Wednesday, December 19, 2018

What U Need

What u need Mama, a homeless man asked me this morning, effectively reversing roles? Very little, I didn't reply, thinking of the holidays and the 'neediest cases' the newspapers used to publish daily in the weeks before Christmas... the downhill, the slippery cold slope that ends with a wall-slam on January 1.

I've recently been working a temporary job-- just to bridge the financial gap in my life... it's limited and will end with the year, but it's given me a dose of  the 9-5 commuting 'cram', the stress of train-delays and overcrowding passenger nastiness, and a sense of my own reality-- people occasionally offer me their seat, because I am often the oldest occupant of the downtown 6 morning jam.  But it's the Saturday morning trip that brings the entertainment-- like a traveling sideshow.  The cars are just full enough for audience and the tourist density is highest... here come the indie rappers, Mexican huarache bands, crooners and sax players-- break dancers and acrobats... one after another, they enter, announce, perform and pass the hat between stations. They have it down to a 90-second kind of thing... like an on-air radio commercial; timing is everything.

Then there are the underground evangelists-- the spreaders of gospel or frustrated actors who need to soliloquize publicly-- to declaim, orate.  Most of them, sadly, are either mediocre or misled.  The boy who is 23 and giving us his urban poetry-slam-- well, he is neither edgy nor clever nor really angry but a clichéd living instagram-meme.  I don't want his little scraps for $1.  I want him to stop.

Mostly there are the beggars-- the city untouchables-- the homeless shelter-evaders, the un-censused, non-counted, failed hustlers and drug casualties.  Last Saturday we had 'Phil'.  He was young-- not as young as he claimed-- the first scam-- he worked the 'just trying to get my knapsack and schoolbooks' angle... and he was dirty.  Caked with old black soilage everywhere-- as though he'd been sleeping on the tracks for weeks.  Acne-scarred and needle-pocked... greasy haired and clothed in soot-dyed jeans and a coat of filth.  And he was thin-- his clothes hung... his knuckles stood out when he offered his hand, because he didn't even have a cup for coins.  When I was small my Mom used to sing us this little limerick about 'Garbage Phil'... it was funny and she would hold her nose and squinch her face up.  But here he was-- an Irish boy from Staten Island... me, with my sad, uber-empathetic, old-mothery eyes looking... knowing I walk the streets without even a coin some days... just my SNAP card... telling us we were good fuckin people-- not like the ones from his borough who were a bunch of scumbags... but no one stuck their hand in a pocket except to extract a phone... me-- I had 7 cents from money I pick up on the street-- and I shamefaced put this into Phil's blackened hand on my way onto the Union Square platform, and Phil forgave me... you're a decent fuckin woman, he said... and I prayed for his angel... for the one that put a wad of $550 in a money clip on the street beneath my feet as I crossed with my baby boy one hungry winter night, years back.

The Saturday before, we had Kyle.  Kyle got on and began his bitter speech... he had a dog... a wife... no dogs in shelters...  and then we were at his stop... his timing was definitely amateur and he had no minute to make the rounds so he cursed us all, through his prematurely toothless mouth, from his face caked in the same soot as Phil's... in those extra seconds it always takes as they maneuver the moveable platform into place... interminable, punishing seconds of Kyle's acid wrath, the simmering malice of untended need like an emotional ulcer... and there is no hand into which to place any pathetic offering... there is only the flush of shame, standing there beside him, inhaling his untended canine scent.

This is his 'stop'... what is the meaning of that, for the homeless-- that this is where HRA has its linoleum-floored headquarters, yes... where you sit in the stale air-blown on plastic seats in a room facing forward with no music or reading material besides barking signs-- where uniformed guards stand by and ignore... where women in cubicles take their time pushing papers around, sharing holiday candy, giggling, talking on phones... while Kyle sits and waits...?

I have never seen so many homeless as around Union Square-- like a cult, like a community-- they sprout everywhere with their signs and blankets.  On the corner of 4th Ave... underneath the Food Emporium there is a cluster-- wrapped in layers like Arctic explorers, with their sleeping-cardboard and tents of old coats.... a young man from my train, I have noticed... daily... puts a bill into the pouch of a woman there... as though he knows her, as though there is some relationship.  I love this man--- he does it so nonchalantly... I wait for him, mornings--- because it gives me some joy.  Thank you, I want to say to him-- not to the Salvation Army saints ringing bells, but to him-- I imagine his arm like a chimney and then there is coffee and doughnuts inside the supermarket cafe for these people who are more or less as welcome there as in the HRA lobby.

