Saturday, April 11, 2020

Memes

A friend sent me a meme the other day of a beat-up old telecaster; crayon-scrawled on the body roughly and without finesse as though in an alcohol-fueled or museless funk the message: SONGS INSIDE FIND THEM.  It could have been a self portrait.  The songstress scarecrow that is me these days-- the hollow-man with the heart hanging from a string, the tear-tracks I literally feel like tattoos-- me the living girl-with-guitar sad emoji-- a smeary red smile graffiti'd onto a blue surgical mask which (has anyone else noticed?) conceals sorrow.

My symptoms have subsided... the tsunami of late March drama has ebbed a bit and the sun is out in spades, the cherry blossoms are in full bloom-- the dogwoods, the pink gibbous moon spread the evening curtain Tuesday to reveal herself between buildings like a taunting spotlit showgirl.  The evil wave took so many with it;  I was spared, clinging to an old leafless tree like a baffled and wounded survivor.  We all knew April was the cruelest month, but many of us did not believe.

Walking through Central Park, past the eerie tent city where so many hearts lie beating tenuously while loved ones wring their hands at home... the meadow grass is uncut and long... those without the virus can smell the green spring.  Crocuses and narcissi have poked through and a few robins are hopping over the gates.  The playgrounds are empty-- vacant swings like camera-shots in a kidnapping horror-film.  This is an R-rated place.

After 10 PM I can walk up the east side of Fifth Avenue without a mask; the streets are quite deserted except the ambulance activity, hospital personnel crossing from building to building.  The huge mobile-aid semis have put down metal roots along the west side of the street.  We see only the 'closed' side with the huge ominous signs that advertise not carnivals or circuses but Billy Graham.. Samaritans... these billion-dollar charities whose presence is linked to disasters and death.  The oversized cabs of these trucks are parked along the street.  They are shiny and buffed--- beautiful in a way, like gigantic luxurious and expensive accessories separated from their purpose.  Inside the tents we know is some chaos-- exhaustion, anxiety, medical expertise mixed with despair and frustration-- a kind of battleground complete with the structures which have grown weedlike across the meadow and remind us of wartime.  Gates and blue tape surround the area, keeping the public at a distance, warning that there is an infestation within.  Death breathes from the compromised chests of patients.  I heard it when I last spoke to Alan, hours before he passed away.

I feel guilty for my restored health-- for the clear air I breathed today on the way uptown-- for the minutes I have gained since he left the world, for the fact that despite my grief-- I am not even blood. Family members of the thousands of victims of this pandemic have reserved this right and privilege of grieving.  I am just a poor mourner at the window, looking in.

The city, as we all know is unrecognizable-- a skeleton of its former robust self.  It's like one of those ant farm toys where the ants have all died.  Empty corridors and unused pathways.  Halls and monuments without witnesses and participants.  I am some strange animal whose habitat has been profoundly disturbed-- a frog with no water, stranded on a rock somewhere in the midst of plague-- an urban dinosaur fossil dying of cultural and social deprivation  If a painting hangs in an unlit room, how does it exist?

'Widow' always struck me as a beautiful word; it is the title of the opening poem of my latest poetry collection...  a sequence of letters sadly missing the 'n' in the third place.  I have lost before.... a mother, a daughter, my greatest love... but here I am again-- much older, less solid.  I am made of glass-- sympathetic and transparent, reflective, breakable, scored and cracked-- trying to believe in a future, trying to believe in the darkness.

Earlier today I stood on a grocery line on Lenox Avenue, trying to sense some pedestrian normalcy amidst the relentless sirens.  The sun, the car radios, the boomboxes are still there... the people like me waiting to spend a bit more of their food stamps on overpriced stock.  I buy one thing at a time-- as though life is so fragile I cannot see my way into next week.   Much hip-hop noise from the street.. someone practicing saxophone... still the panhandlers out with no protection; they are long accustomed to the precariousness of life.  From 116th Street I heard Marvin Gaye's 'Sexual Healing'.  Not so much of that going on... and at this point in my life, it does not seem plausible.

When my turn came to enter the store, I headed for produce to see what I could afford.  Irony of ironies... Joan Jett came on the system, singing--what else?--  I Love Rock and Roll.  A message?  It taunted me.  I had to leave.  What's up, Mami, the security asked me... you no like? I tried to smile.  Walking home blinded again by teary eyes... the mask condemning us all to this faceless urban anonymity... I love rock and roll, I thought.  It is a no-brainer.  I sacrificed everything in my life for this passion.

