Hospitality 2

While the Thomas Wolfe title and clichéd aphorism says You Can't Go Home Again, I think you can.  It's not the going-- that's kind of a geographical distance, but the coming that's tough.  'I'm going home', one says, bored at a party, annoyed with a social event-- exhaustion, a literal boundary-- a statement.  But 'I'm coming home' is something you say after time-- to your estranged family, to your ex... to your children, after an absence.  'Come home, baby,' your boyfriend says on the telephone at 3 AM and you cry, because it means a reversal of heart-- a reconciliation, a reunion.  You are not just leaving one place for your own apartment... you are coming 'to' someone-- a safe, familiar reality.

When my mother was in the throes of dementia, she'd phone me and beg me to take her home.  Where are you, I'd ask, and she'd reply she was at 'the apartment'.  Of course she was at her lifetime home, but her altered brain no longer recognized this.  Her heart, however, longed for what she had known and lost. It was poignant and heartbreaking for me who longed only for the mother I had known and lost.

Nearly thirty years ago after renting and resettling many times, I bit the bullet and bought an apartment here.  I searched and investigated and looked at hundreds of candidates... calculated what I could manage and picked a place.  It's old-- it's funky, and for me, living in a studio/loft with my son and sundry stragglers, it seemed palatial. I bought into a coop-- with many wonderful people who wrote for the New York Times, composed music, taught art-- creatives who made this like a sort of communal old home.  There was a live-in Super who'd been born here; single-handed, he kept the building immaculate and repaired things with pride.  It was his home. It was our home.  

As time went on and the city economy evolved, this old economical investment became more of a 'find' for people with money. Lured by modest prices, they bought in, renovated, sold.  The building profile began to change-- the old tenants dying off, and the new electing to have doormen and amenities I would never have preferred.  I realize I am not a homeowner but a shareholder in a corporation whose priorities are no longer mine.  People have combined spaces which were not meant to be combined-- violated wall insulation, installed cooling and heating systems whose noisy apparatus sits outside my courtyard windows. Our monthly costs have nearly exceeded my income.

Sell, my friends and neighbors advise me.  Daily I read real-estate emails listing the various moves of celebrities and investors-- from home to home, from design-space to new design-space.  I look-- I read, I wonder how I will survive.  I have given up most luxuries; I cannot even afford summer air-conditioning bills. My plumbing needs replacement; coop laws require professional insurance certification that is more than I can bear.  So many of my friends have left the city. 

I can remember the first nights I spent here-- the strange sounds in the walls and old radiators... will I ever feel 'at home' here, I wondered?  Gradually I spread out-- I built walls of bookshelves for my library... I hung artwork from friends and acquaintances.  My things occupy niches... furniture has been handed down from various sources.  My son has long ago moved out on his own and more than ever, this place has taken on the shape of me and I have morphed into the shape of this home.  It's old and it's packed with interesting things that inspire me.  I walk the halls at night and look at these things. I have records-- cds, cassettes-- guitars, basses, tools for creating... piles of old fabrics for quilts and small stamp and rock collections. It's a sort of home museum.  People come here-- not frequently the way they used to, but occasionally-- and they marvel at what is sort of my own portrait-- or a mirror of what matters to me.  

For true New Yorkers, we are first of our city, then perhaps Americans.  We love our home town-- huge, complicated, dangerous, overcrowded... endlessly fascinating and thrilling.  It's like a dysfunctional relationship I will never give up; I am married to my city, even in its current love affair with money and the corresponding cultural decline.  I watch the World Cup with interest, but it's the Knicks that have my heart.  The home team. 

The note left by the Iranian soccer team-- thanking America with great sarcasm for 'hospitality' (the lack thereof) was upsetting.  I wonder whether they would have been treated this way in New York City; somehow I think not. It was a complicated issue but in the end this is sports, not politics.  Besides, very few national teams are limited to their own countrymen; players come from everywhere.  I read somewhere that of the many sets of brothers participating in the World Cup, only a few played for the same nation. 

Today in the first real demonstration of dramatic summer heat, I walked from Soho to East Harlem. It was a little brutal... but opening my door-- I felt embraced by the sense of 'coming' home. This has become my family-- the walls, the furnishings, the lights and the old floors-- it's as though we've exchanged DNA. I've absorbed the ghosts and the invented narratives of former tenants from more than one hundred years ago.  There is no one waiting here for me, sadly... and yet there is everything else.

So I began tonight thinking about the Venezuelan earthquake victims... I have had nightmares about these kinds of catastrophes forever.  There is nothing more terrifying than a large-scale natural disaster that erases all safety-- all stability, all sense of home-- of life, family... it is unimaginable and so much worse than tragic. The collapse of buildings... the destruction and death and unspeakable horror of the lost and missing. And yet we still make wars and simulate this kind of destruction.

I guess the graphic news images reminded me of the great blessing of my home-- in the heat, in the absence of luxury, to be able to walk uptown and greet people who sit on stoops in summer evenings... the man with the curved back who sleeps on Madison now and is fed by neighbors... the dreadlocked young man who has built his cardboard castle at the entrance to the Q train-- who has amassed a little library and is writing The Great City Novel in minute ink lines in a tiny notebook.  He gets his morning coffee free from Starbucks and sleeps well these days, he tells me. He would not trade his home, he swears on a dog-eared Bible, accepting into his shopping-cart shelf an old copy of The Count of Monte Cristo which I have no doubt will be well read.

So America has a large birthday coming up.  Here in New York, people are excited about the colossal spectacle of Taylor Swift's wedding.  If one searches history sites, there are several dates for the birth of our city-- typical of its diversity and concurrent narratives.  As for me, I'll catch the fireworks, celebrate as an urban patriot, watch the ships in the harbor.  Somehow after midnight I'll manage the crowded journey back uptown after which I will be (God willing), in the words of Van Morrison, Coming Home.

Holm, Sweet Holm

Despite my general aversion to travel, I spent last week in Stockholm. Arrivals in a new city are always a bit blurry and emotional; one sees shapes, rather than specific landscape... a kind of reverse deja-vu, rather than reality. Gradually one acclimates and forms attachments. I remember moving to London... it was so grey and lonely; I couldn't imagine ever having friends and hanging out. 

But this was maybe my 15th trip to Stockholm; it has a kind of familiarity for me.  It is friendly; I can manage the geography and move among the islands with confidence. The coffee is wonderful... the streets are navigable and the traffic, even in the city at rush hour, is near-non-existent. Pedestrians have priority; and yet, for an incorrigible urbanite like me, it is very much a city.

In any European city the history is immersive. Although New York is centuries old, we are hybrid and new; we are a conglomerate of 'others' who more or less chose to make their home here. Besides 9/11, we have not fought wars on Manhattan ground, we do not have millennia of history resonating in our architecture, in our lore. Over the years I have traveled and toured, there was a kind of fascination with Americans.  We were the authors of rock and roll, of rhythm and blues and be-bop. There seemed to be ubiquitous curiosity about our culture.

This time, I felt a little reserved.  Yes, I traveled during the first Trump presidency but most of the world seemed to pass that one off like the anomaly we assumed it was: this will be be temporary... like a reality show gone wrong. We had jokes, memes. This time, people looked at me with a kind of skepticism.  What could we be thinking? Major issues of war, NATO membership, EU unity preoccupied the news. America the hero had turned into America the selfish narcissist. In a country where social democracy and inclusivity are prized, the general sentiment was 'appalled'.

It was a little reassuring to watch the Belgian summit on Sky TV, to appreciate the way these countries stood up for one another; after all, they are neighbors, they share a continent.  But all of them together do not have the economic power of the US; their very existence could be threatened by the New World Order... and suddenly, the values I was taught in 20th century America were off the table.  There is an ocean between you and Russia, Zelensky reminded Trump who seemed irritated if anything by this observation. Between allies-- between democratic nations, there is no ocean but a bond, a spoken or unspoken promise. We grew up with this assurance.

So I found myself engaged in endless conversations about our politics. Rather than getting a modicum of respect for being a New Yorker, I felt helpless and ashamed. Along with my Swedish friends, I ask every day... how could this have happened? No, we are farther from the sounds of war here, but I no longer have faith in any kind of fatherland or protective constitutional assurance; right has become wrong and wrong is being distorted into status quo. 

Sleeping in strange beds in different time zones always produces a unique set of dreams.  For some reason  I woke at 5 AM the first night with a memory of my first Au Pair job, during my college years.  In exchange for room and board I cared for the two young sons of a writer-in-residence at my school.  After a week or so of acclimating myself to something besides a dormitory cot, I found my employer visiting me in my bed. He reeked of bourbon and was aggressive and romantic and begging. It was a pathetic denouement of a person I'd respected.  I'd considered myself fortunate to have this opportunity. What to do?  I could not cause a scandal; I was familiar with drunk episodes from my own family, and knew it was my 19-year-old word against his.  So I managed it... I got up, I resisted.. I paced... I adjusted.  I should have ratted him out; it was unconscionable and invasive.  But why did this come up, 50 years later, in Stockholm? Maybe I was confusing one of those Nobel prize films with my reality... the place, the betrayal, the strangeness. The betrayal.

During the week I was there I prayed for the Pope.  He doesn't need your prayers, my Catholic friend told me; we need his.  But still, I prayed.  I also watched the film Conclave on the plane. Pertinent and worrying. Will this Pope be replaced by someone with less tolerance? Will we care, we in America who seem to be giving up our rights on a daily basis, who will, like Europeans for centuries, perhaps be persecuted for our very beliefs and identifications?

In Stockholm my Swedish friends welcomed me; they publish my books and my cds.  I can find these in the libraries and in store windows. Although it is not their native language, I feel read, heard. Today my French friends told me they were cancelling the retirement trip they'd planned for years.  They do not want to come here now. Before I left I saw Swedes boycotting Starbucks, McDonald's, Tesla.  I brought home a pound of Arvid Nordquist Franskrost coffee-- with ecologically produced paper filters.  Great quality, inexpensive. No one wants US cash there. On the plane back I watched an extraordinary film called 'Bird' directed by Andrea Arnold.  It was both depressing and heartwarming. And it was better than anything I'd seen in a long time that was made in the US. I also brought home a case of food poisoning from the plane... or maybe it was just the stress of arriving in a city where I used to know every building and street, the familiar homeless men and the East Harlem bodega owners. The aggregate sounds of New York-- the sustain and crescendo-- have been the musical soundtrack to my life. I am no longer sure of my city, of our future, of our culture. It occurs to me that maybe I should turn around and return 'holm'. 

