Wednesday, September 10, 2025

When You Dance

Years ago I had a sexual dream about Donald O'Connor.  He was wearing that horizontal striped shirt Gene Kelly wore in Anchors Aweigh. I woke up feeling hung over and baffled: not only do I dislike stripes anywhere besides bedsheets,  but my male crush-template at the time was maybe Scott Weiland.  

Over the years I've had a few iconic, memorable actual dreams that feel epic-- cinematic-- long, complicated narratives with specific settings and locations that felt like inventions-- all featuring some Hollywood actor-- Brian Keith, in one-- who had no real association with anything or anyone.  I'd wake up feeling-- well, a little surprised... but connected. In high school I'd occasionally have a random dream about some boy I barely knew and then blush when I passed him in the hallway.  Little did he know, we'd shared some private intimacy which would remain part of my psyche. 

Of course, they say the people in our dreams are substitutes, like when we dream about a neglected dog, it's actually about our self. Regardless of where these come from, there's a literal hangover-- we replay what we recall in real time; we are affected. 'A dream is a wish your heart makes, when you're fast asleep...' sang Cinderella on my Disney album soundtrack. Children have nightmares... the lyric was confusing.

I just finished the superb new James Baldwin biography.  James participated in the famed March on Washington where Martin Luther King gave his iconic 'I Have a Dream' speech.  MLK had not just a dream but a vision and a moral and social platform.  On a much more personal scale, my son recently realized his 'hoop-dream' of creating an urban basketball platform.  Of course this took incredibly hard work, planning and stress... fundraising, organizing, building, turning small failures into success narratives, and a coming of age. More than a dream, it's a passion he parlayed into a career ambition.  

My father, the war hero, was a fantastic dancer. Not like Michael Jackson or Gene Kelly, but he had incredible grace.  Watching him with my Mom at family weddings and celebrations, they were like movie stars in their own world... waltzing or samba-ing with harmony and skill.  It was sort of a revelation, seeing my parents this way-- transformed.

The US Open always reminds me of my father who was also a superb tennis player.  In fact, his dancing skills were probably honed because the tennis club where he worked as a boy recruited the young single employees to dance with random single women at their evening entertainments. He had plenty of practice, and experience with women in his pre-military career.  I'm sure that helped win my Mom over.  

'Do you love me, now that I can dance?' asked Dave Clark in one of the first 45's in my little collection.  My first real romantic experience was a slow-dance at a summer-camp mixer. I went to an all-girls Catholic camp that year and they integrated us once per season with a boys' camp from across the lake.  It was well chaperoned and the lights were bright, but the DJ put on 'Surfer Girl' and a tall boy held out his arms to 10-year-old me.  I could feel his heart beating, among other things.  But I realized dancing was sort of a physical metaphor. 

'When you Dance...I can really love' Neil Young sang and reinforced this metaphor.  There's an irony-- besides entertainers like Michael Jackson, rock musicians commonly do not actually dance much. Think Dylan, Tom Petty... Clapton, even Hendrix. They move around and weave a kind of sexual veil with their performance but they don't don't do steps. I've dated a few and offstage they can be a little awkward. 

Over years I've thought long and hard about the Donald O'Connor dream... were the initials significant?  Was this a substitute for my father?  As a young girl my father taught me a few steps; this was surely one of the few 'tender' moments between us. Knowing how to partner-dance was a part of our education. I was also sent to ballet-- to tap and jazz and modern dance because it turned out I loved learning steps and the choreographic role-playing.  Not to mention the music.  But dances-- parties-- this seemed to be a much more prevalent courtship ritual in 60's and 70's culture than it is now.  A slow dance with a new crush was a devastatingly sexy experience. I'm dating myself.  My college boyfriend and I loved dancing; it's what brought us together the very first night.  I miss this.

While I can't remember my father ever watching any of my dance recitals (and he certainly boycotted band gigs, lol)... he was very attentive at those of my son's school basketball tournaments he managed.  Although he doesn't really dance, my son shares a kind of athletic grace with his grandfather.  While I never shared my literal dreams with parents, I imagine my father might have been amused by the Donald O'Connor appearance.  I know how they relished watching those musicals...  and besides the Fred Astaire kind, he loved seeing James Brown, Sammy Davis Junior, and later, Michael Jackson. 

