Turning the page

Aside from the various Christmas gifs and Charlie Brown vignettes and musical e-cards, I can divide this season's personal email wishes fairly neatly into two categories.  The first: a terse but cheery message heavy with jpeg attachments-- large families in warm living rooms- -dogs, kids... the chaos of wrapping paper and ribbon littering the floor around the decorated tree-- Grandmas around hearths, grandbabies crawling, children of children, festive sweaters and laughter.  Or seated around large tables laden with dishes and bottles... everyone toasting the camera with laughter and joy... view after view as though we are looking through some social keyhole onto the version of normal American holiday cheer we have come to recognize as a kind of status quo.  Many of these.  Here am I-- scrolling through-- reminded of Christmases past when my biggest challenge was the piled up dishes and flatware-- the confectioners sugar fingerprints on sofas-- the broken wine glasses, trips to the recycling with empties... no camera.  

And the other half... text-heavy messages without photos or emojis or gifs... long sad paragraphs that conjure the old 'America's Neediest Cases' feature in newspapers.  I grew up relishing these-- sometimes weeping and learning to disburse my petty childhood disappointments against the magnitude of real human tragedy.  Please, I would beg my perfectly manicured mother, can't we bring them some presents?  She had little sympathy for much of anything outside our family circle.   'Volunteering' was the mysterious thing women did without their husbands... but essentially it was as though charity and pity were not part of being a 1950's housewife.  

The 2021 version of Neediest Cases, personally delivered in my Facebook and email inbox, was sobering-- the predominant theme being isolation.  My generation was generally comfortable with alternative living arrangements--- serial monogamy, uncoupling and individualism.  In times of sickness, tragedy-- what felt like independence can dissolve into acute loneliness... depression, anxiety... lassitude and hopelessness.  Those of us accustomed to freedom were compelled to give up our wandering, eccentric socializing and submit to enforced alone-ness.  For some it was transforming and meditative.  For others it was unbearable.  Not to mention the claustrophobia of quarantine fomenting break-ups and bad drama-- relapsing bad behaviors and paranoias.  But these are my friends... like my mother I found myself a little overwhelmed and, while sympathetic, unable to do much besides listen.

And then there are the deaths and losses-- some timely and expected, some shocking and devastating.  The crying and 'care' emojis have surpassed all others. Our shaky foundations and podiums are damaged.  Layer upon layer of hardship came last week via email-- some coping with enormous courage and strength, some confessing their weakness with another kind of unacknowledged bravery. When the tears subsided and my vision cleared, I saw as well the emigrés of my beloved city-- the ones who gave up-- abandoned ship-- for safer shores that failed to quell their terrible homesickness. A few in particular had seemed part of the very fabric here-- the foundation.  Indigenous musicians who had once beckoned like gods to the likes of me, who put down roots and discovered the secret landmarks of an artistic world that once was New York City.   

Yes, the past 19 months have been hard.  We received tiny grants and gig-assistance and rent rollbacks-- food stamps and free covid care... but it was not enough to break up the monotony of waiting that became our daily lives.  Of course, as I've explained many times-- this has been a process.  The attrition of artistic institutions in the city-- the small, human ones-- is an old story.  But the overwhelming current disparity between the small artists and the corporate behemoths-- well, it has been crushing.  And the larger they grow, the harder it is for them to see the small treasures that used to form the bohemian personality of our city.  No one seems to realize that so many of the grant-worthy creators are not visible.  It used to be woven into the very definition of an artist that they were incapable of self-promotion.  

Taylor Swift has posted huge sales... Bruce Springsteen sold his catalogue for a fortune.  Meanwhile the tiny, fragile talents have slipped into cracks-- even suicides... maybe given up and taken a job delivering Amazon packages, stomping out the sparks and feathers of imagination.  I remember so well the joy of my first apartment-- classes, jobs, art galleries... sneaking into clubs and movie theaters... talking and smoking into early morning hours with others... drinking ketchup soup, crashing at places that smelled of paint, while guitars and amps were dragged up long flights of tenement stairs.  To have been thwarted with a nightmarish year-long hiatus would have been more than devastating-- Broadway and the LES the new boulevards of broken dreams.  It's surely the more fragile genius that is crushed first... and I grieve the missed opportunities and invention that have been few and far between enough before all of this.  

You are old, said the youth to Father William, or me...  and maybe young musicians no longer crave artistic Nirvana but instagram fame. Maybe I am wasting my sympathy on what I consider the tragedy of our city, while dire social, civic and racial issues rage on, beneath the pall of this pandemic.  At least I have some sympathy-- and useless as it seems, I will forge onward into yet another 365-part quandary, god willing.  For those fortunate enough to have celebrated, I wish you well.  To the senders of the sad emails, holidays are almost over... you've weathered another masked and trying season with some naked grace. And despite falling on deaf ears, or none at all, I vow I will not be silent as I walk into evening. 

Omicronic

The pandemic, in all its variations and behaviors, has again become the enigmatic chart-topper of the year.  It commands a massive global audience-- we participate, we read, we listen-- suffer, weep and throw up our hands.  It has confused performance with spectators, victim with aggressor, mourner with mourned.  Like a biological fugue, it plays on... movement upon movement-- scherzo upon adagio; just when we think we've reached the finale, there is another coda.  

One thing of which it reminds me is the proverbial sound of one hand clapping.  We have experienced the solitude of isolation-- of grief and loss, of quarantine.  Those of us who are comfortable with ourselves have indulged-- even enjoyed and 'caught up' with scrap books, nostalgia, creative projects we'd procrastinated.  We read from our bedside stack of books... we watch old films and try out recipes.  

The couples among us have either flourished or suffered.  Some compete for space or crave silence... some embrace the home-honeymoon scenario. But the performers-- the singers and players and actors-- have taken a major hit.  Yes, they go on their Facebook pages and zoom-entertain... but I notice the audience is dropping off.  Some of the die-hards look anxiously at their live stats as they sit at a piano, counting the drop-ins and regretting the passers-by.  I feel sheepish sneaking away.  But to broadcast myself? I shudder (shutter). 

I've already admitted to indulging in scads of old films-- way too much television, a healthy amount of YouTube concerts and comedy. Reading-- yes, but proportionately more screen time and channel changing.  The old films are always comforting... and seeing New York City as it was seems more compelling than ever.  Pandemic-era shows are immediately recognizable and besides the incessant news, I grow distant.  

Another thing I've noticed is how quickly the brief cultural timestamps seem... as though the expiration dates are closer and closer.  While old films have a timelessness... the newer ones (aside from Titanic and a few ubiquitously recycled classics) seem irrelevant and cheap. Contemporary celebrity is a vast field of edited heads and faces. Modern options have altered them-- morphed some of them into a kind of generic air-brushed idolatry.  Flash back to Ingrid Bergman or Veronica Lake-- Gary Cooper and Gregory Peck.  They are iconic... unmistakable.    