Trusting Santa

When my son was a baby, he was a little unusual.  Being pretty unprepared for motherhood, I didn't really read the proscribed handbooks or solicit advice.  I did have to attend the postnatal fathers' class in hospital, where they give you life-sized dolls to practice diapering skills.  I was sort of a rock and roller... I figured I'd listen, and improvise, as we do-- stay 'in' the moment.  

So I took home a pretty well-behaved infant who, like all, have their crying jags and colicky nights.  The top of the clothes dryer in the laundry room seemed to help... and one sleepless night as I put another dime into the machine which rocked infants just the right way, I looked my 3-week old newborn in the eye and assured him, "There are just so many things that could be bothering you, and I am going to figure it out."  It was a promise-- a vow.  It made us both feel better and he seemed to physically relax.  Such is parenthood-- leadership in general. The sense of being protected is ninety percent. And there are maternal instincts... you somehow put yourself in the path of oncoming danger.

Just before his one-year old Christmas, some posh friends of mine got us invited to a little Cartier store Christmas children's reception, where they show off tiny trinkets and juvenile jewelry gifts.  I'd never set foot in the place, but they convinced me it would be a great little opportunity for my son. The refreshments were something else.  I was virtually near-starving in those days, and the little party favor bags were filled with coupons and gift cards.  We scored.  Their Santa, seated in a bling-laden sled on a platform, was Afro-American.  My little boy sat on his lap, and seemed to converse comfortably.  He knew little about presents, but we enjoyed ourselves and went home with seasonal Yuletide cheer. 

The following year, he was newly two, and his vocabulary was impressive.  We went to see the Macy's Santaland-- waited on the immense line I'd waited on many times as a child.  When it was near his turn, he informed me that this was not the real Santa-- because the real Santa has a dark face.  I was confused, and explained that Santa had to send out his helpers to make lists for all the children because he was busy packing the sleigh.  So he thought about it for a minute, and then up he went, onto Santa's padded lap, in the styrofoam and glitter display with the angels and reindeer... and was really a little insulted that Santa asked if he'd been good.  Of course he was good; he was the best-- honest, innocent, kindhearted and unafraid.  He looked quizzical, and I of course gave the double thumbs up.  And then-- the question all children are there to answer: 'What toys do you want?'  I could remember so vividly asking Santa for a horse-- not the stuffed kind but the kind that would live in my garage and ride me to school every day.  That-- or a Stutz Bearcat, neither of which was ever on the menu in my house.  

But my son, at 25 months old, looked the fake-bearded man right in the eye and referring to himself in the third person as he did, said... 'He's trusting Santa'.  Santa had to ask him to repeat himself a couple of times... then said that in all Polar eternity, this was the first time he'd heard such a reply... and the tears were rolling down his red cheeks.  He gave my son a great big merry hug, told him he would surely have a happy Christmas, and took a break.

We had not so much in those days-- the two of us learning about each other, spending every moment together exploring the city-- the subways, playgrounds-- anywhere with no admission that was interesting.   He worried about the children in the shelters-- shared toys... brought birthday cake to the men living underneath the 59th Street bridge whom he knew by name.  He insisted on leaving extra cookies for that Santa who wept in his presence, and we kept our tree that year until March-- until it became a fire hazard and a twiggy eyesore in our studio apartment.

We had a wonderful homey Thanksgiving this year.  We bonded and ate and watched football.  On Black Friday my son ordered the clothing he wanted for himself.  I didn't bother reminding him how rightfully he no longer trusted Santa, or his mother whose gift-giving abilities are disappointing.  His beloved towers came down when he was 11.  It changed him-- a coming of age.  In God We Trust says the US dollar, or the representation of the dollars that we put in envelopes for holiday gratuities.  I don't know if 'trust' is what I feel for God, nor would He expect this of us when He fails to appear or even manifest Himself when we are distraught or ill.  

Despite the failures and cancellations and griefs... we all do go on, somehow... with something that resembles hope-- or faith-- or optimism.  We wake up and enter some kind of future with our Starbucks and our Dunkin Donuts.  We go to work and put pennies in the proverbial till of our old-age pensions; we accept our vaccines and put on our masks and for the most part accept the fate that is stuffed in our stockings and socks every day.  We go on.  

Few people ask what we want-- they shop excessively,  and except for the newly engaged, have little success in pleasing loved ones. The return lines are massive... the retail statistics feed the fat Wall Street profiteers and the wealthy among us seem to trust the economy, rather than Santa.  Still, the charities go on and on... people do give, and donate, and deduct, and adopt animals.  There are good Santas and bad ones.  They are multiracial and multi-gendered, I have already noticed. Most of them are paid; it's not a safe job, in a pandemic, and like tree-selling, it's a little humiliating. Few of them weep, and none believe in themselves.  The system, like many of our hearts,  is broken... but still we will embrace the decorations and celebrate the myths and fables, and mark another year with some kind of grace,  Amen.

Song-righter

All young mothers are aware of their children's 'witching hour'... that time of day when little over-simulated egos seem to disintegrate into a state of non-cooperation.  Some have tantrums; experienced parents become skilled at ignoring these, teaching their kids a healthy lesson that drama has little traction in this world.  But for others it becomes a contest of sort-- two emotional sticks rubbing against one another until there is fire.  It escalates.  

Since my son and I were often alone, one on one... there wasn't much 'currency' in escalation, in all-out war.  We had cues... My Baby Does The Cranky Spanky, I would sing, under my breath... and he would 'get it'.  It took the edge off both of us.  We were connected enough so that he somehow knew I needed a break.  How he grew up-- learned some things from me, but mostly via his own childhood charm and curiosity, is a mystery... a small miracle.  He turned 32 last week.  I can scarcely recall being that age myself-- between marriages, hard into the 80's, wading in every kind of musical water I could find, trying to shed the Ivy League shadow which followed me, sewn to my heels as it was, despite my rebellion.

Now that I'm a senior, I have begun to notice my own elder impatience.  Maybe it's the subconscious awareness that time is short-- although waiting seems painless, temporal space is tolerable... it's more the me-as-audience that is demanding and disappointed.  Are things just 'less' than they used to be?  There's a whole sector of journalism devoted to these subjects... even some of my old Professors, emeriti as they are, reminisce and complain that students today do not have the depth of the older generations.  This could be the nature of nostalgia-- everything in memory seems veiled in some poetic optimism, the beauty of 'gone'.  My local library branch shelves are depleted and limited; surely this must reflect the preferences of the current patrons.  After all, with screen time averaging seven daily hours, something must give.  The deep experience of solitary book reading seems a no-brainer.  

I confess to watching too much pandemic television.  But the new shows-- the Netflix, HBO, whatever I am mostly denied by my economical cable subscription-- they don't tempt me.  My preferences are vintage-- new wave French, Fellini, early Almodovar, Fassbinder... Kurosawa, Bergman... odd things... and anything that shows my New York the way it was, with the yellow taxis and street cars, the deco architecture and men in hats and suits, elegant women... even Harlem in the 40's and 50's looks styled and choreographed.  New shows and series-- their scripts disappoint-- the acting, too. And I fail to see the appeal for grownups of superheroes.  I am maybe missing a gene.

Genetically I come from cranky stock.  My father was the all-time criticizer.  My poor mother slaved over meals; while she was a superb cook and baker, his rare compliment was asking for a second slice. He squinted up his eyes at me, declined to comment even when I had a stellar report card... called me an idiot and a moron, didn't even open the gifts I gave him at Christmas-- or made a remark to the effect of 'just what I wanted' when he had not even looked in the box.  The coffee was always too cold, the toast not burned enough, the soup too thin, the spaghetti overcooked.  Whatever.

Yesterday I found myself standing in line at a Starbucks, redeeming some gift card, tasting a $3.54 cup of stale, tepid coffee... pondering whether I return it, comment and designate myself a cranky old pot who needs attention... or suck it up and drink it.   I looked around and not a single person looked unhappy despite the unappealing pastries and the overpriced boutique drinks that smelled like artificial pumpkin spice.  Everyone was in their phones.. either scrolling, speaking or paying.  I had a card and the process of swiping it and deducting the price of coffee was challenging for the cashier.  I could sense her hatred of all humanity over the age of 60.  We're slow and we don't speak their language.  Our orders require conversation and questions.  What I wanted was the only cup of coffee I didn't brew myself in many months.  I wanted it to be hot and fragrant and exotic and dark-- I wanted it to take me to some mountainside in Africa or Jamaica-- I wanted to be charmed and sated.  What I got was soupy and cold and insulting.  The line behind me was snaky and vibrating... the amount of exhalation in the store was way beyond what is medically recommended these days.  Someone offered me a pour-over but that would take fifteen minutes.  And then what?  More disappointment?  

Is it me?  Are we elder people on a sort of bellcurve of satisfaction, where there is an unavoidable path of return to the crankiness of a toddler-- the impatience, the inability to communicate what we want... Am I unable to experience pleasure? Thrill? Exhuberance?  I sorely hope not.  I do know when I walk through a museum... the paintings are not just decor-- they are landmarks.. they are stories-- I know who painted them and when and what they meant.  When I hear music-- original music--  I can decipher the parts;  I understand the lyrics-- the construction.  I am experienced, in the Hendrix sense. I know this. But I am a little clueless and uninformed re: current culture.  I have to keep asking my son what he means when he uses buzzwords.  Am I defective?  Deficient?  I read... I am interested  in current events... I can't possibly digest the amount of newsworthy text I receive daily from umpteen online journals.  I try.. I read my Facebook messages and empathize with friends... but honestly I am aware I have lost tolerance for the masses of posts and stories... for the music... there is just so much I can process-- just so much I even want to.

Maybe it is overload-- or the residual anosmia from having had Covid. Maybe that coffee will never suit me. I do shun gifts and meals... although my beloved friend anonymously delivers fresh fish to me. This is something I can manage... the color and the sheen and the simplicity.  It comes from the sea... it is simple, relies on me to prepare.  

