Reel Fiction

A friend and I were reminiscing about our first records... not the ones we shared with our parents, not our adolescent rock-obsessions but our very own early-childhood albums.  Mine was Funnybone Alley.  I played it over and over on my machine-- with the switch and the heavy rotating disc covered in some kind of wool or felt-- the metal bullet in the center. There were silly songs and dreamy songs-- marches and sad ballads. Just for children. I inhaled these... memorized every melody, every lyric. One step more sophisticated than the little colored plastic sing-along rhyming discs, it sang to me, this album.  It changed me.

My first book-- the one that was really mine.. was A Fly Went By.  I was already a pretty good reader at 5, but this was a gift. I devoured it-- over and over.  'A fly went by...he said oh, dear... I saw him shake... he shook with fear...' I could recite the entire text now, 60-something years later. The color blue on the cover was perfect.  The little freckled boy-- unlike the drab boys in my pre-school-- he was adventurous and independent; he was there for me, whenever I picked it up. He was my friend.  The boy.  No names, these books. Likewise A Hole is to Dig...  A Hat for Amy-Jean... these were my companions, my confidantes-- my familiars.  They never abandoned me.

Lately I've regained the habit I once had of reading.  I've been through Dostoevsky, Murakami, Eliot, Musil.  The depth of my library never ceases to thrill; I will never finish. I also frequent the library for discovery.  Coincidentally, I live on a street rich with writers.  My neighbor's son recently wrote a novel.  It was pretty decent... but I couldn't stop looking at his picture on the back sleeve;  I knew him. The book won an award, and now he wrote another one.  Again, the photo.  You feel close, like you have shared some intimacy... this time he divulges his masturbation fantasies, he dissects his father's flaws.  It's fiction but you know better.  He passes you occasionally on the sidewalk... for you it's like seeing an old lover.  He has no clue, of course, that you applaud him for craving his father's approval while giving him the finger.

In college there was a famous Physics professor.  Or maybe it was Philosophy.  There were rumors... he'd written a bestseller and his boyish profile with the shock of hair on the backcover-- the loosened tie and open collar... sold books.  Not long after I graduated he let my college advisor know that he'd had a little crush on me. Flattered, I agreed to go on a date-- intimidated but somehow reassured by the familiarity of that image on the book-cover.  I knew him... the way his fingers absentmindedly held the piece of chalk-- the way he gestured with his hands, and pushed the shock of hair off his forehead. When he came to pick me up, he told me he'd often thought I had the legs of an extinct running animal.  I'm sure I wore a very short skirt; we all did in those times. As we walked he calculated the number of shades between the whiteness of my skin and the black of my hair.  I was a little speechless... out of my element.  He took me to the movies-- something almost embarrassingly pedestrian like Rocky.  The smell of popcorn and urban movie-theatre didn't quite fit in with that disheveled young professorial silhouette.  I wanted him on the cover. That version. Somehow I felt humiliated when he left me at my door, as though he had put me back in some inferior student slot.  I thought about the comments he made... Liar, liar, pants on fire I said to myself over and over in my apartment, like a 5-year-old, to console my ego.  

Since the pandemic has completely disintegrated whatever skewed temporal reality I once had, I often stay up and watch films-- great ones: Godard, Almodovar, Fassbinder, Kurosawa. I am transformed by the better of them-- the way I was when I took my first course in film in boarding school, and was shown Truffaut and Fellini and Bergman. They seep into the cracks of me-- the ones that haven't been filled by novels and text.  They haunt my dreams and my strange daily existence which is at least five degrees more separated than it once was.  Sometimes I feel as though I've been transferred into another human form.  I am married to my solitude; I have said this many times, and it has been a wonderful and attentive husband.  

