Broken Ing-Lish

It's Oscar night.  I have little interest in watching the award show... diminishing returns for me who at one point, years ago, saw every nominee and felt a kind of excitement.  March Madness has more appeal.  My taste in film seems to hearken back to a high-school-era course which opened my eyes to European and experimental things and blew my moderated teenage mind.

I'm also editing a collection of lyrics.  This is a tedious and maddening process for me; having a quasi-indie label based in another country, there is really no one who can assist. Film editors are essential; they make masterpieces out of footage, make sense of lengthy narrative visuals and prevent the Director and cinematographer from indulgences which might leave an audience bored and apathetic. One must be popular, also.

The fact that I have sat through two showings of the 8-hour Satantango but cannot watch any of the Avengers or Spiderman or even Dune series is baffling to my son.  French New Wave cinema of the nineteen sixties seduced me with what I have called 'movies at the speed of life'.  I can watch documentaries, endless train footage, conversational exchanges à la My Dinner with Andre... but people in costumes brandishing weapons make me cringe.  It's overwhelming.

Long novels have always enchanted me-- nothing like the endless descriptions and loaded sentences of Proust. It takes a writer pages to describe a moment.  Film maybe has the advantage here... and audiences complain when features exceed three hours.  As though they have not spent at least that scrolling through their daily instagram.

Back to the editing.  I know my writing can be improved.  One tends to fall in love with spontaneous inspiration and to resist altering this, as though we might be sacrificing something irrecoverable.  My coming collection of lyrics seems archival more than impressive.  I am unemotionally deleting unnecessary punctuation and making minor layout choices, well aware that my audience is tiny.

Half a lifetime ago, new in my current neighborhood, I was waiting with my little boy in a 1990's bagel shop for an after-school snack. We were approached by a handsome white-haired man who commented on the Jeanette Winterson novel I was carrying.  It was obvious that he was well-read and intelligent. I don't even like Winterson all that much and didn't feel like defending my literary preferences.  But he followed me... he pursued me, in a way. He lived on my block which seemed safe enough.  Later that evening he delivered a pile of impressive and arcane books to me, with scrawled notes.

So I looked him up; he was Gordon Lish who had somehow not been on my personal radar despite the fact that I'd dated a writer via whom I'd met the cream of the city literati, including Joan Didion and William Gaddis (among my favorites). Most famous for editing (or perhaps 'writing') Raymond Carver, Gordon was extremely opinionated.  Under his slightly tyrannic influence, I surrounded myself with Cormac McCarthy, Cynthia Ozick, Dawn Powell, etc.  

Sheepishly, I shared some of my poetry.  Maybe because I am a songwriter/bassist, he was vaguely complimentary. I also was warned that he was a major womanizer and most of his protégées were his lovers. He  actually showed up at one of my solo performances after which he called me 'brave'.  Despite the fact he lived two doors away, he mailed me handwritten postcards almost daily.  It was flattering... and gradually I began to sort of temper my writing to please him, as one does.  He bragged that he 'wrote' the best passages of some of the new novels he published which were uniformly minimal, choppy, stark and sort of jarring. It was a style. It seeped into me, in a way... and was compounded by the fact he returned my typed manuscripts with heavy cross-outs and suggestions.  Occasionally there would be only one word worth saving. And it seemed enough.

He flattered me by telling me he was going to start an imprint and publish my poetry. Yes, I was duly flattered... and inspired. Of course this did not transpire and either he tired of the 'chase' or genuinely disliked the fact that I rebelliously continued to allow a modicum of human emotion in my lyrics.  Also, I am a musician; I hear rhythms in words... I'm not sure my rigorous editor was listening at all-- he was so busy deleting.

We had kind of a falling out, some years later.  We're still neighbors; I'm old and he's quite old. I saved a quantity of his postcards, and I cherish the many nights we sat in his apartment and talked until dawn. He's brilliant, and his own writing has a particular masculine elegance that is incomparable. I admire him and in a way regret I was an uncooperative pedestrian writer in the presence of genius. 