All these years later, I recall that old dream like an actual memory. Maybe it was a reference to my father I couldn't understand at the time. I'm trying, years after his passing, to smooth out the rough patches-- not to dance on his grave but to process the legacy with a little remedial choreography and the softer echo of old dreams.

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Tuesday, March 12, 2024

The Loop

I've been reading Jacques Roubaud.  It's not simple; he's a mathematician, a poet-- a member of the Oulipo group, along with Queneau and Perec, who use restrictive writing techniques and exercises to create their work.  But he's also an obsessive observer and among the literary labyrinths and obstacles, there is this awareness of life that dazzles.  Walking, he says, decades before cellphones and technology were portable, is a conversation with time.  

My habits of running and distance-walking evolved as a kind of therapy for the grief I experienced in 2020, after the death of Alan. I'd circle the park, cover the half-empty city streets, and count to myself... as though the intimacy of numbers had some message for me... like a non-verbal language.  The way mathematicians think about numbers is beyond my simple comprehension, but there are patterns and colors somehow, that belong to certain sequences... and most poetry has always kept a certain musical count-- its rhythm, its meter.  

Photography, according to Roubaud, is a conversation with light. This, too, obviously way before the massive daily output of digitally cheap images. And also linked with time... the shutter speeds, the slowness, the developing. There were exactly three photographs of my Grandma in our house; only one vague image of her parents, posed formally and sepia-toned with a sort of monogram scratched into the corner of the paper. 

I confess I watched some minutes of the Academy awards... enough to see Billie Eilish whose delivery I have begun to find affected and pretentious.  I don't find her song 'winning' and her effort to avoid a body-image statement has resulted for me in a fashion overload.  It's like a doll with make-up and too many outfits.  I don't get it.  What is amazing is the technology to deliver an audio performance of breath... a far cry from the dive-bar culture where one sang one's throat out over loud guitars-- no earphones or monitors... sometimes nothing but amplifiers as a sound system.  And still, there is nothing I hear on these recent award shows that dazzles my ears like Mama Say Mama Sah Mama Coo Sah... or whatever he meant.  

Competing with the award show was a 60 Minutes piece on Jeff Koons-- a contemporary of mine whose financial success is boggling. Even his eyebrows were so artificially groomed I found it hard to look during the head-shots.  The factory, the Warhol comparisons-- well, simply... not not not.  The complete lack of imagination and the grandiosity of kitsch is no longer funny or amusing or artistic... it's just, especially in the world of today-- of war and violence and disparity-- a hideous lead-balloon tasteless joke. 

Walking rush-hour streets in the rain this week it occurred to me how few people observe the umbrella etiquette one used to find so natural in London... whether it's awkward tourists, or entitled women-- it seems there's little rain-chivalry and plenty of umbrella competition.  I often feel I no longer belong... block after block of shops that display but don't speak my language-- things that are strange and overpriced and even the ordering process of a simple coffee is overwhelming, as is the payment.  The doormen and groomed security guards outside buildings who look at people like me with haughty disdain.  Not the city into which I was born.  

I still circle the reservoir at sunset-- despite the crowds these days, it's still spectacular.  But last week some mediocre violinist set himself up with a loudspeaker that was enough to provoke a duck migration.  That woman who assaulted the subway cellist-- a criminal act, but I suddenly understood her.  Our privileged solitary moments-- our conversations with time--  are difficult enough without intrusions. So little silence in a city... musicians especially should be sensitive to the space between. 

So I guess I prefer to bury myself in a French novel and to sense the time it takes to walk from the West Village to Harlem-- sometimes with Coltrane in my headphones, sometimes Morphine or John Lee or even nothing... to speak occasionally with a man in a wheelchair who sits outside the projects with a boombox playing old R&B and tells me Pain might be his only friend now.  I could cry.  Worthy of an Albert King song.

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Saturday, August 29, 2020

Abandoned Ship

I was up earlier than usual for a Saturday-- took a jog uptown and saw my Boxer training by the Meer-- it's been months and we were happy to see one another-- enough to exchange smiles... his a kind of stiff grin through his mouthguard.  I love that he trains alone with the guard in.  He's serious. No mask.  No one is going to step into his 6-foot ring.  