But maybe it is my slow-hand adjustment to pre-pandemic 'normalcy'. Truly, I have never been normal.  I expect more from artists and friends, even from local coffee culture.  Our masks suppress a certain amount of disgruntlement and horror.  With my eyes I expressed revulsion at the family of loudmouths on the subway Saturday whose tasteless criticism of urbanites maybe rivaled my feelings toward them. Go away, I wanted to say.  Maybe I need another quarantine from which I'll emerge fresh and loving and non-judgmental. Unfortunately I have a brain. 

I've watched umpteen live concerts on television.  Last night I was feeling my habitual disappointment at the Jackson Browne live special on PBS.  We're old.. it's been done.  But then I heard the beginning of Late for The Sky... It opened my heart to student days where we lay in bed with this on the turntable,  aching with life and passion... trusting our vinyl treasures to narrate our romance... to navigate life with these iconic songs that were not just personal, revelatory.. Our ears were unprotected then.. not stuffed with earbud content and endless beats.  And the piano player-- probably my age-- sang harmony with such humility and sensitivity... and soul.   

I remember my mother shunning the sounds of rock and roll and putting on her old Frank Sinatra records. Maybe this is my version of nostalgia, of backstory.  Maybe I'm just cranky... but I feel I'm not alone... drinking in JB's immortal words-- and I think they will be so-- 'trying to understand how our lives had led us there'

What's in a Name

Pathmark 125th Street has long joined the ranks of  discarded NYC institutions now--the site under transformation into an enormous residential and retail development.  For me, embracing designated economic poverty as an older adult, it was a reality-experience.  The simple enormity of the space at this location, unlike the crowded Manhattan supermarkets with narrow aisles and limited wares, was spectacular for someone like me who,  excepting road-trip stops,  was under-exposed to mall-shopping.  I visited Pathmark for the sales, the availability, the simple 'gift' of space... the late-night hours, proximity to subway.  Where else could I score a decent fresh turkey for 69 cents a pound?  The scams, the schemes of visiting regulars-- the simple neighborhood habits of those who brought folding chairs and sat basking in the generous 'lobby' air conditioning in summer-- the recycling, the socializing and innocent panhandling...  all part of the past 'innocence' of New York.

Finding bargains these days and living on food stamps is a challenge.  Last week I was in one of my current preferred grocery destinations in Harlem, and I heard a woman yelling... 'Princeton!' with more and more conviction.  So I turned-- yes, there those old days when some random boyfriend or bandmate would refer to me sarcastically by my alma-mater and like 'Mom' which never fails to prick my ears anywhere, I respond.   A small toddler had been leaning against my cart with that dreamy fearless curiosity 2-year-olds can display even in a crowd... eventually the woman came over, grabbed him, gave him a little smack... 'don't you wander, Princeton!'  I couldn't resist... yes, this was his given birth name.  Princeton. In the 'hood.  I had a little conversation with them both, assured the child he was going to be smart and important... and then a little inner monologue with myself on the way home about names.

I have a simple, basic three-letter name.  Actually my mother gave me the French 5-letter version, so the meaning of it would be understood as 'beloved' and not mistaken for the other derivative spelling-- 'friend'.  But the ratio of four-to-one/ vowels-to-consonants is a hard-spell for a child not to mention pretentious in the milieu of the 60's.  Compared to today's 'Beyonce' and Destiny-- the tag-names of the 21st century-- it is minimal.

My elementary school was part of the 1960's bussing experience.  Besides the physical introduction of diversity, there were the names.  We were all basically Tom, Dick and Harrys-- Kathy, Robin and Susans, in those days-- but these kids-- they were named after kings and presidents.  Their names were hyphenated and ornate-- colorful.  The girls were Velma and Darcelle; this elevated and embellished our morning role-call.  I went home and asked my Mom for a better name.  She did not grace this with a reply--  she who had given me one only, insisting when I got married my surname would fall into middle-status.

Many of my fellow students, as the 60's wore on, re-appropriated their African names.  Some of the Jewish kids I met in the city became radicalized and used Hebrew.  Rockers re-christened often--became single-names or branded themselves somehow, while it was fairly common for actors and public performers to round the edges of their ethnicities and smooth out family names into generic and non-specific identities.  My own father's family, like many immigrants desperately seeking 'Americanization'  had done this.   Go figure.

Lately it is rare that, in my local Starbucks where I am currently interviewing kids for my alma-mater (yes, little Princeton, I mention your name often) I rarely see a staff name-tag that looks familiar to me.  The variety of these is like the constantly expanding nomenclature for coffees and drinks-- exotic, conversation-provoking, ethnically transparent or confusing-- non-gender-identifying.  There are kids with names of countries, of seas, of flowers... of foods, of liquor brands and corporations.  Rappers acquire 3-part sentence names or words.  Common-- that one always sticks to me.  My name, in this expanded overpopulated internet world of infinite repeats-- is-- well, common.  Like most everything else.

I have googled my own name to find a whole column's worth of 'me'... I have even received mail and messages for my namesakes.  Three of us know one another-- in this city.  One friended me on Facebook.  Yesterday I asked a girl in the supermarket about her name tag... her Mom couldn't spell, she told me, but now she likes it.  It's different.  Desnity.  Spellcheck did a double-take, too.

While our traditional old-school vocabulary seems to decrease in usage, new languages and acronyms have become part of our work-arsenal.  People actually speak less to one another these days-- they text, they have their bluetooth and earbuds in... they engage less eye-to-eye.  They do listen... and they wear names.  It is hard to find a single human on a subway without a label or-- more often, several.  Wearing someone else's name was always strange to me.

At the end of her life, for some time, my mother could barely speak.  Her caretaker called her 'Queenie' which seemed wrong to me.  Queenie did not protest much of anything at the end.  Inside she'd regressed beyond even recognizing herself as 'Mom'.  But somehow, even at the very end, when I called her name,  I could see a small light.  Gift of God, the meaning.  No matter how we change, alter, edit, revise... no matter what our intimates and lovers call us in the dark, there is something in our original naming that imprints.  I thought about this, reading the obituary of Kirk Douglas... his adopted name meaning 'church', but his original name, 'Issur' meaning 'he who wrestles with God'... surely defined him.   Anyway, I think somehow he might have agreed, in the end.

Dreaming in Orange

Walking downtown from Harlem today I saw a disabled city sanitation truck being hitched up for towing. It was kind of spectacular-- these are heavy pieces of equipment, filled with stinking tons of garbage in various states of compression and processing-- organic and inorganic.  I couldn't help thinking back to the days when my son's early boyhood obsession was observing and naming all the trucks and service vehicles on the streets.  It was like an all-day movie-- endless spontaneous entertainment-- and a scene like this would have provoked much pointing and shouting and the inevitable slew of toddler speculations and questions.

So there I was, across the street with my eyebrows raised, mouth open-- and no one was there.  I thought of my grown son downtown, with his expensive watch and his designer boots and his iPhone--- how we went to a little playgroup at the Presbyterian church two mornings a week.  There were wooden blocks there-- and little cars the children rode around on.  There were puppets and some books and puzzles.  Things seemed innocent.  My childhood toys from the 1950's were even simpler-- a tin house with a few pieces of doll furniture-- books, crayons, puzzles.  Mostly we dug with spoons in the garden and filled cups with water from the outside hose.  We chalked up the sidewalk and played hopscotch, made costumes and pretended to be pirates or gypsies or gangsters.

I used to wheel my baby back and forth to my job with his little things-- a reindeer made out of a sock, a few small cars.  Later-- a tiny garbage truck and a digger, a firetruck and an ambulance.  These days most babies I see holding their mother's phones, or with plastic replicas.   No one seems to be pointing things out-- few kids standing around construction sites all day watching these massive excavations-- steam shovels and dump trucks.  We read some simple books over and over; we sang songs and clapped hands.  Today technology seems to have replaced so many of these activities.

There were times, raising my son alone, when I lived on a bag of stale doughnuts.  One fall I collected discarded pumpkins from our garbage area and we ate these until my dreams turned orange.
A phone message one day that same season ordered me to report to an address on Fifth Avenue; it turned out to be F.A.O. Schwartz where I was informed some anonymous man had paid for a shopping spree.  We were overcome; my little boy asked for play-dough and we were sent home with a lovely set of wooden trains that made me feel ashamed.

I'm getting old now; I stop on the street and exclaim at funny dogs-- or children when they are fretting or sad.  They are eating complicated food products and drinking sophisticated drinks from
places like Starbucks with well-designed containers.  I feel like an alien from another century, and I suppose I am.  I gasp open-mouthed at the sunset when I look toward the park at the end of the day-- or up at the moon as I leave my apartment at night.  These things seem new and wonderful.   On the Saturday train there are still break-dancers who risk their limbs on the poles and straps to entertain riders.  They leave me breathless and gaping; my fellow riders simply hold their phones up.

Recently I read in the Times that an enormous percentage of adults sleep with a stuffed animal.  I found this a little shocking, although I do know many people who share a bed with their dogs and cats.  Surely these same people have their cellphones on the night-table and consult their Instagram or Facebook.  I used to sleep with a land-phone by my bed when my first husband was touring, hoping he'd call at some ungodly hour from a far-away hotel room.  When he didn't, I'd stare at the ceiling and wonder.

Somewhere between the monied rush of well-heeled pedestrians in my neighborhood and the homeless street population there should be a place for me.  I go to the library and take home books...
I feel both fortunate and passed-over.  I am no longer a player and yet I am just that-- not a brilliant but a decent musician who manages to find a place for myself between a song and a kind of spiritual vehicle.  I am both lost and found, misplaced yet contented.  Like everyone, I am stuck here between past and future, but somehow more committed to the present than ever.  There is nothing I really need, beyond the barest necessities-- and yet I live in a complex nest of cultural insulation.  I have banked many things of value, although none of them are monetary.

Riding up in the elevator with my neighbors, I am the shabby tenant.  Then again, no one suspects my groceries were purchased with foodstamps, or that there is a poem brewing in my head.  It occurred to me-- phone-less and vaguely out of synch with sidewalk traffic, watching that garbage truck through the eyes of a boy who no longer exists,  I have regained a kind of old innocence and it feels fine.