Tonight I ventured out to witness the Philharmonic on the Great Lawn-- this annual event I'd attended so many times-- with husbands, boyfriends, schoolmates, babies... I stayed on the outskirts like an eavesdropper, with a book to fill the intermissions.  At the end I wandered back along the reservoir-- my daily habit... and pausing to watch the post-concert fireworks... I was nearly alone-- not even the ducks were awake-- waiting, except for two large dogs who are normally prohibited there, but it was late.  Suddenly I began to sense there was a couple embracing in the shadows... it was awkward; the dogs eventually forced them to address me. The girl was familiar-- I'd seen her on the way to the park with her dog...  beautiful like a younger, prettier Natalie Portman... and sweet;  she smiles at me often with true kindness.  The man was older--- boyish and familiar... I recognized him hours later... an actor... anyway, it became apparent that I was somehow inserted into their story-- or film.  We made a little smalltalk.. and then the actor came over to me and began speaking-- nervously-- soliloquizing... mentioning his little sons.. how one of them was terrified by fireworks, their sleep habits, etc., etc...  It was a moment of intimacy he opened and I suddenly realized they were meeting illicitly there... he, perhaps, had a family-- a wife.. but the two of them were so magnetically attached, there on the path-- watching their dogs play... touching, waiting to touch... and there I was, the unanticipated witness... maybe the only witness. I am safe, I did not say... you are safe. 

Once the fireworks ended, I took off down the steps of Engineer's Gate... they waved from the wall, and recalled the dogs who followed me for a bit.  The night could not have been more perfect... one day past the Strawberry Moon.  I have plenty to grieve this year-- the loss of friends, relatives-- the absence of my former habitual performance schedule-- the closing of so many beloved shops and venues.  I am a shabby aging writer/musician... a dying bohemian breed with barely enough income to cover the most basic expenses. Apologies to my late mother, I pay little attention to my wardrobe and appearance; she who was proud and always groomed would surely pass me by on the street, the way she publicly ignored me when I was going through my grunge phase.   

And yet I am still in love with New York-- the silhouette, the stones and sidewalks, bricks and facades... the graves and plaques and benches which memorialize so many vanished writers and artists and composers and heroes. The faded narratives and unseen films-- the diaries and heartbreaks. I will be gone one day but tonight I participated in one of those random urban tales of intrigue and passion and some kind of longing... and it felt like closure. My own little movie-- no wardrobe, no lines... just me, the intruder and the witness, who altered the narrative just that bit-- left my tiny mark on the city. 

Red, White and Blue

On July 4th I took an uncrowded 4 train to Brooklyn to hang with my son.  Solitude and quarantine have muffled the sounds of freedom ringing; just a few short weeks ago the pre-sunset curfew was downright penetentiarial.  I craved the sight of bridges and water and the Jersey shoreline-- the sense of distance, of space that is not measured out in six-foot lengths.  I thought the trip might help stir up some holiday spirit.

Walking to the subway was like an audio land-mine... firecrackers and street-caps exploding everywhere... Roman candles and sparklers whizzing by, blasts and M-80s and rockets threatening my old damaged ears.  I was jumpy; the station, even with the heat, was like a quiet refuge.  On the train, pretty much everyone wore a mask-- except the guy by the rear door who was smoking a joint and pointed out to me several times that I was the only white person in the car.  Certainly I was the only person without earbuds-- a captive audience to his rants and raps and disgruntlements.  When he pressed me for a response, I confessed I didn't feel very white, thinking about my unbleached laundry still drying off in the permanent humidity of my bathroom.   It seemed to satisfy him-- he offered me a toke and I turned it down, touching the mask.  In the relative calm of train noise, I felt safe.

In Brooklyn my son treated me to tacos on the roof of a cool Mexican place-- seemed appropriately a-patriotic for American Independence Day.  I had my first drink of alcohol since that last horrid glass of red at Parkside -- when Alan I toasted the proverbial end of the world as the downtown music scene hit the fan.  It burned a little-- like I was somehow disloyal for drinking without him.   A few couples socially distanced at tables seemed subdued... as though they were waiting for something; a young family with a cranky toddler reminded me of how exhausting the relentless claustrophobia of family can be-- how my first quarantine was like a numerical sentence-- me, a baby, an absent husband and the thick walls of early winter dusk that closed tightly around a mother who was accustomed to barhopping and rock and roll nights.  Sometimes I tire my son-the-man with memories and reminiscence... mostly I reduce it down to a general apology for my learning-on-the-job parenting style.

