To Be or Naught

When I was maybe thirteen I closed myself in my bedroom, put on my new Jimi Hendrix album, stood on the side of my bed frame and did this crazy deep breathing alternating with challenging breath-holding... it was like a prescription a girl at school had given me-- to make myself faint. I woke up to the last song on the album.. I must have blacked out for thirty minutes... and felt profoundly changed, as though I'd done some mind-altering drug, or entered another reality entirely.  It was terrifying.  My mother asked me later that night what that huge sound had been... it was me, I did not say, crashing on the floor, simulating a kind of death.  I never again played with that scenario.  

A few weeks ago I ran into a woman in my neighborhood. She is familiar... I'd see her years back coming from the 92nd St Y where she swam and exercised-- with a perfect geometric haircut and coordinated outfits.  She liked her ballet flats, her accessories and pins.  We'd smile at one another-- two independent neighborhood women who lived presumably alone.  Then there was a gap-- several years-- we had different daily paths, but recently we met in the grocery store... she seemed warm and glad to see me.  She'd been isolated since the pandemic, she said.  People were no longer kind to her.  That seems impossible, I replied, knowing exactly what she meant, but trying to pry her out of some perceptible bleak mood. You look so fantastic, I said... you're so fashion-forward and well-kept. You haven't aged, I insisted.  She complimented me on my 'style' which is aging rocker/bag lady no-longer-chic, but we had a little laugh. 

Yesterday someone told me she suicided; they described her... we don't even know her name.  All these months I've been agonizing over my friend who succumbed to her brain tumor, my two beloved neighbors who are both suffering from incurable and fatal cancers. And here is this woman-- it was said she'd fallen... but then revealed that she took her life.  I don't know why I thought about my teenage blackout... but I did. 

According to statistics nearly fifty percent of Manhattan households are individuals.  This is a city of single people-- of dreamers and workers and maybe many consummate romantics who spend decades searching for a partner. As a young woman, not even out of college, I was engaged to a man who on paper satisfied every possible criterion for the perfect husband. He was handsome, too, like Alan Bates in Far from the Madding Crowd (my favorite movie at the time)... athletic, brilliant, funny, macho, adoring, a little crazy.  And yet from the moment he put that diamond on my hand I was panicky-- looking for some flaw or crack in the human plaster. Who does this?  Insecure, self-loathing women who feel undeserving of success?  I don't know... but since he passed all tests, I began to misbehave until it became impossible.  He even tried to repair the engagement months later but I was in another headspace.

Many of my women friends made viable partnerships.  A few have wonderful marriages which exceed the sum of their parts. It's hard for single women to really understand what this requires; at our advancing age, it seems incredible to imagine someone making us coffee in the morning when we're exhausted, or embracing us at the end of a rough day.  There is no one. Children are the best-- but they really only want to know what's for dinner. And they grow up and hopefully follow their own dreams.

Throughout my adult life I've lived with men-- for better or worse. I've had two formal engagements-- and two marriages, neither of which was preceded by an engagement, neither of which was particularly successful.  One of them produced my son.  While I've followed my heart, creatively, 'managed' my decades with more passion than prudence, I was never quite 'completed' by a relationship.  The last few nights I've been thinking about how tough I was... I think I wanted to partner with someone who was a prodigy-- an inventor. I wanted to serve someone whose genius was worthy of my sacrificing any ambition I had to his.  And yet, even when I dated someone who seemed fantastic, I ripped them apart in my head-- I exaggerated the smallest fault into a reason to separate. 

But it occurs to me that I was equally hard on myself.  Sure-- I have an Ivy League education, I excelled at things-- I read, I think, I walk, I play bass, I write poetry... but I have not changed the world.  I have not left some scientific contribution or altered literature with groundbreaking talent.  At my age Anthony Trollope had been dead for years, after managing to produce twelve children and fifty three novels.  Einstein had changed modern physics. Mozart-- at less than half my age had put us all to shame. I suppose what I expected from myself I transferred to my fictional version of a partner. The possibility of this becoming a reality, especially after decades, becomes nil. 

Of course all of us women had our suitors-- the men with whom we had sex or the ones who took us to dinner and wanted to make something more... but these begin to diminish.  They themselves become fragile and sad.  The woman who suicided confided to me-- no one had reached out to her for some time.  There is no one to comfort us or pour us a drink at the end of a hard day... or a good day. We are used to this... I suppose I painted myself into this corner and I expect nothing.  But for this woman, it apparently became overwhelming-- the absence of someone. I'm not sure.