Lady and the Tramp

I maintain my own private version of 'New Yorker of the Week' awards.  The designees get no public accolade or acknowledgment... just a silent heads-up from me...  some spare change occasionally, because most of my heroes are either under- or unpaid for their courage and humanity... but since I am a member of the economic underprivileged, I hesitate to insult them with my pathetic donations and instead offer a kind of prayer on their behalf... or literary-underground immortality in one of the poems I scatter like autumn leaves find their way to obscurity-- or maybe to some school-child's fall art-project where they will be briefly loved.  I can't help myself.

Last week's winner was a homeless man, sleeping temporarily on the steps of a church on Varick Street.  I would not have noticed him; it was late, it was beginning to rain…and the staggering numbers of men spending nights on the streets in the last few years has inured us all to the sidewalk population.  They seem to have food; their daily panhandling income, they tell me, averages somewhere between $50 and $150-- more than most real musicians I know earn for a gig.  They stay out of the shelters where their egos are filed and shaved down to a brand of humility that is more lethal than an overdose.  These places are dirty and dangerous.  Despite the rules and regulations,  possessions are not protected and sleepers are subject to violent attacks from other occupants who refuse to take their meds and experience psychotic and hostile episodes.

My man had risen around midnight-- relative calm on the streets-- to relieve himself… because as we all know, there are no public restrooms in the city after dark.  The homeless visit and even bathe in Grand Central, Port Authority, the various library branches, MacDonald's, those Starbucks stores which are kind enough to share their restroom combinations.  But at night-- well, even the parks are curfewed.  We have well-enforced dog-waste laws, but my son tells me in Soho and Tribeca there is so much human shit on the streets these days that business owners have had community meetings about this.  One store recently built an outdoor boxlike structure for advertisements and artistic displays.  Every day they had to shovel out the excrement and hose the receptacle down with disinfectant until they just gave up on the whole campaign.  Coming home at 2 and 3 AM, I have many times seen men defecating at either end of the subway platforms.

So my man squatted quietly at the edge of the steps,  and with his head bowed, stood carefully to clean himself with the pages of an old paperback novel.  I resisted the urge to see the title… but some passing young couples who witnessed his naked butt in the lamplight shadow-- well, they gasped and sniggered and pointed.  The thing was-- he was tall-- like a basketball player… and his sinewy legs and butt were so perfect and beautiful, and the grace of his rising, and even the way he pulled up his layered pants and fixed his clothing-- well, it took my breath away.  The sheer aesthetic reality of this man, trying to avoid falling into the cracks of the shelter treadmill, the humiliation and the consideration with which he waited until dark, until the traffic was moving, how he tried to avoid spectators… how his little pile of possessions was so neatly wrapped.  He was not that far from being a boy; I could imagine his mother, who loved him, or maybe failed to love him and care for him… the women he could have had, in another version of the story… an athlete-- a star… it broke my heart.

I got on the train, feeling helpless and almost guilty because I have a place to go back to-- a place to sleep and take a hot shower, where my books and my instruments, God-willing, are relatively safe and sheltered enough so I can leave them and go about my work.  Another disgraceful story on the discarded tabloids on the subway floor, with our orange-skinned Lego-President spouting more of his anti-humanitarian rhetoric.  He in his gilded rooms on Fifth Avenue, security alone costing more than the annual food budget of a small country… with his umpteen bathrooms and his tanning beds and hair-magicians… he couldn't survive a week in the wilderness.

Why is it we all pick up after our dogs-- we pamper and love them.. and have little compassion to adopt stray people… are disgusted and uncomfortable about their natural needs? Hunger is a force here… disparity is baffling, and for these fallen souls-- getting back onto the track is near-impossible in a city where so many of us are barely holding onto our homes, finding ourselves with a lower standard of living than we could ever have imagined.  I think of all those legends and fairy tales where the kings traded places with the paupers-- how it changed their worldview… what happened to this?  We are all counting our money here… me, and some of these homeless--- counting the change in our pockets to see if we can buy a slice or a coffee… and the Wall Streeters assessing the daily fluctuations in their portfolios-- pushing a button and making more money in a single trade than most of us will see in a lifetime… and they are happy to lend you credit, your friendly banker who pays you no interest-- for a mere 25-30%.  They bet on your failure to repay and they win big.

It makes no sense.  My version of this week's fairy tale has the winning Mega Millions ticket belonging to my man of Varick Street… although things don't work this way.  I do know the affliction of extreme poverty and homelessness is epidemic and chronic.  It leaves scars and residual symptoms for even those lucky few who manage some kind of recovery.  But most don't.  No sociologist or journalist or researcher into the phenomenon quite understands what it is like to be homeless and needy in a city like this, where you are chased from doorways and sidewalks of buildings filled with tenants paying $10,000  month for a few rooms… Lady, a local man begged me-- Can you let me in the gate?  He wanted to sleep in our trash alley where he will be locked safely against attack and theft.  I was reprimanded by my Coop Board for this nominal act of compassion in a neighborhood where a bakery now charges $10 for a doughnut and coffee.  Personally, I haven't bought myself a cup for years now.  Things are tight.  There but for fortune…. but that's another tale.

Today I remembered how my Mom once dressed me up as a 'tramp' on Halloween… at the time I had no clue what that meant, but I wore an old beat-up suit jacket and a bent hat and she smeared my face with coal like dirt.  I had a scarf-sack on a stick over my shoulder.  Everyone laughed and filled my sack with candy.  A man on the block told me about 'hobo' life; it seemed romantic.  I dreamed of runaway trains, of wandering, of campfires and hitchhiking…

Today I dream of a lottery for the poor-- where the billion dollar ticket gets divided among the homeless deprived angels of the street-- What was that old TV show… the Millionaire? The 21st century New York City update… that would be a reality show worth watching…  (to be continued…)

Signs of Where

I had a strange phonecall this evening... a woman's name ID'd on the screen... a writer I remember meeting some years back when we were both editing on our laptops in an air-conditioned Starbucks during a sweltering August heatwave.  She'd smiled at me, we had several non-smoking cigarette breaks on the sidewalk outside where we'd briefly thaw out in afternoon heat.  We exchanged numbers... she was working on a difficult historic novel which had required years of research and period reading.. a sort of Name of the Rose mystery.  Unlike me, she had some family money-- sold a pricey Carnegie Hill coop and downscaled to the upper west side with plenty of cash support.  She was beautiful in a pale, fragile book-worthy way.  Well spoken and intelligent-- but soft and womanly.  We were both brimming with our projects and ripe with future.  Ensconced in a literary neighborhood, we'd trade rumors about at least one of our elder urban mentors as he shuffled by with rolled newspapers or muttering to himself beneath a wide-brimmed disguise.

I remembered all of this, as one does, in a flash-- this is how our brains work-- we get a cue, and we unravel the relevant 'bank' with all its stored observations and details: a profile, like our own personal Facebook page we create for each of our friends-- facts, details, family names, images of moments we have shared or imagined from conversations and communications.  I used to pride myself on something of a 'phonographic' memory; I recall sounds-- associated music, accents and voices...  and images... the setting, geographic details-- how I stared at a painting on the wall while someone unburdened themselves of a sad story... the way the old window sashes crossed while my mother read aloud the March Hare or the Lilliputians.

It felt especially pertinent-- this associative process-- because less than a minute into today's phone call, I realized this woman had dialed a number she found on a random scrap of paper... had no idea who I was, confessed to having a terrible memory... commended me on mine... did not recognize my name, insisted after a bit that she'd met me at a meeting and we'd gone to a bar (not a chance), etc.  I asked her where she lived... she mentioned the number 104 and couldn't seem to move on from there. You're on the west side, yes, I suggested...? and she replied, Not very far west, I think.  By the end of the brief interrogation-- she began repeating questions... her focus was disintegrating.  I began to inquire, hoping to steer her into some familiar space, as I used to corral my mother in her dementia into some small fenced-in area in which she could function.  Her book-- she'd tried to write and failed...  I eventually hit a wall-- had to somehow disengage; she took my number (!) and asked if we could get together... having me carefully spell my last name.  I will be very surprised to hear from her, or perhaps she will call again tomorrow, looking somehow for some mental foothold.

On the street I felt a little distraught; after all, we are about the same age and I'd recently watched my own mother take the slow fade from bright and bitchy to a milky soup of confused and unrelated word-strings.  So I took time to listen to one of the chattier housekeepers who was often out walking her pair of lazy retrievers. She'd raised 3 children whose mother had just died of a terrible cancer;  the kids were acting out and the father was already dating.  The dogs were not healthy...  one was worse than the other; the housekeeper's accent was slightly Caribbean.  Where were they going for the summer?  I memorized her braids, her part-- the way her left eye was brighter than the right-- her lovely teeth...  Stories... I needed stories.  I stopped to listen along my 10-block way.  I spoke,  I watched... I heard sirens... followed firetrucks and ambulances until they disappeared... noticed baristas and customers inside shops.  They nourish me.  I need them.

Back home after a long evening, I retrieve my 'eye-photos'... I recall things, thoughts I've had... plots I've woven around simple facts and remarks.... nothing remarkable today-- a few confessions and bad date-stories, a friend's itinerary... some phone calls... music... my Latin Hip-Hop class where thankfully I am able to reproduce the chain of steps that constitute a routine... I know whose voice the singer reminds me of, what melody has been stolen... I've written lyrics in my head, forgotten most of them... but still I am able to retrieve, to unpack a few folders.  Of course, at my age my mental knives could use sharpening--- but they function... for today, anyway.  It is like unpacking a small basket of groceries you have gathered for a modest meal.  It is there-- your substitutions, your little economies--  your process that will become something you will make.

It has been a dark year for me and for many of my beloved friends.  I have had hardships and losses-- disappointments, cancellations, betrayals.  I have been hungry and tottered on the edge of envy.  But to speak to someone-- a complex map of neurons and synapses-- of brain power and creativity-- a talented, delicate writer-- and find her stumbling in a pool of her own confusion-- was more than upsetting.  Maybe the worst nightmare of all is the one in which you can't find your way home because you can't find you.  To lose all my orts and scraps of ideas--- to see them as indecipherable, as odd word-bits, not pieces of a puzzle only you can assemble... well, for me that is terrifying.  Not poverty, not failing at love--- even the sorrow of death-- but the concept of living death, of wandering without consolation or direction.