I am the recipient of hundreds of art blogs and online publications.  I browse auctions and museums-- virtual galleries and whatever I can... but see these sadly as imagery with short shelf-lives.  Yes, I'm old and cranky... but I wonder where Jean Michel would be if he'd survived.  A fat, cigar-smoking billionaire with trademarked colors, photographed in LVMH with Beyonce and Jay Z?  I suppose the riddle answers itself because he did not get that far, nor did he relish the pre-millennial changes as they affected his work.  

The irony of covid robbing us of smell and taste is poignant.  Once the Black Lives Matter violence subsided, I feel as though we all fell into a kind of bland stupor.  We fooled ourselves into reverting to old habits-- crowds and concerts, shopping and sports... and now we are again forced to reconsider.  What did we accomplish?  Our country is a divided mess, we are reeling from isolated natural disasters which raise the bar of anxiety.  But mostly we look into our little social media mirrors with unprecedented narcissism, the way the Queen in Snow White was told over and over she was beautiful.  We sing Christmas songs to one another online, we buy gifts and pretend.  

Who is watching?  There used to be movie magazines and celebrity papers for the kings and queens of Hollywood.. but did a local underwear model have millions of 'followers'?  Girls coloring their hair in front of phone cameras and cats parading in costumes... If we added up all the numbers on instagram, what kind of infinity would this be?  I can't help feeling this is all some catastrophic distraction, and covid aside, there is something wrong with everyone. 

Is it me, one of my friends asked on Facebook, after seeing a few of our old rebel heroes posing with political superstars who veto abortion and refuse vaccines and masks?  Where are priorities? And more important, where is science and data?  How is it possible that the Uber-protector America has let us all slip through its medical fingers, despite our obedience to accept not one but three unproven vaccines?  Are we just narcissistic little guinea pigs who post on our social media our immunity-badge which seems to fail us at just the wrong moment?  Is there something they are not telling us, or have we just lost the ability to listen, to read between lines?  

I've been playing, over and over, on my double bass, a few Christmas melodies.  I could fool an amateur into thinking I am proficient on this instrument.  Over and over in my head and my heart, I wish my friends and even my enemies and fellow countrymen a Merry and peaceful Christmas... with tidings of comfort and joy (emphasis on comfort-- repeat 2x)... 

Scrabble

This morning I came across a quote from Cervantes: 'All these squalls to which we have been subjected are signs that the weather will improve... for it is not possible for the bad or the good to endure forever and... since the bad has lasted so long the good is close at hand.'  Well... it touched me-- like a mother's hand on my face, until I realized-- these are the words of a deluded madman, are they not? I thought of Job-- then a friend lying in a hospital on a ventilator, witnessing or not witnessing the disintegration of his own brain. 

'We have all been here before' the song from 1970 was running over and over in my mind's ear like a damaged vinyl skip as I woke... and wondered, as I often do these days, if I am losing my mind or simply misplacing pieces of it.  While identifying the music in my head (often it is my own invention which takes form in a dream) from the Deja Vu album,  it occurred that we have not been here before... at least not I... and I am not sure when the good will come as I watch another friend suffer from the relentless tide of late-stage cancer and there are no highlighted days on her calendar-- not celebrations or moments of relief without drugs.  

My own mother warned me-- Pick something beautiful, she used to say... but I continued to opt for the dark and difficult.   She read to us from Bambi... my first souvenir was the word 'thicket'.. I was enchanted by the aura of words which led me into hidden passages and opened doors that seemed a little forbidden.  These days-- entering older age at an intersection of quarantine and cultural procrastination... well, it is an unforgiving sort of wilderness-- a bad mirage.  It is like stepping out and not knowing where the deep sidewalk crevasses may lie... there are no maps for this.  

And still, watching the news, accosted daily with the barrage of online activities and people--even friends-- competing for time on social media... it is as though things have not stopped accelerating. My peers are both bewildered and a little terrified... we have been simultaneously halted in our tracks and left behind.  No wonder Bruce Springsteen had a DUI.  It's not easy navigating reality and the dark gravity of what is still in our head.  He was writing a song of himself... ? Personally I have no license, no car... but I was 'there'...

Some of us have begun memoirs and autobiographies.  Some have begun to shed memories... or to find, as I often do, this 'soup' of sentimentality and nostalgia simmering on a hot stove of unfamiliar ingredients.  Compounded by the challenge of losing our taste and smell... has anyone else spent nightmarish hours wondering at the metaphorical resonance of this virus symptom?  As though we are intentionally misplaced... what if we were bloodhounds, any animals who became entirely useless and disoriented and could not find our way home?

We are at this threshold, many of us... I see even celebrities losing their minds, making bad choices-- a bit of Quixotic paranoia, a bit of desperation to be relevant-- inventing drama, putting it up on a screen for others to judge, to approve... to be watched or seen because we can't seem to find our own Deja-Vu here.   Our own mental illness has become sort of an entertainment raison d'être... it makes news, it reaches others... Personally I feel like a reverse ventriloquist-- like I must speak for those who cannot-- the ones lying in hospital beds-- the forgotten neighbors who fear leaving their apartments... and the ones who are no longer here.  They haunt my dreams.  

We are all future ghosts and corpses.  I'm sorry, Mom... it's a terrible thought but it is a life force.  I leave virtual daffodils at your sad grave every day; I have failed you simply by fulfilling my own program.  Like Bruce, maybe-- and I was uncharitable to him-- I am driven but not driving, thank goodness.  Last night I saw Demi Lovato and the Duchess or whatever she is also prostrating themselves... Yes, they are given a platform and it behooves them to take it for themselves, however dramatically they insist the opposite.  Our Governor-- can they not find someone else to crucify?  These people are maybe discarded too quickly.  You voted for them and they are human and on a platform and made mistakes.  I remember how quickly they took down Eliot Spitzer when he was trying to dismantle the frauds of Wall Street.  Where is our perspective? Heroes are all flawed... scrutiny cannot fail to reveal them.  

Yes, we women have all suffered injustices and disrespect; at this moment of my life I occasionally peruse the scrapbook of my girlhood and the incidents were plentiful and appalling.  I was busy trying to become the voice for something I have surely failed.  Rather than identify as a whiner I opted for the larger picture.   Two of my friends, coincidentally, have just begun-- out of boredom or disappointment-- jigsaw puzzles.  Comforting to know there is a solution; it will work.  The rest of the world seems to be fragmenting.  Perhaps I the aging chicken have become my own fallen egg.  All the Kings Horses, etc... 

Sonidos de Soledad

 I've been joking with friends about my lifelong penchant for solitude.  We've had a private relationship for years, I say-- flirtations, sometimes a secret affair...  but lately we've become more or less exclusive.  To be perfectly honest, I never really felt totally connected.  I loved my mother-- but the others-- well, it was like we were made of different material.  We'd get banished to our rooms for various childhood misdeeds and while my sister would tantrum and panic, it was sort of my sanctuary.  I invented stories and poems-- I read, I painted pictures, talked to my little animal collection, looked at stamps, built things.  It was the group activities that terrified me-- even a family dinner was like a tortuous ritual.  