On the platform heading toward the L train is The Little Drummer boy.  A young man without arms... with small hands attached to his shoulders who sits and plays-- shirtless, with a strange plump egg-body and tiny legs.  He keeps time... not too loud... and you want to cover him-- it is not pretty, his torso from the back as you come upstairs.  It is freezing even in the station... but there is no sweater that would let his little hands do their acrobatic flipping with the sticks... he plays on like a wind-up toy, with about the same lack of grace.  No crowd gathers... it is difficult to watch, this side-show... I want to ask the sidewalk saints to be sure and share their bucket with him... I want to cover him with a blanket... a vest, I am thinking... a down vest... for Christmas.. but I can't figure out how not to insult him.  And so, I add him to my list of the Neediest.

At my job there is a circulating memo for supplies: Things We Need, it is called. On the list is an order for hand soap which they use here; ordering, I have learned that one small pump-outfitted bottle costs $78.  That is maybe my food budget for the month.  The new hedge-fund family below me who combined and renovated 4 apartments needs many, many deliveries of new furnishings.  The daily pile of boxes would make several tent-homes for the homeless of Union Square...

As for me, I need nothing.  Not even lunch today... a tin of cookies arrived here, a gift of some bank or supplier for this place-- and they are not quite up to the gourmet taste of people who use $78 hand soap.  So I will eat them... and leave some for the drummer boy who might be insulted by my coin contributions but maybe will condescend to take a holiday food-break.  The timekeeper-- he of all people is aware that the year is running down, like an old battery... and what we need, all of us, is that which evades us all equally.

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Monday, December 11, 2017

Santa Clause

Like an old deer in a city park, I am beginning to pick up the scent of Christmas.  When I think of shopping-- merchandise-- well, tears are all the currency I can muster; even the pounds of butter for cookies will be tough to manage this season.  Thank goodness I conned my son into picking up a bargain tree on Black Friday.  Having a good month with it makes me less guilty about kidnapping nature for selfish decor reasons.  Yes, it's a symbol, and it certainly receives plenty of love and attention in its place by the shelves of vinyl and my double bass-- but come the New Year it gets put out on the curb for recycling, stripped of its finery, and I feel like a cruel step-parent.  Anyway, it is in its domestic adolescence, still drinking up water and I love the smell.  It is my companion, my forest.  I wake mornings to the banging radiator and the piney ghost-aura of Christmases past.

I am closing in on another lifeline benchmark;  it is also the first holiday without my mother.  She would not have believed my age; during our last visits, she refused to believe the woman before her was truly me.  My daughter, she laughed quizzically with those famous eyebrows roof-high?  My daughter is young and so beautiful.  You-- you're not my daughter!  I had to agree, in the end.  I am no longer that girl; I am quite someone else, becoming, every year, still another version of this woman in whose skin I feel not quite myself ('Mice elf', as Sly with cleverness observed).

On Saturday afternoons I often gallery-sit.  It provides a little extra income and keeps my finger in the art pie where all of them once wallowed and explored.  I take the train to Union Square and walking west I can't help observing there is a blossoming colony of homeless or hapless people-- most of them young, with signs, blankets, home goods, possessions, wares for sale.  There are couples and small groups.  Many of them have pets-- dogs, cats on leads, animals wearing sweaters and T-shirts, bandanas and hats, reminding me of the old Tompkins Square population from the 1970's.  There is money in their cups and bowls; tourists and locals chat and pet the animals who are the pimps, in a way, for donations.  People are uncomfortable with poverty and homelessness, but the animals seem to be an ice-breaker.  Many of the young people are reading; they might be students living on the edge, relying on charity to make room and board.  These days I have so little extra; a few dollars each month and my own skill at thrift keeps me from the street.  I pass, I empathize, I apologize silently, and I say a prayer thanking God for another  month of eking by.