Months ago I asked some auction house about an old drawing which touched me-- its condition... 'Light signs of wear' was their email assessment -- but they'd typo'd and exchanged the g and n.  Light sings of wear, I read.. and my heart opened-- the charred, fragile, disintegrating version I've been carrying-- with its slow uneven beating and its careful mourning hesitations...  well, I felt its light and its tiny soul shaping into some lyrical epiphany for me.  Like an Amen... one of those tight banks of imagery unfurled into something like a miniature parade, a tiny joy.  I will carry this forward for now,
in the name of the writer, Abigail, who has quite lost her place in line.  I will continue.

Instagram Coffee

When I first went to college I signed up for a minimal meal plan, to save money for tuition.  There were no cooking facilities or even refrigerators in dormitories back then... I had one of those cheap little electric kettles and I bought myself packets of instant cream of wheat-- a relatively new product.  The previous years I'd gone to high-school in a morning session (over-crowded school-scheduling) which required a 5 AM wake-up to walk dogs and put together a sustaining breakfast.  I cooked myself a pot of hot porridge or wheat cereal-- this took some twenty minutes-- with butter, cream (yes-- my indulgent mother) and brown sugar,  cafe-au-lait-- which had to get me through six long break-less hours until lunch. Even the memory of it is hearty and good.  My first homesick dormitory morning of instant mush was horrifying.  It tasted like paper--was either pasty or soupy-- gritty and awful.  Coffee was no better.

I've never been able to drink instant coffee.  As low-maintenance and minimal as my eating habits have become, by necessity, fast food has never been my thing.  I like brewed coffee-- pour-over, fresh-steeped.  In my son's well-designed office there are several varieties of machines which produce a perfect cup in seconds; individual servings with endless combinations of roasts and flavors... lattes, espresso, cappuccino-- all pre-measured, packaged in a disposable clean pod... all tasting, to me, suspiciously like airport coffee.  I've noticed many, many new chains of dedicated boutiques, all featuring some brewing or roasting specialty-- the craft of coffee, the process-- some at a premium that rivals the price of a good pound of fresh beans.  They all seem to have a following.  It seems even the post-millennials know the difference between office-brew and high-test.  My son goes out to Starbucks for his caffeine fix.  Manhattan is packed with chefs and food choices.  While McDonald's and Burger King don't seem to suffer, restaurants of all varieties,-- take-out trucks and stores offer seriously decent dishes for every meal.  Sommeliers have never been as sought-after; cheese experts, pastry chefs are in high career-demand.

So what happened to music?  Why do we get this variety of instant shake-and-bake beats and lyrics that pass as records?  Where are the writers and the inspired, tormented poets-with-guitars?  Out in a tent on a backroad in Mississippi?  Sleeping with the gypsies in a caravan in Croatia?

I've been playing in bands for 40 years or so, and consider myself a second-tier musician.  I sympathize with the geniuses of my circle who surpassed their curriculum before they even entered music school-- who could not only show their teachers a few things but can play their proverbial asses off.  Many of them live in low-income or subsidized housing projects.   Some of them are dead, having indulged their souls and bodies in the process of challenging their own talents... or tormenting themselves in the self-doubting ritual of most brilliant artists who see the light and cannot quite get there every night.  Few of them receive the acknowledgment they are due; they must turn on award shows and watch the endless accolades of achievement doled out to the mediocre and uninspired.
It is like watching a cup of instant coffee win the taste award year after year.  It's a depressing sentence.

On another level, I co-host a weekly jam in a New York City club whose name bears tribute to one of the great figures in American music.  Many of our friends and wonderfully talented colleagues join us in celebrating our community here, in perpetuating a certain tradition.  But nearly every week we are joined by someone who gives themselves a list of credits-- who gets up onstage and displays the musical flavor-profile of a water-cooler-style instant coffee.  Do they get this?  Are they listening?  I don't know.  Some of it is simple skill and practice.  Some of it is 'ear'-- the ability to discern what is good from what is merely adequate.  But much of it is simple failure to listen.  Can these people distinguish a freshly-grilled burger from a fast-food filler-patty?  I would think so.   But here they are, offering up the audio version of plastic food choices, sometimes via instruments which belonged to celebrities before them, which cost a small fortune, but sound cheap and misused.

Or is it that we are not just deaf but blind?  In this world of a billion pairs of fashion eyeglasses, people do not see themselves.  We have Beyonce-unlikes who flaunt themselves on the street-- women of age with enhanced lips and injected faces who choose to dress and behave like their own daughters.  I remember becoming 40-ish... I could see in the mirror I was turning like a late-summer leaf-- from a youngish woman to a mature one.  At first I was panicky and loathed myself-- discovered tricks of hair-color and make-up.  But then I began to realize it's not so bad-- I don't have to be beautiful all my life; it's time to focus on content.  I've been loved; I can still continue to love.  So I have left behind my girlhood; there is still the memory and the experience.  And now, I have long left behind my 40's and in photographs quite see the beauty I did not understand at the time.

Recently I had an accident on the subway steps; it wasn't too serious but I noticed my knee had somehow kept the memory of some old injury and was stubbornly refusing to heal itself.  It was reminding me of my past-- fiercely holding on to some long-forgotten fear and stress of pain-- maybe from my ballet days.   A friend of mine has had a cancer recurrence.. like a message from his body-- a voice-- a scar which was untended.

Late Monday night, after my gig, I watched St. Louis Blues on some free non-cable network.  This is the story of the great W.C. Handy-- his struggle with music.  Even the actors playing these roles-- Nat King Cole, Eartha Kitt--- Ruby Dee... had a kind of genius and exquisite talent we rarely see in our time.  The voice of Eartha Kitt-- unadorned, unadulterated-- those eyes-- I could not take my eyes from the screen.  The temporary blindness of W. C. Handy-- the depth of his musical nature-- how he nurtured and groomed this as he matured.  I think of my fellow musicians here--- even myself, with my handicaps and mediocrities-- how many thousands of nights we stood trying to understand ourselves onstage-- learning to listen and find our place in the music; how we suffer and starve-- me, the Princeton summa cum laude girl with the scholarships and accolades-- struggling to just be-- to let go of being loved, admired-- to be sometimes misjudged or slighted, hit on by club-owners and horn players--- chided, praised, cheated, marginalized and drowned out-- just for these moments of musical truth-- for my tiny contribution to something larger.  I am no genius; I am a cog, but I think I am finally a listening, genuine cog.

W.C. Handy had his retribution: parental forgiveness, restoration of sight-- great lifetime acknowledgment.  Not so for me-- I have my old scars, like the pain in my knee which will heal, telling my story, somehow inserting themselves into the music-- the experience, the joy, the sweat and truth we try so hard to convey, with tedious long years and words-- 2-track soundbites and voices ringing like old bells in the face of the Instagram wall that stands before us with ever more facile digital brickwork, every day.  And yet, I wouldn't trade a single analogue minute, old and scarred as I am, me and my vintage guitars, my scraps of paper and my dreams.

Some Kinda Love

Betrayals and break-ups always seem more prevalent in the rain. This cold relentless October rain was sort of a jolt to the city; just one week ago we were bathing in the radiant sunlight of a warm September, waving to our Pope, feeling a kind of hopeful optimism and magnanimity.  Everything I did felt just a little 'blessed'.  Tonight, it's business as usual. I've committed my one or two unforgivable social etiquette sins-- let the rebel-girl out of my mouth--  been just a tiny bit mean-spirited.  I'm soaked, freezing, snappy and blustery.

As I grow older, I'm noticing I become a little more clairvoyant and uber-empathetic.  I don't just observe-- I actually feel things around me.  I can read minds and hearts and find myself having to blink  and look away more often.  Tonight I began to hypothesize that there are two kinds of love-obsessed people: the ones that are all about being loved, and the ones that are addicted to loving.  We know the narcissists-- attractive and charming-- generally someone at their beck and call, their 'mirror-boy' (or girl), not to mention some in the wings, waiting for a stage-cue. But their counterpart-- the 'lovers' who are  so good at maintaining relationships, at partner-grooming and socializing--  they give gifts, they dote-- a little like pet-owners?  And I can spot them in a second.  The ones not currently 'in a relationship' are stalking the online dating sites, browsing Bridal magazines, seeing themselves as half of any given celebrity couple.  They are theoretical, future wives.  They make very good partners-- they cook, decorate, make reservations-- and for some men-- this is great.  They will get married, have kids, vacation, play doubles, barbecue, retire… and some will wonder where it all went.   I see these couples all too often… they seem happy and even look good together-- this is important.  But what I see now, also, is this missed connection somewhere; for the 'other half' of us-- the ones who don't really know what it is we want from love---- they will fail us and we, of course, will fail them.

Having read too much from an early age, I tend to infuse common objects with symbolic meaning.  I see a card lying in the road and find some ironic synchronicity.  Tonight I stepped onto a curb and there was a long stem… without the 'head' of the rose--- just the twig, and the thorns, lying on the puddled sidewalk.  At first it looked ominously decapitated… this is a bad sign, I think.  A death card.

A car passes-- windows open, despite the wet night… blasting some Coldplay…  Magic, I think it's called…and I don't and I don't want anybody else but you… the driver hitting the steering wheel, mouthing lyrics… I could feel his exhilaration… young, driving through the wet city, Friday night… picking up his girl… it has always been this way-- music lets us love-- through the lyrics, through the sounds… we let go, we align with someone's joy… we dance…

I can remember how this is and was… the songs we love, the songs we loved… burying our face into some chest, eyes closed… feeling enfolded and lifted into the music… even when it is a different man -- we can still close our eyes and be inside the song, inside an old memory , another dance… it is okay.  How many lovers, dancers, are closing their eyes in the wrong arms… leaving their dreams in a heap on the floor while they crawl into some warm bed… the wrong bed, the right bed… we can close our eyes and be somewhere-- anywhere.

Thinking back… how this bald man coming out of this building, with the glasses and his shirt collar buttoned up tight--- he could have been that soft long haired boy, swaying by the stage with a beer can, looking at you like you can save his life… and you can…and you did, maybe,  and who am I now, this woman walking on the slick sidewalk in the street lamplight thinking about old love, evaporated nights, reading a message into some missing rose petals?   Loves me, loves me not… we'll never know this way, will we?