It's not like I was a loner; I was social and participated... I took ballet and chorus and orchestra and loved the ensemble thing, but I craved solitude.   When I discovered music-- pop and rock in those magical years of the early 60's, the lyrics reached out to me.  I went as an exchange student to a remote city in Veracruz, Mexico and the language difference separated me further, but also drew me in.  The girls had names like Blanca-- Rosa-- colors... or Dolores (sorrow), and my favorite friend, Soledad (loneliness).  It was like a legendary story and I was a character.  Life was simple and basic-- no electricity or plumbing; we slept three 'sisters' to a floor-palette.  People sang and danced.  

I'd brought with me Simon & Garfunkel's 'Sounds of Silence' album.  This had been a revelation to me-- from the very first lyric 'Hello darkness my old friend'... I knew I was 'home'. Unfortunately there was no turntable and nowhere to plug one in, but Soledad daily came and studied the cover-- turning it over and over, touching the vinyl grooves as though magic would emerge.  They had a guitar; I was not good but could figure out most of the chords... So I spent the summer translating song lyrics...los Sonidos de Silencio.  My versions were clumsy and filled with mistakes and misinterpretations but I began to understand the underlayer of the Spanish language, the way we in school wake up one day to the concept of symbolism.  Names have a meaning; characters represent things.  What is the meaning of my life, I wondered, as I wrote out Yo soy piedra/yo soy isla... and Soledad looked at me from her black eyes of sympathy.

My first stop when I got to Mexico City later that season was a record store where I found The Who's 'Tommy' had been released.  I spent the afternoon in an isolation booth with headphones, savoring the re-discovery of recorded music--like an old friend.  For those of us who begin to 'live' via music, it is only this that accompanies the solitary room of existence.  Every sorrow has a theme, every grief has a soundtrack. 

Ironically, in my 2020 confinement here, I have been separated from my live musical connections.  Players need one another-- we need noise and amplification and audience and company... personal intimacy.  The absence of the alternative to solitude takes away some of its meaning.  I'm not sure Thoreau would agree-- or St. Augustine or those monks who suffered and labored for years confined and deprived.  For me, during much of the year, loss and grief have defined the boundaries of my shadows-- they have drawn the outline of my silhouette.  Some nights it has been hard to even listen to songs of my personal history that conjure old memories.  Here I have all the time and space I have ever craved, and the ghosts of music past haunt my evenings and color my auditions with a kind of pain.  

Tonight I did my lap of the park reservoir in the cold with the wind stirring up a current on the glassy water... A lone goose was calling-- shrieking, squawking.  The moon had painted a clear white broken line on the black surface but she avoided the spotlight.  I strained to understand her, to fathom her language... to no avail... but within minutes a whole flock came and surrounded her.  For a time they all shouted and sang; then they were quiet.  What was the meaning?  Was she banished or punished and then forgiven?  They all seemed so calm when I turned west-- gliding across the rippling cold water, listening to the sirens and the soft wind, unaware that the year is about to turn over.  

I realize that Soledad taught me somehow the difference between solitude and loneliness.  I wonder where she is today-- an older woman like me.  She liked to dance-- she would undoubtedly have led the happy/sad life of most beautiful women.  I am still mourning the losses of this year, but am grateful to embrace the amplitude of what I have been given.  It is as though I am in an empty room with nothing but a wand.  There is another language still to be learned; I am beginning to see this, and I look forward to a  slow melodic passage into another year where I will once again hear and translate the sounds of silence.

Pet Sounds

Years ago in the city-- before the animal-litter laws and formal leashing enforcements--I took in a feral dog.  No one called it that, but it was definitely not domesticated.  It couldn't bear to be touched or even approached... but was so beaten up by the elements and other wild animals, it accepted the can of meat I offered it on the sidewalk of upper Madison Avenue one afternoon.  A week later, like some spirit-animal, it found its way from the Broome Street bar where it was tied up to the townhouse gallery on 92nd Street where I worked.  It waited for me for days until I came in. 

He got used to humans, and despite the fact I lived in this cool loft with a brick wall and a balcony where the dog could pace and watch the world, he'd give me this look every once in a while, like 'is this IT?" He'd take every opportunity to escape and run wild in the park or down to the East River, just to remind me of his roots-- his canine soul.  

The dog-to-human ratio in the city has increased since the pandemic.  Everyone has a dog now and many have new dogs or newly-acquired dogs.  Shelters have never been so empty.  In my building maybe the majority have dogs.  Not a single cat that I know of, across 48 or so apartments, but barking dogs-- large dogs, small dogs, neurotic dogs, sweet grateful rescue dogs.  It's nice.  After the death of my feral pet who lived an uncannily long life, I never replaced him.  Apologies to my son who wanted a dog so badly-- and I regret this, but I was so stressed with single-parenthood and working nights, living often from a bag of yesterday's stale bagels or leftovers... I just couldn't manage having to disappoint an extra pair of begging sad eyes.

Every day it seems one friend or other calls me to check in-- or really to check themselves in, because every single one has some complaint or symptom they had never noticed.  They are bored, they hate their spouse; they hate sex; they hate food or they eat compulsively.  They drink too much or not enough.  Their back hurts...  their leg hurts; their feet hurt.  They have carpal tunnel and hand tendinitis.  They are claustrophobic and nonproductive-- addicted to exercise or slobbed out watching hours of reality TV repeats with bags of Nachos and imaginary guacamole they don't even bother to whip up.  They hate themselves and do not shower or shave.  They order clothing that doesn't fit.  They lie to their family and themselves.  The cheaters can't meet their secret lovers and the users have trouble getting their dealers to meet them.  

Personally I feel dull.  I miss the conversational/musical stimulation of a good underrehearsed gig and the edge I take on at the end of a night, criticizing my own work to my peers, assessing the audience... sharing anecdotes from the ride home where at 3 AM there's always some psycho or self-appointed orator or performance-vomiter on the subway.  I remarked tonight that I used to be a C# minor chord and now I'm more a D-flat minor diminished.  Thats it-- I'm diminished.

But it occurred to me today-- we have become our own pets.  Our little claustrophobic daily routines, our limited circumferential routes-- even our eating-- we are leashed and restrained... dual-domesticated.  Even the bi-polar among us-- our extremes are room to room, not block to block.  We are stifled and tamed. We talk the talk, but we no longer walk the walk.  We can't... we're masked and quarantined.  We're leveled.  Sit.  Lie down.  Sleep.  We pick up after ourselves-- well, some of us do.  The other day my neighbors were in the elevator and I wanted to ask 'which one of you does the barking?  But I simply smiled with my eyes.  I've learned to do that-- straight-faced underneath.  It's a new kind of disguise.