Tonight, after the show, I scrolled through the published fashion photographs of actors and directors... some of the outfits are wonderful, but some of them, I chuckle to myself, could use editing-- like Dr. Doolittle 'portmanteau' animals that don't belong together... not everything works. What do I know?  I am badly dressed...but I know something.  I know enough to have had Mr. Lish marvel at my library and the breadth of my reading... enough to have him request my company at screenings and lectures. These things affect us.  

Yes, I'd much rather spend early morning hours watching Tarkovsky or Bergman or Khutsiev.  Is this taste?  Does this permeate my own output?  I read daily poetry from various well-respected platforms... some of these are good... some of them endlessly destroy their own soul with the piling of excess and tone-deaf lines.  They weigh themselves down. And then there are the constant wanna-bes whose verse is so clichéd and cringeworthy one could forever give up writing.  These manage to reproduce themselves  in online posts and memes.  On my own Facebook page, Meta mimics me daily with a horrifying AI version of my own words. 

Okay. Surely I could use an editor, but it's late... one becomes one's own audience, and I could never please Mr. Lish entirely. He began to give me orders, such as forbidding me to have a cellphone.  I do barely use mine... and I have included some of my work without his deletions-- as it were, so to speak.   About to publish a kind of abridged 'songbook', I am a little proud of the melodies and musical architecture which frame these lyrics.  And like most projects, they will have an afterlife of their own... or none at all.  I will (still) continue until I cannot. 

Winter Options

On the frigid Friday when we're boycotting everything... striking, protesting... I went out, and New York City somehow always seems to be business-as-usual.  While I remember distinctly the sense of empowerment I felt demonstrating as a teenager in the 60's-- like part of an army of compassionate humanity, today I feel snubbed and overlooked.  Even the weather is daunting. Victims of the cold here receiving little sympathy; they are anonymous and powerless. The wounded martyrs of ICE demonstrations are filling news platforms, and yet the bodies here-- mostly homeless, some nameless... have suffered from another kind of ice... and their narratives maybe quietly heroic. Two men I discovered Tuesday in a doorway-- one a migrant terrified to check into a shelter or warming center. Hours later, shivering in my apartment, I fretted about these men; they were not young. Reluctantly I called 311 and they promised no names would be asked.  But promises in this country in 2026 seem to be threadbare things.

Most of my friends are staying inside in this polar vortex; for those with draughty old apartments and insufficient heat, sometimes a reality check outside in the form of a brisk walk kickstarts our internal thermostat. But I find many of the shut-ins more nostalgic than ever-- binging on the 'Manhattan before 1990' sites and vintage city photos.  For the second time last night I watched I Am Twenty-- an extraordinarily poignant Russian film from 1964 with a story behind it.  But the art museum scene-- the poetry, the conversations-- brought me into the usual nostalgia and longing for a time when these deep discussions among friends were daily occurrences.  Also-- the old version of Moscow is on display and fantastically interesting.  

I am no longer sure who anyone is, in this time when even my friends have enhanced their face, have altered their lives to depend on mobile phone platforms and award-show culture.  I also watched-- again,  the Louis Malle 'Place de la République' in which he interviews regular blue-collar type people on the streets of Paris.  This is the version I recall from my first trip there in the early 1970's... and somehow each person he questions seems to have a very candid answer.  The fact that they are 'who they are' seems now a treasured state of being.  A certain intimacy radiates from just the stark honesty with which they face a microphone and camera.  It is disturbing that I don't feel this connection in casual conversation today-- in interviews and televised dialogues.  The obvious make-up and hair aside, everything seems scripted and manipulated-- calculated, prepared, and 'filtered'. 

Several of my neighbors have gone on small holidays and returned tanned and unprepared for this unusual cold spell.  They have also avoided disturbing politics and daily discouraging takeaways on the diminished value of democracy in America.  But these people have money-- they have options.  There is no option for the two men trying to sleep in the Lexington Avenue door-niche Tuesday night. 

