Tuesday, March 13, 2018

Now You See It….

Many years ago I was working at a highbrow art gallery and made my first important sale to a rock star.  As he handed over what was then a small fortune, he asked me, politely, how he could be certain that his new painting was real.  You can't, I assured him; but I can.  I knew.  In those days part of our rigorous art education was connoisseurship-- we looked and studied masterpieces and were tested on deciphering fakes and forgeries from the real deal.  At a certain point, you get a feel for it-- you just 'know', like fresh-baked cookies from the boxed kind, like a green plant from a plastic one.  Guitar collectors search and play and touch and study-- the real musicians just 'know'... they pick up a guitar and it sings its history-- its wooden roots-- the skill of the luthier who lovingly put it together with electronics and bits of material so that its soul matched its beauty.  The best of them, like old paintings,  have passed through one or two owners who played them and loved them-- broke them in and seasoned the wood... they feel experienced, layered.

I was having a vigorous discussion Saturday with a visiting Frenchman about the art market, and out of my mouth came the word Authenticity-- like a sentry, like a pillar or goddess... like one of those lovely intangible names so many girls in the hood proudly wear around gold chains these days--  Destiny, Felicity, Cadence, Chassity (yes, I looked twice at that one... ).  Authenticity, in the end, is what matters, I heard myself saying… not the kind that is guaranteed by a stamp or certificate or committee when you buy a Warhol or a Keith Haring, but the real thing.

Back in the day, there were sketchy galleries on Madison Avenue who sold Picassos, Miros, Chagalls-- with or without signatures; most of these came accompanied by a piece of paper like a pedigree, guaranteeing their authenticity.  None of these galleries are currently in business; their provenance is a sort of black mark on the merchandise, even if it is real.  They reminded me of the papers issued when you bought a certain breed from one of those puppy stores which are also a thing of the past, buried beneath lawsuits and claims.   A guarantee of purity and lineage…  how were we to know this was a grey-market dog?  Would we return it after adopting it into our family?  Of course not.  Imagine the paperwork that comes with religious and historic relics--- Napoleon's penis which is insured for an obscene sum and would auction for far more-- who knows the absolute truth, the DNA nitty-gritty?

Most of us would be horrified if we bought tickets to hear a great rock band and ended up with their lookalikes simulating the music... or if they showed up and played cover songs all night.  We would know.  But the art world-- the quick overnight successes-- do we feel the depth of what they do?  Yes, Jean Michel Basquiat had a kind of genius-- looking at his work was like hearing the young Ramones at CBGB's before anyone told us it was cool.  But too many of us are happy now to hang a poor imitation of his unique style with a bunch of silly text scrawled across the page.  It 'looks' hip-- but it's really just bullshit.  Half the artists showing in galleries are wannabes or followers-- and the audience lacks the time or interest to investigate who their mentors were.  Most people these days get their blues from Eric Clapton, not Lightnin Hopkins or Blind Lemon Jefferson. People in general settle for the 'light' version, take their selfies and go home and watch Netflix.

There are so many awards-- nominations, honors--- a self-proclaimed candidate can produce a roster of accomplishments and offices held.  Is anyone really bothering to certify these things?  Our children play in sports leagues; virtually every child is given a trophy... it's misleading, not democratic-- and gives children the idea that they are the best when they are not even good.  It's a Snakes and Ladders game of fame-- press the right Instagram button, and you are an instant princess-- not that I am bitter about the easy success of the undeserving-- it's just the substitution of this, like artificial sweetener, that leaves a bad taste and ruins the dream.  And in the runway 'walk of fame'... who is bothering to distinguish what is authentic from the rest?  Some of us are.

In this day of fake news, puppet presidents, internet hoaxes, and instant fame, some of us can feel what is authentic, like an old patina-- not a manufactured coating.  You can feel beauty, too-- in people-- even older people who have not had their faces updated-- you can sense a certain grace in their hands, in their eyes when they speak to you: who they were, who they are...  like slow wisdom or a ripening.

When I was a girl, my favorite book was The Prince and the Pauper.  I loved kings and queens in disguise--- even The Princess and the Pea-- the way real heroic nobility and royal kindness shone through rags and tatters.  We no longer have the example of  'good' rulers.  Quite the contrary.  But there are still things out there to be discovered that are badly dressed and brilliant-- or unmarketed,
non-Instagramed, and wonderful.  There is more soul in a couple of the men I hear singing in the train stations than in all the top 40 recordings I can't name.  Talent is no guarantee of success, and too often the best of them drop out.  It's too damned hard.