By the public bathrooms a large man singing through a cheap karaoke kit-microphone... Stuck on You... of all things.  Last week it was Ain't No Sunshine.  He was bad.  Not Michael Jackson bad... just bad.  As I passed, like an announcer he cheered me on, through the little speaker-- yeah, Baby Girl, you do it...  Even I had to laugh... no one called me that even when I was a toddler.  I'm certainly no one's baby. 

Most of my life I have chosen the 'high road' in bad situations.  I have opted out of payment, given to charity, refused to argue when greed was the protagonist on the table, gone home with my pride a thin coating against the weather and the haters.  You and yo' damn principles, Tyrone scolded me when I refused to trade food stamps for cash.  I'll buy him lunch, but don't want his benefits.  

Me and my damn principles.  I feel like it's Act III of this Corona play; we're all in it, scriptless, rolling around like blind pinballs waiting to hit some bell or whistle-- illness, death-- job loss, eviction.  We're hunkered down here, some of us.  I've never abandoned the ship of my city before, but my building is less than half-occupied at the moment, and day by day I read Facebook announcements of emigres, deserters. What am I proving here?  I feel like a smoker on my last pack... what next?  

Uptown seems calmer than downtown; no moving trucks here, not much action on the street before dark.  People jogging, shopping... walking dogs, setting up for street barbecues and picnics-- but little anger... more like a what's next attitude and the hangover from 5 months of diminished life. We've become lazy-- flabby, unproductive.  We accept shitty television and whatever sports we can get.  We overpay for cable and internet-- it's become our new expensive bedmate. We argue less at checkout.  We drink alone and accept curfews.  

I've been getting a ton of art-related email.  Virtual exhibition tours, panels-- opinions, critiques, advice.  The 5 or 7 or 10 curators who have shaped the art market.  Over and over.  The social relevance of new art...  etc.  What does it take these days to be an art curator?  When I went to school we had to distinguish forgeries from authentic signatures-- fakes from actual.  We had to know.  Art meant something; there was a history and formal principles to be analyzed.  Like a history of classical music.  And contemporary.  Of course now that 'markets' are more important than art, all bets are off.  People are anesthetized and too lazy to look; they take the opinion of 'experts' like a medicine.  They buy what they are told.  They sell. These things don't wear well; back into the cycle.  

The way things are framed in this life seems to be important.  This is advertising-- presentation; wardrobe, make-up.  I have been shocked in my lifetime seeing celebrities totally 'naked'.  Unrecognizable.  The framing is essential.  I have seen paintings-- works of art-- sloppy and frayed, sometimes finger and foot-printed from an old studio floor... then transformed like funky ducklings into graceful wall-swans, surrounded by mounting trickery like celestial cloud-rendering. Ready for luxury customers.  

I started to think today-- how the unexpected afternoon sunshine transformed the Meer. There was even an unscripted rainbow-- or at least half a rainbow.  The water had just enough current to make a kind of quiet surf-music.  While I am pretty well-versed in naming painters and identifying artwork, I still haven't learned to recognize trees.  Nature doesn't really speak to me the way I know roads and cornerstones-- rooftop profiles and water-towers against skyscrapers... I have befriended lampposts and painted messages... they resonate in my human heart the way bookspines, cigarette packs-- have meaning.  Photographed faces in a row-- vinyl album covers-- stamp books and bootlaces-- cassettes in repurposed wine crates.  The way things hurt, when you are young... the way girls fell in love with one another at a certain age... you knew-- this face-- was going to be your best.  

Trash piles outside the projects are the same as ever... old TVs, discarded furniture, broken airconditioners-- strollers... but downtown, they are filling with things... with cast-offs and cartons of memory.  My people are deserting me.  Not for the first time I have the sense of a sinking ship... but I can find few reasons to hang in.  Maybe the 'principled' of us are on the diseased cruise ship of New York.  After the fear, the distrust, the social distancing and unrest-- the demonstrations and demands... the sorrow... Death has become at least one of the starring roles in this new play. Suicide, I have come to believe, is in all of our DNA... it is part of the human condition and the unique privilege we have.  Maybe the concept of suicide has yet to invade the collective soul of an urban animal.  Maybe we are on some verge.  