When I was a teenager, my Aunt Rita had a little shop.  They sold John Meyer of Norwich clothing-- sort of preppy but decent quality wear for suburban men and women.  Casual clothing-- practical things.  Of course all these brands have been reinvented in the digital age, but back then I was something of a hippie, and... well, the clothes were not for me.  I did make wool curtains for the store fitting rooms and then made myself a warm winter skirt from the extra.  I sat on a vintage stool at a counter after school and folded things, hand-wrote tickets and promotional postcards.  I loved it there. In January, they had a shipment of what they called Cruise-wear-- suddenly summer clothing-- bathing suits and cover-ups, T-shirts and khaki shorts.. golf-wear.  My aunt had to explain this to me... it was a thing.. and I suppose even the concurrent shop window display gave people a break, a sense of hope in midwinter 1960's when snow was plentiful and the cold was consistent and predictable.

The saleswomen were all friends of my aunt-- one especially remains in my heart-- a tall, elegant Jackie Kennedy type with a lovely speaking voice and innate elegance.  We became sort of intimate. Her husband, I remember, was this tall photographer.  He was so handsome-- and a little rough.  He both adored her and had that macho edge one puts on because in his heart he knew he'd married 'up'.  I saw him with other women in the city.  This was common then; no one spoke of it.  Later she suffered from breast cancer... and he left her.  When the shop closed, we lost touch and I went away to college. In the end I heard she'd remarried to a man who spoiled her-- took her on exotic voyages before her premature death.  I am surely older than she would have been. Today I miss her-- her patient explanation of 'cruisewear' to a girl whose small world did not encompass weather-driven vacation choices. She touched my life in such a gentle way and I hope she is warm.

I miss these people who knew exactly who they were; the people of the Place de la République are here among us somewhere in the city-- delivering things, slicing meat in a bodega... making pizza maybe... but they are rare.  My aging friends are a little fearful and insecure... they begin to walk with hesitancy and they mistrust, with good reason, the institutions which were designed to protect us. Everything is inappropriately invasive and these people who seem to live in old photos and memoirs-- well, they call me, narrating their disappointments-- maybe looking for sympathy, not always aware of this.  

Perhaps I am guilty, too. In this culture where one does not 'see' oneself, I am surely afflicted.  To protect from the diagnosis, I avoid mirrors, avoid too much effort to change my appearance.  Inside I am pretty much the same, although I miss the alacrity and candor with which I once greeted people and embraced their intimacy.  I'm a little guarded and not sure these 'others' know themselves.  They think they do, but not in the way these French working people on the street knew exactly where they were going and why. 

We do change.  My son has changed me profoundly.  I am now a football fan-- a sports fan.  One osmotically absorbs the passions of one's loved ones.  And he will not know that I switch off the pro-bowl game to catch a rare cameo of Tarkovsky who has sadly left this world... or Yevtushenko, reading his poetry in 1962 Moscow... to screen-- one more time-- the world as it was when I was barely ten years old,  when I Am Twenty would have been beyond my understanding and certainly not something my parents would have taken me to see.  Fortunately, like most things of the heart, one does not have to exchange one thing to allow for another. Unlike the two men on Lexington, we have options-- maybe not economic but emotional and intellectual ones.  May we put them to better use.  

We Can Be Mayors....

In the midst of the World Series, NBA season opening, football Sundays, I am a little obsessed with the mayoral race.  Of course my son taught me that in sports, there is a clear winner and something uniquely satisfying about clarity in this complicated world.  But in light of the recent gambling scandal, one begins to doubt.  Where politics is concerned, we have once again sunk back into petty messaging and accusations.  These pertain to the contest, I suppose... but once the voting is over, then the real game begins, and this is worrying.

I took an out-of-town break yesterday and visited the spectacular new art museum at my alma mater. The breathtaking concept of the architecture-- the way the building combined a sense of future with traditional breadth of collecting... was uplifting.  Unfortunately, even this project was stained by negative allegations against the architect; still, his design, which was already in progress, is stellar.

Cult of personality, when I was more naive, integrated one's work occasionally with who one was.  Now,  'persona' has eclipsed what they actually do. The whole lucrative business of branding bases itself on the concept that a celebrity can convince us to do/buy nearly anything. It's worrying... as though all of America has this teenage brain which is unable to separate fact and reality from fantasy and facade.