When my son was little we inherited a pet snail from his science classroom.  It lived in a plastic salad container  and required very little maintenance.  Once a week I'd put it on the kitchen counter and clean the little house out.   Instead of pulling inside its shell like a frightened turtle, it let its antennae all the way out like it was stretching.  Extending.  I sang to it... figured it can't see, but maybe it could hear.  It seemed to tilt in my direction.  It was brave-- it was exploring the world outside its container.  Back inside, it would circle several times--laps-- like a swimmer without water, spreading its slime around the way they do.  His name, bestowed with the innocent irony kids exude, was Speeder.  He, too, lived way beyond the normal expectancy of his breed, but there you go.  He had his little routine, his little life-- his outings and his feedings.  

My personal production this week oozes rather than runs.  I'm beginning to feel like that snail in my container-- all of us-- corralled and boxed and restrained-- slowed down... becoming in a way complacent and compliant with what we have, with the future sequentially postponed in blocks of time that melt and freeze like those soft Dali clock faces hanging on lines.  Even the dark of days' end is greedy and quick; we are deprived of long sunsets and poetic evenings. Trapped like leashed dogs, like fish in a bowl, like amphibians under rocks-- alone in our doll houses and little plastic cages which social media has rendered transparent, we are our own voyeurs-- performers and audience simultaneously.  Sometimes I feel as though I could be eating that plastic sushi you see in restaurant windows.  With our diminished smell and taste, we Covid survivors-- what difference would it make? We are no longer feral; we talk about our masks and wash our hands and don't touch one another.  

Last night as I ran around the reservoir in the wind, a duck was squawking.  What was it saying... maybe 'is this IT?' I envied it the freedom to change ponds, to get up and fly away.  I wondered if it could see the cartoon-colored lights of the southern skyline from the park-- the way it's changed, as though it's another city altogether-- another backdrop, another 'set' which emerges with more and more clarity as the leaves disappear.  I remember the ducks in Iceland-- how they didn't seem to mind the cold... and the night I buried Speeder by the Meer-- sadly, in the moist black dirt, noticing as I held him one last time how he smelled of the sea.

Guitar Grievance

 At the age of three, my son had his very first 'away' playdate.  When I came to collect him, his friend's mother told me on arrival he'd gone from room to room opening closets, peeking under beds.  It was relentless.  She overheard her little boy ask him what he was doing and he replied 'I'm looking for your Mom's guitars.'  Apparently he assumed part of motherhood meant being a musician.  

During this pandemic I've watched more television than usual.  The quarantine has forced even our basic newscasters to provide a glimpse into their domestic environments.  Some are obviously fortunate, with rich decor and furnishings-- grand rooms behind them.  Others are more discreet, and appear in a limited space behind a desk, casually dressed, in front of a lamp-- family photographs in frames, and always the bookshelves.  Journalists have historic books-- world affairs, biographies; the entertainers and emcees have variety-- novels, popular trade books, art monographs, atlases.  Some are arranged so that they look 'provided'.  Others, like Judy Woodruff's, seem authentic and comfortably spine-worn.  

A large number of home 'sets' include a guitar.  Being the musician, I've often strained and squinted to decipher the brand or model.  Usually the instruments are background... but for some, like on Conan's show, they are prominently displayed and there are more than one.  I've actually met Conan at gigs, maybe 25 years ago... he'd always been attracted to music, played a little guitar.  We need to know this.  Apparently the presence of a guitar, like household pets, has a message-- conveys artistic bent, sensitivity? A 'player' (lol)? Coolness?  Who knows?  Like my young son, it may be just an assumption-- a household necessity-- like a blender or an iron-- something your Mom and her friends passed around at night... or the thing she took into the closet at 3 AM so she wouldn't wake the kids.  Most of the headstocks were labelled with the same initial as your name, so they felt familial-- branded.  They belonged.

Unlike many musicians, all of my guitars (and pets) have in a way 'found' me.  They are like stray dogs that somehow crossed my path, and came home to live with me.  I have fallen in love with each one-- their quirks and flaws, their unique beauty and voice.  My very first 'real' bass was initially a listing in Buylines-- the free newspaper we all used to seek out instruments in pre-internet days.  This was our Craigslist, the local 'hub' for trading equipment.  I took two trains and a bus out to some address in Jamaica where an old Fender Precision in a broken-handled case waited for me.  Its owner had long disheveled hair, arthritis... maybe a career once in local bands-- I didn't ask. The place smelled musty-- it was dark.  I'll take it, I said, without playing it, without holding it... the price was exactly what I had in my pocket-- $300.  When I got home, my rocker roommate was in a state of shock that I'd hit some pre-CBS jackpot.  That guitar served me for years; it mostly resides in a case these days; it seems pretentious to carry around a bass with its monetary value... I miss playing it.  I look at old photos and remember the way I felt.  

When my 'solo' guitar self-destructed two weeks ago, I panicked.  Here was another ill-fitting anomaly-- not 'me' at all, but somehow with its defects and flaws, I'd made it work.  It was my companion.  Yes, my 12-string weird tuning put unnecessary stress on the bridge but it had never seemed to complain.  Until it did.  Even its maker shook their head at the photos and told me to bury it.  Sell the parts.  

In a pandemic, random fated meetings are near-impossible.  I spent nights combing the internet for affordable options. Of course I have access to the wonderful collections of my friends, but I need to have my own funky instrument.  I need to be able to bond unequivocally and not worry about accidents or mishaps.  So with my tail between my legs I walked down to Guitar Center which was quieter than in former days... and lined with hundreds of the guitars we see and don't see hanging from TV walls-- primped and leaning in stands.  The first night I played a range of 12-strings-- from $4,000 down to $200... walked home and vowed I'd find a repair person brave enough to fix my old wreck.  

Five days passed-- I borrowed a guitar just to keep my fingers alive, and I got the courage to return to the store.  This time, one (a cheap one) seemed to remember me-- it had retained the tuning I tried out-- it had a small crack in the neck-finish which merited a price reduction.  It was the only one available.  I also had a gift card from judging a King of the Blues contest.  I so rarely buy things, the card was unused.  Again I went home, thought about the cracked guitar, considered the cons, the responsibility of actually buying a new instrument.  Nothing new about me these days.  Another two days passed, and I looked at internet photos. tried to crush on the guitar a little... gave myself lectures on moving on in life-- of leaving things behind, peeling away old layers.  A TCM movie synchronicitously had the guitar brandname in its title-- that perked my soul a little... I began to speculate that if someone bought that guitar I'd feel hurt.  So I went down a third time--- there it was.. it seemed to greet me... still in my tuning.  I bought it, carried it home with that feeling I had as a child when I'd take a few months' worth of allowance to the toy store on my bicycle and picked something. 