Rest in Peace Alan Merrill, my friend of friends, who sang his heart out for this damned city, as though his life depended on it-- and it did.  Audience or no audience, he was the quintessential working man with the voice of a dark angel, another hero in the halls of remembered fame, another urn on the mantel of memory... taking another little piece of my heart and life with you.  I am nothing more than a cliché here, a human meme.  Do we not all love rock and roll? Of course we do.  It is just so rare that it loves us back.



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Sunday, October 12, 2014

I Want the Angel

A few of my friends are hoping for induction into the Rock and Roll Hall of Fame.  I heard a radio DJ lamenting the other day the 'slim pickings' of this year's pot.  Somehow the recent nominees (and I am personally guilty for my blues Hall of Fame induction) don't have the 'weight' of Chuck Berry or Elvis or the Stones.  Kurt Cobain.  But they will hang on the wall nevertheless.  There's got to be an internet abbreviation for that.  NTL.

Same with R & B.  Somehow I don't process the Las Vegas-style spectacle of Beyonce as deserving the same category of a Sam Cooke or Otis Redding.  What was it she received at the VMAs?  The Michael Jackson Vanguard award? Entertainer of the Year.   Her husband bestowed this on her, having reserved this title previously for himself.  Awards and accolades have become cheap.  The Halls of Fame should be closed.  Let's skip a Nobel prize year.  I can't see that Patrick Modiano has the resonance of say Neruda or  Eliot or Hemingway.  Tagore.  When I was a student I anticipated this award with the greatest interest.  Now…I can't get through too many Alice Munro stories without craving some 'meat'.  It's literature 'lite'.

The night of the VMAs someone sent me a video of a Nigerian kid playing a funky home-made drum kit.  He was about 11, with true rhythmic brilliance and innovation.  I nominate him for Entertainer of the Year.  He didn't seem to have a TV and the dancers in the dirt didn't give a shit about Beyonce.  Anyway, with the Ebola crisis it would be too difficult to bring his family and friends over here.  That kid definitely has some kind of fever.  The good kind.

I met this painter at my gym.  The self-designated kind, who claims great success.  He's a health freak, so already he doesn't make it in my book where chain-smoking, self-destructive behaviors and utter disregard for dangerous toxins are kind of an industry standard.  He uses acrylics.  No turpentine or oil-based fumes for him.  Artists are dumb, he tells me.  They have no broad vision.  Isn't that the very definition of an artist?  Do we really think those Nobel laureates set out to win a Nobel Prize?  They wrote because they were compelled to write, because their demons kept them awake at night stabbing their heart and informing their lovemaking and wrecking their homelife.  Do I have any need to see this guy's paintings?  I do not.  I have already seen them, about a million times over.

How often have you read that we only use ten percent of our brains, and that is surely twice the national average? I vouch for the fact that I use one percent of my computer, but my keyboards wear out way before the cpu.  I have become 21st-century co-dependent partly because I am often unable to read the lyrics I ink-scrawl in the dark.  But have you ever watched one of those 1970's prison-escape movies?  Those guys used at least twenty percent of their brain figuring out how to make tools, and strategizing their one-shot-of-a-life.  It knocks me out.  Or when you love someone-- really, really crave and long for to the exclusion of all normal human need…what part of our brain is that testing?  Or those dogs that make it back across country, to their rightful family?  I want that GPS.

Just because some random genius existed who warranted the invention of some award category--- it doesn't mean that this is going to become an annual red-carpet event around which the media can create another fashion extravaganza.  This is what art was meant to be.  The rest of us are just hacks in an industry.  A Babe Ruth or Lou Gehrig didn't have personal trainers and coaches but they hit the proverbial ball out of the park.

When I was really small, my Mom took me to see The Music Man with Robert Preston on Broadway.  I was absolutely hypnotized.  This was of course a kind of prototype of the now-standard music industry hoax.  But as I get older, I begin to see the truth in his 'think method'.  I'm essentially just a blue-collar bassist… I learned to play not from Juilliard or Berklee… but by belief.   I still play once a week in one of those NYC jams… and I hear plenty of musicians struggling with their egos--- some hacking away at some kind of mediocrity which still evades them-- some ineptly executing some idea which has validity.  But most of them are up there because they think they can play.  They watch these award shows, and they hear the non-auto-corrected performances on late-night TV and they wonder why they have a day job.  Why no one calls them for a gig.