Reading the Boggs James Baldwin biography, I remember well the character in Another Country he based on his friend who jumped from the George Washington Bridge.  It haunted James who himself attempted suicide several times. Fortunately for us he was unsuccessful. In my neighborhood, over the past few months, there have been a few jumpers.  It's shocking. We'll never be sure what was in their head, whether they wanted to change their mind at the last second, when it was too late.  Unhappy people have become radicalized and transformed into alternate strong characters.  Often these mass murderers end up killing themselves.  I read the journal of a man who had survived his bridge jump, who admitted that in the instant, he was immediately sorry.

Maybe it takes a biographer to decipher our digressions and behaviors. I am trying, sifting through the unwritten messages left for me by the people I have lost, to analyze my own behavior and understand where I might have veered off my proscribed destiny.  As I write, tonight, ironically a televised biography  playing in the background about Marilyn Monroe.  I don't think I would ever throw in the proverbial towel, and I do take responsibility. It's not always easy, this life... our fate... the choices we've made versus the hand we've been dealt. There's only one version, so far, of this life.  Despite all of the barbs and potholes, I'll take it on. While I never played teenage life-and-death-roulette again, it's ironic that the soundtrack of that incident foreshadowed Jimi's own suicide.  Or not. 

There is never enough kindness in this world.  We in the city often barely speak to or know our neighbors. There is a constant existing possibility of truth or understanding between human beings, without ulterior motives.  And for those of us who find themselves solitary-- without a witness or companion, we are a bit myopic; we lack the advantage and privilege of dialogue. While Marilyn's death is still a bit of a mystery, the fact is, she died alone.  For those of us who live this daily existence, whether by choice or circumstance, we might find a way to extend a version of kindness to ourselves.

Nine (nein)

For me there has always been something about the number '9' that brings a kind of recognition.  Yes, it is my birthday 'number', but that always felt more like a synchronicity than a reason for numeral kinship.  I liked the way it looked, the way it mimicked the six, the way it embraced the perfect three threes...  To turn nine years old on the ninth was childhood-sacred (I remember when my little boy turned seven on the seventh).  I was a winter baby and my parties, in those rougher weather-years, were often cancelled because of snow, or flu or chickenpox epidemics.  My Mom made a funny tradition of celebrating my 'half-birthday' on August 9ths.  She'd give me a half-cupcake, half of a card, one bookend-- things like that.

On this day in 1962 I turned 9 1/2... it was a poignant time: the Beatles were getting ready to change pop music.... Kennedy our president.  I was away at summer camp-- a time for reflection, nostalgia, some suppressed homesickness-- and a realization that I 'needed' the city.  I was urban-anemic.   Marilyn Monroe had just suicided which touched me;  Arthur Miller was my great uncle on a side neither of us cared to own, but it made the drama 'real'.   I was already touched with pre-teen 'noir' and heard melodies in my head: Soldier Boy... Johnny Angel... She Cried.  At home, my Mom was listening to Moon River and realizing her housewife dreams were going to have to be supplemented with other things.

At camp we put on an elaborate production of the Wizard of Oz.  I had won the part of Dorothy... we spent long weeks rehearsing and my parents were allowed to visit for the performances.  They filmed everything, although the soundtrack somehow is missing.  The video footage that remains is shocking for me-- I remember being inside that person, but to look that innocent-- with the braids and the little sailor dress-- seems unlikely.  There is a shot of my sister in the front row-- weeping, as I sang Somewhere Over the Rainbow.  It is the last incident I can recall of my sister showing any heartfelt emotion.  For years I tried to process this as evidence of love, or at least a kind of soul.... but it sits there, like an old tin can in a puddle.

I thought about my half-birthday today--- the way time is telescoping and tumbling forward.   Despite the marks we make, like bent pages in a book, it doesn't much change things.  August was a sad month as a child-- it was full of moons and drifting rainclouds-- drawn-out sunsets and lonely nights at a lake or a beach where I didn't really belong.  I craved library bookshelves and museum walls and subway noise... I missed phantom and real boyfriends... my turntable, solitude.  My Mother died two Augusts ago with little understanding of the world, toward the end.  It is a loss I will never overcome.

The events of this week have tainted August forever for so many families.  On a day when even global warming seems to have taken a breath to let us fathom sorrow... I find it harder to process the relentless juggernaut of violent hatred that seems to breed from the selfish nature of this political climate.  It is as though every senseless act of cruelty and killing has numbed some of us rather than incited reaction.  As a human here-- an aging human-- I feel small and unimportant.  All around me, daily-- and certainly on our screens, in conjunction with these shootings-- there are acts of heroism-- human instincts that are pure and good-- and yet the screenshot remains...