James our local boom box-bearing homeless resident of the street… is howling tonight, holding his box like a megaphone, screeching out lyrics to a distorted track… he is looking not just thin but taut and drawn, ashen… wired and wiry, angry and boisterous… pointing up at the moon, chanting and preaching, singing and stomping.  Where is his love?  Who will dance with him in his dream?

In the lamplight I see something shiny-- it's a jade earring… I take it into the Starbucks on the corner.  A woman has called them, they tell me-- maybe 5 or 6 times, looking for this earring.  It was nowhere.  No, she hasn't left a number… but I leave the earring--- it's perfect and lovely...another piece to a cosmic puzzle that won't be solved, a lost soul watching its other half sail away..

My apartment feels cold and damp; my son surprises me with a late-night visit-- comes to sleep over-- feeling some October restlessness he can't shake…I remember those times, when everywhere felt like a rocking boat, a crowded subway-- except that one bed where you could lie in the dark forever, listening to the minutes-- a record on the turntable… a 25 minute universe, while all you are is the music, the ceiling, the bit of streetlight streaking onto the wall… the man beside you for an lp eternity… your version of paradise… inside this music where you can really love, like Neil Young says.  He hasn't quite found that bed this time… and maybe his boyhood room feels like 'home' for tonight.  Within minutes he is sleeping peacefully.

I am still thinking about my bad angel-- the one bed where I could always find my home… missing for so long, the last time lying beside him on his hospital bed, trying to absorb the pain… Sing to me, he said, in a morphine stupor, but he can't hear me anymore… and the lights, the lights were harsh and the machines were humming and the roses by his bed-- the perfect white roses-- they couldn't keep him any more than this headless stem I have somehow carried home… and that one person-- even if he lived.. he might have slept with other women because people do this-- they betray you, they go away, they shoot up and pass out and step out in front of cars and they jump-- they jump into and off and away.

I do one of those random record picks with eyes closed and I get the Velvet Underground… the one that starts with Candy Says.. so fragile and vulnerable… and I light a candle, and my son wakes up and joins me for a glass of wine and makes fun of my music.. while he stares off, unusually pensive, for him….By about the 3rd track he taunts me a little, singing in his out of tune buoyant boy-voice that gets me smirking… mocking the lyrics and now he is up and mock-dancing and grabbing my funny green stem in his mouth-- I am full out laughing… Put on your red pajamas and find out..  and I am singing, too, now… suddenly Lou Reed and I are as we were, as we will always be, in the music…

Under Cover

More than 30 years ago, I made my first demo-tape.  A keyboard player who worked with some rockstar really liked it-- took a copy, gave it to his boss.  A year later, my song was on the radio.  A little changed, rearranged, but it was definitely the song.  Funny--- no one had contacted me; I hadn't signed any papers.  I called a friend; he recognized it-- then we called the keyboard player.  He stammered and stuttered, apologized… apparently it had been 'adopted' or folded into some recipe which someone else seemed to think he'd invented.  But the hook-- even the lyric, the theme--- it was there…

My friend consulted a lawyer.  You are going to be a rich girl, the lawyer said to me.  But what was the meaning of this?  That I would sue some huge record company-- me, a small-time new artist with a 4-track demo?  We had meetings, we had papers… and I pulled out.  It wasn't about the money, it was the shameless version of apology I received from the producer--- about how maybe you hear something, and it stays in your subconscious, or it re-emerges with an idea-- it may or may not be mine.  What-ever.   It was the first music-business lesson.

Later, I was asked to co-write with a pop-star.  This meant she would cover my song and we would split royalties.  When I protested, they said they'd rewrite the song and I'd get zero.  Second lesson.
Besides, if my music was so eminently adaptable, maybe it was generic and not good enough.  Back to the drawing room.

So the Pharrell/Marvin Gaye thing registered as something of a 'Huh?' moment for me. I mean, there is little I hear these days that is not traceable to something else.  The production may be updated or changed--- the beats, the sounds-- but the melodies are so non-memorable.  I'll bet after the Grammies this year, the only person who really saw a spike in sales was whoever manufactured John Mayer's glasses.  The visual seems to have eclipsed the song.  The spectacle, not the soundtrack.  I'll bet Stevie Wonder has noticed this.  And then there is Angus Young--- in the same clothes he was in the first time I saw him, almost 40 years ago.

I'm about to publish a small book of poetry and have been obsessing about the cover.  The Bo Diddley song has been going over and over in my head.  It's odd-- in old times, books looked pretty much the same-- leather bindings--- occasional hand-tooling and gilt trim for the very rich.  But what was important and valued--- was the text.  A book was its contents.  Now?  So many are so under-read.  The classics are recycled, reprinted-- covers evolve, books are 'styled' to sell as objects.  Sometimes, in 'new' books,  good writing is hidden beneath the plot; like a metal guitar shredder, the 'notes' obscure the absence of core melody.

When I was younger I did a Sunday afternoon solo gig on Bleecker St.  Don't you know any covers, the owner used to complain? No, I answered, priding myself on my principles.  I actually wrote a song called 'Cover' so I could finally answer 'yes'.  And one called 'Undercover'.  That one felt right.   I am neither a borrower or a lender.

So now it is the first day of spring, and we in New York City are about to get a dusting of snow.  Our sidewalks and streets have just been stripped of the last of the winter 'cover' which revealed underneath a vast layer of soaked and pressed litter-- like fossils of Christmas and Valentine's Day and thousands of candy wrappers and flattened Starbucks cups everywhere.  Walking down Madison Ave… to my right were the clean shop windows filled with all the bling a rockstar's wallet can buy… and to the left, is the gutter spread of trash, of objects covered with the grey-black film of melted dirty snow.  Jewelry, garbage, leather bags, garbage, porcelain, garbage… art galleries…garbage… until I began to reverse the order and really everything lost its meaning, its 'cover'.  Later today this will change… like a new coat of paint, the sweat and spit and dog-shit and the papers-- everything will be magical again for a few hours.

There is another author with the same name as mine.  Her book is about incest--- about her father raping her, her childhood trauma.  I don't know what the cover looks like.  My own father thinks I wrote this book.  He hasn't spoken to me for years, but he really hadn't spoken to me before, so the mistaken identity thing was a kind of icing on his paternal bitter cake.  It's useless for me to explain that this is another person, because having a reason to excommunicate me-- it suits him.  As I was contemplating my cover today-- maybe a moment where I'd hand my finished book over to my father and receive exoneration-- I began to think.. .well, this never happened to me… but other things happened.  The fact is there is shame in my family history and cause for shame.  Cover-ups and substance abuse… and my own father never harmed me, not physically-- but his absence and lack of sobriety caused childhood trauma that shouldn't have happened.   The irony is, I am the one that spent years trying to apologize--- trying to atone for his sins, trying to appease his anger.  So maybe, in a way, that other girl is me, has uncovered things that are not so far from the ones that should not have happened in our house, even thought the 'cast' is different.

Making up my bed this morning, I thought of all the things that happened, inside these covers, and other covers--- the intimacies, the passion, the nights of refusing intimacies, the hours of sickness, of feverish children who feel entitled to pass nights of illness in their mother's sheets, of nights of grief and desolation, of nightmares and beautiful dreams of our missing loves that cruelly disintegrate as we wake. The way my son and his girlfriend spent hours picking the quilt that dresses the bed in their new apartment.  Because so much of their life will take place there, and it is important.

In truth, my father, like most people,  will never read my book.  He won't listen to the songs I've recorded, and that is fine.  But he just may see the cover.  Or not.

Ergo-nomics

Last week my son turned 25.  This prompted an uninspired shopping expedition which these days consists of a whirlwind tour in and out of various Soho 'label' stores, me getting a crash course in trendy fashion, the mid-20's consumer culture, a hands-on introduction to several moderate luxury items I've browsed online.  I'm always hopeful that by some miracle of fate and season there will be a single pair of leather boots or J Brand jeans or that Montcler jacket at 95 percent discount-- an irregular, a close-out, a mid-season return.  The reality is we both generally end up hungry, exhausted and humbled-- as though we've been allowed the briefest glimpse of paradise but no entry.

My French god-daughter and I once went on a day-long spree during which she tried on every dress, coat, ensemble, boot--- up and down Madison… twirling and deliberating, strutting like a princess, and ended up happily eating $1 hotdogs in our thrift shop jeans and leather.

My son doesn't have that gene.  He has sophistication mixed with ghetto values that want to own these things.  An iphone 6 on an entry-level salary doesn't phase him.  His college loan debt does not bother him.  His closet of discarded label-clothing is no argument.   Debt is his back-door man.  My lectures and principles are tap-water through the platinum sieve of his fancy.  The better man in him knows these material things are transitory.  But so is life.  My brain is my largest asset; his future wallet is his.  This year he hates John Varvatos.  I view that as progress.

I've had the same gynecologist since I was a college freshman.  We have developed this rapport now--- he has seen me through the important phases of womanhood and sexuality.  I've been a loyal patient.  He generally is non-invasive and non-judgmental-- asks little.  But as he approaches retirement, he has begun this tradition that we go into his little office and we talk-- no longer about sex and childbirth and clinical things--- but about life, the books we've read-- the death of the New York intellectual, why plastic surgery is perceived by a patient's friends as a disappointment-- etc.  He likes me.  I have a brain, he says, with an irony that tells me he doesn't often encounter this in his young patients.  It is irrelevant that I haven't had the kind of economic success he'd predicted for the precocious Princeton girl with the long legs and enormous vocabulary.  I had 'married' my career priority and surprised myself by my own eccentric ability to manage the city on a starving artist's income.  We have this professional intimacy and I trust him; he values me as a patient and I generally see him every year around my son's birthday-- Election Day-- marathon week.  It's a ritual I will miss when he finally throws in his speculum.

As I leave his office, I am vaguely consoled that there is no real emotional hangover from my failure to dazzle my son with a gift.  He deserves to be dazzled-- but is approaching the age when he will indulge himself rather than take the proverbial food from his mother's plate.  Besides, I gave him my iPad.  It was an extravagant gift from a super-rich lawyer to acknowledge the volunteer work I do.  I confess I've never used it.  It's not a brand new one, but he liked it.  It's a pretty good present, with another year of Applecare still on the books.