I've been thinking about the ocean-- watching hurricanes rage and recede, massive wave formations.  I've been listening, again, to Procol Harum's A Salty Dog... it's a kind of metaphor for grief, this album. It's beautiful and I miss this kind of songwriting-- these albums of our heart that seem memorialized in vinyl. My old copy is quite worn.  It asks me who will inventory my life when it is over? Who will curate, present and frame?  I'm not sure how this play ends; by then the ship may have sunk, and my moot and principled life will surely not be deemed seaworthy.  I hope someone somewhere will still treasure the lyrics of Keith Reid, or whomever...they resonate with even more truth in these times... Let him who fears his heart alone/Stand up and make a speech...

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Sunday, October 12, 2014

I Want the Angel

A few of my friends are hoping for induction into the Rock and Roll Hall of Fame.  I heard a radio DJ lamenting the other day the 'slim pickings' of this year's pot.  Somehow the recent nominees (and I am personally guilty for my blues Hall of Fame induction) don't have the 'weight' of Chuck Berry or Elvis or the Stones.  Kurt Cobain.  But they will hang on the wall nevertheless.  There's got to be an internet abbreviation for that.  NTL.

Same with R & B.  Somehow I don't process the Las Vegas-style spectacle of Beyonce as deserving the same category of a Sam Cooke or Otis Redding.  What was it she received at the VMAs?  The Michael Jackson Vanguard award? Entertainer of the Year.   Her husband bestowed this on her, having reserved this title previously for himself.  Awards and accolades have become cheap.  The Halls of Fame should be closed.  Let's skip a Nobel prize year.  I can't see that Patrick Modiano has the resonance of say Neruda or  Eliot or Hemingway.  Tagore.  When I was a student I anticipated this award with the greatest interest.  Now…I can't get through too many Alice Munro stories without craving some 'meat'.  It's literature 'lite'.

The night of the VMAs someone sent me a video of a Nigerian kid playing a funky home-made drum kit.  He was about 11, with true rhythmic brilliance and innovation.  I nominate him for Entertainer of the Year.  He didn't seem to have a TV and the dancers in the dirt didn't give a shit about Beyonce.  Anyway, with the Ebola crisis it would be too difficult to bring his family and friends over here.  That kid definitely has some kind of fever.  The good kind.

I met this painter at my gym.  The self-designated kind, who claims great success.  He's a health freak, so already he doesn't make it in my book where chain-smoking, self-destructive behaviors and utter disregard for dangerous toxins are kind of an industry standard.  He uses acrylics.  No turpentine or oil-based fumes for him.  Artists are dumb, he tells me.  They have no broad vision.  Isn't that the very definition of an artist?  Do we really think those Nobel laureates set out to win a Nobel Prize?  They wrote because they were compelled to write, because their demons kept them awake at night stabbing their heart and informing their lovemaking and wrecking their homelife.  Do I have any need to see this guy's paintings?  I do not.  I have already seen them, about a million times over.

How often have you read that we only use ten percent of our brains, and that is surely twice the national average? I vouch for the fact that I use one percent of my computer, but my keyboards wear out way before the cpu.  I have become 21st-century co-dependent partly because I am often unable to read the lyrics I ink-scrawl in the dark.  But have you ever watched one of those 1970's prison-escape movies?  Those guys used at least twenty percent of their brain figuring out how to make tools, and strategizing their one-shot-of-a-life.  It knocks me out.  Or when you love someone-- really, really crave and long for to the exclusion of all normal human need…what part of our brain is that testing?  Or those dogs that make it back across country, to their rightful family?  I want that GPS.

Just because some random genius existed who warranted the invention of some award category--- it doesn't mean that this is going to become an annual red-carpet event around which the media can create another fashion extravaganza.  This is what art was meant to be.  The rest of us are just hacks in an industry.  A Babe Ruth or Lou Gehrig didn't have personal trainers and coaches but they hit the proverbial ball out of the park.