There was yet another story this morning of an 'unknown' songwriter suing a rockstar for copyright infringement.  Three notes, it is, this time... as though the clichés and dumbing down of pop music is not enough,  there is competition to own this lack of originality.  I've written songs and had several of them 'pirated'.... but what is the point, really?  There will be lawyers-- money, youtube comparisons and mash-ups.  And which one is better?  Both of them seem equally derivative and weak... just one is well produced, with all the bells and whistles, the make-up and fashion and the machine of publicity and social media.  So some poor unsuccessful singer wants a small piece.  Let him eat cake, I say-- a piece of the half-cake I used to get on this day when I was small.

During the brief moments I made it outdoors today, the Somewhere Over the Rainbow melody came to me, walking along the park after a quick storm-- my August souvenir.  Like it or not, it was a song-- written for a story which I knew well from bedtime readings... but with a silhouette-- an identity.  Things had some identity then-- a core-- a reason, a unique 'shape'.  There was no cutting and pasting-- you had to stand up and sing-- live.  You had to type letters and schoolwork and page through books and run and jump rope and learn how to save people in the water.

My son's basketball team won the championship.  Yes-- in the park in Brooklyn, on the asphalt, with hoops and balls and their brave sportsmanship... they fought and won.  Aside from the on-court soundtrack of Hip Hop, and the sneakers, it could have been anytime, USA.  What I felt was their breathtaking heart, their body and soul and drive all at once, jumping and leaping and catching and passing and dunking... the '9' of them, I call it... no tricks, no twitter-- just sweat and flesh and talent-- real talent that will ultimately dissolve into the tough universe of athletic anonymity.  I see men every day-- tall men sitting out in their collapsible chairs along Lenox Ave... with their canes and their injuries.   They, too, once ruled the courts, briefly... never reaped enough to get them out of the projects... and I sense the shadow of the power of '9' in them, too-- maybe for them a 5 or an 8... but they had it.

The half year until my next number will pass as quickly as a galactic second.  What I will manage to do with this is a mystery.  I can almost guarantee I will witness violence, will lose someone dear-- something dear.  I can only promise I will try to stand on my 'core', I will try to create my own templates and support the good of others.  I will be the 'ninest' I can be; it seems so simple-- if only it were... if only we could find some common starting line-- some core, some championship...  to take our individual pulse at the half... and make the rest count.

Mama Don't Take My Kodachrome...

When I was a girl, and my Mom moved us to the suburbs so we could grow up like the wholesome girls she'd always wanted to be-- sisters-- with pink and blue sailor dresses and ribbons and a maypole in our backyard, I still swore I could see the city skyline on a clear day.  It was the already-printed backdrop of everything I thought and did-- the buildings-- like a crooked lego profile behind the clouds and the blue sky.  Through my classroom windows--- the massive glass panes of 19th-century schoolhouse walls, above the clanky radiators and below the suspended fluorescent ceiling fixtures like circus equipment threatening to smash us, I daydreamed and listened for the traffic buzz and the sirens, the rumbling of trains and the bus horns.  And it emerged-- like a distant mirage--- my Emerald City where I'd left a tiny heart and a future.

There's a famous photo of Marilyn Monroe at a lunch counter somewhere in Harlem-- maybe by the Meer where I go so often these days.  It dates from around the same time I was sitting in my first grade class looking left toward the outside.  She's eating a hotdog-- nothing more innocent, she is nearly saying, but knowing somehow this too will be sensationalized, sexualized by her male audience.  You can almost put yourself in the scene-- it's so candid and palpable... and so nostalgic... it feels like you-- or me...

One of my early New York City friends in my 20's was a model.  She was more beautiful than even she knew... and she struggled with this, the way models do... because everyone wants them-- to possess them, to date them... but most of the men who claim them are fickle and shallow, or ambitious conquerors; they chew them up and spit them out for the next course.  Anyway, she was marrying a musician-- typical story-- he was tall and narcissistic and she was mad for him.  He was one of those romantic troubadour types who carry a torch for some old love-- or they convince themselves of some such myth, because it suits their tormented-songwriter image.  The night before the wedding, he was drunk and begging me to sleep with him.  Not my thing.. but it didn't feel right or funny or bachelor-party cool.  So cut to the next day-- they were married... and she eventually had babies... and they lived pretty unhappily and mismatched until there was a divorce...  and he drank and cried in his beer at bars to leggy models and dancers, none of whom came anywhere close to his wife who had a brilliant sense of irony and fun... but there it was-- the overlooked bird in the hand.

Anyway, sometime before the unraveling, she had to have her appendix out--  in that huge black hospital overlooking Central Park... and she somehow, against my recommendation, charmed the surgeon into giving her a boob job, which was not nearly as common as it is now.  Yes, models were not super well endowed, and we went up to see her-- the troubadour and I, after a night of surely drying his crocodile tears in someone else's sheets... and there she was, my beautiful friend, with her surgically altered silhouette-- gauze bandages around her chest in that pathetic polka-dot hospital gown, standing by her IV apparatus like a microphone, singing in a whisper 'Happy Birthday Mr. President....'

