Saturday, September 20, 2025

To Be or Naught

When I was maybe thirteen I closed myself in my bedroom, put on my new Jimi Hendrix album, stood on the side of my bed frame and did this crazy deep breathing alternating with challenging breath-holding... it was like a prescription a girl at school had given me-- to make myself faint. I woke up to the last song on the album.. I must have blacked out for thirty minutes... and felt profoundly changed, as though I'd done some mind-altering drug, or entered another reality entirely.  It was terrifying.  My mother asked me later that night what that huge sound had been... it was me, I did not say, crashing on the floor, simulating a kind of death.  I never again played with that scenario.  

A few weeks ago I ran into a woman in my neighborhood. She is familiar... I'd see her years back coming from the 92nd St Y where she swam and exercised-- with a perfect geometric haircut and coordinated outfits.  She liked her ballet flats, her accessories and pins.  We'd smile at one another-- two independent neighborhood women who lived presumably alone.  Then there was a gap-- several years-- we had different daily paths, but recently we met in the grocery store... she seemed warm and glad to see me.  She'd been isolated since the pandemic, she said.  People were no longer kind to her.  That seems impossible, I replied, knowing exactly what she meant, but trying to pry her out of some perceptible bleak mood. You look so fantastic, I said... you're so fashion-forward and well-kept. You haven't aged, I insisted.  She complimented me on my 'style' which is aging rocker/bag lady no-longer-chic, but we had a little laugh. 

Yesterday someone told me she suicided; they described her... we don't even know her name.  All these months I've been agonizing over my friend who succumbed to her brain tumor, my two beloved neighbors who are both suffering from incurable and fatal cancers. And here is this woman-- it was said she'd fallen... but then revealed that she took her life.  I don't know why I thought about my teenage blackout... but I did. 

According to statistics nearly fifty percent of Manhattan households are individuals.  This is a city of single people-- of dreamers and workers and maybe many consummate romantics who spend decades searching for a partner. As a young woman, not even out of college, I was engaged to a man who on paper satisfied every possible criterion for the perfect husband. He was handsome, too, like Alan Bates in Far from the Madding Crowd (my favorite movie at the time)... athletic, brilliant, funny, macho, adoring, a little crazy.  And yet from the moment he put that diamond on my hand I was panicky-- looking for some flaw or crack in the human plaster. Who does this?  Insecure, self-loathing women who feel undeserving of success?  I don't know... but since he passed all tests, I began to misbehave until it became impossible.  He even tried to repair the engagement months later but I was in another headspace.

Many of my women friends made viable partnerships.  A few have wonderful marriages which exceed the sum of their parts. It's hard for single women to really understand what this requires; at our advancing age, it seems incredible to imagine someone making us coffee in the morning when we're exhausted, or embracing us at the end of a rough day.  There is no one. Children are the best-- but they really only want to know what's for dinner. And they grow up and hopefully follow their own dreams.

Throughout my adult life I've lived with men-- for better or worse. I've had two formal engagements-- and two marriages, neither of which was preceded by an engagement, neither of which was particularly successful.  One of them produced my son.  While I've followed my heart, creatively, 'managed' my decades with more passion than prudence, I was never quite 'completed' by a relationship.  The last few nights I've been thinking about how tough I was... I think I wanted to partner with someone who was a prodigy-- an inventor. I wanted to serve someone whose genius was worthy of my sacrificing any ambition I had to his.  And yet, even when I dated someone who seemed fantastic, I ripped them apart in my head-- I exaggerated the smallest fault into a reason to separate. 

But it occurs to me that I was equally hard on myself.  Sure-- I have an Ivy League education, I excelled at things-- I read, I think, I walk, I play bass, I write poetry... but I have not changed the world.  I have not left some scientific contribution or altered literature with groundbreaking talent.  At my age Anthony Trollope had been dead for years, after managing to produce twelve children and fifty three novels.  Einstein had changed modern physics. Mozart-- at less than half my age had put us all to shame. I suppose what I expected from myself I transferred to my fictional version of a partner. The possibility of this becoming a reality, especially after decades, becomes nil. 

Of course all of us women had our suitors-- the men with whom we had sex or the ones who took us to dinner and wanted to make something more... but these begin to diminish.  They themselves become fragile and sad.  The woman who suicided confided to me-- no one had reached out to her for some time.  There is no one to comfort us or pour us a drink at the end of a hard day... or a good day. We are used to this... I suppose I painted myself into this corner and I expect nothing.  But for this woman, it apparently became overwhelming-- the absence of someone. I'm not sure.

Reading the Boggs James Baldwin biography, I remember well the character in Another Country he based on his friend who jumped from the George Washington Bridge.  It haunted James who himself attempted suicide several times. Fortunately for us he was unsuccessful. In my neighborhood, over the past few months, there have been a few jumpers.  It's shocking. We'll never be sure what was in their head, whether they wanted to change their mind at the last second, when it was too late.  Unhappy people have become radicalized and transformed into alternate strong characters.  Often these mass murderers end up killing themselves.  I read the journal of a man who had survived his bridge jump, who admitted that in the instant, he was immediately sorry.