It's not 'everything' but it's something.  It's a lesson-- an adjustment.  The two of us are an odd couple.  It's loud, it's bright... it's black and so new.  It's a blank canvas, for sure... but I'm trying to make it welcome.  I'm going to sell the parts of my old one-- I won't insult it by trying to plastic-surgery it into some guitar hell, but maybe the parts will live on in some songwriter's hand.  It served me well and reminds me about life-- even inanimate things have a kind of death and we can't bury ourselves with our own past.  We have to keep going.  I feel certain one day my new guitar will gently weep for me, but hopefully I'll have done it a bit of justice by then.  

Counting

I used to love the number 29.  It splices my birthday integers-- a prime number...  indivisible-- a lovely sort of odd symmetry.  I'd been dreading this day, the 3-month anniversary of Alan's death, as though it would establish some boundary-- a negotiable distance.  It would also have been my father's 101st birthday, as though we are still counting, 4 years after his death.

Since the quarantine I've begun this habit of running in the park. I head north to circle the Harlem Meer, follow the Great Hill back down to the reservoir where the El Dorado towers at sunset provide a daily anodyne.  It's become a habit-- not a chore... I miss it when I skip.   I've begun to recognize small natural landmarks-- rocks, graffiti tags on lamposts-- other runners who do not acknowledge me  but seem solemn and immersed in their ritual.  I remind myself-- most of these people have music-- phones, ear-pieces; very few run in silence as I do-- logging sirens, the progress of walking babies, the rising temperatures and lengthening days... Still, even without masks, laughter is rare.  There is solace among the Meer fisherman, the bench-sitters and bicyclists-- but little joy here.

For some odd reason-- maybe my son's obsession with 10,000 daily steps-- I count.  It's become part of the meditation, I suppose-- a distraction-- a kind of poem or verse in my head-- the numbers I can do while thinking of other things-- keeping the log of hundreds with my fingers, starting again at each 1000... Our hands are so perfectly designed to do these things-- an abacus at our fingertips.  Everything makes sense.

Although I vary my route in ways, I generally know precisely where I'l be at 2000 or 3000.   I used to meet my egret at 1000, although she has flown the proverbial coop or changed her schedule.  I miss her.  For a time she discovered a tiny rock island in the reservoir, but she's ghosted me since May.  Her absence reminds me that my world has grown smaller since the pandemic began.  This is a foreshadowing of age; one's global circumference shrinks.  Old poets begin to abandon tormenting passion and desire for ruminations on nature-- things in their garden... insect visitors and leaf-shedding.

When my son was small, we counted.  Waiting for trains, for elevators-- on lines, looking out windows and in the park.  We counted dogs on the sidewalk, our steps, cars, steam shovels... the floors of tall buildings... boats along the East River.  He was so good at counting his nursery school called me in to observe the way he added dominos with skill and speed.  He is still good at numbers-- sports statistics and odds, distance and money.  He has a fit-bit and apps on his phone which do most of the calculating; I'm sure when he runs he listens to Hip-hop music with his bluetooth.  On Father's Day, our special holiday, I visited his new apartment where I found he has no measuring device or even a ruler... I suppose one's laptop has a fixed dimension and he could flip this over... but the difference in our personal cultures seemed poignant.  Me, with the multiple tape measures and cloth ribbons-- yardsticks with long-gone hardware-store logos and school rulers-- steel quilting edges for sewing.

Tonight after my run I walked a bit; I counted homeless men on the sidewalk, glad the rain had stopped and the air had cooled into a reasonable night for sleeping.  There was a man lying on his side reading in the shaft of LED light which bleeds out at the bottom of the new Bank of America building which has replaced God knows how many retail landmarks on the corner of 86th and Lexington.  I did not disturb him to ascertain the book title; if I carried a phone, it would have made a perfect photo of American economic irony-- and perhaps the only example of urban institutional charity available after 9 PM.

I've always preferred odds to evens; it could have something to do with the 'Loves Me, Loves Me Not' sequencing... sometimes I'll stand and wait until the odd comes along, so I can go home with a sense of luck, of hopefulness.  Writing here on my computer, I rarely note that it keeps a running total for me; I generally spill out more than necessary and choose not to look.

There's a man who often rests on the library stoop; occasionally people leave books here, though the building has been shut for months.  There is an installation of three steel chairs bolted into the sidewalk where he also sits; the armrests prevent sleeping or napping (city planners are so cruel).  Anyway, he often leafs through the books... we've talked about this.  He cannot read, he told me.  He never learned.  Last night he seemed absorbed in a page, running his finger along lines.  I looked at him with curiosity.  Oh, Baby, he said-- I can't read but I'm counting the words.  I can count real good, and he grinned with a kind of pride.

One of the homeless people I counted tonight was chanting; it sounded like Nike, Echelon, Grace.  Nike, Echelon, Grace... like a kind of verbal tonic.  Lately when I lie down, missing Alan as I do in early mornings, I say the Lord's Prayer-- I count the parts, the way I count steps when I run-- like a deconstructed poem, it comforts me-- distracts me.

The last homeless man I logged-- the 'odd'--  was asleep on his back,  hands folded neatly, one finger pointing up at the sky.  It was not accusatory-- more like a gesture-- something deliberate-- as though he'd fallen asleep mid-sentence.... Oh, Lord, let me count the ways...   It occurred to me as I reached my door that I can count on one finger the people I can count on; maybe that's what he meant.

Waiting (2020 version)

One of my ex-boyfriends had a song I heard him perform only once; the chorus went Wai-hay-hay-hay...way-hay-hay-hay-hay-hay- tinngggg...  It went on.. not easy to sing on key unless you're sort of a yodeler...  but somehow some version of it has been repeating in my head.   Here we are, nearly in unison, across the world-- taking one of those 'breaths' a brilliant conductor can orchestrate and control by simply holding up his baton... while the brass, the strings, the woodwinds-- they all freeze in mid-breath or mid-stroke... waiting.

We spend a good part of our lives waiting; less so in the 5g internet age where responses are immediate-- goods are located and purchased, conversations anywhere in real-time, deals made, interruptions even possible.  When I was small I waited evenings for my father to turn the corner in his business suit-- he shared a cab and walked the last block or so.  Daddy! we'd yell, joyfully... greeting him just before he'd retire to the den with the scotch-on-the-rocks he'd waited for all day.

And now, the good witch in the story says, 'we must wait'... while the batter magically becomes cake, the oats and water turn into porridge, the pasta softens and curls, coffee brews.  Trees grow and fruit ripens, nested eggs hatch with life, babies are pulled from laboring mothers and childhood begins.  We keep ourselves occupied with schooling and tasks-- with jobs and careers and games and entertainment... while nature cycles on and provides us with most of what we expect.

So what now, as the whole world is paused-- not quite in unison-- for what have we waited?  For a new order?  For a universal decree of mourning?  A mass funeral for those families who have waited many weeks without comfort?  A diminished life for those who have been sickened and not quite recovered? Those who have been wounded and disabled?  A vaccine or cure for something that scarcely existed just six months ago?  A medal of honor for those who perished, who gave their lives unknowingly for some kind of cruel science?  Rewards for the medics and attendants who cared tirelessly and often hopelessly for people who were strangers and became intimates? For society to resume its habits and ways, or to resume with slightly altered protocol?  Will people be kind to one another? Has the waiting tested their patience to the limit?