I walked to and from the doctor's office; the weather was mild and I saved the $5 metro-fare.  Coming through the park, I was thinking over our discussion about the subjectivity of sexuality, and I stepped on a $20.  $20.  In my pathetic world, this is life-changing.  Maybe in some households on the other side of the world-- -even the other side of town, this is also a windfall.  But in the Soho Bloomingdales, this was a useless bill.  I'd browsed $400 shirts, $600 lace-up boots, a really nice jacket for $2,600, and $500 jeans.  Everything seemed just so sad to me…there were a couple of young men in there buying-- some overdressed mothers indulging their sons… and 2 pairs of rap-star posers with every single symbol of fashion status including designer tattoos… commentating and handling the scarves and belts.  It's not about the quality, my son explained, who had generally worn the Century 21 belts and Syms parkas with sportsmanship and style-- it's the fit.   A similar observation had been made in my gynecologist's office, which elicited a subdued chuckle from the wise doctor who had authored, in the 1970's,  a cutting edge book called 'Healthy Sex'.

Outside Bloomingdales, after our fill of Soho labels and the kid-in-the-candy-store thing, 2 of the girls we'd seen inside were trying on handcuffs and being shown into a patrol car.  One size fits all, I remarked.  My son gave me that look-- -after all, I'd bailed him out a few times during teenage years.   The amazing thing was, he'd only stolen things he didn't really want-- like they were for someone else… some kind of warped pride in that.  Besides, he always had those rich girlfriends who shopped for him at the Prada and Armani store.  But even that got tired.

My friend has a high-end art gallery.  Last week she hired an outside consultant for an in-house gallery retreat which was a 4-hour meeting during which the consultant told her the place was dysfunctional and she failed to communicate and acknowledge her employees.  They were too disheartened by her attitude to fight for their opinions.  For this advice she paid $12,000.  I gave her the identical analysis 2 weeks ago on the phone, for nothing.  But without a price tag it was useless.  Consumo ergo sum.

I still refuse to give in.  With my $20 I bought some groceries, 2 great books at a thrift shop, a fantastic vintage ceramic tile as a new-baby present, a lotto ticket, a homeless guy's hotdog and coke, and I tipped my local Starbucks barista $5.  He gives me great coffee every day and charges me for a refill which is free.  $20 would not get my son through half a day.  When I die my greatest asset will go with me.  No, at this moment I can't afford to fix my teeth or have my bass re-fretted; I can't afford my son's shoes or a new iPad.  I still have no cellphone. But I will get what I need, as will my son.  He may even get what he wants, which is not necessarily what he needs, as my gynecologist and I know, and which he will learn when he really needs to know this-- when he finds a Moncler jacket or a diamond Rolex lying in his path and he decides to leave it there for the next guy.

Looking Down

Lately I have been looking down as I walk.  I find things in the street--- sometimes a quarter or an old penny-- last week an iPhone 6, someone's keys (another short story here, for another time)--something satisfying in returning lost items to their rightful owner.  Occasionally, as with wandering dogs and cats, things or pets have been 'deleted', let go.  Not everyone has that defective gene that makes us believe objects have a soul, that they emit some kind of emotional radar-- some vague longing and belong to us.  I am burdened.  I collect souls and sorrows and stories like missing children.  I found a stray dog once-- years ago.  I lived uptown, near Harlem-- was determined to find a good home for him, left him with a friend in Soho while I went on the road for 2 nights.  He'd only known me for 3 days.  I came back to the city, found that he'd escaped his soft collar and leash while tied outside a bar on Broome Street (ah, my friends' priorities…)… and there he was, curled up by the stairs of my old building, more than 100 blocks away.  He was mine.

Most things in my life have not been that clear.  I find it hard to recognize new shoes, the 'right' apartment, lunch.  Love.  But that's another novel.  A few weeks ago I read an account of a blind man who was injured in a subway accident.  When the train came in, it said, he was looking up.  That had all kinds of resonance for me-- religious, spiritual-- irony.  When you are blind I suppose it doesn't make much difference where you look.

My increasingly solitary day trips have an inner soundtrack.  I do not carry an iPod or a phone, but I maintain an inner commentary--- it's unstoppable, my voice.  Like my own personal Walt Whitman.  Of course, it began as personal encounters-- observations, mental photography.  But lately the flotsam and jetsam of objects in the street and gutters speak to me. Harlem, where cleanliness is not consistent, is a virtual Pandora's box.  Block by block---gentrification alternates with the random and spectacular pairing of oddities and tragedy.  On Lexington and 122nd, there is a men's shelter.  Sunday summer nights the tenants are chilling on the street, sprawled across those strange new metal sculptural seating installations that line the curbs there… some in pairs, some talking trash, some quietly staring off, smoking, hitting me up for a dollar or anything.  Many of them know me by now--- they know I'm not just a tourist, and I'm walking back from Pathmark where I spend my meagre food allowance as carefully as possible.  They don't bother me.  One of them always shares with me that his favorite color is black-- I like that.  None of them are looking up.

On 119th Street, by the basketball courts, a young couple is having a discussion.  The girl wants an accounting-- a reconciliation, maybe.  Her boy is not looking at her.  I could tell her, spare her hours of circuitous conversation, start her healing.  He's gone.  He's not coming back--- maybe he'll fuck her, out of boredom--- once or twice-- but he's not going to be looking.  I can always tell with guys.  I even know before they know.  This drove my husband crazy.  I was waiting, he said… I was setting a trap for him.

I do remember the way he looked at me, my young lovely husband.  I remember some woman at an art auction coming up to me---a stranger-- and saying to me-- If any man in my life ever looked at me the way that man looks at you, I would die happy.  I took things for granted then.  Love-- passion-- candlelight.  Dinner.  An endless supply.  Looking.

I also remember my baby boy.  The surprise of him… the way he looked at me with those serious eyes-- with complete trust.  So many of my girlfriends forgot to have children… and it wasn't on my priority list; it was a random act of love.  Maybe I should never say something like this, but I pity any woman who hasn't carried the weight of life and experienced the colossal pain of birth and the utter miracle of giving life, of having it look back at you.

I am sitting in Starbucks to escape the indescribable traumatic building sounds that accompany the word 'renovation'.  For us day sleepers,  the endless New York City real estate boom market has become a challenge.  I have a recurrent dream of earthquakes.  I am running, the columns are crumbling around me, the ground is trembling.  I awake and my bed is literally shaking.  9 AM promptly.  Ironically a song is on the current playlist here--- one of those indie dreary bands but something unpretentious and slow-- Everybody's looking up… and I'm looking down…  I don't know or care who it is.  Somehow this tough-kid phrase from my middle school years comes into my head-- I'm gonna fix it so you have to look up to look down.  

Everything changes.  Neighborhoods, love.  Brigitte Bardot turned 80 this week.  I watched Le Mepris a few nights ago.  Saturday night I was lucky enough to play in a concert at Lincoln Center.  The singer, a formerly gorgeous and sought-after vocal star,  now lives in a kind of homeless hotel.  Her life and story was a revelation.  She performed one of my songs and it was amazing.  The room was so quiet-- I could hear my bass notes and I played with a fragility I had previously not experienced.  Two hours later I was in Bay Ridge playing raucous garage music to a mostly drunk and rowdy audience which included a large Down's Syndrome woman who charged the stage at regular intervals during every single song.  Was one gig worth more than the other?  I don't know. I was paid exactly the same for both.

It's a bi-polar world, literally speaking.  At the risk of stating the obvious, I guess Down must be the new Up.

The Anti-sign

Every Saturday I walk west on 23rd St and a rather sexy young fortune teller beckons to me, in her gypsy-west-indian musical tongue--- Come... have a reading… like she wants to share something with me, like she is not soliciting and having to make what must be a pretty stiff monthly rent for her space, and her perfect manicure, and her cards, and her neon, and her Starbucks double espresso.  This terrifies me--- the idea that she will paralyze me with some prophecy… even the preposterous sliver of  gossamer power-ball chance that she can actually see something.  After all, there might be a ghost in my apartment.  There are sounds no rodent makes, and there are dimmings of light, and cold draughts, and a shirt will fall from a towel rack and its random shape on the floor will remind me of some ex, some night that is farther away than a dream.

But nothing annoys me more than my friends who are the armchair astrologers.  Most of my favored 'ologies' do not personify with an 'er'… you have 'ists' and 'ians'…  but these are realer sciences.  Whoever granted these star-children people scientific credibility?  How did this random chart-manipulating become newspaper- worthy and does not the fact that Bob Marley and Ronald Regan have the same birthday mean all bets are off?

How do we become who we are anyway?  A friend of mine has moved to another city and seems to have reinvented himself as a patron of the arts.  Really he had a mad obsessional crush on a young beautiful violinist…but I always have the feeling he stepped into some script he had borrowed from a film… the way teenagers see a movie or watch some TV program and become the character.

Recently I watched this film called 'Interlude' which I remembered seeing when I was a young innocent girl.  I was so taken with the affair between a young carefree journalist and a world-renowned conductor (Oskar Werner)… I met an older (27?) poet one Saturday at the Museum of Modern Art and tried to fit some of the film lines into our conversation.  We made a date to meet again; I even parted my hair like Oskar's lover, and made myself an Interlude-esque 1960's tent dress.  I learned how to make tea the way she did.  Well, the guy probably figured out I was like 15 and stood me up.  But it affected me, the way I dreamed about and visualized my life.

My son was born exactly 9 months after my birthday.  Do we not have some kind of astrological 'simpatico'?  Apparently not.  Apparently I had a little too much to drink at my own party, and was careless, and the most important event of my life just happened, 9 months later.  If he had been born prematurely, would he have a different astrological prognosis?  Why doesn't astrological life begin at conception rather than birth?  Women can theoretically schedule a Cesarian so their baby conforms to a more 'pliant' astrological sign.   Which Horoscope would they then read?

At my Christmas gig, a charming but drunk Indian girl grabbed my hand with great force and bent it nearly out of joint before she reassured me that I had an incredibly long lifeline.  I admit I felt reassured.  But did that girl who was killed last week on 96th and Broadway-- crossing the street--- did she have a long lifeline?  Did her daily horoscope tell her to stay home or to look both ways?  Doubtful.
Neither do I believe that my ex-husband's alcohol binges and boyish charm were attributable, as one of my friends insists, to his birth sign.