Well..  I laughed and cried and it was like a box of mean tricks had been opened, and I caught a glimpse of the sad, sad future-- with the city skyline across the park-- no mirage-- and the place where poor dead Marilyn had finished off that hot-dog just yards away in her summer dress with her hair blowing around her... and then another photo came to me-- one of Marilyn and Arthur Miller standing by while she ate her dog on the street somewhere-- everyone staring except he looks away as he often did-- stern and judgmental.  You could read the future in his face-- the turning away,  the sweet desperation of her smile despite the shadow of the death-of-love, which is the prime murder suspect in all suicides.  The Anthony Bourdains, Kate Spades, L'Wren Scotts,  Sylvia Plaths, Marilyns... on and on they go... sad, fragile victims of the turning of the fickle tide.

What is the moral of this little anecdote?  I am recording a Birthday Song--  it is dark and fractured, and I thought of my old friend whom I see little of these days when I look out my window and see what I see; the walls and the present and the future are blocky, but the past-- like those old nostalgic photos-- is now the mirage of skyline, and the dreams of love-- well, they are filmy and blurring like old polaroids we cannot restore.  The surgery--well, it is stock and standard, and love-- well, love... is what it is... sad and distant or urgent and lethal... but it will not be tamed, or explained, and it is mortally dependent-- even if we can't have it, we can see it, or miss it, or watch it drive away down an old road, and wonder late at night whether what we hear is the rumble of trains or thunder, and the rain will come anyway... long after all Birthdays are gone...

The See of Faces

My doorman yesterday complained that Hip hop is dead.  He is not even 30-- a former gang-member and South Bronx graffiti tagger-- hooked into the pulse of this culture.  I informed him that he is in the very beginning phases of becoming a cranky-old-man in New York-- which isn't necessarily a bad thing.  We both agreed-- he with his 10 years of artistic perspective, me with my 40-something-- there is a negative progressive pattern here-- like things are born, seem maybe edgy for a minute-- the sharp cry of a wet newborn-- and then they get swaddled-- muted-- begin to blend into our smoggy web.  The imitators and false inventors steal ideas, re-mix… become soon vapid and diluted in the sea of pretenders where art and originality are sadly drowning in the sewage-laced tide.

Walking through the city in this sweltering August weather-- everyone with their plastic bottles and iced lattes, showing off all their tattoos... people taking selfies in the heat... like some kind of tropical paradox… an urban jungle-hell.   I can't help thinking-- things seem to matter less in this oppressive atmosphere… not just the obvious things like clothing-- but ideas and substance.  I feel dumbed down and less passionate-- in a way, maybe less sad.  It's easier to mourn in the fall, in the winter.  Everything seems overlit and even tears, except for cranky sweaty babies in strollers, seem to evaporate before they are born.

For some reason today I'm reminded of that Saramago book-- where everyone in a city is suddenly stricken with white-blindness… searching for water, food-- compassion-- in a kind of living sightless hell.  Where would we be, without the 'see' of faces… with our iPhones and our instant images?  Someone complimented me yesterday on my writing.   I did not reply that it is my public attempt to try to make some kind of artistic and personal sense of what I am able to see, because I begin to suspect-- with everyone absorbed in their phone, that there is an epidemic of reality-blindness

Essentially I am disappointed, like my doorman, in core content-- even in the media spinners-- they err and misspell, they gloss over and misinterpret, they write with their thumbs and think with someone else's ideas.  Music is so plentiful and cheap… a sea of white rice-- of disconnected words and endlessly recycled notes and ideas… of 500 million beat combinations or notes on Jay-Z-blue screens that will be processed in nano-second installments while people are reading the news, breaking up with their girlfriend, checking the score and weather, pre-ordering their smoothie, reserving an uber to some random place which is over-designed and soul-less but where the food is excellent.

In this urban world of 9 thousand TV channels and an internet where every page offers you 1000 options and distractions--  where people experience museums and concerts via their phones, after the fact-- where everything is shared, inhaled and posted-- we seem have lost the art of description.  We are so over-dependent on visuals now-- the number of photos on the web has increased like a hyper expanded universe of infinite space… we no longer have the skill to digest and interpret, express our opinions and passions with art and words and music the way a great chef has to simmer a sauce for hours-- it's all too quick and easy.  