I still can't get over that da Vinci painting... I mean, when I was ten, my mother took me to see the Mona Lisa on its world tour.  Of course we waited endlessly on a huge line, and we were rushed by the viewing stage... but it was magical.  Yes, it was curtained and 'presented' with theatricality-- but you could breathe its importance-- its quiet beauty.  I had chills... I nearly cried; it was authentic.  But that $450 million painting? It spoke not a word-- no song, no chills, no magic.  It was flat.  Like a bird that choked, or a clown in couture.  It just didn't feel right;  but then there are always those who want to believe in the charlatan, in the false messiah, the doctored unicorn.

For years I tried to imitate my mother's simple yellow cake recipe-- it just never came out tasting right.  I finally gave up and did things from scratch my own way and discovered something else.  I'm not a baker, I'm a bass player.  Of course I definitely have my heroes, and have plenty to learn from the masters, but the last thing I want is to sound like them.  I may never be famous or celebrated, but I'll be myself.  People used to ask my Mom what her secret ingredient was, and she'd laugh it off.  I finally realized it was her hands-- her skill, her unique story, the passion and love she baked in-- her inimitable recipe for authenticity.

Wednesday, February 28, 2018

Instagram Coffee

When I first went to college I signed up for a minimal meal plan, to save money for tuition.  There were no cooking facilities or even refrigerators in dormitories back then... I had one of those cheap little electric kettles and I bought myself packets of instant cream of wheat-- a relatively new product.  The previous years I'd gone to high-school in a morning session (over-crowded school-scheduling) which required a 5 AM wake-up to walk dogs and put together a sustaining breakfast.  I cooked myself a pot of hot porridge or wheat cereal-- this took some twenty minutes-- with butter, cream (yes-- my indulgent mother) and brown sugar,  cafe-au-lait-- which had to get me through six long break-less hours until lunch. Even the memory of it is hearty and good.  My first homesick dormitory morning of instant mush was horrifying.  It tasted like paper--was either pasty or soupy-- gritty and awful.  Coffee was no better.

I've never been able to drink instant coffee.  As low-maintenance and minimal as my eating habits have become, by necessity, fast food has never been my thing.  I like brewed coffee-- pour-over, fresh-steeped.  In my son's well-designed office there are several varieties of machines which produce a perfect cup in seconds; individual servings with endless combinations of roasts and flavors... lattes, espresso, cappuccino-- all pre-measured, packaged in a disposable clean pod... all tasting, to me, suspiciously like airport coffee.  I've noticed many, many new chains of dedicated boutiques, all featuring some brewing or roasting specialty-- the craft of coffee, the process-- some at a premium that rivals the price of a good pound of fresh beans.  They all seem to have a following.  It seems even the post-millennials know the difference between office-brew and high-test.  My son goes out to Starbucks for his caffeine fix.  Manhattan is packed with chefs and food choices.  While McDonald's and Burger King don't seem to suffer, restaurants of all varieties,-- take-out trucks and stores offer seriously decent dishes for every meal.  Sommeliers have never been as sought-after; cheese experts, pastry chefs are in high career-demand.

So what happened to music?  Why do we get this variety of instant shake-and-bake beats and lyrics that pass as records?  Where are the writers and the inspired, tormented poets-with-guitars?  Out in a tent on a backroad in Mississippi?  Sleeping with the gypsies in a caravan in Croatia?

I've been playing in bands for 40 years or so, and consider myself a second-tier musician.  I sympathize with the geniuses of my circle who surpassed their curriculum before they even entered music school-- who could not only show their teachers a few things but can play their proverbial asses off.  Many of them live in low-income or subsidized housing projects.   Some of them are dead, having indulged their souls and bodies in the process of challenging their own talents... or tormenting themselves in the self-doubting ritual of most brilliant artists who see the light and cannot quite get there every night.  Few of them receive the acknowledgment they are due; they must turn on award shows and watch the endless accolades of achievement doled out to the mediocre and uninspired.
It is like watching a cup of instant coffee win the taste award year after year.  It's a depressing sentence.