When I was really small, my Mom took me to see The Music Man with Robert Preston on Broadway.  I was absolutely hypnotized.  This was of course a kind of prototype of the now-standard music industry hoax.  But as I get older, I begin to see the truth in his 'think method'.  I'm essentially just a blue-collar bassist… I learned to play not from Juilliard or Berklee… but by belief.   I still play once a week in one of those NYC jams… and I hear plenty of musicians struggling with their egos--- some hacking away at some kind of mediocrity which still evades them-- some ineptly executing some idea which has validity.  But most of them are up there because they think they can play.  They watch these award shows, and they hear the non-auto-corrected performances on late-night TV and they wonder why they have a day job.  Why no one calls them for a gig.

Go to Chelsea on any Saturday.  Galleries are filled with gapers and collectors.  Prices are rarely on the wall because it is a kind of financial obscenity.  People used to ally themselves with a particular dealer or POV because they loved art and needed to understand, needed to see.  Now it is cheap and overabundant, like crude oil, and seems to have outlived its own purpose.  There is too much of it, there are no filters… like music… and we are seeing the visual version of the youtube and American Idol phenomena.  The rich artists have become whores and jump from gallery to gallery because they are a brand not a genius.

There is a kind of artist's heaven.  I believe this.  Not a hall of fame, and you will be brought there if you have created something worthy and new-- if you have had the patience and strength in this culture to have nurtured your 'egg' until a tiny creation pecked its way out…. no matter if it croaked or sang or flew or was bought or recorded or adopted by anyone.  You will be judged naked and without make-up.  An angel will be sitting on a kind of carved throne with a parchment book and will write your name with a quill and celestial blue ink.  Not gold.  Even if you have made mistakes and injected drugs and are guilty of all seven sins simultaneously.  Maybe that will actually be a prerequisite, because we are after all humans, we who 'think' and occasionally envy and then go hungry and alone into our dark cork-lined closet-rooms with the traffic noise and the banging and the ghosts and the party next door  and the perpetual winter ahead.

When my son was 2 years old, we belonged to a church which had an annual Christmas pageant/service.  All the small children dressed up as some character in the manger, and went up to the altar when their character in the story was mentioned.  So my little boy, wearing a home-made star costume, was having nothing to do with the procession… fine.  Suddenly, during the sermon,  he must have toddled up the aisle, and in front of the TV news cameras and the crowd, I see him tugging at the minister's cassock… and the great man (he was 6' 4") bends down, and my little boy who was precociously verbal and referred to himself in the 3rd person--  has suddenly connected some mental or religious dots, and announces … He needs to see the star.  So to everyone's amusement, he is lifted up to the top of the great tree and this is not enough because he says audibly and clearly, with gravity…He needs to TOUCH the star.   And he is lifted up, way up-- to touch the glittery decoration on top of the wonderful tree, after which he matter of factly toddles back to our seat at the rear of the Church to great applause.

My son, who was totally unaware of his congregational '15 minutes'  at the age of two,  became a great athlete.  Aside from the trophy-culture,  and some genuine life-ambition, he never really had the need to do anything audience or award-worthy.  But I like to think about that Christmas Eve every so often, especially watching some faceless starlet in a blingy gown coming up to some over lit stage to receive some cheap moon man.  As for me,  I want the angel.

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Thursday, July 9, 2009

I'm Bad, I'm Bad...I Know It...

Have you ever been so hungry you open a jar of mayonnaise and do a spoonful? Not like the slightly paranoid too-stoned-to-go-downstairs 4 AM hungry, but the gnawing 2009 version I am experiencing trying to stretch my dwindling New York dollars to cover inflated pricing. I mean, first there was the wheat shortage…or the corn oil pseudo fuel thing. Whatever. My Super-A Cornflakes are priced like last year’s Kelloggs. Then there is the petroleum product thing which makes jars and containers expensive despite the fact that oil futures dropped like 70%. Then there was the $5 gallon of milk, the $2 a dozen eggs, the toilet paper hike. You name it. They give us a reason, then we just buy it because we’re too worn out to fuss about yet another thing when our neighbors have cancer and our kids are committing suicide or being arrested. The only thing reasonable is peanut butter which has been marked down because it can like kill you, and trust me, I’d be spooning it in if my son wasn’t technically allergic. Am I going to feel guilty one day for all the cheap tasteless pasta and generic cereal? Because I was too broke to afford the butter and flour for apple pies except on Thanksgiving when we’re too full for dessert anyway? Maybe, maybe not.