Visiting old universities and colleges, the 'scent' of academia is palpable and appealing.  I wondered what I'd be if I'd stayed with my art studies, as planned.  At this moment, I'd have probably aged out of the new curatorial generation and contented myself with restoring old paintings or regretting not having taken up the bass. Water under the bridge.  I did have some great conversations and reminisced about old days and my intimacy with the objects in the former museum building where I occasionally pored over manuscripts and painted treasures in a back room.

Sunday night I watched a Tarkovsky film-- Stalker.  It's an extraordinary piece of work with even the film texture a particular choice-- alternating from sepia-tone to rich color-- from depressing, dark reality to a kind of spiritual epiphany. Without doing a movie review, it is both terrifying and then reassuring-- from the ominous post-apocalyptic wasteland to the resilience of the human spirit.  The dialogue stands out; it's poetic, philosophical and inspiring.  One quote stayed with me 'Passion is nothing but the friction of the soul against the outside world'... something like that, which may actually have been lifted from Herman Hesse.

On the way back from Princeton it was cold and damp... leather jacket weather... but I found myself waiting on a train platform with a young student dressed in a sequined sort of bathing suit with a small skirt-- no sleeves, no jacket-- bare legs with high-heeled white boots.  Her flesh was on display;  ditto the fact that she did not shave or groom herself anywhere-- an odd combination.  She was freezing, on her way to a Sabrina Carpenter concert where she would go directly from the train to the venue.  No one really stared at her but in case she needed protection, we struck up a conversation-- about the concert, about her studies.  She worked as a valet summers and spent all her money on concert merch.  Within minutes another woman appeared -- in a pink satin mini dress-- bare arms, with gold fishnets and the same white boots.  They did not know one another.  It was extraordinary... the pink dress was studying neuro-biology and had only a bag with books.  A coat, she told me, would ruin her outfit.  She, too, was shivering. 

No judgment.  In my day we wore jeans to concerts-- there were few 'followers' or even pussy hats or costume choices, although the Zappa Halloween show was something to see.  These girls had the confidence to get on a commuter train-- alone, dressed this way... well, it is Halloween week... but this was something else. Still, I have to concede that their passion, their hero-- white pop-Disney-girlie-dress-up icon, was as valid as my Rolling Stones and Proust and Caspar David Friedrich schoolgirl obsessions.

I fail to understand the current culture of superhero movies, the custom of adults dressing up in costumes, imitating comic books.  Is life so terrifying that one needs to arm oneself against it, imagine one can bend reality with these powers and super traits? Superman reversing the spin of the world to reverse time and save his love-- was a novel idea, but the unlikely movie scenarios come one after another, at the expense of what used to be considered the 'art' of film. It seems not just juvenile but absurd. And while I understand little boys wearing sports jerseys and gear to games, I don't 'see' grown men vying for sports jerseys at auctions for millions of dollars-- or even collecting sneakers and dressing up for games. Then I think of the World Cup and there's something legitimately passionate and patriotic about the spectators. 

It all comes down to this nagging question in my head: who are we and have we changed?  I think we have.  I mean, I have to admire these two Princeton students-- not even 20, for committing to their passion...for wearing it in and out of context... like a movement for them, I suppose. The incredibly lucrative marketing of the merchandise-- the commodification of fame-- well, that's another story. In my day star athletes made a tiny fraction of what bench players now command. 

Getting back to the elections, I have a harder and harder time deciphering who the candidates are. Their opponents define them by their mistakes and failures; we the voters try to see beyond this to their leadership capabilities and their true commitment.  No one at this level is pure. Separating ambition from mission is difficult. I can't help seeing Mamdani in a mirror wearing a superhero cape; he seems too much of that generation to me, and I am also influenced by my son who met him as an aspiring rapper. It worries me.

We are no longer either what we eat, or what we say we are, in politics. Nor are we what we wear, as we learn from the athletes who switch teams and uniforms according to payout. Dressing as Sabrina Carpenter doesn't make us singers or superstars or beautiful, but it does take us a little out of our own reality... and it makes us part of something. Those two women made friends on the train... maybe lifelong friends. That matters. 