On another level, I co-host a weekly jam in a New York City club whose name bears tribute to one of the great figures in American music.  Many of our friends and wonderfully talented colleagues join us in celebrating our community here, in perpetuating a certain tradition.  But nearly every week we are joined by someone who gives themselves a list of credits-- who gets up onstage and displays the musical flavor-profile of a water-cooler-style instant coffee.  Do they get this?  Are they listening?  I don't know.  Some of it is simple skill and practice.  Some of it is 'ear'-- the ability to discern what is good from what is merely adequate.  But much of it is simple failure to listen.  Can these people distinguish a freshly-grilled burger from a fast-food filler-patty?  I would think so.   But here they are, offering up the audio version of plastic food choices, sometimes via instruments which belonged to celebrities before them, which cost a small fortune, but sound cheap and misused.

Or is it that we are not just deaf but blind?  In this world of a billion pairs of fashion eyeglasses, people do not see themselves.  We have Beyonce-unlikes who flaunt themselves on the street-- women of age with enhanced lips and injected faces who choose to dress and behave like their own daughters.  I remember becoming 40-ish... I could see in the mirror I was turning like a late-summer leaf-- from a youngish woman to a mature one.  At first I was panicky and loathed myself-- discovered tricks of hair-color and make-up.  But then I began to realize it's not so bad-- I don't have to be beautiful all my life; it's time to focus on content.  I've been loved; I can still continue to love.  So I have left behind my girlhood; there is still the memory and the experience.  And now, I have long left behind my 40's and in photographs quite see the beauty I did not understand at the time.

Recently I had an accident on the subway steps; it wasn't too serious but I noticed my knee had somehow kept the memory of some old injury and was stubbornly refusing to heal itself.  It was reminding me of my past-- fiercely holding on to some long-forgotten fear and stress of pain-- maybe from my ballet days.   A friend of mine has had a cancer recurrence.. like a message from his body-- a voice-- a scar which was untended.

Late Monday night, after my gig, I watched St. Louis Blues on some free non-cable network.  This is the story of the great W.C. Handy-- his struggle with music.  Even the actors playing these roles-- Nat King Cole, Eartha Kitt--- Ruby Dee... had a kind of genius and exquisite talent we rarely see in our time.  The voice of Eartha Kitt-- unadorned, unadulterated-- those eyes-- I could not take my eyes from the screen.  The temporary blindness of W. C. Handy-- the depth of his musical nature-- how he nurtured and groomed this as he matured.  I think of my fellow musicians here--- even myself, with my handicaps and mediocrities-- how many thousands of nights we stood trying to understand ourselves onstage-- learning to listen and find our place in the music; how we suffer and starve-- me, the Princeton summa cum laude girl with the scholarships and accolades-- struggling to just be-- to let go of being loved, admired-- to be sometimes misjudged or slighted, hit on by club-owners and horn players--- chided, praised, cheated, marginalized and drowned out-- just for these moments of musical truth-- for my tiny contribution to something larger.  I am no genius; I am a cog, but I think I am finally a listening, genuine cog.

W.C. Handy had his retribution: parental forgiveness, restoration of sight-- great lifetime acknowledgment.  Not so for me-- I have my old scars, like the pain in my knee which will heal, telling my story, somehow inserting themselves into the music-- the experience, the joy, the sweat and truth we try so hard to convey, with tedious long years and words-- 2-track soundbites and voices ringing like old bells in the face of the Instagram wall that stands before us with ever more facile digital brickwork, every day.  And yet, I wouldn't trade a single analogue minute, old and scarred as I am, me and my vintage guitars, my scraps of paper and my dreams.

Sunday, February 11, 2018

Let the Games End

I don't know why the opening ceremony of the Olympics sort of gives me the shivers.  Maybe it's the color wash of pomp and nationalistic display that just seems so out of touch with the dull and miserable reality of the less fortunate population.  Puerto Rico is neglected; starvation and disease are rampant in so many places worldwide; the growing disparity between the haves and have-nots has never seemed so hideous.  The Korean culture itself--- the military parades and exhibitions of the North like a braggart's bluff-- the singing girls and the happy marchers... the reality of repression and forced obedience... the apparent moratorium on human rights that welcomes athletes from a hostile and hideous regime for what-- the spirit of competition?  I just don't get it.  It feels opportunistic and juvenile... some kind of #metoo madness.