And the damn metrocard increase which totally wrecks my $4-a-day thing. If there was any reasonable way for me to protest the bottomless money pit of the Second Avenue subway, I would. I’m just not up for biking. I’m too rock and roll. Besides, I just did my 9th cd photo shoot in the good old metro at 3 AM. Where else can you find fresh graffiti, vintage tiles, cavernous empty space and cooperative rats without hiring a set designer and signing off with the ASPCA?

On the bright side, I don’t have to feel guilty about not contributing for the Michael Jackson memorial because it won’t be in my town, no matter what the doorman down the block swears. And not to detract from the legend of MJ, but the whole media fest is not really about celebrating the guy, but digging just enough into the freakshow to pull out some gigantic mutant plum. Didn’t the guy already tip you off with the Thriller video? Yes, there is a dark side. You, too, will be dead and maybe dissected and autopsied and revealed as the fake or secret pervert you might be. It certainly distracts us from the Ponzi scheme which is America and if they spent 1/100th of the time investigating the CDAs and predatory lending scams, we might have a story worthy of 24/7 network coverage. The alternative tonight was an Ovation documentary on Jeff Koons where I swear this guy was saying’if art were religion, Jeff would be its pastor’. How about ‘if art was human, I’d invest in an enema-bag to flush the Koons down the toilet with speed and efficiency.’

I took Latin when I was a kid, and the word for ‘speed’ seemed dangerously close to the root for ‘celebrity’. Back then, famous people stuck around a little longer. I mean, there was Mickey Mouse and Mickey Mantle and the Kennedys, Marilyn Monroe… the Beatles… They showed A Hard Days Night tonight and it all feels so remote and non-nostalgic to me tonight I couldn’t even find George cute. In fact the Beatles seemed a bit watered-down and slow, and just so ‘pop’. I wonder if Paul McCartney misses the good old days. Maybe not… because let’s face it.. he’s no longer Paul McCartney. He’s some old guy that got swindled by a fake slut with a wooden leg. The thing is, Michael Jackson wasn’t Michael Jackson any more… no amount of surgeries and masks can change that. Personally I didn’t miss Elvis when he died. I never liked the guy, but certainly couldn’t stomach the ‘In the Ghetto’ Liberace version. That’s the thing about celebrity. It comes and it doesn’t always leave when it gets late. It stays the night even when you wake up all puffy and hung over.

This afternoon I met this old photographer from New Orleans who’d moved up here because, let’s face it, no matter how much they rebuild and advertise, the place is wrecked. The soul blew away with the goddamn hurricane. No matter what they do, It’s the fat Elvis New Orleans now. So this guy is a little bent over, wizened--a little dapper and washed out… but smart, with a good eye. He knew Herman Leonard, copped for Dr. John in the old days. He seemed like a good guy. His hat was battered but cool. We talked about jazz, Mingus, Miles…exchanged numbers.

Just now I took a walk down to Duane Reade where I hoped to cash in the $5 reward I finally got after $100 worth of inflated purchases because in my overpriced hood, nothing else is open at 4 AM. And I swear I saw the guy digging around in the trash. I tried to stay close to the buildings and walked real quiet…but there aren’t too many ex-punks on the streets here, and I’m worried he saw me. After all, there are times in life when you just don’t want to be an audience.

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Saturday, June 27, 2009

YANKEE DISINGENUITY

It's been a rough week... Iranian protests, train crash, a building collapsed in Clinton...Farrah Fawcett, whose obituaries were waiting in the can... but who could have predicted she'd be upstaged by Michael Jackson? Quite a shock for all of us who grew up with the 40 year soundtrack of clearly the largest popstar in the world. And talent so astonishing most of us choose to ignore his eccentric behaviours and cannot quite fathom the celebrity-cross Michael had to bear. Not to mention the cult of non-personality the toxic 21st century has brought. Bring it on, bring it on.

My Thriller-buying self could never have imagined the quality of entertainment could have been so diminished by astounding progress in technology. Why just this week I was treated to an episode of 'Prep' where the blankest examples of Manhattan elite children use language like 'I shoulda went' and roomfuls of precociously overgroomed brunettes with identical stylists and hairdressers exchange vapid dialogue and cellphone numbers. No wonder my son is promiscuous. You can scarcely tell these people apart. And who in their right mind would parade their kids into the homes of bored viewers...for what? Money? Aren't these people rich? At a certain point I thought it inappropriate for Princeton to let Brooke Shields matriculate... so what's next...the South Park boys as virtual college Freshmen? My brain hurts.