I read a biography of one of my Ab-ex painting heroes… yes, it was great to have some of the anecdotes and details I hadn't known… but there were so many typos and mistakes in the text… I began to doubt everything.  Even the address of her studio-- 2 different buildings on one street?  I need to know-- to go there and dream.   Only one of them with walls that held the great minds and talents of New York in the 1950's-- where floors were covered with paint  spatters and scuffs… where artists had paced, jazz musicians had vented, cigarettes had been stubbed out, bottles had been thrown, glasses smashed, bodies had ground themselves in passionate episodes-- where canvases had been stretched and transformed into museum content.  But which one was it?  It reminds me of the stories I hear every day of people who slept with Elvis, played with David Bowie, traded needles with Lou Reed… documentaries of interviews and hearsay… talking heads reaching into some kind of past with selfish hands and plucking feathers and treasures they turn into lucrative souvenirs.  And who is here to contradict, to witness, to contest their accuracy?

Maybe I'm sick of hearing everyone's version of someone else.  Art has become kind of a Selfie-- like those cardboard portraits of people in Times Square-- you get your picture taken with Beyonce and suddenly there you are, the two of you-- as though this really was a memory.  People insert their input into something pre-existing… pre-recorded-- a remixed album with their own picture on the cover? Like one of those Mad Magazines from the 1960's with the crazy image of Alfred E Newman on the US dollar or Kanye West photo-shopped onto Mt. Rushmore.  Who can tell the truth now? And who knows the truth?  You do, actually.  I do.  But how can we approach art without the message because we don't know where its truth is? We don't have time, or patience to find it-- or does it matter?  People take the cake out of the oven before it's even baked… and in fact the batter is from an instant mix and it tastes sad and artificial.

I spent years trying to find a lost love in someone else's face… and realized at last that the soul of him is all that's left and I must try to honor that-- to write lyrics about him and try to conjure the sense of him, and the kind of songs he would have written had he lived.    In Brooklyn people remember when Marilyn and Arthur Miller briefly walked the streets in love, had their first moments of passion… she the larger-than-life movie star, he the intellectual playwright with the cool Jewish heart of guilt.  An unlikely couple in a world where everyone wanted to touch her, see her, be her-- and then even her husband fell for another woman-- moved on.  Where was this building?  I want to know.  I want to know definitively where Grace Hartigan's first studio was.  It matters.  Not a google-image or to take a selfie in front of it; I want to see it.  I want to describe it somehow… to absorb its memories and sorrows and ghosts-- to listen to its story.

Recently I've become interested in the Rescued Film Project.  A photographer takes old rolls of undeveloped film and puts them through a difficult and tedious process to not just develop them, but to scan them and enhance them with digital technology so we can see images from even damaged negatives.  Most of these are old.  Some rolls are from World War II.    Most of the people are gone now; the children would be old people-- streetscapes are nearly unrecognizable.  They are inherently nostalgic and sad.. but somehow we trust these images; we are moved by them.  They tell a truth which cannot be manipulated or changed or  photo-shopped.  Somehow this past feels like part of us in a way that so much of the present moment does not.  We can't identify the people but somehow we sense their story, and we sense the invisible photographer.

My mother's old photo album is only maybe 40 pages.  There are under 100 photographs and I know most of them by heart.  When my son was small I didn't have money to develop much film.  I don't have as many photographs as my friends do-- certainly I have fewer than an average American family takes these days on an average vacation.  But I never forgot to look.  I remember, I cherish the moments; each one is like a musical passage in the symphony of my son's childhood-- deliberate and meaningful and memorable.

In some cultures there are 100 words for snow, maybe 50 words for the smell of wood-- I want to know these things, to understand something.  I have learned that I can only try to find my own truth, to wade through the 'See' of faces and find my own familiar footholds among the embellished and re-processed people, the invented stories and misinterpretations… to try to wrap my brain around the incontrovertible fact that even this meteor shower we might be able to witness--- if conditions are right, because with all our photoshopping we can do nothing about the actual weather or cloud coverage-- think about this--- this is already a nearly 1000 year old episode we are just finally able to see.  It puts things into perspective.

My doorman will continue to prefer his vintage Hip-hop-- the way music sounded to him when he began to sense some meaning in life-- the way he connected.  Was it better then?  He is sure that it was. I have to say I think I agree.     I read about things like singularity, I hear digitally produced music,  admire the incredible capacity and speed of iPhones and technology, and I still prefer the varied texture and slow vulnerability of the analogue and hand-held.  I have yet to take a selfie.  I have yet to pinpoint my place in the culture of the present, with the mega-quantities of data and where a modern version of art is generated and disseminated in quantity.  I guess I am not ready for the future.  Like the astronomers with their very advanced telescopes and devices, the metaphorical lesson of the Perseids-- we have come all this way to get a clarified view and everything we see clearly is the past.

Dial-ogue

I am not a huge fan of mega-corporations like Apple-- the very name seemed so pirated from my beloved Beatles record labels… but I'm betting on them in this latest little dispute.  Besides,  if McCartney wasn't able to plead his case successfully against Steve Jobs, I'm guessing the FBI will have even less chance.  And with all the tax money being used in the name of national security, if it all comes down to an iPhone, well… fill in the blank.