Go to Chelsea on any Saturday.  Galleries are filled with gapers and collectors.  Prices are rarely on the wall because it is a kind of financial obscenity.  People used to ally themselves with a particular dealer or POV because they loved art and needed to understand, needed to see.  Now it is cheap and overabundant, like crude oil, and seems to have outlived its own purpose.  There is too much of it, there are no filters… like music… and we are seeing the visual version of the youtube and American Idol phenomena.  The rich artists have become whores and jump from gallery to gallery because they are a brand not a genius.

There is a kind of artist's heaven.  I believe this.  Not a hall of fame, and you will be brought there if you have created something worthy and new-- if you have had the patience and strength in this culture to have nurtured your 'egg' until a tiny creation pecked its way out…. no matter if it croaked or sang or flew or was bought or recorded or adopted by anyone.  You will be judged naked and without make-up.  An angel will be sitting on a kind of carved throne with a parchment book and will write your name with a quill and celestial blue ink.  Not gold.  Even if you have made mistakes and injected drugs and are guilty of all seven sins simultaneously.  Maybe that will actually be a prerequisite, because we are after all humans, we who 'think' and occasionally envy and then go hungry and alone into our dark cork-lined closet-rooms with the traffic noise and the banging and the ghosts and the party next door  and the perpetual winter ahead.

When my son was 2 years old, we belonged to a church which had an annual Christmas pageant/service.  All the small children dressed up as some character in the manger, and went up to the altar when their character in the story was mentioned.  So my little boy, wearing a home-made star costume, was having nothing to do with the procession… fine.  Suddenly, during the sermon,  he must have toddled up the aisle, and in front of the TV news cameras and the crowd, I see him tugging at the minister's cassock… and the great man (he was 6' 4") bends down, and my little boy who was precociously verbal and referred to himself in the 3rd person--  has suddenly connected some mental or religious dots, and announces … He needs to see the star.  So to everyone's amusement, he is lifted up to the top of the great tree and this is not enough because he says audibly and clearly, with gravity…He needs to TOUCH the star.   And he is lifted up, way up-- to touch the glittery decoration on top of the wonderful tree, after which he matter of factly toddles back to our seat at the rear of the Church to great applause.

My son, who was totally unaware of his congregational '15 minutes'  at the age of two,  became a great athlete.  Aside from the trophy-culture,  and some genuine life-ambition, he never really had the need to do anything audience or award-worthy.  But I like to think about that Christmas Eve every so often, especially watching some faceless starlet in a blingy gown coming up to some over lit stage to receive some cheap moon man.  As for me,  I want the angel.

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Friday, February 14, 2014

Hole-hearted Love

Ice is sliding off the brand new World Trade 1 building… they are putting up protective scaffolding.  There are ghosts everywhere in that downtown square.  Anyone can feel them.  To have erected a slick expensive Port Authority money-maker so close to a sacred area seems somehow an inappropriate challenge to the skyscraper Gods. There are souls there… there are living fossils… business as usual here in a 21st century phallic overpriced tower with bragging rights seems a violation.  Some boyish spirit is up on top, throwing chunks down, the way my mischievous son couldn't resist throwing gravel from our roof on the cars below.

Valentine's Day is tough for 9/11 widowers.  Some have not learned to love again.  This building does not represent closure for anyone except the developers who will bank the profits.  It pokes the sky like a bayonet, like a pointy thorn in grieving skin.  Hearts are not welcome here.

So many of my friends are feeling down on this particular day.  My facetious Facebook remarks about requited love being over-rated are not appreciated.  One of my girlfriends keeps reminiscing about a perfect February 14th, oh-so-long ago.  What she will not remember is that she sabotaged and abused every single relationship she ever had, and ends up compulsively alone with a bottle or a pint of Haagen Dazs watching Bette Davis movies on Netflix, rewriting the past.

I have been to not one but two February 14 weddings…. one with the red heart-shaped guitar picks with the names of the bride and groom forever.  I still have the pick.  They still have the divorce papers, I assume.  The other one lasted 5 months.  Couldn't take the July NYC heat.

For me, I always take this day with a grain of salt.  I lost the great love of my young life to a horrid illness and rather than bitterness and child-support, I only have the lovely letters, sand from the beach where we slept our first summer, promises, a piece of his old jacket, a box of cigarette butts, some locks of his golden hair… memories.  Everything else has been gravy.  The meat and potatoes of my life, actually.  Children-- things of love that are beyond love.  My family.