Not to mention the pall cast over the gymnastic community which has colored yet another sport almost permanently.  Who protects those of our children who have been deemed special or uber-talented and marketable-- whose natural skills and talents have been parlayed into industries and fortunes not to mention a kind of national heroism?  As a young aspiring dancer, I could sense the thorns and perils even before I understood abuse and boundaries.  We each have instincts, but our ambitions so often triumph better judgment... as well as that of all those people on our path who close one eye when there is a huge pot of gold at the end of that rainbow.  Until the whistles blew.... and how many sports are now tainted by cover-ups, pay-offs, cheating, doping?  Does the best man/woman win?  Look at our elections.  Not only did we get the dark horse but we got a non-qualifier.  If politics was a sport our president would be limping at the starting-line with an ill-fitting uniform and no sponsors but his own sad brand.  Eisenhower might have been a good golfer but he was also a 5-star general.

What version of America shows up at these international competitions? The athletes are still young players in a kind of dream-- individuals with the drive and stamina to be the best they can be-- who put their skill on the line internationally for their nation-- but who are we?  A disorganized country with little focus except money-- an untrained leader whose familiarity with the 50 states came from watching the  Miss America pageant.  And now he wants a military parade-- this man who never fought a war or trained for one-- who throws around threats and battle-language like some kind of cartoon character.  The Monopoly president whose claim to office is an affirmation of the sad state of pop culture and the negation of human values.  We won't see his image on a bill or coin, but on a game-piece-- a gambling chip.  The man himself to me is an ever-expanding hot-air balloon-- the latest float at a Macy's parade...  to bring him down will take some strategy because he is not just a player but a cheater.  In the end, in my personal American dream--- to ultimately deflate the high-flying symbol of bloated greed and cartoon quackery will take a simple pin.

I can't help blaming the current flu epidemic on a certain emotional malaise among my American peers.  My friends and I have been mostly depressed since Election Day 2016.  Anything could take us down.  Few of us trust the medical system  to protect us against disease or to give a whit about healthcare beyond what profits the insurance and drug companies.  We do not get vaccinated; we get sick.  We are watching these games and athletics through feverish eyes, wondering at the lingering inequality of women in some sports, and worrying about the fate of the Korean cheerleaders and delegates.  Will they be punished?  Will there be defectors?  Why is South Korea so apparently recently solicitous of its evil Northern sister?

To me the two Koreas seem like a dysfunctional family; the South-- a beautiful place, ranked No.1 in the world in technological innovation-- so there is obvious talent and brilliance concentrated there-- a thing which might create envy in any family.  In the North-- repression is standard; starvation is rampant.  Students reputedly must buy their own desks and chairs to attend class, etc.  It is not a place that fosters creativity or joy... one pities the athletes who cannot possibly reap the rewards available to other nations-- win or lose.  It parallels my own sad family, in a way.... love has become impossible.. and although I neither respect nor admire my sister, she has used threats and fear to further alienate and weaken any family attachment I might have had.  She has forbidden her children to befriend me, although they have attempted defection... and now through force and might has conscripted the core and remaining fortune of my nuclear family so that even my own legacy will be withheld.  It is a game without rules; a rigged contest where the judges are the contestants, and there is one pre-arranged winner.

In this upside-down Trumped world where the jokers preside and justice sits on a bench with yesterday's stale sandwich, well... these villains will continue to steal the pie.  But for my true sisters of musical voice-- of pen and pencils and paint-- the filmmakers and innovators-- my teammates in life-- we will dance on their graves one day.  We will speak and write and sing and continue to raise our children with unconditional love.  We are out there-- on the streets-- in cornfields and in small homes... some of us coughing and barely able to board a public bus...  we wave to one another-- with some hope--  in our old clothing, with no medals or trophies but underneath it all,  a still-ticking American heart.

Sunday, January 21, 2018

Where There is a Will….