All this talk about phones and privacy has provoked an internal memory-blog.  For those of us in my generation and older, the cosmetic and utilitarian evolution of a telephone evokes iconic moments of emotion and nostalgia.  The quintessential rotary phone-- so Marilyn Monroe, so noir and cinematic… the ring, the cut-to-a phone shot in a black and white darkened room-- ominous, dangerous--- Hitchcock-ian-- the modern version of an Edgar Allen Poe Telltale Heart… etc… all so much a part of my adolescent landscape.  It seemed everything of emotional significance came through the phone… boys calling to ask us out, to just share an extra-curricular moment, to confess something--- our sisters would sit by us, trying to ascertain the other end of the conversation, making us nervous and self-conscious.  Schools and authority called our parents when we were in trouble… the deadly ring.

Growing up in an old Georgian house, there were unexplored treasures and souvenirs in the attic from families who'd lived there before; going through boxes and crates was a favorite rainy day activity.  We found an old black early-model  table telephone, among the things… and used it to invent a bizarre game of Rent-a-Car which involved dressing up as random characters who all intended to lease some specific kind of vehicle, while one of us manned the phone at the desk and dialed up some fantasy dealership to describe and order these.  The act of dialing was incredibly satisfying--- the smooth 'works' of the mechanism… it made this incredibly rich sound.

There were also occasional prank call weekends-- games or hanging-up on some boy we liked… or calling their mother and pretending to be someone else… just to connect with their house… it felt intimate and great.  My high-school boyfriend would call me at night-- I'd sit on the floor in a corner, in the dark, talking… touching the phone.  Ours was heavy and black… I felt as though he was inside the receiver..  it felt private and secret and safe.  My confidante.  The first summer I lived in Cambridge, on my own, we'd fall asleep on our phones… 500 miles apart…

When I was in labor with my son, I befriended the woman in the next bed who exchanged all kinds of incredible secrets with me and helped distract me from my pain.  She owned a phone sex business and tried to convince me this was a perfect way to make decent money while still being a stay-at-home Mom with  a baby.  All you needed was a nice voice, imagination, a little acting ability--- and you could make a decent day's salary in just 2 hours.  But somehow I had this relationship with my phone-- I couldn't abuse it; it was like a symbol of some kind of intimacy.  There were times we were close to starving and I'd take out her business card and think it over; but I never called.

When push button phones became standard, we all invented songs and silly melodies until that novelty finally wore off.  Dialing time was quick so it was harder to change your mind halfway into a call… somehow this made telephoning 'cheaper'… less significant…  and soon afterward, we all got message machines-- so we could connect with people even when they weren't home.  You didn't have to stay in staring at the telephone when you had a fight with your boyfriend or husband.  Phone traffic seemed to increase… Then caller ID took so much of the mystery away.  And we could screen calls.

Once my son had a cellphone, he could lie about where he was.  I had no clue he was cutting school.  Or he'd tell me he was working on a paper when he was at a concert-- maybe playing basketball at night in Central Park, getting high with kids in a rented hotel room.  Clueless we were.  One semester I paid tuition and he was in Cancun-- calling me, telling me about his classes, etc.  Of course roaming charges eventually busted him… but I hear people all the time on the street telling their mothers or husbands they are somewhere when they aren't… they are on the bus when they are having a drink with a stranger…. etc.

So it's not really a new concept that the phone is sort of an accessory to a crime or a falsehood.  They say something like half of all Facebook accounts are fake people.   All of this technology encourages us to mess with our identity-- it's like the converse of the sex-line.  You are eminently visible-- but why not use someone else's photo?  Or a photo you can not only take but alter and imbed-- all with the same piece of equipment.  You can even change your voice--- add a soundtrack.  And for what?

In this age of watching films, checking heart rates and paying bills with phones--- cameras, video, youtube--- I still don't have a cell phone.  Yes, it drives my friends and family crazy… but it bothers me that people text and don't often speak.  It seems so impersonal and de-privatized.  And then people answer calls in random public places-- at the gym, on a bus, in an elevator-- you hear this loud conversation-- both sides, often-- totally inappropriate information we are forced to witness, and knowing the caller never intended to have this drama acted out with an audience.  Hang up… and everyone is doing 3 things at once… your husband could be lying in bed with his lover while you text him a grocery list and he heart-emojis you back.  I go home and listen to voicemail… people still call me, or they email… slightly better than texting.  Men I know who cheat on their wives always email women-- wives occasionally look through their phone, and this way it's not so incriminating.  The casual habits of texters and phone-addicts makes this kind of secrecy less viable, less safe.  Everywhere I go-- -even while I am playing a gig, more than half the audience is doing something with a phone… doing several things… watching the gig through their phone camera… I don't get it.