I insisted we check out the view from the Brooklyn promenade-- magical on any night, but the 4th held some promise of pyrotechnics and sky-entertainment, although nothing like the dazzling light-show of 2019-- the crowds, the buzz, the noise. The Statue of Liberty seemed to have shrunk... like someone picked her off and replaced her with a facsimile-- Liberty-Barbie with the green robe and the crown... and what reason had she to stand tall anyway... sham that she became in this administration with her baited false message of welcome to immigrants, the racially charged symbol of white freedom-- in a harbor with few boats, in a city where residents must mask their face and fear their neighbors?  She, too, seemed subdued and ironic...

Where is my freedom, I wondered?  Is it here... on a promenade by a river I've known most of my life, looking at an altered landscape across a bridge I used to watch from my childhood pram-- the one that haunted my dreams for years-- even still?  On my birth certificate which identifies me as female and white-- a citizen of New York City where I find myself tethered-- despite my youthful wanderings and yearnings... ?  What has become of my city-- a scene of emotional wreckage and the slow attrition of all that I loved most?

The post-4th evenings are quiet although I read in my audio manual that the city ambient sounds have a significant decibel presence.   My dusk runs are still punctuated by heart-stopping random firework explosions.  I have become more intimate with Central Park than I ever expected...  I recognize the routine joggers and walkers-- the babies growing and the Boxers getting their mojo back... My egret has disappeared; surely she is somewhere in the city.  The ducks and geese seem to have a certain purpose... recently a few of them line up on the tiny rock island in the center of the reservoir; they have an order-- they do not seem to compete.

In the distance of dark there are few sirens now; the traffic is subdued and tame.  There is an occasional quiet roar from a pack of demonstrators but even these have become less frequent.  Fewer airlines pass above... fewer traffic helicopters.  My windows are always open; I live without air conditioning and maybe hallucinate from the heat. When I was small I believed in a country (my country) called Tizovthee-- sweet land of liberty.  I squinted horizon-clouds into purple-hazed mountains and transported myself there, land of the pilgrim's pride.  Of 'Thee' I sang-- its nickname...  halfway between heaven and Oz.   The mountains paint themselves nostalgically into the sky behind the towers of the El Dorado.  They stay with me as I type into the morning hours, as I waste time and dawdle with books and memories, go from guitar to text.

But there is another component of these nights-- it is a sort of cloud that hovers-- blankets and beckons like a scent... a few of my friends have been captivated and succumbed... I read their names
in the obituaries, on Facebook pages and Twitter posts.  It is there as the sun sets in its fiery death throes of pinks and golds, as the morning sky threatens to replace the black with its electric blue magic... deceives, taunts me into a new day-- or to the edge of sleep.  It sings to me--  of the bloodless cool of breathlessness, of the enchanting nightmare of fever, of a slipping away--a letting go-- of the girl who is lost in a lake tonight or adrift in an untraceable boat-- in a plane with a cut engine, a receding surf and a wind.  For some of us there is another kind of freedom that beckons-- that makes us safe, but offers solace when there is none.  I am learning to forgive those who cannot resist... I understand... there are bells... and as I misheard the song when I was young, without lyric sheets, perhaps the sound of freedom laughing.

Juneteenth Fireworks

North of here tonight someone is setting off fireworks... from the rock ledge beside the Great Hill in Central Park I could hear the dull sound of small explosions like distant gunshot, with a dampened echo at sunset.  In between was that sax player... so hard to place him geographically-- on a hillside, a rooftop, in a courtyard... I can hear his progress since the beginning of the pandemic.  He is beginning to play.

New York City is becoming accustomed once again to demonstrations-- to noise in general.  The spring was deadly quiet, as though everyone held their breath between sirens.  Now there is anger, and buoyant energy-- the physical passions of the young are manifesting in the activity they repressed so long.  Boxers are working out in the park-- packs of bike and scooter-riders pass like hurricane-winds with enough velocity to blow someone's hat off.

On the streets there is chanting-- pockets of organized marchers in every neighborhood: they walk, they shout-- they sing... they let off energy and coordinate long-brewing discontent in focused choruses.  Something is happening here... the police have taken a step back and decide to pick their battles.  Illegal fireworks, until someone gets burned, is not one of them.  For people like me, with wide open windows and undated imagination, these are the sounds of a quiet war.