Weather can make things a little worse.   For the moderately depressed and solitary, a snow day can be a trigger.  My own father, when we were small, spent a snow-bound weekend barricaded in our den with several bottles of scotch and ended up in a hospital rehab.  I understand him now, although he'll never know, and I can never say that to him, because that was an era of denial.

I can't stop thinking about Philip Seymour Hoffman.  The weather was thawing when he shut himself in; it was practically spring.  They do say that April is the cruelest month, and more suicides take place in spring than in the dark winter months.  Or maybe that's not the way it happened at all.  But my Dad-- in the 1960's--- we had telephones, and a television, and when that claustrophobia set in--- there were no windows-- the snow was nearly 4 feet high.

Today we have the internet.  We are shut in, but our friends talk to us and look at us and email, and we exchange heart wreck and poetry and songs at 3 AM… a window in the darkness.  For true heartache, nothing helps.  I keep telling my niece, who can see her most recent 'ex' on Instagram-- laughing, hanging out, half naked with his latest tattoos not of her… We are women, I say.  We are the biblical 'vessel' which in layman's terms is a 'hole'.  Men fight and lie to get inside of us.  Some knock and politely enter,  some slide in, some thrust themselves in… and some crawl in like a dog.  But when they leave-- and they do leave-- even my first and only true love who assured me we would stay this way forever, on the beach-- entwined-- has long been buried like the good Catholic he was-- they leave a hole in our heart in the shape of their body.  In the case of my niece, it is a rapper's penis-shaped hole.  Whatever.  But we don't enter them in the same way.

I always knew this.  In the 7th grade this kind of cool older boy with a blue car used to drive down the road  as I walked home and would roll down his window and stare at me with these hooded eyes like a snake.  He told me he was going to get inside of me and of course I had no clue what he meant, and I would run…and he never did, but someone did.  And then I knew what he meant.

For most women, all these holes leave a scar somewhere.  Some of us are married to other men, and never let anyone see these marks.  New Yorkers have a 9/11 scar somewhere inside.  Those towers left a hole in us, and this new monstrosity does nothing to bind that hole.  Quite the opposite.  I can't help thinking there was someone--- at least one person inside, who had no family, no loved ones--- a lost soul who had no funeral or service, no name read aloud, was never engraved on the walls. Odds are, in New York City, there are lurkers and strangers everywhere.  Maybe he is throwing the ice chunks down.  Maybe he has befriended Philip Seymour Hoffman.

The snow muffles things--- mutes things.  A strange white blessing in a city of soot.  Like the white rose petals we threw onto my friend's coffin as they buried her.  And spring will come, whether we like it or not.  I believe this with certainty.

My heart is worn like an old shoe.  It is scarred and marked and tattooed everywhere.   I have loved too well and too many times and not well enough and have cried enough to make tracks on my face.  But it still beats.  Just 2 weeks ago Philip Seymour Hoffman's was beating and maybe he was dreading Valentine's Day-- -the weather report-- breakfast, the unbearable contrast of his children's innocence on the West Village playground.  Who knows?  But as all of us who have witnessed birth know--- the millisecond between life and death is that one heartbeat.  Between utter joy and unfathomable despair.  And in between is a beating bloody heart.  Relentless until it isn't.  Love, like our bodies, is timestamped.  Women, I believe, take the hit most of the time.  But let's own it.  Alone, in a relationship-- separated, together… whatever… like all matter, or anti-matter, it changes in form.  Embrace it in all seasons, in all its forms.


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Thursday, April 11, 2013

The Elephant In My Apartment



Okay…I’m emotionally glued to my TV tonight, listening and not watching, as is my habit...waiting for North Korea to fire off their alleged missile....waiting to see if this is a WMD or a sort of cartoon popsicle-thing as I imagine it, arcing comically into the midst of a PSY video set, gangnam style.  The massive uber-success of that video is weapon enough to piss Kim Jong-un off.  I’m waiting for Time Warner to use this as yet another excuse for my crappy service, waiting for the next hurricane season, the financial jolt that shakes the money-hoarders into another market meltdown, for bird-flu to visit New York City, for the next urban coyote attack, manhole explosion, pipeline meltdown, crane malfunction, police freakout, bank heist--- whatever.  Anything to get our minds off of Kim Kardashian’s pregnancy and Jay-Zee’s trip to Havana.  The fiscal cliff is now just another chronic rash, the NCAA playoffs have left a small vacuum in my household; I hate baseball, and have an entire summer of non-air-conditioned nights in which to contemplate suspending my cable so that my son will finally get his own place, if only to watch the Mets.   

