletes and their branding-- the endless commercials, the ruthless marketing of vaccines and reverse mortgages by familiar faces which may not even be the people they represent.

Trump will surely bail himself out of debt with his golden sneakers... I wonder who made this suggestion-- which of his smarmy children or associates came up with yet another get-rich-quick scheme, and extort from people who can little afford these things.  Contrast the effort it takes for someone like me to sell a single book.. it's just baffling. 

And yet the rest of us-- we seem to spend so much effort running away from ourselves, styling a persona we think is presentable or desirable.. even desperate hipsters painting themselves with signs and attitudes. Are we not enough? 

Navalny.  The closest to a hero in these times-- a true hero who was unafraid and committed... I've been obsessed with the documentaries and the daily reports... there are few epic films, besides the Christ stories.. the martyrs and POWs... to rival his story.  The fact that Taylor Swift has many more followers than Navalny.  

The near future feels a little bleak, and I have come to know the deep comfort of a kind of pain.  Jon Fosse reminds me that the winter is like a lover you know you must leave, that God is somewhere in these February chills. Fuck the groundhog-- we are wrapped in the God of winter, Whose hidden-ness is what we know. The clanking radiators remind me I am here, and perhaps God abandons us because His absence is sacred.  The devil in the details, but God, in His absolute loneliness, in the shadows.  Amen.

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Wednesday, January 28, 2015

The Snow that Never Drifts

One of my very early childhood memories is the day I nearly drowned.  It was a non-dramatic incident; I was 2 years old, standing in a pool-- at someone's beach club, maybe… my Mom was sitting on the ledge in her sexy black one-piece (she had that Jackie Kennedy vibe back then) with her sunglasses, and her long legs, and her manicure and her cigarette, holding me with the other hand...and I decided I'd lie down on the lovely blue wavy bottom, only to discover that I couldn't quite find the surface.  I could see my Mom, clearly… fanning her hand carelessly through the water--- laughing, joking with her friends in that language I couldn't quite grasp… and I was rolling awkwardly, trying to yell, breathing in water…

Anyway, I guess they fished me out and cleared my lungs, and I was fine… and no one ever spoke of this, that I remember; I was too young to blame, or even to feel sorry for myself, and I grew up with this childhood sense that my mother belonged to some slightly removed womanly 'cult' that I'd never quite infiltrate.  I never pointed a finger at her, or resented her for her failings, or even her politics, until she began to dislike me for mine, and by then I'd left the house.

There are lovely old photos of my Mom in maternity clothes, with a cigarette.  Middle class women didn't nurse babies in those days; they were given diet pills immediately after birth to lose extra weight. We drank milk-- not formula.   Babies in strollers were left in the sun outside the market while mothers shopped.  They nearly always travelled in packs or cliques, and the kids were expected to form alliances and amuse ourselves.  We didn't nag or beg for food or whine.  We wanted them to like us, to give us their attention willingly, to turn their powdered and lipsticked faces on us and smile like magazine mothers.  There was a sort of innocence in this negligence; no one was policing our parents and they were a little carefree and careless.  We walked ourselves to school, we played unsupervised in dangerous dirt piles and woods,  and we grew up.

Something about snow always takes us back to our childhoods, when snow seemed more plentiful, more omnipresent-- cleaner, quieter, less problematic.  Something about the disappointment of the much-hyped Blizzard of 2015 underscored my sense that some innocence has been lost forever.  I had this image of patients in their hospital beds overlooking the city-- feeling comforted that even healthy people would be paralyzed and unable to participate in their own lives-- that the world would stop, beneath a blanket of magical muting white fairy dust-- that every building, squalid or grand, would for a few hours look exactly the same-- -that Porsches and old battered Buicks would all be rounded white mounds on the side of the road.  That everything would be whitewashed and quieted and blessed… and for those of us who have already failed at our New Year's resolutions, well-- we could all have another slate.