The passage of relative time is a perpetual surprise for me; the pool of my past is filling so quickly with years… I can remember well when it was near-empty and the sense of  'brink' was like a permanent slow companion.  Looking at images from yesterday's women's march I remembered how I lived around the corner from Jackie Kennedy in her young widowhood.  She came in and out like a movie star, was civil but not very friendly to neighbors.  Still, despite her aura and the unequivocal celebrity status that seemed somehow to protect her, she was visible and often took taxis like anyone else.  She'd occasionally sit by the Central Park zoo with her children or a friend; people seemed to respect her privacy, from sanitation workers to other socialites.  After all, she was part of maybe the most important American story of her era… and she'd moved on-- she'd stepped outside the drama and assumed life as a regular woman.  She had children-- she had a job.

My mom was close to her age, and like all American women of that generation, she was influenced by her style: the hair, the hats and sunglasses-- her tall, understated elegance.   But what so many of them had in common was this silent acceptance of their husband's infidelities.  My own father's were not as flagrant or exciting; they were not even always centered on other women.  But there was a sort of pact these women kept-- a tolerance for behaviors that undermined and insulted their dignity in some way… and yet they carried on. They had their hair done, their nails manicured,  they met friends for lunch and took taxis to meetings.  They volunteered at schools-- they played bridge and shopped.  But they exchanged few complaints about their marriages.  They were committed, they were locked in.  My own mother feared being alone and made so many concessions I both disrespected her submissiveness and admired her stoicism.  It was the other version of #metoo:  I'm a wife and mother-- my husband doesn't treat me the way I deserve, but I have a sense of dignity.  #metoo.

In the wake of the current epidemic of accountability and blame, of revelations of abuse, I think about the variations and B-sides of the trend.  My son tells me about men-- athletes he knows, who avoid fun and flirtation because they are so targeted, like starlets, by predatory women who plot to cry monster as soon as they entrap.  It's like a reverse #metoo.  And how about the betrayals-- those of us whose husbands cheated, slept with our friends and sisters-- our beloved life partners… and we left-- we had to leave-- the pain, the humiliation was intolerable?  We were not Jackie O or my mom, but women who needed to save our children from marital tension and reinvent ourselves.  #metoo.

On Jackie O's corner, when I was 20-ish, a beautiful boy used to stand between 5 and 6 every evening. I'd return home and he seemed to stare at me.  I thought maybe he was a stalker, or just waiting for a ride or a bus.  But one day, he left me a note… a love note.  He smiled while I read it… and waved.  I ignored him... but gradually he came closer… he rode the bus with me, did funny tricks and made me laugh.  He had this beautiful long blonde hair and different colored eyes, like a huskie.  It was inevitable that we would consummate this little flirtation… it was passionate and innocent.  Without clothes, he was angelic like a boy-- it went on for weeks, until my boyfriend came back from wherever he'd been… Later I learned he was only 17.  I'd actually committed some kind of violation of a minor-- this romantic little game we'd played out of pursuit and conquest.  I could have been prosecuted in some scenario as a predator.  #metoo.

I grew up a little sister.  I followed, worshipped, loved and occasionally feared my older sister.  She was conniving and manipulative; like all first-borns, she'd been the little princess and then had to share.  I gave her anything she wanted, to win her affection and maintain her trust.  I was loyal and lied for her.  She was often in trouble and I wanted to help.  At a certain point, she turned on me-- maligned and backstabbed and betrayed.  She wanted to regain her territory and I retreated-- moved on.  It's an old story-- either fight it out, tooth and nail, or find another place.  I made friends, created my own family.  I missed my mother-- her stoicism and old-school devotion to the fictional hearth of family.  She missed me, too.  Toward the end of her life, I couldn't stay away, despite the threats of my sister.  My mother read my heart and confided her fears and regrets and sorrows.  Now that she has passed, I have to manage the harsh consequences of my lack of involvement in their legal arrangements.  I am marginalized and passed over-- misunderstood and-- again, betrayed.  It is painful to receive this, and yet I know I must 'eat the document', as they say.  I find I am one of a legion of naive family members who are the victims of competitive siblings and a kind of justice of greed.  I am a sentimental party, and I will lose my right to inherit any thing of beauty to keep my mom close to me-- around my neck or on my dresser.  There are many of us, and we seem to be women without men to assert our rights with a loud, combative voice.  A 'will'… the document is called.  It seems to have none.  A won't.  #metoo.