Maybe it takes a biographer to decipher our digressions and behaviors. I am trying, sifting through the unwritten messages left for me by the people I have lost, to analyze my own behavior and understand where I might have veered off my proscribed destiny.  As I write, tonight, ironically a televised biography  playing in the background about Marilyn Monroe.  I don't think I would ever throw in the proverbial towel, and I do take responsibility. It's not always easy, this life... our fate... the choices we've made versus the hand we've been dealt. There's only one version, so far, of this life.  Despite all of the barbs and potholes, I'll take it on. While I never played teenage life-and-death-roulette again, it's ironic that the soundtrack of that incident foreshadowed Jimi's own suicide.  Or not. 

There is never enough kindness in this world.  We in the city often barely speak to or know our neighbors. There is a constant existing possibility of truth or understanding between human beings, without ulterior motives.  And for those of us who find themselves solitary-- without a witness or companion, we are a bit myopic; we lack the advantage and privilege of dialogue. While Marilyn's death is still a bit of a mystery, the fact is, she died alone.  For those of us who live this daily existence, whether by choice or circumstance, we might find a way to extend a version of kindness to ourselves.

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Sunday, July 27, 2014

Crosstown Traffic

Last week I found myself in front of the television-- not just once but twice-- watching the film "Traffic".  This is a hefty investment of late-night time… and it's not the first time I have re-viewed it.  It is not the acting or the story per se, although the treatment is intriguing and Benicio del Toro has always been one of my favorites (ditto the Brian Eno soundtrack choices).  I have to be honest-- my favorite scenes are those of Erika Christensen and her friends getting high, getting fucked up, in that sort of innocent high-school way you discover drugs…and it is not just a world you enter, but a kind of baptism-- a conversion.

Sex in high school can be awkward and ambivalent and there was the threat of pregnancy or commitment or infuriating your best friend by hooking up with the boy she loves who really loves you even though you love some college boy who is unattainable.  The temptation of letting someone's passion spill over you is irresistible and you let it happen.  But drugs… it's the ultimate Hall Pass.  No guilt, no fear, no lines to blur.  You push a button or pop a pill, and you are inter-planetary.  You can fly… you can float-- you can  dance-- you are your own future-- you are everywhere and everything.  Music is 3-D, 3-D is 4-D.  Boys are sexy and sex is slow and loose the way you dream it.

Drugs when you are young are like freedom.  They are recess, they are unlocked doors and windows and no rules.  But most of all--- they let you love yourself, or they let you let someone else love you in the way you can't in regular teenage life because you hate looking at yourself in the mirror some days.  You hate your life and especially your parents and you haven't yet realized this will have absolutely nothing to do with your adult life if you are smart and brave.  But when you are high, for just a minute, your room is not your world and your face is so not your face.

And I apologize to my niece and my son and all the kids and adults I have seen struggle to manage the massive attraction of substances, and I have not used anything for decades and do not necessarily have the desire.  But watching this film-- -and others-- does not leave me with a message of relief or wisdom.  And of course, like a permanent vacation, Cancun or Paradise gets boring; witness Adam and Eve and just about every fairytale and Biblical parable where reality wins.  Even Hollywood angels have chosen to return to earth and suffer mortal torments.  Not to mention that the mechanism of addiction leaves a user little choice; it is get high or be sick.

Some days the pain of sobriety-- if you happen to be a sensitive person--- is brutal.  I am one of those people who get flagged by Seventh Day Adventists and street hustlers.  Beggars smell me coming.  I can't refuse them.  I feel pricked and guilty and sheepish and human.  I curse my good fortune even though I can scarcely fill my pantry these days, have gaffers tape on my boots.  I come home from a 4 AM train ride feeling smaller-- a little beaten up and with that teenage mirror-angst.  Who the fuck am I and why should I give money for food to people who smell like alcohol and body rot?  Is it superstition?  A test?  Fear of meeting the Indian goddess of luck who stalks the earth in various disguises and should you refuse her will curse you with bad fortune until you die?

As an adult, Love was maybe my drug of choice.  Music--- playing at a volume that challenges all your senses-- almost pushes you across the border… but not quite.  The song ends, and you return.  You are left with a little aura-- maybe a little more attitude-- that Fuck You thing if you play rock and roll.  You jump off a stage and feel no pain.  But it's not the same kind of high.

So I watch this film and the teenage daughter getting fucked up with what I confess is a kind of fascination or envy.  Of course former users or addicts will never recreate their first innocent experiences, no matter how much we fantasize.  And the fictional girl in the film doesn't have to worry about college loans or car insurance or parents that don't love her, like most of us… and on the surface, she hasn't really ruined her life the way some of us have.

Walking down the street today it seemed the scent of marijuana is everywhere… even in Central Park in the secluded little uptown copse where I write songs occasionally.  Smoke always made me dull-- not my drug of choice.  Thinking about the exits and near-exits I've witnessed this year-- inconclusive suicide, self-euthanising, and then the ones desperate to hang on who were just dropped by the universe…  and passing my local junkie 'clique' enjoying their late-afternoon 'nod', one of them hovering on the curb like he's about to dive off-- eyes closed, mouth open… I'm more than middle-aged…I'm lucky to have a couple of quarters to give the guy who sleeps on the church steps… my local homeless guy knows where I shop and what I buy and he stopped hitting me up long ago.  His hair is perfect, by the way; he could play himself in a film.  He shows me a wrinkled tabloid photo of the new Wonder Woman.  She's dressed in black now.  Even the name doesn't sound right anymore… Wonder Bread, Wonder Boys, Wonder Wheel.  Heroin(e).


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