Last night I went to sleep with hope and a sense of relief, in a second-chance-Christmas fog.  I'd have a 366th day-- no schedule, no counting, no obligations.  I'd be a shut-in; I could clean my house, or not-- I could turn on the last string of Christmas lights I've yet to put away, and read poems.  But it didn't happen.  It hiccuped and embarrassed and bombed.  People woke up feeling guilty they had overslept.  People felt duped.  We got sort of a tainted snow-day. By afternoon, I could pretty much navigate the streets in sneakers.

My Mom, who is perpetually covered in her own snowdrift of dementia, called to wish me a wonderful summer.  I've begun to save her messages, because they're so unpredictable they actually seem brilliant and philosophical, like that Peter Sellers character from whatever 1970's movie that was.  She leaves her telephone number incessantly, because she has no idea where she is, but worries that I won't find her.  The number has evolved.  It used to be my number, the one she'd called.  Now sometimes it rhymes; sometimes it contains letters, names.  Her television set has become a kind of God in her bedroom.  The Bloomberg commentators are her neighbors; the commercials provide the weather, her music, animal visitors, friends.. .a narrative of non-sequiturs that populate her life.  Sometimes she consults the TV for her own telephone number.  It can mirror the price of gold, the Nasdaq, or, last night, she carefully spelled out 'Celebrity Apprentice' on my voicemail, after the area code.  'Words', she said.  You know, it's 'words'.  'Call me back if you can,' she says, and then 'Call me back if you can't'.  

I can't help thinking in some way she is apologizing for all the childhood milestones she glossed over, or downplayed, or refused to process.  The school plays and concerts she attended but was careful not to applaud because everyone knows that women who become performers or artists don't have happy marriages.  Sometimes she even tells me she detests her husband.  Those are the conversations I like the best.  But I realize I am grasping at honesty straws in a bathtub of milky memories where snow both melts and falls at the same rate.  And I know for my father snow was quite a different symbol.  It was the responsibility of shoveling, and maintaining the cars, and the claustrophobia of being shut in with children and a wife who performed and cooperated but never really understood things.

I remember reading in college about the many words for snow among Eskimo people; how there was a word for fresh fallen snow and another for snow on water, and another for deep, soft snow.  It was sexy.  In college everything is sexy.  I also remember a word for 'snow cornice' which actually meant snow that was about to collapse or avalanche.  Father snow, for me.  I told my Mom about this tonight and she laughed like a child.  Lately she either laughs or cries when I tell her things.  She no longer knows how to react, but has all the inflections of normal conversation.  In a way, on the telephone, she is the same watery Jackie Kennedy silhouette I saw through the surface of the water--in 2 dimensions, as she is, as she needs to be.  She waves, she laughs--- she doesn't process sorrow or disappointment or shame, or guilt, or the weather, or the season, or the time of day.

I used to dread certain seasons-- they meant being sent away, or going back to school.  But I have never dreaded winter.  It feels safe and dark and the promise of snow is the promise of forgiveness, even if it disappoints us and doesn't arrive, because we still have the dream of snow, the sleep of snow-dreams.
Fuck the salt and the plows and the shovels and the MTA.  We New York dreamers got our snow day in spite.




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Thursday, March 20, 2014

Crowded Hearts

March is the month of betrayal.  Not officially, but it has always seemed that way.  December--- the end of the year--- we begin to know there are things we do not want to take with us into the new year… but-- well, it's Christmas, and no one wants to rock the family boat… then January, we are all so exhausted, and cold;  February---well, one of my friends told me he'd wait until after Valentine's Day to tell his girlfriend he no longer loves her… but by March-- -really no excuse, and we're all getting geared up for spring and new beginnings. The baggage we have dragged from the icy winter--- well, it just looks tired and the weight is unbearable.

I have seen the husbands of friends with other women-- having an intimate coffee, brushing a stray hair from her forehead the way lovers do.  I have learned of other sad infidelities and indiscretions.  I am not a moralist; I am a rock musician.  I do not judge.  But somehow the word 'fuck' is not to me a random curse, or even a wishful verb; in the month of March it sounds something like religion.

