Let the Games End

I don't know why the opening ceremony of the Olympics sort of gives me the shivers.  Maybe it's the color wash of pomp and nationalistic display that just seems so out of touch with the dull and miserable reality of the less fortunate population.  Puerto Rico is neglected; starvation and disease are rampant in so many places worldwide; the growing disparity between the haves and have-nots has never seemed so hideous.  The Korean culture itself--- the military parades and exhibitions of the North like a braggart's bluff-- the singing girls and the happy marchers... the reality of repression and forced obedience... the apparent moratorium on human rights that welcomes athletes from a hostile and hideous regime for what-- the spirit of competition?  I just don't get it.  It feels opportunistic and juvenile... some kind of #metoo madness.

Not to mention the pall cast over the gymnastic community which has colored yet another sport almost permanently.  Who protects those of our children who have been deemed special or uber-talented and marketable-- whose natural skills and talents have been parlayed into industries and fortunes not to mention a kind of national heroism?  As a young aspiring dancer, I could sense the thorns and perils even before I understood abuse and boundaries.  We each have instincts, but our ambitions so often triumph better judgment... as well as that of all those people on our path who close one eye when there is a huge pot of gold at the end of that rainbow.  Until the whistles blew.... and how many sports are now tainted by cover-ups, pay-offs, cheating, doping?  Does the best man/woman win?  Look at our elections.  Not only did we get the dark horse but we got a non-qualifier.  If politics was a sport our president would be limping at the starting-line with an ill-fitting uniform and no sponsors but his own sad brand.  Eisenhower might have been a good golfer but he was also a 5-star general.

What version of America shows up at these international competitions? The athletes are still young players in a kind of dream-- individuals with the drive and stamina to be the best they can be-- who put their skill on the line internationally for their nation-- but who are we?  A disorganized country with little focus except money-- an untrained leader whose familiarity with the 50 states came from watching the  Miss America pageant.  And now he wants a military parade-- this man who never fought a war or trained for one-- who throws around threats and battle-language like some kind of cartoon character.  The Monopoly president whose claim to office is an affirmation of the sad state of pop culture and the negation of human values.  We won't see his image on a bill or coin, but on a game-piece-- a gambling chip.  The man himself to me is an ever-expanding hot-air balloon-- the latest float at a Macy's parade...  to bring him down will take some strategy because he is not just a player but a cheater.  In the end, in my personal American dream--- to ultimately deflate the high-flying symbol of bloated greed and cartoon quackery will take a simple pin.

I can't help blaming the current flu epidemic on a certain emotional malaise among my American peers.  My friends and I have been mostly depressed since Election Day 2016.  Anything could take us down.  Few of us trust the medical system  to protect us against disease or to give a whit about healthcare beyond what profits the insurance and drug companies.  We do not get vaccinated; we get sick.  We are watching these games and athletics through feverish eyes, wondering at the lingering inequality of women in some sports, and worrying about the fate of the Korean cheerleaders and delegates.  Will they be punished?  Will there be defectors?  Why is South Korea so apparently recently solicitous of its evil Northern sister?

To me the two Koreas seem like a dysfunctional family; the South-- a beautiful place, ranked No.1 in the world in technological innovation-- so there is obvious talent and brilliance concentrated there-- a thing which might create envy in any family.  In the North-- repression is standard; starvation is rampant.  Students reputedly must buy their own desks and chairs to attend class, etc.  It is not a place that fosters creativity or joy... one pities the athletes who cannot possibly reap the rewards available to other nations-- win or lose.  It parallels my own sad family, in a way.... love has become impossible.. and although I neither respect nor admire my sister, she has used threats and fear to further alienate and weaken any family attachment I might have had.  She has forbidden her children to befriend me, although they have attempted defection... and now through force and might has conscripted the core and remaining fortune of my nuclear family so that even my own legacy will be withheld.  It is a game without rules; a rigged contest where the judges are the contestants, and there is one pre-arranged winner.

In this upside-down Trumped world where the jokers preside and justice sits on a bench with yesterday's stale sandwich, well... these villains will continue to steal the pie.  But for my true sisters of musical voice-- of pen and pencils and paint-- the filmmakers and innovators-- my teammates in life-- we will dance on their graves one day.  We will speak and write and sing and continue to raise our children with unconditional love.  We are out there-- on the streets-- in cornfields and in small homes... some of us coughing and barely able to board a public bus...  we wave to one another-- with some hope--  in our old clothing, with no medals or trophies but underneath it all,  a still-ticking American heart.

Physical Graffiti

I'm feeling like one of those cartoon characters, hoisting myself onto the ledge of the deep well of September, having clawed my way up walls with no footholds, no light… the tarry residue of recent events stuck to my skin, matting my hair, coating the bottom of the pit with the purgatorial sludge of beyond-my-control.

For those of us who have been watching the PBS Vietnam documentary, we are somehow haunted by the resonance of the messages-- or the absence of message-- in those events which both brought us together and split us apart.  History and hindsight are crucial to understanding.  Lack of transparency, skewed communications, mixed motives all contributed to the catastrophe that was this war.  These lessons are surely not absorbed or understood by our current Lego-esque president who is tragically under-qualified for most any position of leadership.  We saw various styles of politicians; were often betrayed by those we trusted most.