I actually was asked to comment on the New Jersey Housewives show. Now I was not a Sopranos watcher...never had HBO... but these women are so off-the-charts unwatchable...and what's up with the trashy one inserting herself into the neighborhood? Aren't there people from New Jersey who resent this? Housewives of Newark? Why isn't that ex coke-addict thrown out of her home? She admits to massive debt...does she trade sex for Mastercard points? Who shows up at anyone's family dinner and confronts the table with pathetic stories about their past? Mute comics are more entertaining. Get her out. Nice women and good hardworking mothers have children with disabilities... this moron thinks the world wants to listen to her trash? And obviously these other ladies needed a little drama to spice up their over-indulged day? In my day, women like her got the silent treatment at best.

It seems to me, with everything you can possibly imagine on youtube, television would have to be a little competitive, offer a bit more than violation of privacy as a subject. Are we that pathetically voyeuristic that we need to know about the sex life and living room furniture of illiterate housewives?

And then we have Governor Sanford. How many of those wet-behind-the-ear TV bloggers were reading his emails on air like giggling teenage gossip girls with a hard-on? What do they know about love anyway? Let's crucify someone for having an affair. In the days where men were men and talent was talent, Thomas Jefferson and even JFK didn't have to compromise themselves with email and didn't have tattletale staffs who are too self-involved to keep their mouths shut. Privacy is the new American obsession. The invasion of someone else's, that is... guilty underbaked little souls that we have become. If Jesus showed up he wouldn't even get a passport.

Forget MTV, forget VH1, forget the myriad combinations of bands and employed instrument holders who cannot possibly be in the same industry as a Michael Jackson. Ditto the rappers. No wonder poor Michael was in pain.

But tonight... my non-achievement balls-to-the-wall award of the month, goes to either the YES network for broadcasting it, or that ridiculous Bernie Williams who didn't get enough camera-time or obscene bankable cash as an overpaid Yankee, and now has to torment us with his pathetic version of music. As though the world doesn't have enough smooth bad jazz to make Miles Davis spin forever. I actually know the guitarist in his band who is a decent musician and had plenty of ass in his time, and must be putting 17 handicapped kids through college to have lowered himself to this kind of celebrity guitar-neck sucking. Okay, so he looks a litle sheepish, giving Bernie the old-- 'yeah, you go...' face...trying to console himself with the presence of other professionals on the same stage, humiliating themselves forever, for money. As for me, I'll eat stale cake-crumbs. The sight of old Bernie, who looks about as natural with a guitar as Oprah... switch-hitting one expensive axe after the other, spilling out pre-packaged arpeggios and cliches with subtle non-musicality and that Hendrixesque ecstasy-face he must have studied in the mirror forever. Let some dysfunctional musical type who actually has a vision and no fielding ability have just a little corner of the market, okay Bernie? Go back into the cereal box that doesn't even want your face on it anymore because you belong to the has-been. Go to a third-world country and build houses. Play golf. Did Michael Jordan pollute our ears and screens with his saxophone? He got himself a big desk and sits behind it. Get off the screen and off the stage. Or if you really want to play guitar, try auditioning for the Puerto Rican Day parade as Pedro Garcia. See how far you get. Don't usurp the name of a former major-league ball player. Open a restaurant like those other guys. A strip club. Coach the Mets. God knows they could use it. But please, give the people with ears a break. Donate those overpriced instruments to the Music-in Schools program. Let someone with talent have a chance. Or better yet, go home and hit yourself in the head with a bat. It kind of looks like a baseball so maybe someone else will do it for you. In language you can understand, if Michael Jackson is Babe Ruth, you are selling uncooked hotdogs at a rained-out Little League game. And fortunately or unfortunately, neither will be able to give you his professional opinion.

I don't care what they will say about you, Michael. Maybe you are better off out of this toxic world where privacy seems to have gone the way of talent. You are and were and ever will be among the Kings.

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