There is coffee at the gallery.  The space is luxe and white and the reverb is perfect for recording vocals.  The objects are expensive and beautiful.  I am comfortable with these; I understand their history and their context.  The irony of my life is that I was brought up in museums, among cultural institutions-- I studied art and history and architecture and despite the extreme financial circumstances which ally me with the culture of homelessness, I am steeped in the love and lore of art and at home in this place.  During the week salespeople and stylists and media-experts bring clients in and out; on Saturdays it is church-like; no one calls, and celebrities and billionaires come in to shop low-profile-style.  We are connected by affection and understanding of these things despite the fact that I cannot even afford to buy lunch.  I also encourage students and passersby to browse; I am instructed not to let anyone use the bathrooms but find this kind of rule difficult to enforce.  I am a populist and also know, from years of gallery work, all visitors deserve the same hospitality.

This week there was a plumbing issue and the bathrooms were off limits.  Mid-afternoon, in the first snow of the year, a young woman came in-- wet and snow-dusted, wide-eyed and sweet-faced, and asked to use the washroom.  I had to explain-- felt a tiny pang of awkwardness, knowing the policy of places like this one… but she was cordial and spent some time looking around.  I was speaking on the phone to a relative, admitting my dark mood and still coming to terms with the sad week I'd had-- the loss of another close friend and musician.  I'd been not just on the verge of tears all week… in fact, since the fall leaves began to turn, I haven't been the same, as my Mom might have pointed out, had she lived another season.  The girl left; I apologized again.  

Maybe it was the weather-- the beautiful quiet snow, the dark afternoon, the Christmas lights through the window,  the hangover from yet another funeral, the sense of the dying year… but I was feeling bleak and isolated.  Gigs are getting sparse-- book sales are slow, my holiday calendar is quite blank.  I will see my son-- he will have a brief rest from his work; maybe it is his missing father-- his slightly handicapped childhood, but he rarely expresses much emotion.  He seems so 'normal'-- I do not often expose him to my 'shadow'.  His father-- my husband-- was a happy-go-lucky boyish sort of person who embraced love and marriage with great alacrity, but not so much the 'to the exclusion of all others' clause.   I never nagged or complained; I left.  It didn't bother me that he never sent a penny; only when he complained to the next crop of spouses that he was crippled from child support payments.

At the end of the afternoon a girl came in again--- left something on the desk-- I was about to call after her, when I saw it was the same girl-- and she'd left a lovely wrapped cookie… with a note, saying I seemed to need some cheer-- and whatever it was, she could tell I was a strong woman and would overcome the darkness.  I burst into tears-- like the touch of angel.   It wasn't just that in this culture of phone-addiction and shallow human interaction it's so rare someone actually reaches out to a human (as opposed to a sad dog), but also that I remembered being that person-- the one who felt things, whose daily empathy called for these gestures and this sort of gift-giving and random affection to strangers.  It isn't just that I look different as I age, but that my limited lifestyle has also limited my generosity of soul.  I cried for my lost heart, for the girl I was and now suddenly missed so terribly, realizing my mother was maybe more astute than I knew.

I locked up and went back uptown in a cloud of quiet tears camouflaged by the falling snowflakes, mourning not just my friends but my old self… trying hard to absorb the Christmas message.  After my solitary spartan supper at home, I found her cookie-- realizing with a bit of horror it had been so long since I'd treated myself to anything-- and I loved every bit; it was healthy and handmade and filled with festive ingredients and just so good.  While I was busy worrying, struggling to maintain my minimal post-parental life in the 21st-century city which is not kind to the poor and the non-spending population, I had neglected more important things-- my soul, my heart, my own kindness not just to others but to myself.  Thanking you, Kayleigh (she signed the note) for reminding me; maybe you are truly an angel, the ghost of my Christmas past, come to bring me not just a gift, but-- like the old story, an awakening.

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Friday, July 19, 2013

Blurred Lines


I’ve been thinking since Saturday about race.  About how perfect black men look in a white T-shirt.  About how people in Harlem wait patiently for long minutes for a bus to take them maybe 5 or 10 blocks.  About not really complaining about the heat the way white people do. About why I swipe in black teenagers at subway turnstiles because they don’t say thank you.  They don’t even look at you.  Gratitude in a situation like this is unbearable.  A deterrent.