For me, aside from its homophonic twin, waiting had a certain romance to it.  The 'hardest part', Tom Petty insisted, but I disagree.  The diagnosis is worse-- the verdict, the failure to acquit, the end.  We are all here waiting for death, some have said.... life itself is the waiting.

Ironically, people have learned to stand on line with more patience.  Of course, most have phones and social 'pacifiers' with which to entertain themselves.  I bring a book; I read, look around-- enjoy the air.  Things take much time these days; I waited tonight on a long supermarket line to find the price of chicken had doubled once again.  On my way out, I remarked about it to a woman with greying dreadlocks...  But I'll buy you chicken, baby, she said... in this voice that brought on a flood of tears.  No, no, I reassured her-- I'm fine-- just cranky.  We all need a hug, baby, she said... but we gotta wait for that shit! .... and we laughed.

Like those Biblical patriarchs and Greek heroes-- we wait for love, we wait for death, we wait for God to listen and look and reply.  Most of the time, we are clueless and helpless.  Especially now-- we wait for our mayors and governors to advise us, to coordinate a plan-- to be safe.

The tent hospital in Central Park has been dismantled-- just like that, it vanished almost overnight.  Families of those who did not survive here will have no place to pass and remember their loved one.  It is a grass field, once again.  Will children play here and forget the small successes and tragedies that marked this lawn in the month of April?  

I have learned from experience that grief subsides with the passing of four seasons.  My friend whose husband passed away does not believe this.  You need to get by one birthday, one Christmas, one anniversary, one snowfall, one fireworks display, one turkey dinner... etc.  It is unimaginable but it comes-- the day when you forget for an hour or two, you sleep without a dream, you laugh deeply and uncontrollably.

Walking around the Harlem Meer at dusk tonight, I witness people with masks zig-zagging paths to avoid others.  A few men are maskless by a bench, laughing and smoking, sharing food, touching.  Will we ever trust one another enough to stand shoulder-by-shoulder in crowds?  I passed one of my son's former mentors last night and we spontaneously and courageously clasped hands.  It was so human and healing and strange.  A woman shook her head as though we'd violated some civic law.

I am willing to wait for the next version of future... but not with phone in hand, biding my time.  I am hoping to fill this with some kind of energy-- some kind of work, some kind of prayer... so when the baton lowers,  I will pledge myself forward into the next measure, knowing it is likely to be the 'hardest part'.

Love in the Time of Coronavirus

A quarantine is not an opportune time for a break-up.  While we hear news reports (and occasional courtyard noise) that warn of spikes in domestic violence, the operative word of shelter-in-place would be 'shelter'.  For some couples, even a honeymoon is claustrophobic... but we have ventured beyond even a long holiday confinement into what feels for some like a prison sentence.

By the Harlem Meer today, I met a young man with a suitcase, desperately phoning everyone he knew. His girlfriend, he told me, kicked him out.  That is cruel punishment at this time when it is not charitable but dangerous to offer your sofa to a stranger.  What did you do, I asked him... and he muttered, through his mask... You mean what DIDN'T I do?  Which I understood to mean not his transgressions but the simple boyish failure to meet his partner's standards.

It's harder to deceive in the unstaged world of home confinement.  We are each other's mirrors; we can't hide behind excuses of 'I'm working' or 'at the gym' when we're having a drink at a bar, flirting a little too long at the office... hanging out... having a cigarette--- enjoying a little personal solitude.  Personally I cringed when one of my guests posted a Thanksgiving dinner photo; my home is my private domain?  But this month alone I have received so many home-broadcast videos, films, demos... if I looked at them all I'd be screen-blind.

At first it was a little novel seeing the usual TV newscasters sitting at their desk... their bookshelves revealing years of research and reading choices.  Most all of them, I've noticed, have the Robert Caro biographies-- the Winston Churchill World War II set (often unread-- mint condition).  I have a place in my heart for the dog-eared spine of Judy Woodruff's Oxford History of the American People; it looks just like mine-- a well-used souvenir of student days.

But the jokes have worn thin... the celebrity cameos seem callow and annoying.  Happy people in their well-stocked places with clean children-- housekeepers, toys, amusement, music-studios, ping-pong tables... showing how homespun they are-- mixing facials out of refrigerator ingredients, trying on costumes... looking 'casual', showing just enough of their personal environment to seem privileged.  Many of them are not aware of how this fuels domestic discontent for viewers.

A few blocks north of me is a woman with 9 large children... and a small 2-bedroom apartment.  Her husband is out of work but trying to drive a rented Uber car to make ends meet.  I have seen her in the grocery store where she stretches out her enormous shopping task into an afternoon activity for the kids who are literally bouncing off walls and turning over carts.  At least there are distractions-- label-reading opportunities.  She has aged five years since the pandemic began.  They have no wifi, she told me-- the kids received BOE tablets but they are useless unless they are 'somewhere'.  The youngest one was sitting in the front of the cart with a box of Confetti Cupcake Poptarts showing me how she knew her colors (well... a couple of them).  At any given moment, at least one child was crying, one stomping his foot.  Her tab was impressive; food stamp allowance for eleven people edges well into 4-figures.  Eating is the narcotic of the poor and under-stimulated.  Her boys have hoop-dreamy eyes and seem to grow by the hour.  She gives me a look-- shakes her head.

I would like to take one or two off her hands... to shelter that poor boy on the bench by the Meer... to even reach out and host a friend.  But we cannot.  I remember a time when I broke up with someone-- and you just wanted the world to end-- you wanted that person to have no life and no friends and no future without you.  We are not supposed to complain in the face of the litany of names listed every day of the pandemic victims... we are supposed to wait on lines and gladly pay twice the value for second-choice staples we need to survive.  Today I waited 35 minutes  just to find the price of chicken was more than I could manage.

But I am alone; I am old.  My son, I know, has violated the quarantine-- has 'dated' against social distancing recommendations.  I really can't blame him... I remember the early days of the AIDS epidemic, standing in a crowded bar weighing disease against passion-- and the latter always won.  There's a risk, yes... but I can't imagine being so young and independent-- having worked hard to make himself a home--  to watch his future being wrung out like wet laundry.  He is restless and ambitious.  I cannot answer his questions.

Personally I have no regular means of support... but I do recognize that I have a place to live in which I have collected things of importance to me-- books, instruments-- things that offer me a window in this solitude.  My rich neighbors with the renovated new space-- they have nothing... I hear their children, too-- trying to learn an instrument, being scolded, in the end sitting in their large bookless rooms with phones and tablets like social pacifiers.  They order food deliveries-- that is an event, an adventure.  Yes, occasionally I see the restaurant bags and sigh. They have no idea.