We've lost children, we've been sick and no one showed up-- we've survived without child support, or any support… #metoo.  We've made mistakes with our children, and we've had no one to share in the joy they have given us…#metoo.  We grieve alone, we are misread, underacknowledged and passed over.  We grow old and have to make difficult choices… we remember the victories, the losses, the insults-- the love and the sex and the confessions and the lies, the satisfactions and the frustrations, the fresh beginnings and the hopelessness of the tide running out.  And yet we are still here-- me, my friends, my work… the legacies which may or may not mean something when we are gone… another kind of will.  I do…#metoo…

For several days I have wept out loud watching excerpts of the US Olympic gymnasts describe the disturbing abuse they endured under the guise of medical treatment.  This is not a new story, but the courtroom testimonials are devastating.  The #metoo movement has revealed that the greater majority of women have been subjected to mistreatment in one form or another.  When it targets our entire life's focus-- our dedication and dreams, our passion and talent-- it is that much more heinous and difficult.  I kept silent when I was attacked and threatened by a producer who had invited me to discuss the music I wrote which he had described as brilliant,  only to find he had another agenda.  It was humiliating and traumatizing, and I carried it in silence; I paid a price, and survived.  But what bothers me in the case of the gymnasts-- they were children.  Were their parents completely unaware? Their perfect proud mothers whose dreams were being realized by the prize-winning performance of offspring-- did they fail to rock the boat, did they disbelieve?  Did their daughters keep quiet because they feared disappointing their parents?  Can children actually be raised to keep these dangerous 'secrets' with their moms?  I know I was.  In the 1960's this would have fallen on deaf ears.  My sister acted out in ways that were beyond disturbing, but no one seemed to want to take her for help.  My own father suffered from paralyzing depressions and manic periods, and no one wanted to speak.  I asked to visit a shrink-- to discuss this-- and my Jackie O-esque mom ignored my plea-- what if it went on my perfect college transcript? For the siblings, friends and parents who fail to blow whistles, who worry about consequences and selfish ambition and fail to observe and protect their children… shame on you... #youtoo.

So while I am now excluded from family money because the truth-- awkward as it might have been--was my blood sibling,  I will always choose not to ally myself with the guilty.  Attached as they were to their agenda, they not only neglected to protect, but punished me.  I forgive my mom; she herself was marginalized and disrespected often, and did not have the courage to do anything but enable.  Here we are, horrified at the testimony of these young athletes… and failing to protect so many children in our midst.  We elected a president who is not only abusive to women but ignorant, bigoted and hateful.  What message is this sending?  My mom reached out to me late in life-- she confessed and apologized, opened her heart.  I will love her and miss her forever.  As for the rest of them.. there is karma, but there is also great injustice in the world; we can only try to leave a legacy of truth and compassion going forward… #metoo... our work has only just begun.

Wednesday, January 3, 2018

Closely Watched Trains

At 8 or 9 PM on New Year's Eve I generally try to phone one of my friends overseas where the year has begun in earnest.  It feels a little special-- as though we are bridging some time gap and violating some order-- me here in the past, getting ready to go to a gig, listening to the sounds of the future-- the singing and rowdy partygoers who have passed the finish line and have already begun to unwind and absorb the vaguely monotonous reality that 2018 or whatever year is not so different from 2017-- at least not yet.  My Norwegian friends were drunk and optimistic that we are all going to blow this one wide open.

Working as a musician on this night is a sort of brilliant copout.  I am not responsible for the success or failure of the party; there is no anticipated date, no dinner reservation or romantic disappointment-- just amps, microphones, music, dancing, alcohol and noise-making... and then I get paid and go home to my peaceful little uptown hideaway where I am relieved that the world passed another milestone without disaster, that there were no deaths in Times Square; the MTA is at least holiday-operative, and the global clock is still ticking.

The subway ride home at 4 AM January 1 is special.  Back in the 1980's public transportation was free on this night-- a gift to the city, so anyone could afford to get home somehow-- even those who had lost their wallets or spent every last dollar in bars and clubs.   I can remember being so poor as a student, we rode the train to Coney Island and back as our celebration; standing on the beach watching distant fireworks was intoxicating.  At some point full-fare was restored;  this year the extreme cold was the main topic...  it made things little extra festive-- we were all so relieved to be off the street and in a relatively warm car.  There was, of course, the prerequisite vomiter, the sleeping drunks... but mostly just revelers with their parties still in tow, stumbling in and out of train doors with paper hats and crowns and joy.