I do think we are altered by these images--- by someone who captivates us, or even a film or television program-- a song which gets inside us.  It seems so teenaged, so random, as the kids say.  Why is it I am unmoved by so many people and yet I will give the hat off my head (and I have) to my young doorman who is a former gang-member?  Why is it that all these young girls are straightening their hair and buying shoes they can ill-afford because they want to look like that  girl in some magazine who doesn't even look like herself because everything is so airbrushed and altered?

I am older now, and I am less sure of what I am than of what I am not.  My friends seem ambivalent about making decisions--- about going places-- about leaving their house--- about gigs, and even making recordings--- about mixing, about their cd photographs and what they should wear.  They consult psychologists and astrologers.  There are days I avoid these people.  I don't want anyone to ask me who I date and when they were born.  Then there are days I walk downtown and see an old man playing a violin on the sidewalk without music, and I think, I am this man; he is me… and his melody goes right through my heart, like a ghost walking into me.

In January and February I am always interviewing kids for scholarships.  I've been doing this for years and I am always touched by their eagerness not so much to please, but to be the 'winner', the hero… the chosen one.  They have agonized and consulted friends and mentors about what to wear, how to speak, whether to drink coffee, whether to be mature and say little or whether to be charming and garrulous… and none of it really matters, because I am simply the messenger.

Tonight I returned a phone call to a man who's been flirting with me for years,  who finally had the courage (or sufficient alcohol) to approach me on New Year's Eve… but who has waited these weeks to call… maybe his horoscope was discouraging--- or as he explained he's bi-coastal and miles away---but when I called him back, it just seemed so -- chattery-- -and --well-- just boring…

What I want is: yes.  Last night I played a gig and called an old friend and YES! she said.  I'm THERE.  
It was so refreshing and great--- so 'Interlude-esque'… .although I remember Oskar Werner using the word 'No' like a verb, like an interrogation… and it was such a silly movie.  But there she was, with friends… all of them saying YES without changing their clothes or putting on makeup.  And I was so grateful.. .and we all had such fun.

But here I am,  early Sunday--- letting calls go to voicemail… saying, as is my custom too often… Perhaps… because we have this illusion, some of us, that if we don't make a selection, all possibilities still exist… and life goes on, and the man playing the violin has packed up and gone home, and the day which is dawning is its own world, with unexpected births and deaths… and I well know that Oskar Werner was not a conductor and lover but an actor who died a reclusive alcoholic at close to my present age….and the gypsy downtown is at this moment explaining to some lovesick girl that she must light candles to dispel the curse she has inherited, and these will cost her $60 each, and the girl is pale with longing for a man, and pays…. and I will go to sleep and dream of missing dogs, and lost children, to a soundtrack of music I will forget,  and of the feeling of being loved, the 'Yes' of my past, and perhaps, of my non-astrological future.

What if Dog Was One of Us?

I came down to Starbucks to write today, thinking I need a change of scene— all set with my headphones and my chill music… and here on line is this unfamiliar, loud woman with a golden retriever who she claims is a service dog... sprawled out, itching himself to distraction.  Now I am a long-standing dog lover--  but the woman, besides having an extra sort of ball of fat (too old to be pregnant) jutting over her mangy jeans, while barking her order, is texting like mad and speaking in the most annoying tone to people she is apparently soliciting to share some sort of living space with her.  Handicapped people-- the genuine ones-- I have observed, have enormous courtesy skills.   I have a friend who pulls this sort of bs in his local café where he sits nightly with his dog tied outside (maybe legal) and fields complaints by insisting his is a service dog.  Reminds me of the old joke—drunk goes into a bar with his scruffy little mutt, asks for a drink, is told he must remove his dog.  Insists he is blind, that his dog is 'working'. So the bartender tells him—‘That’s no seeing eye dog… seeing eye dogs are Retrievers, Shepherds’.  – ‘So what’d they give me, then?’ the guy asks. 

So... this is apparently my mantra of the day... What’d they give me then?  I woke up with some kind of hole--- I’ve become addicted to watching films at 6 AM which are somehow the Sundance ‘B’ movies and odd unrated stuff that no one else you know has ever seen.   The characters are always perversely lonely and isolated and eccentric or vaguely criminal or cruel and underbaked as humans… and more than myself I begin to panic about my kids--- how they will become contented, compassionate people in this culture without my eccentric little injections about art and passion and true, non-financial generosity which I realize have only piled up like useless old magazines in the trash-files of their young brains.

What did they give me?  Why do I look in the sweet eyes of 4-year olds and see future sorrow… why do I feel the need to read to corn-rowed toddlers in East Harlem who seem to be begging me-- strapped into their Medicaid-paid strollers with barbecue chips and coke, while their mothers scream at phantom baby-Daddies on speaker-phone…shuffling down Third Ave…kids running all over the place… getting smacked and cursed at.  If I took one home, he’d hate me.  He’d crave rap music and those blue Hawaiian drinks and I’d never be able to braid his hair the way his mother did.   

I used to spend all this time making healthy lunches… going without so my son could have decent sandwiches on whole-grain bread.. .with fruit and carrots and good things… only to find one morning one of my little recyclable bags on top of the corner trash can… apparently a daily toss--- too heavy, and who wants to bring their mother to school when it’s the only independent time you get and besides, there’s McDonald’s--- or pizza.  How long had this been going on?  How did he figure out it’s simpler not to engage in a dialogue-- -just to ‘delete’ anything parental and burdensome? 

Did you ever notice that when you feel broken--- really broken--- sometimes your dreams are okay--- almost ‘normal’… sort of happy--- missing dogs come back, your mother is there, not yelling at you--- your ex-husband is smiling, your hair is long and shiny--- it ‘feels’ good?  You are wearing a dress… something like this.  And you wake up--- and here is the goddam imposter service dog itching like mad while you have spent $2.67 for coffee and the privilege of a table and chair and some bad café-music while you try to work on a novel only your wonderful best friend will read, because she is getting depressed by your poetry ---and you have played your heart out the night before, your fingers feel abused, the monthly royalties are not enough to cover a new cartridge for the printer and you are forced to admit the only income today will be the $5 extra-bucks at CVS.  For this I am grateful. 

There’s always ebay --- more and more of my friends are earning grocery-money from their old shopping habits, but I can’t face this.  I’d rather dump my things at the local thrift shop where I can actually see them on the shelves or not have to worry about value or even a receipt, in my pathetic starving-artist zero tax bracket.   And I’ve never really had ‘shopping habits’… I tend to wear everyone else’s clothes until they suicide. 

I’m tempted to go into the subway to play some new songs--- but my son’s friends occasionally take trains and this is so humiliating for him… I guess I could wear a disguise but that feels wrong, too.  The fact that I have something to say, and new songs to try out seems like an adequate defense…but then I have to fight the other beggars and narcissists…I have to become bitter about the pathetic ‘Once’ duos and the Landslide guy--- and the bad jazz groups who at least can play a little… and then that R & B drummer and the guy with the crooked head who sings like an angel who really make me ashamed of my lack of promotional skills—after all, I’m white and educated and have a laptop.  Why can’t I figure it out and just put some green into their bucket?  Go back to my East Village and Williamsburg venues and knock myself out for trainfare in a hat which I am too proud to pass around, they do not say.  Or come sing with us--- which they occasionally do say, and which I do not.  What’d they give me?  I’m not a narcissist.  I want to play my own music but I don’t really want to be there.  How can you hit a home run or even strike out when you don’t step up to any kind of plate?

Now the fake blind girl is calling everyone on Craigslist and giving her spiel.  Her name is Meg. I know more about her life than most of my neighbors know about me.  I am intimately acquainted with the smell of her dog and I know how she likes her coffee.  The dog is like obsessively licking his butt now, and his owner is too busy looking at craigslist to see that he is maybe going to damage himself.  What’d they give him?, he is maybe thinking.  All that training and he is a fraud, lying down on these hideous cold tiles while all around him people are having overpriced donuts and sandwiches and no one is allowed to pet him.  He can’t even sleep.  He’s tied to this stool, and he’s actually a little cute.  I just gave him a wave, and he wagged his tail.  Rescue me, he is saying.  I know exactly what he needs.  And if I feel like an old fisherman rowing out into cold rough waters every day in my leaky boat with a dead worm on a hook, coming back at dusk or dawn with no catch… imagine how he feels… the intelligence to be sniffing out bombs in Afghanistan with young servicemen who will play ball with him and wrestle… and he’s stuck with a fake blind girl who is fat and unlikable--- can’t even find a roommate on Craigslist, tethered to a stool in a Manhattan café, unpaid, unsung, unspoiled, unfed, itching. 

Apparently she promotes artists.  I can’t even imagine.  Art for the blind.  I have to leave before I offer to exchange this itchy dog for a seeing-eye snake.   He could maybe bring me some income in the subway--- a pair of sunglasses---not like I'm actually lying.   The dog is stretching.  He has needs.  I don’t know what my needs are any longer.   

A few years ago I had a book deal. They wanted to release it on a massive national scale as a teenaged sort of Catcher in the Rye for Girls.  But---  I had to remove some x-rated razor mutilation things.  Then a few graphic shooting-up paragraphs which over-romanticized drug use.  In the end, on the signing table, it got down to the 'god-damns'.  You’re clever, the Pollyanna-maybe-virgin-goody-midwestern- church-going editor insisted—you’ll come up with an alternative.  For god-damn?  You know, she coaxed--- like a euphemism.  Like dog-damn, I asked?  Or like dog-mad?  That works, she said….but I wouldn’t take a canine’s name in vain that way.  Dogs are innocent.  God is omniscient, which means, if he exists, he’s guilty.  He swears, too.  Anyway, she told her upper bosses that I was unreasonable and difficult and they suggested I try an independent publisher. 

So I’m watching Meg’s dog who obviously needs to relieve himself but is too kind and Christian to resent his owner…and would probably bark if I tried to sneak him out and maybe he doesn’t really care that he’s part of a small scam… and he gives me a little look as I leave--- like--- yeah, I know… but I’m  inside, and those other guys are tied to the hydrant out there... and I’m cuing up some Art Tatum on my ever-ironic mental soundtrack who maybe never needed a dog, but was mad-good.