My new favorite television song is ‘Elephant’ which has gone from indie obscurity to rockstar jillion download-status because the Blackberry z-10 ads have touched this little band with a magic techno-wand.   It’s kind of primitive and stupid but the way the lyrics are squeezed into that descending chromatic figure--- is a stroke of awkward brilliance. 

Do I want a Blackberry z-10?  I do not; but I’ll bet the members of Tame Impala got some stock options…I’m not sure that they were even aware of what makes us like them… except the title of their new album, Lonerism, was once the designated religious affiliation of Writerless… (a write-in, on my old school applications)…so we are related in some emotional/intellectual parallel universe. 

The sun did a seasonal warming thing yesterday—enough to remind me that summer is not really going to melt the grey ice that seems to have settled into the crevices of my cerebellum like cancerous mold; the Knopf poem-a-day morning email does little but convince me that indeed April can be a cruel month.  And one of my girlfriends, last night, between rounds of intense relationship drama with a narcissistic Broadway actor, confessed that she’s bored.

Bored, I thought—having postponed maybe 4 decades of aspirations while I raised kids and played in everyone’s band but my own-- is not really a state of mind, but being too lazy to fight off the terminally Boring.  What I am beginning to face is despite all of this futureshock and hyper-acceleration of technology… the actual practical urban universe (not to mention several of the Knopf daily selections) is becoming an insipid kind of virtual amusement park. 

My son looks in the mirror when he speaks to me.  I thought maybe this was a symptom of some new syndrome--- tri-polarity, schizophrenic narcissism… but I also realize there is little actual face-to-face dialogue in his world; with all the people absorbed in their phones, walking and texting, driving and scrolling, etc… maybe this is the closest thing to a relationship.  Besides, I am trying not to worry about things.  Pick your battles, my Mom always advised me… I’d sooner complain about the broken door and the wet towels on the bathroom floor.  Mental illness is going to be his problem, going forward.  My parental obligations are winding down.  I’m pretty sure I’ll eventually get grandchildren and his wife will be too busy texting to notice that her husband talks to mirrors.   It could be a Lee Strasberg thing, anyway. 

‘Remember when we had to do all our telephoning before we left the house?’ one of the newscasters just asked, snickering… I still do not have a cellphone, I couldn’t care less who wants to reach me most of the time.  I have been noticing that I do get fewer calls--- my friends are so used to immediate phone gratification that having to wait until I pick up their voicemail is annoying.  Boring.  My mother has forgotten how to use her phone, and travels only in her mind, so she is constantly thrilled when I call.  I’m not sure she knows who I am, but she is happy to hear her name. 

I read on trains—novels, poetry… I find myself gravitating toward thrift shops and miscellaneous estate auctions where there is an absence of marketing and I have to rely on my own brain and eyes to filter searches.  My clothing style is unclassifiable.  My library is unlike those of my neighbors.  My visual memory still works; in fact, I’ve noticed that without labels and tags, even some art experts have trouble identifying anything more than 25 years old.  Google pre-prioritizes image searches; paintings done by formerly real people without websites…get lost in the shuffle. 

Spring is tough for me; I’m a bit of a perennial hibernator now--- a recluse.  I’m practicing Lonerism like a kind of emotional celibacy and it suits me.  It’s not that I’m unloved; I’ve become so accustomed to not being nurtured or coddled, that any extended hand gives me the creeps.  Maybe I was deprived of this kind of relationship, this kind of marriage; I admit to having rejected it, down the line.  It bored me, it threatened me with complacency and mediocrity.  With settling. 

So here I sit, listening to the Babel of my overnight television, preparing myself for a project--- for a subtle creative earthquake, for my summer storm of productivity…
I believe it will arrive…hopefully before the North Koreans scramble our power grid, and before the first serious heatwave drives me into Starbucks, before Kim and Kanye’s  baby, and before I need a cellphone to swipe myself into the subway.  But I can almost feel it now--- a pinch of anxiety… a breakfast visual-- with milk-white linens, pastry…an evaporating blood-scent mixed with blue air…medium rare moons…

And here it is again--- right on cue-- my little Australian trio with their late-night Elephant-in-the-TV refrain…‘too bad your chances are slim’… words of Lonerist encouragement.  We the anarchists of boredom will get what we need.  It is not unwritten.   

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