Last week  I saw an old rotary phone in a thrift shop-- a black one, with a wall plug-- the way they originally were.  It was heavy… it was a little sculptural… it was incredibly attractive.  I had to touch it… maybe like those 1960's indie films-- or the old Warhol films… or the French nouvelle vague-- they have this nostalgia, this appeal-- like old Beatles photos-- George and Pattie Boyd… James Dean, Marilyn.  These people exchanged secrets,  intimacies on these old phones.  The one in the thrift shop had a kind of sex appeal-- it had a soul.  It had a vibe.  A young couple was taking selfies with their iPhones, posing-- pretending to speak on this old thing.  Irony.  Like an old stray dog, I had the urge to take it home with me… and suddenly I had this clear picture of my young Mom so many years ago… with her cigarette and her perfectly manicured hands… giving me this little mischievous wink and tilt of her head, saying.. 'let's just let it ring…. '

Talk is Cheap

On the way from the fireworks last night I began absorbing the noise factor in Manhattan.  From my admittedly luxurious viewing space, the  explosions were thrilling and loud enough to set off nearly every car alarm on the block.  Loved it.  But shuffling east in the massive festive crowd--  maybe it's the heat, the constant cellphone chatter in public space--- it seems to me that the general volume is louder than it used to be.  Like the glutted internet, the billion cable stations--- there is just so much chatter, people have raised their speaking level to compete.  I'm listening to snippets of conversations-- of public intimacy-- that I didn't sign up for.  And not at eavesdropping levels; these abused rock-musician ears have been gouged and tortured with cymbals, drum whackers, bad PAs, deaf guitarists with 4-figure wattage... it's a miracle I can hear my old television at night.  But the value of conversation seems to have not just declined but disappeared, while personal audio settings have skyrocketed.

Of course it follows that people no longer whisper but quite audibly discuss and promote their sex life everywhere-- on buses, in restaurants, in 5000 shades of cheap novels.  It used to be those who could, 'did'.. and those who couldn't, talked about it.  Now who the fuck knows or cares.  It seems to me, an old retired babe, that the quality of sex must be suffering along with conversation, journalism, literature, whatever.  Talk is cheap, the phone companies tell us--- we have become the Yngwie Malmsteen version of talkers.  Remember when telegrams charged by the word?  When e. e. cummings' economical response to the Academy of Arts and Letters' invitation to join was 'drop dead'?  

Maybe America needs a Twitter diet.  Like one a day.  Some quality control.  Levels of internet communication.  Asshole filtering.  And I'm not a complete old bitch; I love great loud rock; I love comedy that humiliates; I like the knife and I like the blood.  I spent a lot of years reinventing my personal sexuality brand and don't regret a minute.  But even minutes have lost their edge.  They're unlimited and cheap and low-res.  Like climbing all the way up Everest and finding you can't see a thing.  Or you get a billboard and 3-D glasses.  A view master if you're over 50.  

Look at our pop icons:  Brittany Spears has become a badly-spoken candidate for talent-judge.  We used to have Marilyn.  She fucked not only baseball allstars and the president and maybe even Albert Einstein,  but married the greatest 20th century playwright.   That was interesting.  The sex--- well, our daughters might certainly have learned something Kim Kardashian and Paris Hilton didn't show them.  Now our icons (and I love Brittany--- she's so 'real' (!)) are the Barbie version of what they used to be.  What do we do when our culture is looking up at the American I-doll of what should be...and reality is a fake ill-scripted cheap version of post-Cassavetes television?  Who wants the super sized cup of diet soda?  Not Writerless.  Maybe we should all just give in and go to K-mart online and buy the doll.  Cindy Sherman knows about that.  I will order several of Eating Disorder Barbie.  Bulimic Barbie with a bulge in her stomach/ can be transformed into teenage pregnant Barbie.  Cutting Barbie.  True Blood Barbie.  Collagen lip-enhanced Barbie.  Breast augmentation Barbie in 3 sizes.  I'm not even amusing myself now.  I hate dolls.  PMS Barbie.