Actually betrayal is all around us-- we are just too weary and pre-occupied to look it in the eye.  Your boyfriend could be texting virtually anyone at any time.  Phone calls used to be surreptitious and obvious--- the middle of the night ringing, the hang-ups, the strange envelopes under your door… there used to be a certain romance to betrayal.  Now it is just a cheap tweet.  

There are artistic betrayals, too: people who steal our ideas, our lyrics, our melodies.  And people who misquote and misinterpret us.  Friends and family who brand us punk-rockers when we are trying to be rootsy and real: haters who call us 'jazzers' or teenagers who call us old fucks.  I have learned never to feel betrayed by a teenager; I do not underestimate their penchant for truth.  

Today I walked in the rain through the Harlem Meer.  There were seagulls croaking and squawking the sounds of the sea.  This may be as close as I get to the beach, and they seemed to know that.  A small family was throwing bread to the ducks, and the children were as happy as children can be--- no toys, no babysitters--- just some old sandwiches and the little quackers.  A gull came right up to me, inquisitive and bold.  Its head was whiter than it should have been, with the dingy mud-slush and the smutty fog of the last day of this long grey New York winter.  It knew I had no food.  But it still gave me that tilted head stare, and we locked in.  

So I had one of those Proustian moments-- remembering my pre-school teacher, Mlle. Jeanne (we had to speak French there for some pretentious reason) had brought me this exquisite hand-cut wooden jigsaw of a Nantucket gull perched on a wooden buoy.  I was home with a broken leg which had happened chez l'ecole because I threw myself wildly on a forbidden piece of playground equipment and managed to snap 2 bones in several places.  

I must have developed some kind of relationship with this patchwork gull, whose every fragment I memorized-- struggling over and over with the puzzle, and with my sedentary confinement.  My parents put me in front of the old black and white set most of the time, or outside in the yard with blankets, like a 1950's polio victim on a chaise.  But Mlle. Jeanne-- a spinsterly nun-like woman with woolen dresses and no rings-- brought me a puzzle and a book called Teach Me to Read.  I spent afternoons with this book until I was ready for Dick and Jane and then Curious George and Madeleine and Eloise.  By the time my cast was re-sized, I was into Nancy Drew and the Hollisters and everything I could get my hands on that wasn't censored.  No one but Mlle. Jeanne paid much attention to my education--- just my ponytail and little dresses, because pants were impossible.  Sometimes she sang with me-- little French songs like 'Les Tiserands'… and music from Gigi and The Sound of Music.  Rounds and harmonies.  

I emerged from the cast a profoundly changed human, with thoughts and dreams and stories and a sense of independence rare in 4-year olds, because I had created my own inner world called Nantucket.  I could now walk to the library where I began with the A's and read every single book in our little local branch, systematically--- including the Scott's postage stamps catalogues.  I graduated from Nursery School and Miss Jean, after trying in vain to convince my parents that I belonged in Music Academy, told me their hearts were crowded in a way that hers was not.  This was a great lesson I was to take with me; whenever something doesn't work out, someone's heart is crowded.  My ex-husband's, my parents'-- mine, occasionally.   Miss Jean was told not to come back: maybe my first betrayal; but she had given me the tools with which to cope.  I never learned her last name.  

But what I suddenly realized this afternoon, looking at that whiter-than-white gull in the late afternoon haze… the biggest betrayal of all is the one we inflict on ourselves.  We let ourselves down; we forget who we were, who we are, and we turn into our own grouchy husband or wife.  We forget to love, we forget to look down at the cobblestones which are the sidewalk by the Harlem Meer and see a lost pink barrette as something meaningful.  We forget to pick up coins and smile at people and walk slowly through the aisles of a grocery store and wait patiently for the annoying lady with the walker to handle every single can of stewed tomatoes and not buy a single thing.  We forget to listen for the sea and we forget to love the unlovable which sometimes includes ourselves when we are broken or betrayed or about to be.

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Thursday, February 27, 2014

Breathe In, Breathe Out

Did you ever notice how cities each have their own distinct smell?  I mean, you could air-drop me blindfolded into a random street… and I might not be able to ID it straight off, but I could at least tell you where I am not.  