On the street outside the tent hospital Ubers line up at 9 PM to transport the medical staff home.  We applaud the workers every night, and they seem a little happier these days... less stressed.  At least they are not confined to a hostile apartment. The shiny black Billy Graham truck announces they are 'Sharing in the name of Jesus Christ.'  I'm not sure about that...  I don't like to speak for Him.

Shout out today to the white egret at the Meer today who almost let me touch him...to the fruit-vendor who stuffed a finger of fresh ginger in my bag and would not take my money... to the market that sold me a giant honeydew melon for $3 that is the best thing I've had in weeks...  And to all those who have met disappointment in love-- better sooner than later, I suppose.  The pandemic at its best will be like a sieve that filters truth from illusion.  And may that boy find a mother or grandmother who will take him in... the night is cold and bench-sleeping is not for the weak of heart.

Memes

A friend sent me a meme the other day of a beat-up old telecaster; crayon-scrawled on the body roughly and without finesse as though in an alcohol-fueled or museless funk the message: SONGS INSIDE FIND THEM.  It could have been a self portrait.  The songstress scarecrow that is me these days-- the hollow-man with the heart hanging from a string, the tear-tracks I literally feel like tattoos-- me the living girl-with-guitar sad emoji-- a smeary red smile graffiti'd onto a blue surgical mask which (has anyone else noticed?) conceals sorrow.

My symptoms have subsided... the tsunami of late March drama has ebbed a bit and the sun is out in spades, the cherry blossoms are in full bloom-- the dogwoods, the pink gibbous moon spread the evening curtain Tuesday to reveal herself between buildings like a taunting spotlit showgirl.  The evil wave took so many with it;  I was spared, clinging to an old leafless tree like a baffled and wounded survivor.  We all knew April was the cruelest month, but many of us did not believe.

Walking through Central Park, past the eerie tent city where so many hearts lie beating tenuously while loved ones wring their hands at home... the meadow grass is uncut and long... those without the virus can smell the green spring.  Crocuses and narcissi have poked through and a few robins are hopping over the gates.  The playgrounds are empty-- vacant swings like camera-shots in a kidnapping horror-film.  This is an R-rated place.

After 10 PM I can walk up the east side of Fifth Avenue without a mask; the streets are quite deserted except the ambulance activity, hospital personnel crossing from building to building.  The huge mobile-aid semis have put down metal roots along the west side of the street.  We see only the 'closed' side with the huge ominous signs that advertise not carnivals or circuses but Billy Graham.. Samaritans... these billion-dollar charities whose presence is linked to disasters and death.  The oversized cabs of these trucks are parked along the street.  They are shiny and buffed--- beautiful in a way, like gigantic luxurious and expensive accessories separated from their purpose.  Inside the tents we know is some chaos-- exhaustion, anxiety, medical expertise mixed with despair and frustration-- a kind of battleground complete with the structures which have grown weedlike across the meadow and remind us of wartime.  Gates and blue tape surround the area, keeping the public at a distance, warning that there is an infestation within.  Death breathes from the compromised chests of patients.  I heard it when I last spoke to Alan, hours before he passed away.

I feel guilty for my restored health-- for the clear air I breathed today on the way uptown-- for the minutes I have gained since he left the world, for the fact that despite my grief-- I am not even blood. Family members of the thousands of victims of this pandemic have reserved this right and privilege of grieving.  I am just a poor mourner at the window, looking in.

The city, as we all know is unrecognizable-- a skeleton of its former robust self.  It's like one of those ant farm toys where the ants have all died.  Empty corridors and unused pathways.  Halls and monuments without witnesses and participants.  I am some strange animal whose habitat has been profoundly disturbed-- a frog with no water, stranded on a rock somewhere in the midst of plague-- an urban dinosaur fossil dying of cultural and social deprivation  If a painting hangs in an unlit room, how does it exist?

'Widow' always struck me as a beautiful word; it is the title of the opening poem of my latest poetry collection...  a sequence of letters sadly missing the 'n' in the third place.  I have lost before.... a mother, a daughter, my greatest love... but here I am again-- much older, less solid.  I am made of glass-- sympathetic and transparent, reflective, breakable, scored and cracked-- trying to believe in a future, trying to believe in the darkness.

Earlier today I stood on a grocery line on Lenox Avenue, trying to sense some pedestrian normalcy amidst the relentless sirens.  The sun, the car radios, the boomboxes are still there... the people like me waiting to spend a bit more of their food stamps on overpriced stock.  I buy one thing at a time-- as though life is so fragile I cannot see my way into next week.   Much hip-hop noise from the street.. someone practicing saxophone... still the panhandlers out with no protection; they are long accustomed to the precariousness of life.  From 116th Street I heard Marvin Gaye's 'Sexual Healing'.  Not so much of that going on... and at this point in my life, it does not seem plausible.

When my turn came to enter the store, I headed for produce to see what I could afford.  Irony of ironies... Joan Jett came on the system, singing--what else?--  I Love Rock and Roll.  A message?  It taunted me.  I had to leave.  What's up, Mami, the security asked me... you no like? I tried to smile.  Walking home blinded again by teary eyes... the mask condemning us all to this faceless urban anonymity... I love rock and roll, I thought.  It is a no-brainer.  I sacrificed everything in my life for this passion.

Rest in Peace Alan Merrill, my friend of friends, who sang his heart out for this damned city, as though his life depended on it-- and it did.  Audience or no audience, he was the quintessential working man with the voice of a dark angel, another hero in the halls of remembered fame, another urn on the mantel of memory... taking another little piece of my heart and life with you.  I am nothing more than a cliché here, a human meme.  Do we not all love rock and roll? Of course we do.  It is just so rare that it loves us back.

Losing my Religion

When I was small and sick with one of those textbook childhood illnesses, the prospect of days in bed was a true delight.  There would be toast and jam and meal trays in bed... an opportunity to study my Robert Louis Stevenson and copy out my A. A. Milne into a book where I could draw my own pictures.  I could lift the quilts into a sort of tent and pretend I was an Inuit princess trapped for the winter in my house of ice while the arctic winds raged outside.

The novelty of this quarantine is wearing off.  My reading is piled up-- yes, and my projects sit before me... but I am less productive and a little more restless.  My body is telling me it's spring and just outside my window the dogwoods and cherry blossoms are doing their teasing best to tempt us before that magic moment when the soft pink carpet of petals covers the sidewalks and gutters for the briefest anti-urban blessing, and then turns to paleberry slush.  The crocuses and daffodils are blooming and the Park Avenue malls will be decked out... and we are stuck here in our cubicles, noses in our technology, binging on television, taking occasional breaks for a walk in the park or a trip to the supermarket.