I watched the film Selma tonight on television; the scope of my life-- a kind of cyclical deja-vu-- became clear as I watched not the Hollywood version, but the actual vintage footage at the end.  I was young in those days, but old enough to march and protest and learn.  Growing up in New York City, we had plenty of exposure to racial (in)equality and viewed the South as a kind of anachronistic anomaly until our teachers and newsreels made these things clear.  I went to High School with the children of Whitney Young, Ossie Davis and Ruby Dee... I served as class Vice President with two black fellow officers and an Asian woman as Treasurer.   I was proud.  This was the 1960's, when segregation and persecution was still the norm in some states.

It occurred to me today that I was racially 'privileged'.  As a teenager I studied Afro-American dance with a man named Rod Rodgers who I now realize treated me with incredible sensitivity and understanding; my choir director was a black man named Norman Brooks who was extraordinarily cultured and knowledgeable, who imparted to me an appreciation and a foundation of music which crossed all boundaries- all ethnicities, all colors and all centuries.  My art teacher Mr. Blackburn showed me how to look at multi-dimensions; this did not come naturally to me.  My mentors in the three passions of my life were not white, and not one of them seemed to resent or punish me for my color.

Today a poet-friend who is a black man from Brooklyn called to make sure I am okay.  He read to me one of his extraordinary poems which could have been preached from a Harlem pulpit.  It resonated; it is easy to make cliches of these things that happen-- the soundbites from the George Floyd murder and all the recent indignities which can become watered down as symbols or catchwords.  But the violence-- the damage-- the terror and the brutality-- these do not abate.

In an election year, we must be careful of the way our politicians 'spin' these things.  Watching Selma I was reminded of the image created by the Presidency at that time-- a southern man with some sophistication and respect, but nowhere near the proper mindset of a perpetrator of true equality.  He cut a deal, as politicians do.  The facts and dates of our history books do not always reflect the truth.  Today we have something of a perfect storm for our leaders-- not for a 'win' or rehashed policy, but an opportunity for progress-- for change, for a step forward.

Coming east along the Pinetum path last night was a group of young black men and women preparing for Juneteenth-- chalking names along the pathways.  Each was responsible for a list of some 40 or 50 names--- there were hundreds-- black men who died in violent crimes, killed unjustly by policemen, prison guards-- those deemed to protect us.  The litany, as I walked and read aloud, was a poem itself-- more killing and penetrating than any of Martin Luther King's memorable speeches from Selma which were long familiar to me.

Across the city in nearly every park and Plaza the asphalt and tile is marked everywhere by colorful messages and memorials and reminders.  Some are well-crafted and masterly; but for the most part, they seem childlike and basic.  Unlike graffiti, they are fragile and will disappear after the first heavy rainfall which will mercifully hold off for another day or two.  On Father's Day, we will remember those who were no longer able to be fathers.

The soft rumble of fireworks continues in these early morning hours-- the temporal 'nest' in which I find myself perched most nights, waiting to hatch-- nurturing old memories, birthing songs and ideas-- and trying to process the devastation of the last few months--- the deaths, the unprecedented paralysis of modern life-- the fear, the lost trust between one another.  Perhaps a kind of war is coming-- an upheaval and a painful sloughing off of all the hatred and misunderstanding.  The masks remind us we cannot tell much from a facade-- they separate us, as they make us look uniformed... We must look deeper; in the end we all bleed, we all march, we have the hidden capacity to heal one another, if only we knew how.

Talk is Cheap

On the way from the fireworks last night I began absorbing the noise factor in Manhattan.  From my admittedly luxurious viewing space, the  explosions were thrilling and loud enough to set off nearly every car alarm on the block.  Loved it.  But shuffling east in the massive festive crowd--  maybe it's the heat, the constant cellphone chatter in public space--- it seems to me that the general volume is louder than it used to be.  Like the glutted internet, the billion cable stations--- there is just so much chatter, people have raised their speaking level to compete.  I'm listening to snippets of conversations-- of public intimacy-- that I didn't sign up for.  And not at eavesdropping levels; these abused rock-musician ears have been gouged and tortured with cymbals, drum whackers, bad PAs, deaf guitarists with 4-figure wattage... it's a miracle I can hear my old television at night.  But the value of conversation seems to have not just declined but disappeared, while personal audio settings have skyrocketed.