Besides the personal losses of recent days, the political climate, natural disasters and tragedies have made our lives that much less 'safe', our nights that much more sleepless.  Despite the news that the average American's income has risen, I find my artistic friends more encumbered than ever with impossible rents, dwindling income, constantly inflating everyday expenses.  I have down-sized virtually everything-- buy nothing at this point except cheap food on sale at varieties of markets.  It requires vigilance and time to glean the necessary information, and miles of walking to achieve the smallest victory over the relentless threat of poverty like an enemy ambush, waiting to take me down.

I do not miss the tiny luxuries-- a coffee in a cafe, occasional sushi box, new boots-- and manage to find museums and exhibitions without fees, but in this time of desperate global need I feel humiliated that I cannot contribute.  I'm no longer young and able-bodied enough to be part of some rescue or rehab coalition, and I have little to offer but my cheap grief, no matter how heartfelt.  'You ain't changin' no lives here, baby,' my local homeless man reminds me when I sacrifice an occasional quarter into his cup.  It's humiliating.

So I'm especially offended by the grotesque luxury culture that seems to be a sort of status quo among way too many Americans, whether they can afford it or not.  Because I was gifted a privileged education, I did rub shoulders and trade licks with some of these people in my past.  They make fun of me and occasionally offer me money; when they show up at gigs I buy them a drink.  I do accept payment for my books and cds.  But last week one who happens to be building some new residence of palatial proportions called me up and told me he's thinking about buying a urinal.  'You mean like the Duchamp, I asked in utter disbelief, realizing that for a split second I registered 'unicorn'?'  'No,' he replied, 'I'm not that sophisticated.  But for my billiards room (contiguous to the cigar bar)... I thought it would be a hoot. '  So I laid into him… about how I knew plenty of guys I could get to provide poolroom atmosphere and men's room grit, who would grind out their cigarette butts on his mahogany floors and stink up the place with street-sweat and the poetics of ghetto-slang and give him credibility.  Not to forget the gender ramifications, etc.  He can always rely on me for a 'dressing down', as he called it.

I hung up and in my head began to rack up the unpaid debt people like Banksy owe Duchamp.  For me there was one urinal.  He did not keep on repeating himself and was incredibly clever and inventive.  I remembered walking with another friend, passing one of those exquisitely quilted walls layered with various random graffiti souvenirs and posters-- rippings and peelings that rival any great Ab Ex museum painting for beauty and depth.  My friend wanted to remove one of the particularly brilliant postings and have it framed for his collection. We argued.  Next day I went back and sure enough, it had been skillfully excised like the work of some plastic surgeon.

It's not enough that these people have made LVMH and Ferrari massive billionaire brands… that they own and own and renovate and build and collect.  They now must own what was made by and meant for everyone-- especially the poor among us who don't have the same access to visual artistic stimulation.  Basquiat has become the quintessential collectible of these inner sanctums and massive living rooms.  The Basquiat I knew who threw his gut and brain onto old doors and walls… is now the ultimate status symbol.  Duane Hanson used to make facsimile sculptures of homeless people-- like his wink to these collectors.  In my old art dealing days I placed one of his Museum Guards in a huge Park Avenue foyer.  A sort of joke, but with another meaning that boded ill for private art fantasies.  A version of Jean Michel is rolling in his grave, while the worse version feels flattered.  Andy, too.  Fortunately for me, there are so few museum shows I really regret missing lately; it seems these institutions have bowed to the culture of Instagram and popularity.  Art galleries are filled with stuff that seems amateurish and shallow.  But I'm a cranky old no one.  What do I own?

On top of my plate of cheap rice this week has been the disgraceful intrusion of a lone hater with a fake name, hiding behind a pretentious Facebook profile and slandering and posting accusations and falsehoods.  I play music… I go home.  I write books and columns, I give my poetry away almost daily.   I worry about how to pay my monthly maintenance; I stretch dollars and perform tiny economic acrobatics.  It is distressing and discouraging.  For three days I cannot shake the image and repeated accounts from the Vietnam documentary about the hills-- the bloody, senseless military operations to occupy a hill-- causing massive casualties and deaths… and then… the hills are abandoned-- like a wicked game, like the ultimate Sisyphean war tale.   And then my stalker-- attempting to level the tiny reward of my creative inner conflict, like a grenade of hatred.  I am haunted; I am angry.  I own this.

The 18-hour series ended with the anthemic 'Let It Be' playing over the final credits.  Somehow this infuriated me.  Let it be?  A message of apathy and concession after reliving the whole disengorging saga of the 1960's?  The Beatles?  Let Puerto Rico be, as President Lego would do?  Let Mexico be? Let the rich eat cake and the poor starve?  Let the current pop culture undermine history and prioritize sacred museum space with the products of fashion and commerce while they discard the true foundations and sacrifices that constitute art?  Not me.  I will fight.  I will resist… old and weak as I am, I will try to express my contempt for what is morally hideous and grieve for the poor under-acknowledged saints and martyrs of this abysmal culture whose memory grows shorter and shorter, dimmer and dimmer… fade to black.