I am always relieved, these days, to go home after a gig-- relieved that there are no major disasters, no stage-pissing or broken bones, no lost chords or tuners-- and somehow this night I sensed the awkward-shaped package of 2017 tie itself off.  I felt clean-- unburdened of dread, and slightly lifted from the muddy ground of the old year which brought month after month of sad news-- death, illness and tragedy.  I was letting it go; or rather, it was releasing me.  Across the car from me was a twenty-something man with his knees drawn up,  skinny jeans down around his hips, designer underwear and bare back in full view.  Obviously he'd lost his coat-- he'd had a rough night.  The boys next to me began to try to wake him-- what should we do, they asked me, the obvious 'senior' passenger and designated mother? Let him sleep, I advised; he's safer in the warm car until he sobers up and can figure out his itinerary.... but they were adamant... he woke, the sleeper-- and in his dark wet eyes was the halo of narcotics.  He was angry-- defensive-- he was some kind of beautiful and non-gendered persona-- belligerent, wounded.  I could imagine he'd been personally traumatized-- disappointed or even abused just hours earlier; there was guilt in his attempt at defiance-- there was also resentment and old grief.  It took a few minutes until he recognized something behind my guitar case and my wraps...  a maternal presence;  on the verge of complicated tears, he at last confided his destination-- yes,  completely disoriented and traveling further and further from his Brooklyn home.  So we all put our January-1 heads together and mapped out a route with transfers and station-jumping so he could remain inside until the last exit.  A young couple took him across the platform at 42nd Street-- they hugged me as they departed the train.

There is always a great media-fuss made over the first baby of the year; inevitably in this huge city there is a birth shortly after midnight.  I realized, as I rode the rest of the way uptown, my train-mates were my newborns of 2018.  The sad, wounded coatless Brooklynite... the young couples with glitter-tattoos, the chef on his way to the morning shift at Mount Sinai, the tired bartender from Artichoke Pizza who plays upright bass and hopes for a career in music; he took his hat off as I left and let down his beautiful black hair-- with his lovely voice and hands-- I know he will be a star.

We humans begin to lose our memory as we collect time, but most of us seem to retain a special slot for 'firsts': the first day of school, the first dance, the first minute of pregnancy, first night we spent with almost every single lover-- even if it was also the last.  We can play back things-- the room, what he wore, the way he felt under the sheets... these things seem to persist somewhere, like a recurring dream.  And of course the moments with our children... even the difficult ones, when you are wracked with some fever or even labor, and your toddler is needing you to read to him.'

I played my  usual Monday gig, still in the spell of the new year, and returned home on the Q, realizing things were already dissolving into normalcy.  People were tired and cold, not many smiled or shared on the train or the platform.  Today I stopped for a coffee and finished my first book of the year, or really, the last of the past year-- a Salman Rushdie.  There was a little girl, nagging her father to read to her; he was distressed, searching his phone, pacing a bit...  she came over to me with her book, and her sad mouth, and I was nearly unable to read-- my voice cracking and nostalgic for the babies that were so grown up and the one that had not made it.  Here, I wanted to say to her father-- you have a clean slate.. what can be more urgent than this opportunity which fate can take from you any moment?  She leaned on me, this child, the way they do--with trust and affection, like a stray dog.

Tonight, January 2,  I wept in the cold-- for the already widening distance of the last year, for the missing children of my first day who are already lost in the city... for the lights, for the ghosts of the Christmas trees that lined the sidewalk on Lexington with hope and anticipation and now would be lying spent on the curb for sanitation pick-up, for the homeless men who must leave the warmth and light of the 96th Street library at 7 PM closing, for the crosstown bus driver who confessed he had no one to go home to after the night shift; for the passion and love and first nights of the past, the small family searching these buildings not so long ago for the home we discovered, for the emptiness of the future as a solitary woman who gleans from fruit vendors and thrift shops in a nondescript coat of non-recognition, trying to savor the grace of the beginning, while the world and time is thrusting us ever-forward.  We are prepared for the weather, some of us-- but not for whatever fate holds for us in the next onslaught of days and weeks and months.  I was so blindsided by 2017, trying hard to re-baptize myself into some incarnation of hope-- resolving, as we do, we perennials, to observe and honor what we are given, and to pray for another beginning when this one, too, has worn itself out.