Of course it follows that people no longer whisper but quite audibly discuss and promote their sex life everywhere-- on buses, in restaurants, in 5000 shades of cheap novels.  It used to be those who could, 'did'.. and those who couldn't, talked about it.  Now who the fuck knows or cares.  It seems to me, an old retired babe, that the quality of sex must be suffering along with conversation, journalism, literature, whatever.  Talk is cheap, the phone companies tell us--- we have become the Yngwie Malmsteen version of talkers.  Remember when telegrams charged by the word?  When e. e. cummings' economical response to the Academy of Arts and Letters' invitation to join was 'drop dead'?  

Maybe America needs a Twitter diet.  Like one a day.  Some quality control.  Levels of internet communication.  Asshole filtering.  And I'm not a complete old bitch; I love great loud rock; I love comedy that humiliates; I like the knife and I like the blood.  I spent a lot of years reinventing my personal sexuality brand and don't regret a minute.  But even minutes have lost their edge.  They're unlimited and cheap and low-res.  Like climbing all the way up Everest and finding you can't see a thing.  Or you get a billboard and 3-D glasses.  A view master if you're over 50.  

Look at our pop icons:  Brittany Spears has become a badly-spoken candidate for talent-judge.  We used to have Marilyn.  She fucked not only baseball allstars and the president and maybe even Albert Einstein,  but married the greatest 20th century playwright.   That was interesting.  The sex--- well, our daughters might certainly have learned something Kim Kardashian and Paris Hilton didn't show them.  Now our icons (and I love Brittany--- she's so 'real' (!)) are the Barbie version of what they used to be.  What do we do when our culture is looking up at the American I-doll of what should be...and reality is a fake ill-scripted cheap version of post-Cassavetes television?  Who wants the super sized cup of diet soda?  Not Writerless.  Maybe we should all just give in and go to K-mart online and buy the doll.  Cindy Sherman knows about that.  I will order several of Eating Disorder Barbie.  Bulimic Barbie with a bulge in her stomach/ can be transformed into teenage pregnant Barbie.  Cutting Barbie.  True Blood Barbie.  Collagen lip-enhanced Barbie.  Breast augmentation Barbie in 3 sizes.  I'm not even amusing myself now.  I hate dolls.  PMS Barbie.

Did you women ever think that we spend 25% of our sex life bleeding?  The networks love anything with Blood in the title... but who writes 50 Shades of Blood?  I might.  I'm sitting in Starbucks taking advantage of the free air-conditioning and a young intern is waiting for his iced latte talking about diarrhea.  Loud.  Laughing.  Next to me a hot young Russian trophy wife is talking to her realtor.  Her ring could buy me coffee for life.  To my left a woman is making a reservation and her baby girl is yelling for another M&M cookie.  Another lady had a car accident and is reporting to her insurance company.   Building a case.  I literally hear all of this.  Not to mention the canned coffeehouse Latino-light music which is annoying.  A cheap cowbell.  Sounds digital.  Organ with too many runs... please God, spare us vocals.  Across from me a man with small hands is i-ordering his scarcely adolescent daughter a new phone.  It will be pink.  2 tiny boys in their karate uniforms coming from one of their myriad summer enhancement programs with their over-educated nanny.  Can't be too botoxed or have too many pre-school lessons here in Carnegie Hill.  Who will tell them that all their jiu-jitsu moves won't protect them from what lurks ahead?  

The heat outside is omnipotent today.  My mind is withered.  My Mom who is old enough to have earned a memory award now has Alzheimers and wants to wear an overcoat.  A rebel, she is.  I wonder if she thinks about sex.  She follows my Dad around like a young puppy now.  Tells me how handsome he is.  I wonder if the sex I had is better than the sex I will have tonight.  That 50 Shades book has affected my 1001 Arabian Nights parallel serial virtual novel.  I  don't want the soft whip and satin handcuffs package in any version of a honeymoon suite.  This is corporate soft-hotel-porn.  The Travelocity gnome in heels and black leather.  They ruined rock, they ruined the economy, they ruined medicine and now they're ruining sex.

On the hot asphalt my local homeless true-reality star James-with-no-surname is talking without a phone.  You have to love the guy.