We are all so totally sick of the arctic freeze, but the silver lining for me is this cold starry smell of New York winter nights, especially when there is no wind and no humidity-- like a clean black dog under UV light.  Although I am definitely missing the distinct molecules of Philip Seymour Hoffman's exhaled brilliance.  The city air will never be the same--no matter how many babies shriek their first sweet breath into the black sky, no matter how many genius cold brass tenor solos there are for us to inhale…

Smart people need to have a reason for everything… an analysis-- like black being the absence of light, or someone dies because their girlfriend told them she would never, ever again lie down in their bed… and black for them is the absence of her.  So many of us stay (or stray) because we are afraid of the dark--because the night, as opposed to a sunny day--- can feel endless and terrifying.   So many people use because they need to understand the dark-- -to befriend it-- and when you go just one step too far, and lie down with it--- you may have crossed over.

At night things poke me like needles.  Thoughts.  Obsessions.  Desire.  People steal more in the dark.  Years back, someone broke into my flat and took everything.  My underwear.  My sewing machine.  Vitamins.  They left books.  I was obsessed with deciphering the mystery of it.  I had just had a brief affair with a published but reputedly bi-polar writer. I met him at the Figaro one night and took him home-- just like that, the way things happened in those days.  The way you knew when you went in for a coffee that you were going to have an adventure.  It went on for a bit, but I met a musician the next week.  The writer was getting out of control and I dumped him.  It had to be him--a crime of passion, revenge… maybe he would return and slit my throat, cut off a lock of hair.  At night the phone would ring---and ring… I refused to answer.   It felt so Edgar Allen Poe.

I finally realized: Having someone steal from you is sort of a gift.  You learn to live without it-- they didn't get your soul, and you probably should have given it to them, anyway, without a fight-- -without regret--- because so much of possession is tinted with greed and that taints the object, takes away its grace.

Here is a little Winter Tale:  Years back, maybe just after 9/11 when New York was in a sort of massive depression… one of my old friends from the Palladium days called me.  She had an eviction notice--- was strung out, sick.
I went over, loaned her $50.  She got high.  She looked like hell.  The place stank of vomit and old whiskey and breath.  So she had this great chalk drawing on black paper that Keith Haring had done for her, back in the day.  Sell it, she said.  It was worth at least $20,000, even in the dumpster market of post-9/11.  He had signed it to her--- he never signed things like that.  It was great--- with naked people jumping all over and space ships, and stars, in a black sky. You could smell the wild chill--  the Bacchanalian thing.
Give me a few days, I said… I'll raise some cash for you.  But I failed.  I was always a few bucks short of rent and playing in the subway was non-lucrative and I had a child to feed.  So I brought over this hipster wannabe collector who had this fixation with the 1980's because he had sort of missed it somehow.  He saw the Keith and said to her--- my formerly beautiful friend with the pale lips and stringy hair in her unwashed camisole-dress… I'll give you $3,000.  Not a penny more.  No, no, NO!!! I screamed with my eyes… and tried to pull her into the untidy bathroom… but he was counting out the money and she was sweating… and he rolled it up and off it went, like a swaddled baby being torn from its poor desperate mother.  The greedy bastard.  He actually thought I'd go out with him--- like I'd be impressed with his MO.  I told him the Haring had already decreased in value by 80% because it belonged to him and hung up.

My friend suicided 6 years ago, from a window on the LES.  Last week I saw the picture had sold at a London auction for $172,000 as 'the property of a Swiss collector'.  The bastard.  First he loaned it to some high-profile show so it had a pedigree and it was white-washed the way these sleazy rich dealers do it these days.  But I know how he stole it… and I know how she processed it and just let it go, the way Keith in his pure days just let things go...and I think of her in these black starry freezing nights shivering in her nightdress with the yellow crust on her mouth-- one of my unwashed angels. Or maybe she is up there in the freezing star-smell getting high with Jim Carroll and Philip Seymour Hoffman, teaching him how not to be afraid of the dark-- teaching me to not just lie down with the night but to let things go, to give people the chance to steal, if that is what it takes… like a winking angel.







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