Over the last few days I've had plenty of those mass-messaged Facebook posts suggesting 'tips' on defeating the Coronavirus.  Bad jokes, cartoons, sillinesses and distractions... personally, I am losing my urban religion.  I've had enough of film-watching and listening to the silence in my building hallways.  I have had a welcome few voicemails from old friends-- relatives-- people who worry about solitary people like me, checking in... making sure I am still here.

One of these was the beautifully resonant message from an older poet who lives in my neighborhood--  one of those old-fashioned voices made for reading aloud on vinyl recordings... for recitation and declamation...   wondering if I'm alright, this man, who once introduced Pablo Neruda to New York and appeared alongside John Ashbery on panels.  He has supported and read my work in the past.   We met on the crosstown bus, late-- he keeps his old Columbia University studio apartment on the west side where he writes overnight for the last 60 years, simply because he doesn't want to disturb his sleeping wife.  He and I would often meet on my way home from work; occasionally he would share with me... he wrote in longhand.

His wife passed away from cancer several years ago, but he continues his crosstown habit as though she were alive... so it touched me especially that he thought of checking in on me because I have not recently been bussing back and forth.  I watched him the other day; he rarely wears a coat, like an old Englishman... but is always impeccably dressed with a jacket and trousers, a button-down shirt and his hair combed gracefully in an old-style pompadour. He walks with hands clasped behind him like a distracted professor, looking down at the sidewalk.  He is always alone.  His fierce allegiance to this habit-- inspiration or none, rain or snow-- somehow touched me in this crisis... the loneliness and the solitary duality of two empty spaces suddenly seemed so poignant.

When I began this post I was sad and distracted-- less-than-inspired... but now in the past day I have suffered the terrific loss of my best friend and bandmate of years.  I am beyond devastated-- violated..
as though the cruelest wind came through and removed my favorite things from the city.  How do we go on from deaths, from loss?  My poet friend is teaching me something, I know.  Where is God, I want to ask him?  I am looking.

My friend was the kindest, most generous, most fun-loving, stage-gracing human.  He performed with exquisite musicality and dignity even in the worst venues, with the worst equipment.  His very presence was a poem for me... our stage and personal intimacy was like an award.  One whole day has finished without his gracious persona on this earth and I am waiting for some kind of choral requiem from the heavens-- a bucket of seawater on every street, a falling star exploding rooftops... Tonight I don't how to honor his memory nor celebrate his accomplishments.  I just want him to come back, to pick me up for the next gig and stand beside me while he sings like the godamn soul angel he always was until the old pre-Coronavirus sun rises over the east river.

I have cried a thousand tears and have nothing to show, nothing to trade, nothing to bargain.  Death is the tie that binds us all; it waves its hideous flag of warning over my lovely city and has banished so many of us to our lonely quarters like prisoners.  I feel like a solitary wooden ship left behind with no sail, an old poet traveling back and forth between lonely rooms with his blank notepad, reciting old verses memorized in another century.   Where is God, each one finishes, like a refrain:  we are looking.

Corona, Corona

There's a Taj Mahal moon out tonight... I mean the musician, not the palace, although you can take her anywhere and she'll never fail you.  A photographer friend tipped me off to the moonrise... he described it as orange and liquid... but here in the city I went block to block without a view until she had risen to the height of an average 10-story building and had become more like a bowl of raw milk.

The first time I ever heard Taj was a hot full-moon August night... I had no idea what to expect-- just the strange name-- and there he was, this simple hypnotic 2-beat weaving a Calypso-ish spell in the steamy club.  'Without my Corinna... sure don't mean a natural thing, ' he sang and it went straight through me like summer wind.

Years later my young husband showed up one day with none other than Mr. Henry St. Clair Fredericks, Taj's born-name... apparently they'd worked together and were friends.  I had many surprises in the early years of my marriage;  he spoke little but his past followed him like empty cans tied to a rear car-fender.  All colors-- all flavors... ('I learned to love you...' the song goes... accent on the 'you'...).  His rockstar friends, as well as the motley entourage that surrounded him, provided two kinds of education-- one biographical, and the other-- well, those were different times.  How many years has it been since I've seen anyone put out a bowl of milk for their pet cat?

When Wall Street has a bad day-- a really bad day, that is, there's a kind of pall over the city.  This virus scare has spread a film of slime and mistrust that no one needed at this moment.  In Harlem, little has changed.  Not so many investors up there... and life goes on-- illness or no illness.  People in their wheelchairs and leaning on walkers, asking for food and money-- no gloves, no masks.  But downtown-- midtown-- trains are less crowded, people seem subdued,  the way they were post-9/11.  Asians cover their mouths.  It's certainly taken us down a notch or two.

My man Salih who sells fruit from a stand across from Metropolitan Hospital says business is way off.  In February he refused to sell ginger, assuring me the Chinese were spreading illness; last night he was practically begging me to take any of his wares before they went bad.  Here, have a bag-- he packed it with a honeydew melon, some red peppers-- give me $2 he said, knowing I won't resist a bargain.  What will become of him who works 14 hours, 6 days... commutes 2 hours to a 2-room share in Staten Island, but is happy to be so close to the Mosque where he gratefully prays sometimes three times a day?

Last winter he was mugged and beaten badly for the $72 he had in his purse.  They dumped his fruit and stomped the bananas.  He is friendly with hospital staff, and they treated him on the sidewalk, but Allah-willing, he is terrified to visit the ER where he might be deemed undesirable and only partly legal.  Salih means virtuous...his son is named Aytagin which he tells me means 'Moon Prince'.

Tonight they have drawn a map-line around several neighborhoods.  When I was small there was a brief quarantine during the final polio outbreak; I thought the word meant something bad-smelling that came in a can-- like turpentine.   It made my mother scowl and keep us close to the small yard.   I keep thinking of that Wallflowers song 'the same black line that was drawn on you was drawn on me..'  We don't need this kind of thing now.  What is the meaning of it?  Threat?  Warning?  Punishment?  Things seemed so much happier at Christmas.  St. Marks Square in Venice is deserted now; the Gondoliers are sitting idly by the water, making smalltalk, telling jokes... but they fool no one.  Here we are trying to smile in our striped shirts, but we are anxious and defeated.

I saw a photo of Jakob Dylan recently; he looks tired and drawn, the way his father often did.  I am old enough to be his mother.  Henry St. Clair Fredericks is fat now.  He can still play, but he is not the same.  Just this week... festivals are being cancelled; music is receding into phones and online venues.  We are like closely-planted islands in this city-- isolated and selfish; few of us know our neighbors or notice when they fail to come home.  Even fewer are sitting quietly on a stoop tonight smoking-- listening to the music in their heart, watching the sky change.

My moon ages little; she hides, she circles, she shifts-- and then there she is, clean and untouched by what ails us here... same as she was the night I heard 'got a rainbow round my shoulder... looks like silver, shines like Klondike gold...'   Shine on, little Aytagin... may you grow strong and healthy as Salih, whose blessing today, in his broken Turkish-English, sounded like 'may you sell a million grapes in one hour.'