Last night I was on a packed uptown 2 at midnight and a great looking black woman had her maybe 18-month-old kid in a stroller.  Big enough to know what he wants, but not to ask for it.  Still has that baby mouth pout.  No chance is she going to fold this thing up, as per regulations, nor is anyone going to ask her.  She has gang tattoos and her midsection is bare.  She is wearing short shorts and Nikes and is buff and sexy and tough and her kid is yelling his head off because it is claustrophobic and he is at knee-level, strapped in, surrounded by sweaty tall people.  She doesn’t even flinch.  I am waving and playing peek-a-boo with him, and he is trying hard, but he can’t help panicking.  After all, when you are 18 months old, every moment is permanent, for all you know.  No one is telling him it will get better at 125th Street; his mother is a tigress.  So this guy gets on the train… clean white wifebeater, tattoos, Daddy B shades… takes his earbuds out and puts them in the kids’ ear, hands over his iphone….finds some U.E.O.N.O….whatever… the kid is frozen… dead quiet.  No pacifier, no snow-cone or lollipop could do this.  3 stops later, he is getting off and takes back the iphone.  The mother?  She doesn’t flinch.  No eye-contact, no gratitude.  For me?  The good-hearted sympathetic middle-aged mothery white lady?  I get up and she gives me the smallest version of a smile…maybe not.  Anyway, I give one to her.  She is my idol of the moment.

Maybe it’s because I married a black man once---  but I don’t fear thugs.  I can’t get enough of them—the physical beauty, the style— what it represents-- -the ultimate tough soldier-macho thing… the obvious appeal Hip-Hop has for rich white kids.  No matter how much money they have, no matter how much power or success, how many women, how big their dick is--- white kids don’t walk in the hood alone after midnight.  But there is a certain safety that comes with middle age… no one is leering at me on trains, licking their lips in bad neighborhoods, touching and threatening.  I’m invisible. 

The young guys in my local Starbucks… sweet and attentive, hard-working and polite.  When I see them on the street, with their aprons off and their hoodies on—a different animal.  My husband pre-dated Hip-Hop.  Yes, he was a musician, and yes, white women threw themselves at him because he was dangerous.  Yes, he rocked my world literally.  Sometimes I could look at him objectively—after he went running with his dreadlocks and his glistening body—and I could appraise his physical power, his total composure and refusal to get upset or neurotic the way white men do.  Except when he played soccer, he slowed things down.  Easier to admire his wild and instinctual MO when I am not married to him, as these men in the white T-shirts, for the most part, do not seem like conventional good-husband material.  They seem unattached and unphased… life is there, in the moment. 

It took a bullying twisted cowardly asshole with a gun to get a child like Trayvon to scream.  And wasn’t that enough?  To get a scream out of him?  A little blood?  He didn’t run, that boy.  He fought the odds.  I can’t get it out of my head.  All the great sex he will not have—who knows what was on his mind before his life took that hellish turn and some sick perverted non-black man who knows he will never ‘get it’ decided the thrill of some primal hunt would ‘make his day’, would turn back a racial clock that didn’t need rewinding. 

Sunday evening I stopped by Union Square.  My demonstrating days are way over, and I can’t say I took any comfort in the company of a mixed crowd who were equally angry and sad.   Instead I took a train up to Harlem… walked around.  It felt calm and solid.  White people are guests there.  It is its own kind of gated community.  I actually stopped to watch a neighborhood basketball game in one of the community courts, with the blaring boombox and the Gatorade and the girls primping and laughing, just like Florida didn’t exist.  An outsider in the Projects.  At first I had a few stares—what the fuck was I doing, some white bleeding heart psycho… but it was too hot.  Some grandmother actually offered me  Kool-aid in a Dixie cup.  The game was fun… the boys had their shirts rolled up to cool off their great young abs and each and every player had their own style.  They were safe here.  Everyone seemed okay. Calm. 

I walked back thinking how some white people still fear black people.  Instinctively---are they taught this?  Like animals and their natural predators?  And black people embraced this, for a while… being perceived as the predator.  But now the President is black (well… almost)… and maybe Superman,  and some of the power-broker people in New York, and white rich kids of course take most of their fashion and music cues from uptown.  But most of all, I think the core of being cool is to not be afraid, and that’s what George Zimmerman will never admit, along with his primal murderous guilt: that any average black kid--- with his iphone and his body--- is cooler than he could ever be, and no violent victory or acquittal will ever make a champion out of a poor pathetic loser.  Don’t retract your words, Victor Cruz.  Your instinct was right.  Fierce you are.  Fierce you were, Trayvon.  Trayvon I was.   May you rest in oblivious peace but justice will at some point have to be done.

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