I am off to the polls at the moment; I am not thrilled with either choice and I am not defined by my vote. I think in my student days-- anticipating my first eligible Presidential election--I WAS that. Despite Watergate, I had belief and conviction... volunteered and worked for them. I was exploring my soul, trying to understand art and uncover my personal 'calling' by experiencing friction with the outside world. Fifty years later-- badly dressed, and certainly not in costume, I'll pick a candidate and tonight I'll watch the World Series, but I'll always take Tarkovsky.

Tarkovsky Unbound

As the snow began falling last night, I watched Andrei Rublev in its uninterrupted magnificent entirety, grace to TCM which like a kind of benevolent media-goddess allows me to view spectacular things in random offerings at 3 AM.  Reading Tolstoy and Dostoevsky in winter months has been a kind of life-habit for me; the concept of war in frigid landscapes-- the freezing soldiers and the blood-stained snow-- is uber-horrifying.  Given the tensions on the Ukrainian border, the vicious attacks of the Tatars and Russians seemed poignant and relevant.  How greed of all kinds has scarred the dignity of mankind... 

Coming up from the 6 train at Union Square this morning, it occurred to me that it was a day like this when the beloved Charles Otis slipped on the subway stairs at 125th Street and broke his neck.  No battle, no attack... just a random tragic accident that ended his drumming and shortened his story.  No responsibility from the city; apparently, when a snow event is ongoing, there is no accountability for a fall.  Be cautious, drummers and musicians, I whispered under my breath; we cannot afford to lose another.  

It was another day like this that my young father, closed in behind the French doors of the den, covered in newspapers and heavy with the burden of a young family, drank himself into some kind of hospital-worthy state.  I remember piling up some record albums as a step-stool, peering in through the glass door windows at my handsome Dad sprawled on the sofa, high-ball glass in hand, football on the TV console.  Don't bother him, my Mom warned; I was concerned.  My father's parents came from Russia-- one from Ukraine... they settled in upstate farmland and weathered the tough winters with stoicism and bitterness.  Maybe their genetics affected his dark winter heart... they were long gone by the time I was born. 

The blessing of snow, like a consecration-- like temporary forgiveness-- of course reminds us of the joy of cancelled classes, of pond-skating and hill-sledding on a weekday afternoon... hot cocoa and mother-love... bundling up my own son to stand among Christmas trees on Park Avenue and survey a silent city-- the drifts and piles untouched and inviting.   In those days, children prayed for snow.

My older neighbors are more shut in than ever.  They fear falls on the ice, do not navigate well in the crosswalks.  My younger friends fear for my safety.  I am thinking about Ukraine where a friend tells me most of the people are just continuing life obliviously, while I am somehow on high alert.  Part of my sleep-deprived head is still in the medieval monastery with the noble Andrei who refused to speak and paint as penance for the murder he committed, albeit to save an innocent.  

The concept of religion-- the passion and the commitment-- is at heart this allegiance to cause.  The issue of sin seems archaic and irrelevant but our whole culture functions on a level of human blasphemy that is appalling.  The disregard for consequences-- the institutional disregard for the less consequential... when everywhere we are reading about massive financial accumulation, bloated celebrity trivia... it goes on and on.  What did I do after the film?  I watched tennis.  Guilty.  But Andrei, as a symbol of the impassioned and oriented artist, broke my heart.  I had to bring myself a few centuries forward.  

Like so many things, our urban snow episode will have a mere proverbial fifteen minutes of fame before it is blackened and annoying.  Not so on the Ukrainian borders where it will persist and fail to deter the military threat.  I wish Putin could watch Andrei just once this week... I am not sure if these world leaders have permeable hearts and care about art beyond the massive monetary value and national prowess of the Hermitage treasures.  I am not sure whether the churches and frescoes move their emotions the way the old painters intended.  The Botticelli Man of Sorrows achieved 45 million dollars at auction this week; some funds at least will have to be moved.  Was it competitive greed for a prized trophy or true passion?  Tarkovsky gives us long minutes at the end of the film... where he lets us  see the images, in heavenly color... to leave us with some kind of message, some kind of epiphany-- a warning, about killing... about God and man and art and vision.  It seems so simple-- faith and beauty and the choices we make.  The living.  The snow. Amen.