Did you women ever think that we spend 25% of our sex life bleeding?  The networks love anything with Blood in the title... but who writes 50 Shades of Blood?  I might.  I'm sitting in Starbucks taking advantage of the free air-conditioning and a young intern is waiting for his iced latte talking about diarrhea.  Loud.  Laughing.  Next to me a hot young Russian trophy wife is talking to her realtor.  Her ring could buy me coffee for life.  To my left a woman is making a reservation and her baby girl is yelling for another M&M cookie.  Another lady had a car accident and is reporting to her insurance company.   Building a case.  I literally hear all of this.  Not to mention the canned coffeehouse Latino-light music which is annoying.  A cheap cowbell.  Sounds digital.  Organ with too many runs... please God, spare us vocals.  Across from me a man with small hands is i-ordering his scarcely adolescent daughter a new phone.  It will be pink.  2 tiny boys in their karate uniforms coming from one of their myriad summer enhancement programs with their over-educated nanny.  Can't be too botoxed or have too many pre-school lessons here in Carnegie Hill.  Who will tell them that all their jiu-jitsu moves won't protect them from what lurks ahead?  

The heat outside is omnipotent today.  My mind is withered.  My Mom who is old enough to have earned a memory award now has Alzheimers and wants to wear an overcoat.  A rebel, she is.  I wonder if she thinks about sex.  She follows my Dad around like a young puppy now.  Tells me how handsome he is.  I wonder if the sex I had is better than the sex I will have tonight.  That 50 Shades book has affected my 1001 Arabian Nights parallel serial virtual novel.  I  don't want the soft whip and satin handcuffs package in any version of a honeymoon suite.  This is corporate soft-hotel-porn.  The Travelocity gnome in heels and black leather.  They ruined rock, they ruined the economy, they ruined medicine and now they're ruining sex.

On the hot asphalt my local homeless true-reality star James-with-no-surname is talking without a phone.  You have to love the guy.  

(Don't) Look Back

So my father hasn’t spoken to me in about 11 years. That was when I called to wish him a happy 80th birthday and he told me if I really wanted to give him a present I’d never call his house again. I’m not completely sure what it is I did… I mean trading a Harvard Law School scholarship for a spot in a 2nd rate CBGB’s punk band might warrant a year or two of parental cold-shoulder. And the ex-husbands--- well, not exactly guys he’d invite to his tennis club...but it’s getting late in the game for lifelong grudges. There are criminals skimming off his investments and child abusers on his own street. He can’t actually take seriously the tales his grandson feeds him about my maternal shortcomings just to extort a few sympathy bucks now and then.

So today one of our relatives called from a safe distance and explained that in my father’s old-world Jewish family it was considered bad luck to compliment. Criticism rather than praise ensured success--- the more negative, the better the outcome-- like an inverted curse. If someone had explained that to me, I might have learned not to befriend failure quite as literally—not to punish myself for being unable to rehabilitate the vicious stray dogs I picked up—for being powerless to keep the homeless guy on my block from spending his handouts on crack, to stop my own son from cutting school, from gambling, from treating his girlfriends like dogs, dogs like girlfriends.

I keep thinking about his ‘mid-life-crisis-at-21' editorial statement— that not only are his heroes no longer his heroes, but that they are no longer themselves. Safer to have dead heroes, I offered… although in this age of compulsive cyber-fingerprinting, plenty of trash emerges post-mortem.

In my old day, dead people got respect. They were exempt from unpaid tax bills and slander. In this day of TV forensics, we autopsy and dissect the emotional DNA of our Jacks and Marilyns, the dietary eccentricities of our Elvises, the sexual privacy of a martial arts expert, the blood chemistry of our Heaths and dead comedians. We are compelled to deconstruct and humanize, to simultaneously raise and lower the dead.

In this omniscient internet network, we spend so much time as para-scientific voyeurs, we scarcely have the inclination to look inward, or even to look out from that inner eye. The darker ones among us---we look back, we cannot take our eyes off the disappearing car or boat on the horizon, the setting sun, our present becoming not just past, but disappearing. It is not simply that we have loved and lost… those of us who are looking sense we not only forgot to love and be loved, but that we are lost. Our GPS’s are hopeless when we are here, right where we are standing, but everything else is not.

We all remember when we were kids and the day before Christmas was interminable. Those of us who have experienced childbirth—again, the unbearable slow hours of labor. And how many nights have we spent wishing…waiting… for love, for a missing child to come home--- for good news, praying the minutes would stop and delay bad news forever? For an errant husband--- halfway around the world, across the street--breaking your heart, praying for sunrise, for the betrayal to be over, for lovers to fall asleep, for some relief, for the truth, for a lie. Looking--- watching the thing disappear— the pain, the joy, whatever-- life— standing perfectly still, with nothing but an old moon, the fading night.

My son informed me tonight that it is impossible to have any memory from before 4 years of age, so my cherished stories of the building of the Verrazano bridge are inaccurate invented falsehoods. Maybe dreams. We are poor eyewitnesses of our own history; how can we possibly give an accurate account of someone else’s?
So maybe I choose to have memories of memories. I choose to stand watching as the latest version of some dreamcar drives through mist, becomes smaller, takes my breath away-- me standing without a cellphone, with only my heart for a camera, looking.